Editors | Sir David Willcocks, Reginald Jacques, John Rutter and Bob Chilcott |
---|---|
Cover artist | Alfred Daniels; John Grandidge |
Language | English |
Publisher | Oxford University Press |
Publication date | 1961 (Vol 1) |
Publication place | United Kingdom |
Media type | Print (paperback) |
Pages | 360 (Vol 1) |
ISBN | 9780193532229 (Vol 1) |
Website | Carols for Choirs on OUP.com |
Carols for Choirs is a collection of choral scores, predominantly of Christmas carols and hymns, first published in 1961 by Oxford University Press. It was edited by Sir David Willcocks and Reginald Jacques, and is a widely used source of carols in the British Anglican tradition and among British choral societies. [1] A second volume was published in 1970, edited by David Willcocks and John Rutter, and the collection is now available in six volumes. A compendium edition was published later. In addition to music for Christmas, the collection also offers works that are suitable for other Christian festivals such as Advent and Epiphany.
The books contain commonly performed carols and their harmony arrangements, with descants from the editors (mainly Willcocks) which have become the de facto standard descants for these tunes in the Anglican communion in the UK. Most of the arrangements were originally written for use by the Choir of King's College, Cambridge or the Bach Choir in London.
Carols For Choirs was originally launched by the organist and music editor at Oxford University Press Christopher Morris. Whilst working at St George's, Hanover Square, he realised that church choirs lacked a definitive book of Christmas carols, and felt that a single book would be more convenient than using separate pieces of sheet music and hymn books. [2] Under his direction, the first book of Carols for Choirs was commissioned. The book was originally to be called Carols for Concerts. [3] To edit the collection, Morris enlisted David Willcocks, Director of Music at King's College, Cambridge, and Reginald Jacques, conductor of the Bach Choir. [4] The book was published in 1961, containing new arrangements of traditional carols, but it also popularised pieces by modern composers such as William Walton, Benjamin Britten, Richard Rodney Bennett, William Mathias and John Rutter. [5] Carols for Choirs was an instant success and became OUP Music Department's best-selling title, with over a million copies being sold. [2] OUP were keen to commission a second volume, but after the death of Jacques in 1969, a new editor had to be found to support Willcocks, and an undergraduate at Cambridge University, John Rutter, was recruited. Carols for Choirs 2 was published in 1970. [4]
The Carols For Choirs series have become standard choral texts throughout the English-speaking world and were highly influential; according to the composer John Rutter, they "changed the whole sound of Christmas for everybody who sings". [2] [5]
On 29 December 2021, it was announced that a new volume, Carols for Choirs 6, would be published in the summer of 2023. A poll was released to suggest the colour of the new book, the most popular colour being purple. [6] The volume was released on 13 July 2023, featuring fifty carols (both originals and arrangements).
Choir singers sometimes refer to the books by the colours of their covers, with the "green" and "orange" books (volumes 1 and 2) being the most widely used. [7] [8] The "blue" book (volume 3) contains a number of longer anthems. [9] A compendium volume called 100 100 Carols for Choirs (the "white" book) consisting of 74 of the most popular items from Carols for Choirs 1, 2 and 3, plus 26 pieces new to the series was published in 1987. It contains both accompanied and unaccompanied items, as well as the Order of Service for a Festival of Nine Lessons and Carols.
