Nine Lessons and Carols | |
---|---|
Genre | Religious service/Anglican church music |
Venue | Christian churches worldwide, notably King's College Chapel, Cambridge |
Inaugurated | 24 December 1880 |
Founder | Edward White Benson |
Nine Lessons and Carols, also known as the Festival of Nine Lessons and Carols and Service of Nine Lessons and Carols, is a service of Christian worship traditionally celebrated on or near Christmas Eve in England. The story of the fall of humanity, the promise of the Messiah, and the birth of Jesus is told in nine short Bible readings or lessons from Genesis, the prophetic books and the Gospels, interspersed with the singing of Christmas carols, hymns and choir anthems.
Although the tradition of Nine Lessons and Carols is popularly associated with King's College, Cambridge, its origins are attributed to Truro Cathedral in Cornwall. Up to the late 19th century, the singing of Christmas carols was normally performed by singers visiting people's houses, and carols — generally considered to be secular in content — had been excluded from Christian worship. In the Victorian era, the rising popularity of hymnody encouraged church musicians to introduce carols into worship. An 1875 book of carols, Carols for Use in Church During Christmas and Epiphany by Richard Chope and Sabine Baring-Gould, was an influential publication. At around this time, the composer and organist John Stainer was compiling a collection, Christmas Carols New and Old, and during Christmas 1878 he introduced carols into the service of Choral Evensong at St Paul's Cathedral in London. [1] Other cathedrals also began to adopt carols at Christmastide that year and the Royal Cornwall Gazette reported that the choir of Truro Cathedral would sing a service of carols at 10:00 pm on Christmas Eve:
The Choir of the Cathedral will sing a number of carols in the Cathedral on Christmas Eve, the service commencing at 10pm. We understand that this is at the wish of many of the leading parishioners and others. A like service has been instituted in other cathedral and large towns, and has been much appreciated. It is the intention of the choir to no longer continue the custom of singing carols at the residences of members of the congregation.
Two years later, the Right Rev. Edward White Benson, at that time Bishop of Truro, conducted the first formal service of "Nine Lessons and Carols" on Christmas Eve (24 December) 1880. Benson, concerned at the excessive consumption of alcohol in Cornish pubs during the festive season, sought a means of attracting revellers out of the pubs and into church by offering a religious celebration of Christmas. The idea for a service consisting of Christmas music interspersed with Bible readings was proposed by the succentor of the cathedral, the Rev. George Walpole (who later became Bishop of Edinburgh). The cathedral — a Victorian gothic building — was still under construction, and services were being held in a temporary wooden structure which served as a pro-cathedral. The first Nine Lessons and Carols service took place there at 10:00 p.m. on Christmas Eve and was attended by over 400 people. [3] [4] [5]
Benson's son, A. C. Benson, later recalled:
My father arranged from ancient sources a little services for Christmas Eve, nine carols and nine tiny lessons. They were read by various officers of the church, beginning with a chorister and ending, through different grades, with the bishop.
Bishop Benson was appointed Archbishop of Canterbury in 1883, and the Nine Lessons service began to gain in popularity across the Church of England and the wider Anglican Communion, as well as Roman Catholic churches in England and Wales. The original liturgy has since been adapted and used by other churches all over the world, particularly in English-speaking countries. Lessons and Carols most often occur in Anglican churches. However, numerous Christian denominations have adopted the service, or a variation of it, as part of their Christmas celebrations. In the UK, the service has become the standard format for school carol services.
In 1916, a service of Nine Lessons and Carols was held at Brown University in Providence, Rhode Island; the institution celebrated the 100th anniversary of its Lessons and Carols in 2016. [7]
Notably in 1918, the Rev. Eric Milner-White the new dean of King's College, Cambridge, introduced the service to the college chapel, taking advantage of the established choral tradition of the Choir of King's College, Cambridge. It proved highly successful, and began an annual tradition — albeit with some alterations to Benson's original format from 1919 onwards. The BBC began to broadcast the service on the radio from 1928 and on television from 1954, establishing Carols from King's as the most popular and widely recognised presentation of the service. [8] [4]
In North America, the Lessons and Carols tradition spread to other US and Canadian institutions. In 1928, organist and choirmaster Twining Lynes, introduced the service to Groton School in Groton, Massachusetts, after being inspired by services in England. [9]
In Canada, the Festival of Nine Lessons and carols is done multilingually at Bishop's College School, Quebec, with the nine lessons read in nine languages or dialects.
