Come, Thou Long Expected Jesus

Last updated
Come, Thou Long Expected Jesus
Christian hymn
Come, Thou long-expected Jesus.jpg
Occasion Advent
Text Charles Wesley
Meter8.7.8.7
Melody
Published1744 (1744)

"Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley. It is performed to one of several tunes, including "Stuttgart" (attr. to Christian Friedrich Witt), [1] "Hyfrydol" (by Rowland Prichard), [2] and "Cross of Jesus" (by John Stainer). The hymn is considered an enduring classic in Christian hymnody. [3] [4]

Contents

History

In 1744, Charles Wesley considered Haggai 2:7 and looked at the situation of orphans in the areas around him. He also looked at the class divide in Great Britain. [5] Through this train of thought, he wrote "Come, Thou long expected Jesus" based upon Haggai 2:7 and a published prayer at the time which had the words:

"Born Your people to deliver, born a child and yet a King, born to reign in us forever, now Your gracious kingdom bring. By Your own eternal Spirit, rule in all our hearts alone; by Your all sufficient merit, raise us to Your glorious throne. Amen." [6]

Wesley adapted this prayer into a hymn in 1744 and published it in his "Hymns for the Nativity of our Lord" hymnal. Wesley wrote "Come, Thou Long Expected Jesus" with the intent for people to remember Advent and Christmas as commemorating the Nativity of Jesus and preparing for the Second Coming. [7] [8]

Charles Wesley Charles Wesley.jpg
Charles Wesley

"Come, Thou Long Expected Jesus" was the first of a number of Wesley's hymns that became known as the "Festival hymns". These "Festival hymns" were published outside of Methodism by German, John Frederick Lampe in 1746. [7] The hymn came into popular knowledge across Christian denominations in England via popular Baptist preacher, Charles Spurgeon. Spurgeon made a Christmas sermon in London in 1855 when he was 21 and included sections of "Come thou long expected Jesus" in it. He did this to illustrate his point that very few are "born king" and that Jesus was the only one who had been born king without being a prince. [9] As a result of its growing popularity, including in the Church of England and American hymnals, it was first published in the Methodist Wesleyan Hymn Book in 1875 after having previously been excluded. [7] The original reason for exclusion was that there had been no officially suitable music intended for it before then. [10] In recent times, "Come, Thou Long Expected Jesus" has not been as well known as a Christmas Carol as others written around the same time. "Joy to the World" being one such example but "Come, Thou Long Expected Jesus" is still used to focus on the hope of the Second Coming of Jesus. [11]

The lyrics of "Come, Thou Long Expected Jesus" focus on God choosing to give a Messiah to the world in the form of Jesus. It also focusses on the Old Testament Israelites longing for the Messiah to come and take the burden of sins from them to take them upon himself. The last line of the first verse may have come from Wesley being inspired by 17th century philosopher; Blaise Pascal's claim that "There is a God shaped vacuum in the heart of every person that cannot be filled by any created thing, but only by God, the Creator." [11]

Music

"Come, Thou Long Expected Jesus" has been set to a number of tunes. It is not known which tune Wesley originally intended for the hymn[ clarification needed ], hence why it was excluded from the "Wesleyan Hymn Book", [10] but it is likely that the first tune it was set to was "Stuttgart" by Christian Friedrich Witt which had been written in 1716. A later tune used for it was "Hyfrydol", a Welsh tune written in the 1800s by Rowland Hugh Prichard, which is also used for Wesley's "Love Divine, All Loves Excelling". Both tunes are popular. [8] In the United Kingdom, the hymn is often set (e.g. in the Hymns Ancient and Modern series or the New English Hymnal ) to the 4-line tune "Cross of Jesus", by John Stainer, which he wrote as part of his oratorio The Crucifixion . [12]

Lyrics

The original text by Charles Wesley has two stanzas of eight lines each. These may also be divided into four stanzas of four lines each. [13]

Charles Wesley [14]

An additional 2 stanzas, by Mark E. Hunt, were inserted in the middle of the hymn and used in a version published in the 1990 Trinity Hymnal. [15]

Recorded versions

Chris Tomlin's version of "Come, Thou Long Expected Jesus" appears on his Christmas album Glory In the Highest: Christmas Songs of Worship . [16] On the compilation Love Divine: The Songs of Charles Wesley For Today's Generation released by Integrity Music in 2010, Brian Johnson also sang a version of "Come Thou Long Expected Jesus". [17] Fernando Ortega also recorded "Come, Thou Long Expected Jesus" on his 2011 album Christmas Songs. [18] Red Mountain Music has recorded a version of "Come, Thou Long Expected Jesus" which appears on their album Silent Night, and includes all four verses. [19] Meredith Andrews also recorded "Come Thou Long Expected Jesus" on her 2017 Christmas album Receive Our King. In Solid State Records’s compilation Midnight Clear is featured a cover of this hymn by Christian metal band Wolves at the Gate. A version of "Come, Thou Long Expected Jesus" also appears on the "A Worship Initiative Christmas, Vol 2" by Shane and Shane recorded in 2018.