The "red" book (Volume 4) features fifty carols arranged for sopranos and altos. [10] Oxford University Press extended the series with volumes appropriate for other church seasons, such as Lent/Easter. [11] In July 2011, Oxford University Press published the fifth incarnation of the original series, Carols for Choirs 5, edited by composer Bob Chilcott, to celebrate the 50th anniversary of the publication of the first volume; it is presented in gold covers. [11]
Volume/number | Title | Composer/Source | Arrangement | Seasonal use |
---|---|---|---|---|
1. 1 | A Great and Mighty Wonder | Old German | Michael Praetorius (arr.) | Christmas |
1. 2 | Away in a Manger | William Kirkpatrick | David Willcocks (arr.) | Christmas |
1. 2b | Away in a Manger | Trad. Norman | Reginald Jacques (arr.) | Christmas |
1. 3 | A Boy was Born | Benjamin Britten | Christmas | |
1. 4 | As with Gladness Men of Old | Conrad Kocher | David Willcocks (arr.) | Christmas |
1. 5 | And there were Shepherds | Johann Sebastian Bach | David Willcocks (ed.) | Christmas |
1. 6 | A Virgin Most Pure | Trad. English | Charles Wood (arr.) | Christmas |
1. 7 | Angels, from the Realms of Glory | Old French | Reginald Jacques (arr.) | Christmas |
1.8 | A Christmas Carol | Trad. Hungarian | Zoltán Kodály (arr.) | Christmas |
1. 9 | Blessed be that Maid Mary | Trad English | David Willcocks (arr.) | Christmas |
1.10 | Ding Dong! Merrily on High | Traditional | Charles Wood (harm.) | Christmas |
1.11 | God Rest You Merry, Gentlemen | Trad. English | David Willcocks (arr.) | Christmas |
1.12 | Zither Carol | Trad. Czech | Malcolm Sargent (arr.) | Christmas |
1.13 | Good King Wenceslas | Piae Cantiones | Reginald Jacques (arr.) | Christmas |
1.14 | Hark! the Herald Angels Sing | Felix Mendelssohn | David Willcocks (arr.) | Christmas |
1.15 | In Dulci Jubilo | Robert Lucas Pearsall | Reginald Jacques (arr.) | Christmas |
1.16 | Infant Holy, Infant Lowly | Polish | David Willcocks (arr.) | Christmas |
1.17 | I Saw Three Ships | Trad. English | David Willcocks (arr.) | Christmas |
1.17 | I Saw Three Ships | Reginald Jacques | Christmas | |
1.18 | It Came Upon the Midnight Clear | Traditional | Arthur Sullivan (arr.) | Christmas |
1.19 | A Merry Christmas | Trad. English | Arthur Warrell (arr.) | Christmas |
1.20 | King Jesus Hath a Garden | Dutch | Charles Wood (harm.) | Christmas |
1.21 | Rocking | Czech | David Willcocks (arr.) | Christmas |
1.22 | Carol, with Lullaby | Phyllis Tate | Christmas | |
1.23 | Coventry Carol | Traditional | Christmas | |
1.23b | Coventry Carol | Traditional | Martin Shaw (arr.) | Christmas |
1.24 | No Sad Thought his Soul Affright | Ralph Vaughan Williams | Christmas | |
1.25 | O Little One Sweet | Old German | Johann Sebastian Bach (harm.) | Christmas |
1.26 | Adeste Fideles | Traditional | David Willcocks (arr.) | Christmas |
1.26b | O Come, All Ye Faithful | Traditional | David Willcocks (arr.) | Christmas |
1.27 | O Little Town of Bethlehem | Ralph Vaughan Williams | Thomas Armstrong (ed.) | Christmas |
1.28 | O men from the fields | Arnold Cooke | Christmas | |
1.29 | Sussex Carol | Traditional | David Willcocks (arr.) | Christmas |
1.30 | Once in Royal David's City | Henry J. Gauntlett | Arthur Henry Mann (harm.) | Christmas |
1.31 | Past three a clock | Traditional | Charles Wood (arr.) | Christmas |
1.32 | Rejoice and be merry | Trad. English | Reginald Jacques (arr.) | Christmas |
1.33 | See amid the winter's snow | John Goss | David Willcocks (arr.) | Christmas |