In December 2013, Truro Cathedral staged a reconstruction of Bishop Benson's original 1880 Nine Lessons with Carols Service which was attended by a congregation of over 1,500 people. [5]
The first Festival of Nine Lessons and Carols at King's College, Cambridge, was held on Christmas Eve in 1918. During World War I the dean, Eric Milner-White, had served as army chaplain in the 7th Infantry Division and he was concerned that the distress of the "Great War" had hardened attitudes against religion. Taking advantage of the established choral tradition of the Choir of King's College, Cambridge, he introduced Benson's carol service to King's as a means of attracting people back to Christian worship. The first Nine Lessons service in King's College Chapel was held on Christmas Eve, 1918, directed by Arthur Henry Mann who was the organist from 1876 to 1929. [10]
The King's College service was immensely successful, and the following year Milner-White made some changes to Benson's original format, notably introducing the tradition of opening the service with a solo treble singing "Once in Royal David's City". This was then followed by a bidding prayer penned by Milner-White himself, and re-ordering the lessons. [8] [11] [4] The choir had 16 trebles as specified in statutes laid down by Henry VI, and until 1927 the men's voices were provided by choral scholars and lay clerks. Today, 14 undergraduates from the choir sing the men's parts. [10]
The popularity of the service was established when the service began to be broadcast by the British Broadcasting Corporation in 1928, and, except for 1930, has been broadcast every year since. During the 1930s the service reached a worldwide audience when the BBC began broadcasting the service on its Overseas Service. Even throughout the Second World War, despite the stained glass having been removed from the chapel and the lack of heating, the broadcasts continued. For security reasons, the name "King's" was not mentioned during wartime broadcasts. [10]
Nine Lessons and Carols from King's College was first televised by BBC Television in 1954, conducted by the director of music, Boris Ord. [12] [13]
Since the Second World War, it has been estimated that each year there are millions of listeners worldwide who listen to the service live on the BBC World Service. Domestically, the service is broadcast live on BBC Radio 4, and a recorded broadcast is made on Christmas Day on BBC Radio 3. [10] In the US, a 1954 service was put into the National Recording Registry by the Library of Congress in 2008. [14] The broadcast has been heard live on public radio stations affiliated with American Public Media since 1979, and most stations broadcast a repeat on Christmas Day. Since 1963, the service has been periodically filmed for television broadcast in the UK. [15] Presently, each year a programme entitled Carols from King's is pre-recorded in early or mid-December then shown on Christmas Eve in the UK on BBC Two and BBC Four. The programme is weighted more heavily in favour of carols sung by the choir, with only seven readings in total, not all of which are from the Bible.
In 2020, during the COVID-19 pandemic, the service was conducted, for the first time, without a congregation. [16] [17] The service did not take place live, but instead a pre-recorded service produced by King's College was broadcast at the usual time. [18] It was the first time since 1930 that the service had not been broadcast live.
The format of the Festival of Nine Lessons and Carols has not changed substantially since 1918. The order of the lessons was revised in 1919, since when the service has always begun with the hymn "Once in Royal David's City". [10] Today the first verse is sung unaccompanied by a solo boy chorister. To avoid putting him under undue stress, the chorister is not told that he will be singing the solo until immediately before the service. [19]
The nine lessons, which are the same every year, are read by representatives of the College and of the city of Cambridge using the text of the King James Version of the Bible published in 1611. The singing is made up of "carols" sung by the choir and "hymns" sung by the choir and congregation. Some services have also included anthems sung between the carols and hymns, such as a performance of "E'en So, Lord Jesus, Quickly Come" in 2004. [20] Since 1983, a new carol has been commissioned by the College and premiered at the service. The carols vary from year to year, although some music is repeated, and the service ends with the hymn "Hark! The Herald Angels Sing". The order of service in 2023 was as follows: [21]
The table below shows the new carols commissioned by King's College, Cambridge, since 1983.