See also

Related Research Articles

<span class="mw-page-title-main">Hymnal</span> Collection or book of religious hymns

A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook. They are used in congregational singing. A hymnal may contain only hymn texts ; written melodies are extra, and more recently harmony parts have also been provided.

<span class="mw-page-title-main">When I Survey the Wondrous Cross</span> English Christian hymn

The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b. The poetry of "When I survey…" may be seen as English literary baroque.

<span class="mw-page-title-main">Love Divine, All Loves Excelling</span> Christian hymn written by Charles Wesley

"Love Divine, All Loves Excelling" is a Christian hymn by Charles Wesley on Christian perfection. Judging by general repute, it is among Wesley's finest. Judging by its distribution, it is also among his most successful.

"Joy to the World" is an English Christmas carol. It was written in 1719 by the English minister and hymnwriter Isaac Watts, and its lyrics are a Christian reinterpretation of Psalm 98 and Genesis 3. The carol is usually sung to an 1848 arrangement by the American composer Lowell Mason.

<span class="mw-page-title-main">It Came Upon the Midnight Clear</span> 1849 literary work by Edmund Sears

"It Came Upon the Midnight Clear", sometimes rendered as "It Came Upon a Midnight Clear", is an 1849 poem and Christmas carol written by Edmund Sears, pastor of the Unitarian Church in Wayland, Massachusetts. In 1850, Sears' lyrics were set to "Carol", a tune written for the poem the same year at his request, by Richard Storrs Willis. This pairing remains the most popular in the United States, while in Commonwealth countries, the lyrics are set to "Noel", a later adaptation by Arthur Sullivan from an English melody.

<span class="mw-page-title-main">Hark! The Herald Angels Sing</span> Christmas carol

"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn's cantata Festgesang.

<span class="mw-page-title-main">Christ the Lord Is Risen Today</span> Christian hymn, Easter song by Charles Wesley

"Christ the Lord Is Risen Today" is a Christian hymn associated with Easter. Most of the stanzas were written by Charles Wesley, and the hymn appeared under the title "Hymn for Easter Day" in Hymns and Sacred Poems by Charles and John Wesley in 1739. The hymn eventually became well known for the "Alleluia" sung as a melisma after each line, which was added by an unknown author, probably to fit the commonly used hymn tune, "Easter Hymn". It remains a traditional processional hymn on Easter Sunday.

<span class="mw-page-title-main">Hyfrydol</span> Welsh hymn tune

Hyfrydol is a Welsh hymn tune that appears in a number of Christian hymnals in various arrangements. Composed by Rowland Prichard, it was originally published in the composer's handbook to the children's songbook Cyfaill y Cantorion in 1844. Prichard composed the tune before he was twenty years old.

<span class="mw-page-title-main">O Sacred Head, Now Wounded</span> Christian Passion hymn

"O Sacred Head, Now Wounded" is a Christian Passion hymn based on a Latin text written during the Middle Ages. Paul Gerhardt wrote a German version which is known by its incipit, "O Haupt voll Blut und Wunden".

<span class="mw-page-title-main">Come Thou Fount of Every Blessing</span> 18th-century Christian hymn

"Come Thou Fount of Every Blessing" is a Christian hymn written by the pastor and hymnodist Robert Robinson, who penned the words in the year 1758 at the age of 22.

<span class="mw-page-title-main">Es ist ein Ros entsprungen</span> Christmas carol and Marian Hymn of German origin

"Es ist ein Ros entsprungen" is a Christmas carol and Marian hymn of German origin. It is most commonly translated into English as "Lo, how a rose e'er blooming" and is also called "A Spotless Rose" and "Behold a Rose of Judah". The rose in the German text is a symbolic reference to the Virgin Mary. The hymn makes reference to the Old Testament prophecies of Isaiah, which in Christian interpretation foretell the Incarnation of Christ, and to the Tree of Jesse, a traditional symbol of the lineage of Jesus. Because of its prophetic theme, the hymn is popular during the Christian season of Advent.

<span class="mw-page-title-main">Holy, Holy, Holy! Lord God Almighty</span> Christian hymn written by Reginald Heber

"Holy, Holy, Holy! Lord God Almighty!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826).

"As with Gladness Men of Old" is an Epiphany hymn, written by William Chatterton Dix on 6 January 1859 (Epiphany) while he was ill in bed. Though considered by many as a Christmas carol, it is found in the Epiphany section of many hymnals and still used by many churches. The music was adapted by William Henry Monk in 1861 from a tune written by Conrad Kocher in 1838. The hymn is based on the visit of the Biblical magi in the Nativity of Jesus.

<span class="mw-page-title-main">And Can It Be</span> Christian hymn written by Charles Wesley

"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. The hymn celebrates personal salvation through the death and resurrection of Jesus, and is one of the most popular Methodist hymns today.