1.34 | Lute-book lullaby | W. Ballet | Martin Shaw (arr.) | Christmas |
1.35 | The linden tree carol | Old German | Reginald Jacques (arr.) | Annunciation / Christmas / Epiphany |
1.36 | The Blessed son of God | Ralph Vaughan Williams | Christmas | |
1.37 | The Boar's head carol | Trad English | Elizabeth Poston (arr.) | Christmas |
1.38 | The first Nowell | Trad. English | David Willcocks (arr.) | Christmas / Epiphany |
1.39 | The Holly and the Ivy | Trad. English | Reginald Jacques (arr.) | Lent / Christmas / Epiphany |
1.40 | The Three Kings | Peter Cornelius | Ivor Atkins (arr.) | Epiphany |
1.41 | The Shepherd's farewell | Hector Berlioz | Christmas | |
1.42 | Torches | John Joubert | Christmas | |
1.43 | Unto us is born a son | Piae Cantiones | David Willcocks | Christmas |
1.44 | Up! good Christen folk, and listen | Piae Cantiones | George Ratcliffe Woodward (arr.) | Christmas |
1.45 | We've been a while a-wandering | Trad. Yorkshire | Ralph Vaughan Williams (arr.) | Christmas |
1.46 | Gloucestershire Wassail | Traditional | Ralph Vaughan Williams (arr.) | Christmas |
1.47 | What cheer? | William Walton | Christmas | |
1.48 | When Christ was born | Reginald Jacques | Christmas | |
1.49 | While Shepherds Watched their Flocks by Night | Traditional | Thomas Ravenscroft (ed.) | Christmas |
1.50 | While the shepherds were watching | Cecil Armstrong Gibbs | Christmas | |
2. 1 | A babe is born I wys | Frederick Bainton | Christmas | |
2. 2 | A child is born in Bethlehem | Samuel Scheidt | David Willcocks (ed.) | Christmas |
2. 3 | Adam lay ybounden | Boris Ord | Christmas | |
2. 4 | All my heart this night rejoices | Johann Georg Ebeling | Christmas | |
2. 5 | All this time | William Walton | Christmas | |
2. 6 | Nativity carol | John Rutter | Christmas | |
2. 7 | Deck the Hall | Traditional (Welsh) | David Willcocks (arr.) | Christmas |
2. 8 | Ding Dong! Merrily on high | Traditional (French) | David Willcocks (arr.) | Christmas |
2. 9 | Down in yon forest | Traditional (English) | John Rutter (arr.) | Christmas |
2.10 | Shepherd's pipe carol | John Rutter | Christmas | |
2.11 | Hail! Blessed Virgin Mary | Traditional (Italian) | Charles Wood (arr.) | Christmas |
2.12 | Here we come a-wassailing | Traditional (English) | John Rutter (arr.) | Christmas |
2.13 | A new year carol | Benjamin Britten | Christmas | |
2.14 | How far is it to Bethlehem? | Traditional (English) | David Willcocks (arr.) | Christmas |
2.15 | Matin responsory | Adapted from a Magnificat by Palestrina | Advent | |
2.16 | Come, Thou Redeemer of the Earth | Traditional (German) | David Willcocks (arr.) | Advent / Christmas |
2.17 | Il est né le divin enfant | Traditional (French) | John Rutter (arr.) | Christmas |
2.18 | I saw a maiden | Anonymous (Basque Noel) | Edgar Pettman (arr.) | Christmas |
2.19 | Myn lyking | Richard R. Terry | Christmas | |
2.20 | I sing of a maiden | Patrick Hadley | Christmas | |
2.21 | It Came Upon the Midnight Clear | Arthur Sullivan | David Willcocks (desc.) | Christmas |
2.22 | The Cherry-Tree Carol | Traditional (English) | David Willcocks (arr.) | Christmas |
2.23 | Masters in this Hall | Traditional (French) | David Willcocks (arr.) | Christmas |
2.24 | Noël Nouvelet | Traditional (French) | John Rutter (arr.) | Christmas |
2.25 | Sans Day Carol | Traditional (Cornish) | John Rutter (arr.) | Christmas |
2.26 | Sir Christèmas | William Mathias | Christmas | |
2.27 | O Come, O Come Emmanuel | Traditional (15th century French Processional) | David Willcocks (arr.) | Christmas |