Year | Title of carol | Author/source and composer |
---|---|---|
1983 | In Wintertime[ citation needed ] (When Thou Wast Born in Wintertime) | Words: Betty Askwith Music: Lennox Berkeley |
1984 | One Star, At Last[ citation needed ] (Fix on One Star) | Words: George Mackay Brown Music: Peter Maxwell Davies |
1985 | Illuminare Jerusalem [22] | Words: Adapted from the Bannatyne Manuscript [23] Music: Judith Weir |
1986 | Nowel, Nowel, Holly Dark[ citation needed ] | Words: Walter de la Mare Music: Richard Rodney Bennett |
1987 | What Sweeter Music Can We Bring [24] | Words: Robert Herrick Music: John Rutter |
1988 | The Birthday of Thy King[ citation needed ] (Awake, Glad Heart, Get up, and Sing!) | Words: After Henry Vaughan Music: Peter Sculthorpe |
1989 | Carol of St. Steven[ citation needed ] | Words: Adapted from William Sandys Music: Alexander Goehr |
1990 | Богородице Дево, радуйся [25] (Rejoice, O Virgin Mary) | Words: Eastern Orthodox liturgy (in Russian) Music: Arvo Pärt |
1991 | A Gathering[ citation needed ] | Words: Lancelot Andrewes Music: John Casken |
1992 | Swetë Jesu[ citation needed ] | Words: Anonymous, 13th century Music: Nicholas Maw |
1993 | Christo Paremus Cantica[ citation needed ] | Words: Anonymous, 15th century Music: Diana Burrell |
1994 | The Angels[ citation needed ] (Should you Hear them Singing Among Stars) | Words: John V. Taylor Music: Jonathan Harvey |
1995 | Seinte Marie Moder Milde[ citation needed ] | Words: 13th century manuscript in the library of Trinity College, Cambridge Music: James MacMillan |
1996 | Pilgrim Jesus[ citation needed ] (Iesus! Christus! In the Manger of my Body) | Words: Kevin Crossley-Holland Music: Stephen Paulus |
1997 | The Fayrfax Carol [26] | Words: Anonymous, early Tudor Music: Thomas Adès |
1998 | Winter Solstice Carol [27] | Words: English translation of the Magnificat antiphon for Christmas Day Music: Giles Swayne |
1999 | On Christmas Day to My Heart [28] | Words: Clement Paman Music: Richard Rodney Bennett |
2000 | The Three Kings [29] | Words:Dorothy L. Sayers Music: Jonathan Dove |
2001 | Spring in Winter [22] | Words: Christopher Smart Music: John Woolrich |
2002 | The Angel Gabriel Descended to a Virgin [30] | Words: 15th–17th century Music: Robin Holloway |
2003 | The Gleam [31] (Not yet shepherds the gilded kings) | Words: Stephen Plaice Music: Harrison Birtwistle |
2004 | God Would be Born in Thee [32] [33] (Lo, In the Silent Night a Child in God is Born) | Words: Angelus Silesius Music: Judith Bingham |
2005 | Away in a Manger [24] | Words: 19th century Music: John Tavener |
2006 | Misere' Nobis [34] (Jesu of a Maiden Thou Wast Born) | Words: English mediaeval carol Music: Mark-Anthony Turnage |
2007 | Noël (Now Comes the Dawn) [25] (Stardust and Vaporous Light) | Words: Richard Watson Gilder Music: Brett Dean |
2008 | Mary (The Night When She First Gave Birth) [35] | Words: Bertolt Brecht, translated by Michael Hamburger Music: Dominic Muldowney |
2009 | The Christ Child [36] | Words: G. K. Chesterton Music: Gabriel Jackson [37] |
2010 | Christmas Carol (Offerings They Brought of Gold) | Words: Einojuhani Rautavaara, translated by Hanni-Mari and Christopher Latham Music: Einojuhani Rautavaara [38] |
2011 | Christmas Hath a Darkness | Words: Christina Rossetti Music: Tansy Davies [39] |
2012 | Ring Out, Wild Bells | Words: Alfred, Lord Tennyson Music: Carl Vine [40] |
2013 | Hear the Voice of the Bard | Words: William Blake Music: Thea Musgrave [41] |
2014 | De Virgine Maria | Words: 12th-century Latin, translated by Ronald Knox Music: Carl Rütti |
2015 | The Flight | Words: George Szirtes Music: Richard Causton [42] |
2016 | This Endernight | Words: Anonymous c. 1400 Music: Michael Berkeley [43] |
2017 | Carol Eliseus | Words: Welsh Music: Huw Watkins [44] |
2018 | O Mercy Divine | Words: Charles Wesley [45] Music: Judith Weir [46] |
2019 | The Angel Gabriel | Words: Sabine Baring-Gould Music: Philip Moore [47] |
2020 | No new commission [48] | |
2021 | There is no Rose | Words: 15th century Music: Cecilia McDowall [49] |
2022 | Angelus ad Virginem | Words: Mediaeval Music: Matthew Martin [50] |
2023 | The Cradle | Words: Anonymous, 17th century Austrian, translated by Robert Graves Music: Cheryl Frances-Hoad [51] |
2024 | Three Points of Light | Words: Peter Cairns Music: Grayston Ives [52] |
Organ postludes have also been commissioned in certain years, as shown in the table below.
Year | Title of postlude | Composer |
---|---|---|
2005 | Improvisation on "Adeste Fideles" [24] | Francis Pott |
2006 | Recessional on "In the Bleak Midwinter" [34] | Lionel Steuart Fothringham |
2007 | Sortie on "In Dulci Jubilo" [25] | David Briggs |
Attendance at the Festival of Nine Lessons and Carols held on Christmas Eve is now by ticket only, many of which are allocated by public ballot; standby tickets are also made available to those who applied for in the ballot. [53] Owing to the service's popularity, demand for seats greatly exceeds the number of tickets available. In previous years, when tickets were available at the door, some people began queuing the night before, [54] but now only those with standby tickets are permitted to stand in the queue. [53]
King's College, formally The King's College of Our Lady and Saint Nicholas in Cambridge, is a constituent college of the University of Cambridge. This college lies beside the River Cam and faces out onto King's Parade in the centre of the city.