"Ermuntre dich, mein schwacher Geist" is a German Christmas carol with lyrics by Johann Rist and a melody by Johann Schop, first published in 1641. Historically it was contained in Protestant hymnals, but the current one, Evangelisches Gesangbuch, uses only three of its stanzas, the ninth, the second and the twelfth, titled "Brich an, du schönes Morgenlicht". This stanza was used by Johann Sebastian Bach as a chorale in Part II of his 1734 Christmas Oratorio.

<span class="mw-page-title-main">Lo! He comes with clouds descending</span> Christian hymn written by Charles Wesley

"Lo! He comes with clouds descending" is a Christian hymn by Charles Wesley (1707–1788), based on an earlier hymn, "Lo! He cometh, countless Trumpets" by John Cennick (1718–1755). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment. Considered one of the "Great Four Anglican Hymns" in the 19th century, it is most commonly sung to the tune Helmsley, first published in 1763.

<span class="mw-page-title-main">Sun of Unclouded Righteousness</span> 1758 Christian hymn

"Sun of Unclouded Righteousness" is a little-known 1758 Christian hymn written by Charles Wesley, the brother of John Wesley, the founder of Methodism. It was written as an intercessory hymn praying for the salvation of Muslims and calls for their conversion to Christianity. It had fallen out of use by around 1880.

<span class="mw-page-title-main">O Jesu Christe, wahres Licht</span> Lutheran hymn

"O Jesu Christe, wahres Licht" is a Lutheran hymn by the German Baroque poet, Lutheran minister and hymn-writer Johann Heermann. The text was first published in 1630 during the Thirty Years' War. It is a prayer for enlightenment of those who are ignorant, and of those who turned away. It was associated with a melody from Nürnberg, dating to 1676. The hymn is part of modern German hymnals, both Protestant and Catholic. It was translated to English as "O Christ, our true and only light".

"Morgenglanz der Ewigkeit" is a Christian hymn with German text originally by Christian Knorr von Rosenroth, written around 1690 and set to music for private devotion. It became known with a 1662 melody by Johann Rudolf Ahle. The song is part of modern German hymnals and songbooks. It was translated to English as "Come, Thou Bright and Morning Star", and as "Dayspring of Eternity".

References

  1. "Stuttgart". Hymnary.org. Retrieved 2015-11-26.
  2. "Evangelical Lutheran Worship 254. Come, thou long-expected Jesus". Hymnary.org. Retrieved 2015-11-26.
  3. Ray, Jerry (2005). World's Greatest Hymns: Piano Sheet Music Songbook Collection. Alfred Music. p. 106. ISBN   1-4574-4420-8.
  4. Bay, William (2010). Great Hymns for Guitar. Mel Bay Publications. p. 84. ISBN   978-1-60974-817-3.
  5. Collins, Ace (2006). "13: Come, Thou Long-Expected Jesus". More Stories Behind the Best-Loved Songs of Christmas . Zondervan. p.  102. ISBN   0-310-26314-X.
  6. David Baker (2014-10-03). "Reflection: Good news in a bad news world". Christian Today. Retrieved 2015-11-26.
  7. 1 2 3 "Come, Thou long expected Jesus". Hymnary.org. Retrieved 2015-11-26.
  8. 1 2 Mulder, John M.; Roberts, F. Morgan (2015). 28 Carols to Sing at Christmas. Wipf and Stock Publishers. p. 28. ISBN   978-1-4982-0682-2.
  9. Morgan, Robert J. (2010). Near to the Heart of God: Meditations on 366 Best-Loved Hymns. Revell. p. 366. ISBN   978-0-8007-3395-7.
  10. 1 2 Anderson, Eunice Wernecke (2005). Christmas Songs And Their Stories. Xlibris Corporation. p. 34. ISBN   1-4771-7651-9.
  11. 1 2 Brandon, Judy (2015-12-17). "Christmas' focus is that long wait is over". Clovis News Journal. Retrieved 2015-12-22.
  12. Howell, Lis (1 December 2016). The Chorister at the Abbey. Little, Brown Book Group. p. 274. ISBN   978-1-4721-2645-0 . Retrieved 20 March 2023.
  13. Wallace, Robin Knowles (October 1998). "Come, Thou Long Expected Jesus" (PDF). The Hymn . 49 (4).
  14. Wesley, Charles (1989). "196. Come, Thou Long-Expected Jesus". The United Methodist Hymnal. Nashville, TN: The United Methodist Publishing House.
  15. "Come, Thou Long-Expected Jesus". Hymnary.org. Retrieved 4 December 2015.
  16. Tomlin, Chris (2010). Chris Tomlin: Glory in the Highest: Christmas Songs of Worship. Hal Leonard Corporation. ISBN   978-1-935288-08-4.
  17. "Love Divine: The Songs of Charles Wesley For Today's Generation on Apple Music". Apple Music (iTunes . Apple Inc. December 5, 2010. Retrieved May 12, 2017.
  18. "Fernando Ortega - Christmas Songs". Today's Christian Music. Retrieved 2016-05-01.
  19. "Silent Night - Red Mountain Music". Red Mountain Music. Retrieved 2016-01-05.