2.28 | The Shepherds' Cradle Song | Karl Leuner | Charles Macpherson (arr.) | Christmas |
2.29 | Of the Father's Heart Begotten | From Piae Cantiones | David Willcocks (arr.) | Christmas |
2.30 | The Twelve Days of Christmas | Traditional (English) | John Rutter (arr.) | Christmas |
2.31 | Once in Royal David's city | Henry Gauntlett, A. H. Mann | David Willcocks (arr.) | Christmas |
2.31 | Out of your Sleep | Richard Rodney Bennett | Christmas | |
2.33 | Past Three a Clock | Traditional (English) | John Rutter (arr.) | Christmas |
2.34 | Personent Hodie | German, 1360 | Gustav Holst (arr.) | Christmas |
2.35 | Quelle est cette odeur agréable | Traditional (French) | David Willcocks (arr.) | Christmas |
2.36 | Quem pastores laudavere | Traditional (14th century German) | John Rutter (arr.) | Christmas |
2.37 | Quittez, Pasteurs | Traditional (French) | John Rutter (arr.) | Christmas |
2.38 | Resonemus Laudibus | Traditional (14th century) | David Willcocks (arr.) | Christmas |
2.39 | The angels and the shepherds | Traditional (Bohemian) | C. H. Trevor (arr.) | Christmas |
2.40 | Stille Nacht | Franz Xaver Gruber | David Willcocks (arr.) | Christmas |
2.41 | The Infant King | Basque Noel | David Willcocks (arr.) | Christmas |
2.42 | There is no Rose | 15th century English | John Stevens (ed.) | Christmas |
2.43 | Gabriel's message | Basque Noel | David Willcocks (arr.) | Christmas |
2.44 | The Holly and the Ivy | English traditional | Walford Davies (arr.) | Christmas |
2.45 | The Lord at first did Adam make | English traditional | David Willcocks (arr.) | Christmas |
2.46 | The Truth from Above | English traditional | Ralph Vaughan Williams (arr.) | Christmas |
2.47 | Tomorrow shall be my Dancing Day | English traditional | David Willcocks (arr.) | Christmas |
2.48 | While shepherds Watched their Flocks | from Este's Psalter | David Willcocks (arr.) | Christmas |
2.49 | Patapan | Burgundian | Reginald Jacques (arr.) | Christmas |
2.50 | Zion hears the Watchmen's Voices | Johann Sebastian Bach | John Rutter (ed.) | Christmas |
2.Apx1 | Hark! The herald angels sing | Adapted from Felix Mendelssohn by W. H. Cummings | Christmas | |
2.Apx2 | O come, all ye faithful | John Francis Wade | Christmas | |
2.ps | An Advent Carol Service (order of service) | Advent | ||
3. 1 | A babe is Born | William Mathias | Christmas Day | |
3. 2 | A babe is Born in Bethlehem | German Traditional, arr. Johann Hermann Schein | Christmas | |
3. 3 | A Child this Day is Born | English Traditional, arr. David Willcocks | Christmas | |
3.28 | All in the Morning | English Traditional, arr. Ralph Vaughan Williams | Christmas | |
3.25 | Angel Tidings | Moravian Traditional, John Rutter | Christmas | |
3. 6 | Angelus ad Virginem | 14th century English, arr. David Willcocks | Advent / Christmas | |
3. 9 | Bethlehem, of Noblest Cities | 18th century German, arr. David Willcocks | Epiphany | |
3.36 | Birthday Carol | David Willcocks | Christmas | |
3.43 | Boar's Head Carol | English Traditional, arr. David Willcocks | Christmas | |
3.10 | Child in a Manger | Celtic Traditional, arr. John Rutter | Christmas | |
3.11 | Christ was Born on Christmas Day | German Traditional, arr. David Willcocks | Christmas | |
3.12 | Christe, Redemptor Omnium | Claudio Monteverdi | Christmas | |
3. 5 | Christmas Oratorio (3 extracts) | Johann Sebastian Bach | Christmas | |
3.13 | Come all you Worthy Gentlemen | English Traditional, arr. David Willcocks | Christmas | |
3.14 | Come, Rock the Cradle for Him | Psalteriolum Harmonicum, 1642 | Christmas | |