A Christmas carol is a carol (a song or hymn) on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas and holiday season. The term noel has sometimes been used, especially for carols of French origin. Christmas carols may be regarded as a subset of the broader category of Christmas music.
Sir John Milford Rutter is an English composer, conductor, editor, arranger, and record producer, mainly of choral music.
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.
Sir Stephen John Cleobury was an English organist and music director. He worked with the Choir of King's College, Cambridge, where he served as music director from 1982 to 2019, and with the BBC Singers.
Sir David Valentine Willcocks, was a British choral conductor, organist, composer and music administrator. He was particularly well known for his association with the Choir of King's College, Cambridge, which he directed from 1957 to 1974, making frequent broadcasts and recordings. Several of the descants and carol arrangements he wrote for the annual service of Nine Lessons and Carols were published in the series of books Carols for Choirs which he edited along with Reginald Jacques and John Rutter. He was also director of the Royal College of Music in London.
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn's cantata Festgesang.
"O Come, All Ye Faithful", also known as "Adeste Fideles", is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786), John Reading (1645–1692), King John IV of Portugal (1604–1656), and anonymous Cistercian monks. The earliest printed version is in a book published by Wade. A manuscript by Wade, dating to 1751, is held by Stonyhurst College in Lancashire.
Harold Edwin Darke was an English composer and organist. He is particularly known for his choral compositions, which are an established part of the repertoire of Anglican church music. Darke had a fifty-year association with the church of St Michael, Cornhill, in the City of London.
Boris Ord, was a British organist and choirmaster of King's College, Cambridge (1929-1957). During World War II he served in the Royal Air Force. He is best known for his choral setting of Adam lay ybounden, his only published composition.
Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry Gauntlett discovered the poem and set it to music.
Carols for Choirs is a collection of choral scores, predominantly of Christmas carols and hymns, first published in 1961 by Oxford University Press. It was edited by Sir David Willcocks and Reginald Jacques, and is a widely used source of carols in the British Anglican tradition and among British choral societies. A second volume was published in 1970, edited by David Willcocks and John Rutter, and the collection is now available in six volumes. A compendium edition was published later. In addition to music for Christmas, the collection also offers works that are suitable for other Christian festivals such as Advent and Epiphany.
The Choir of King's College, Cambridge is an English Anglican choir. It was created by King Henry VI, who founded King's College, Cambridge, in 1441, to provide daily singing in his Chapel, which remains the main task of the choir to this day.
The "Sussex Carol" is a Christmas carol popular in Britain, sometimes referred to by its first line "On Christmas night all Christians sing". Its words were first published by Luke Wadding, a late 17th-century poet and bishop of the Catholic Church in Ireland, in a work called Small Garland of Pious and Godly Songs (1684). It is unclear whether Wadding wrote the song or was recording an earlier composition.
Sir Philip Stevens Ledger, CBE, FRSE was an English classical musician, choirmaster and academic, best remembered as Director of the Choir of King's College, Cambridge in 1974–1982 and of the Royal Scottish Academy of Music and Drama from 1982 until he retired in 2001. He also composed choral music and played the organ, piano and harpsichord.
"In dulci jubilo" is a traditional Christmas carol. In its original setting, the carol is a macaronic text of German and Latin dating from the Middle Ages. Subsequent translations into English, such as J. M. Neale's arrangement "Good Christian Men, Rejoice" have increased its popularity, and Robert Pearsall's 1837 macaronic translation is a mainstay of the Christmas Nine Lessons and Carols repertoire. J. S. Bach's chorale prelude based on the tune is also a traditional postlude for Christmas services.
Dr. Arthur Henry Mann, known affectionately as "Daddy Mann", was an English organist, choirmaster, teacher and composer who served as Director of Music at King's College Chapel, Cambridge, for more than 50 years.
"The Three Kings", or "Three Kings From Persian Lands Afar", is a Christmas carol by the German composer Peter Cornelius. He set "Die Könige" for a vocal soloist, accompanied by Philip Nicolai's hymn "Wie schön leuchtet der Morgenstern", which he erroneously thought was an Epiphany hymn. In fact, it is an Advent hymn in which the morning star is an allegory for the arrival of Jesus, not the Star of Bethlehem. In Cornelius' original second setting, the accompaniment was played on a piano but the English organist Ivor Atkins later arranged the accompaniment for choir, with the choir singing the words of the original hymn. The German words have been translated into English by H.N. Bate. The carol describes the visit of the Biblical Magi to the Infant Jesus during the Nativity and is also used as an Epiphany anthem.
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