3.26 | Cradle Song | Flemish Traditional, arr. John Rutter | Christmas | |
3.50 | The Crown of Roses | Pyotr Ilyich Tchaikovsky | Christmas | |
3.15 | Deck the Hall | Welsh Traditional, arr. David Willcocks | Christmas | |
3.16 | Donkey Carol | John Rutter | Christmas | |
3. 7 | Flemish Carol | Flemish Traditional, arr. John Rutter | Christmas | |
3.42 | Gabriel's Message | Basque Traditional, arr. David Willcocks | Advent/ Christmas | |
3.17 | Hark! the Herald Angels Sing | Felix Mendelssohn, adapt. W. H. Cummings | Christmas | |
3.20 | He Smiles within his Cradle | Austrian Traditional, arr. David Willcocks | Christmas | |
3.21 | Hush! my Dear, Lie Still and Slumber | French Traditional, arr. David Willcocks | Christmas | |
3.23 | I Saw Three Ships | English Traditional, arr. John Rutter | Christmas | |
3.24 | Il est né le divin enfant | French Traditional, arr. David Willcocks | Christmas | |
3.27 | In Dulci Jubilo | German Traditional, arr. John Rutter | Christmas | |
3.22 | In the Bleak Mid-Winter | Gustav Holst | Christmas | |
3.19 | Jesus Child | John Rutter | Christmas | |
3.46 | King Herod and the Cock | William Walton | Holy Innocents | |
3.29 | King Jesus Hath a Garden | John Rutter | Christmas | |
3.48 | Kings of Orient | John Henry Hopkins, Jr., arr. David Willcocks | Epiphany | |
3.30 | Lo! He Comes with Clouds Descending | English Traditional, arr. David Willcocks | Advent | |
3.31 | O Come, All Ye Faithful | J. F. Wade | Christmas | |
3.32 | O Little Town of Bethlehem | Walford Davies | Christmas | |
3.33 | Omnis mundus jocundetur | Michael Praetorius | Christmas | |
3.35 | Once, as I Remember | Italian Traditional, arr. Charles Wood | Christmas | |
3.34 | Psallite Unigenito | Michael Praetorius | ||
3.37 | Salve Puerule | Marc-Antoine Charpentier | ||
3.39 | Shepherds, in the Field Abiding | French Traditional, arr. David Willcocks | Christmas | |
3.40 | Sing we to this Merry Company | 15th century English, ed. John Stevens | Christmas | |
3.38 | Star Carol | John Rutter | Christmas | |
3.41 | Stille Nacht | Franz Xaver Gruber, arr. Donald Cashmore | Christmas | |
3. 8 | Sunny Bank | Peter Hurford | ||
3. 4 | Susanni | Richard Rodney Bennett | Christmas | |
3.45 | There is no Rose | Benjamin Britten | Christmas | |
3.App.1 | This joyful Eastertide | Dutch Traditional, arr. Charles Wood | Easter | |
3.44 | Tryste Noel | Herbert Howells | Christmas | |
3.18 | Wexford Carol | Irish Traditional, arr. John Rutter | Christmas | |
3.47 | What Child is This? | English Traditional, arr. David Willcocks | Christmas | |
3.49 | What Sweeter Music | Richard Rodney Bennett | Christmas | |
4. 1 | Adeste Fideles | Willcocks | ||
4. 2 | Angels, from the Realms of Glory | Willcocks | ||
4. 5 | Away in a Manger | Kirkpatrick | Willcocks | |
4. 6 | The Cherry Tree Carol | Willcocks | ||
4. 7 | Coventry Carol | Rutter | ||
4. 8 | Deck the Hall | Rutter | ||
4. 9 | Ding Dong! Merrily on High | Willcocks | ||
4.10 | Donkey Carol | Rutter | ||
4.11 | The First Nowell | Willcocks | ||
4.13 | Gabriel's Message | Rutter | ||
4.14 | God Rest you Merry, Gentlemen (2 versions) | Willcocks | ||
4.15 | Good King Wenceslas | Piae Cantiones | arr. Willcocks | |
4.16 | Hail! Blessed Virgin Mary | Wood | ||
4.17 | Hark! the Herald Angels Sing (2 verses) | Mendelssohn | desc. Willcocks | |
4.18 | He Smiles within His Cradle | Willcocks | ||
4.19 | The Holly and the Ivy | Rutter | ||
4.20 | How Far is it to Bethlehem? | Willcocks | ||
4.21 | I Saw Three Ships | Willcocks | Christmas | |
4.22 | I Sing of a Maiden | Hadley | ||
4.23 | Il est né le divin enfant | Rutter | ||
4.24 | In Dulci Jubilo (4-part version) | Pearsall | ||
4.25 | In Dulci Jubilo (3-part version) Rutter | Pearsall | ||
4.26 | The Infant King | Rutter | ||
4.27 | It Came Upon the Midnight Clear | Sullivan | Willcocks | |
4.28 | King Jesus hath a Garden | Rutter | ||
4.30 | Lute-book Lullaby | Ballet | Rutter | |
4.31 | A Merry Christmas | Rutter | ||
4.32 | Nativity Carol | Rutter | ||
4.33 | A New Year Carol | Britten | ||
4.34 | O Come, all ye Faithful | Willcocks | ||
4.36 | O Little Town of Bethlehem | Willcocks | ||
4.37 | Once in Royal David's City (2 versions) | Gauntlett | Willcocks | |
4.38 | Past Three a Clock | Rutter | ||
4.39 | Personent Hodie | Rutter | ||
4.40 | Quelle est cette odeur agréable | Willcocks | ||
4.41 | 'Quem Pastores Laudavere' | Rutter | ||
4.42 | Rocking | Willcocks | ||
4.43 | See Amid the Winter's Snow | Goss | ed. Willcocks | |
4.44 | Shepherd's Pipe Carol | Rutter | ||
4.45 | Star Carol | Pont | Rutter | |
4.46 | Stille Nacht | Gruber | Rutter | |
4.47 | Sussex Carol | Willcocks | ||
4.48 | There is no Rose | Britten | ||
4.49 | Tomorrow Shall be my Dancing Day | Rutter | ||
4.50 | Unto us is Born a Son | Piae Cantiones | arr. Willcocks | |
4.51 | Up! Good Christen folk, and Listen | Piae Cantiones | ed. Woodward | |
4.52 | A Virgin Most Pure | Rutter | ||
4.53 | While Shepherds Watched | Willcocks |
A Christmas carol is a carol (a song or hymn) on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas and holiday season. The term noel has sometimes been used, especially for carols of French origin. Christmas carols may be regarded as a subset of the broader category of Christmas music.
A carol is a festive song, generally religious but not necessarily connected with Christian church worship, and sometimes accompanied by a dance. A caroller is someone who sings carols, and is said to be carolling.
Nine Lessons and Carols, also known as the Festival of Nine Lessons and Carols and Service of Nine Lessons and Carols, is a service of Christian worship traditionally celebrated on or near Christmas Eve in England. The story of the fall of humanity, the promise of the Messiah, and the birth of Jesus is told in nine short Bible readings or lessons from Genesis, the prophetic books and the Gospels, interspersed with the singing of Christmas carols, hymns and choir anthems.
Sir John Milford Rutter is an English composer, conductor, editor, arranger, and record producer, mainly of choral music.
Sir David Valentine Willcocks, was a British choral conductor, organist, composer and music administrator. He was particularly well known for his association with the Choir of King's College, Cambridge, which he directed from 1957 to 1974, making frequent broadcasts and recordings. Several of the descants and carol arrangements he wrote for the annual service of Nine Lessons and Carols were published in the series of books Carols for Choirs which he edited along with Reginald Jacques and John Rutter. He was also director of the Royal College of Music in London.
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn's cantata Festgesang.
Robert Lucas Pearsall was an English composer mainly of vocal music, including an elaborate setting of "In dulci jubilo" and the richly harmonic part song Lay a garland of 1840, both still often performed today. He spent the last 31 years of his life abroad, at first in Germany, then at a castle he bought in Switzerland.
Piae Cantiones ecclesiasticae et scholasticae veterum episcoporum is a collection of late medieval Latin songs first published in 1582. It was compiled by Jacobus Finno, a clergyman who was headmaster of the cathedral school at Turku. Publication was undertaken by Theodoricus Petri Rutha of Nyland, who lived from about 1560 to about 1630. He came from an aristocratic family in Finland, and was educated at Rostock.
"I Saw Three Ships (Come Sailing In)" is an English Christmas carol, listed as number 700 in the Roud Folk Song Index. The earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833. The song was probably traditionally known as "As I Sat On a Sunny Bank", and was particularly popular in Cornwall.
A responsory or respond is a type of chant in western Christian liturgies.
Sir Ivor Algernon Atkins was the choirmaster and organist at Worcester Cathedral from 1897 to 1950, and a friend of and collaborator with Edward Elgar. He is remembered for editing Allegri's Miserere with the famous top-C part for the treble. He is also well known for "The Three Kings", an arrangement of a song by Peter Cornelius. Atkins was also a composer of songs, church music, service settings and anthems.
The "Sussex Carol" is a Christmas carol popular in Britain, sometimes referred to by its first line "On Christmas night all Christians sing". Its words were first published by Luke Wadding, a late 17th-century poet and bishop of the Catholic Church in Ireland, in a work called Small Garland of Pious and Godly Songs (1684). It is unclear whether Wadding wrote the song or was recording an earlier composition.
"Resonet in laudibus" is a 14th-century Christmas carol which was widely known in medieval Europe, and is still performed today. Although probably earlier, in manuscript form it first appears in the Moosburg gradual of 1360 and occurs in several 15th, 16th and 17th century printed collections from both Catholic and Lutheran traditions.
"In dulci jubilo" is a traditional Christmas carol. In its original setting, the carol is a macaronic text of German and Latin dating from the Middle Ages. Subsequent translations into English, such as J. M. Neale's arrangement "Good Christian Men, Rejoice" have increased its popularity, and Robert Pearsall's 1837 macaronic translation is a mainstay of the Christmas Nine Lessons and Carols repertoire. J. S. Bach's chorale prelude based on the tune is also a traditional postlude for Christmas services.
Thomas Reginald Jacques was an English choral and orchestral conductor. His legacy includes various choral music arrangements, but he is not primarily remembered as a composer.
"The Three Kings", or "Three Kings From Persian Lands Afar", is a Christmas carol by the German composer Peter Cornelius. He set "Die Könige" for a vocal soloist, accompanied by Philip Nicolai's hymn "Wie schön leuchtet der Morgenstern", which he erroneously thought was an Epiphany hymn. In fact, it is an Advent hymn in which the morning star is an allegory for the arrival of Jesus, not the Star of Bethlehem. In Cornelius' original second setting, the accompaniment was played on a piano but the English organist Ivor Atkins later arranged the accompaniment for choir, with the choir singing the words of the original hymn. The German words have been translated into English by H.N. Bate. The carol describes the visit of the Biblical Magi to the Infant Jesus during the Nativity and is also used as an Epiphany anthem.
"Quempas" is the shortened title of the Latin Christmas carol "Quem pastores laudavere", popular in Germany in the sixteenth century, and used as a generic term for Christmas songs in a German caroling tradition. Quempas is also the name of a collection of old carols published by Bärenreiter since 1930.
The Oxford Book of Tudor Anthems is a collection of vocal scores of music from the Tudor era of England (c.1550-1625). It was published in 1978 by Oxford University Press and was compiled by the organist and publisher Christopher Morris (1922-2014), the editor of OUP who also was involved with the popular Carols for Choirs series of books in the 1970s. The preface was written by Sir David Willcocks.
"The Rocking Carol", also known as "Little Jesus, Sweetly Sleep" and "Rocking", is an English Christmas carol by Percy Dearmer. It was translated from Czech in 1928 and is performed as a lullaby to the baby Jesus.
The "Shepherd's Pipe Carol" is a modern Christmas carol composed by John Rutter. Rutter composed the carol whilst he was an undergraduate at university in 1966 with it being published a year later at the behest of David Willcocks.
Carols for Choirs, known affectionately as "the green book"
The 'orange book' is full of his arrangements