Come an' Get It

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One thing I always get asked about is the snake's mouth. At the time it just felt right to give it, how should I say, “a sexual element”. I felt some apprehension at first to how it would be received and if it would be acceptable. I felt that in the context of all the elements “Come An' Get It," apple, temptation, seduction it all seemed to work. Thankfully it worked and gave the piece an edge. The American market though thought differently and apparently, the mouth was airbrushed out!!

The 2007 EMI reissue redesigned the mouth to more closely resemble a regular snake's tongue.

Commercial performance

At its debut, Come an' Get It debuted at No. 2 in the UK chart, the highest debut in the band's discography ever in their native country, but was prevented from the top spot over Adam and the Ants' Kings of the Wild Frontier . It eventually stayed 23 weeks up in the charts. The album charted on 7 countries, with Finland charting on No. 3, Germany on No. 20, Japan on No. 41, Norway on No. 26, and Sweden on No. 24. In the US, it only debuted on the Billboard 200 chart at No. 151 and kept showing for 6 weeks, unlike the moderate successes of their previous album 'Ready an' Willing' that formerly stayed for a total of 16 weeks at that time in 1980.

The album was certified by BPI within silver status on 27 April 1981, eventually reaching gold (100,000 copies) on 16 September 1981. The album also received a gold award by RIAJ in 1981, making the band's very first certification outside their native country.

Touring

The band first embarked on a promotional supporting tour on 14 April 1981. [11] The act headlined Billy Squier's 1981 "Don't Say No" album at that time. They were then joined by headlining British heavy metal band Judas Priest, "World Wide Blitz Tour" alongside other acts with Iron Maiden and Foghat in July through August, respectively. [11] [12] The tour also included their very first appearance in Monsters of Rock performance at Castle Donington on 22 August 1981 headlined by AC/DC. The tour would come to an end on 12 December 1981 at Stadthalle Freiburg located at Freiburg im Breisgau, Germany, lasting for an approximate five months. [13]

Track listing

Come an' Get It
ComeAnGetIt.jpg
Studio album by
Released6 April 1981
RecordedJuly – September 1980,
January 1981
Studio Startling Studios, Tittenhurst Park, Ascot, England
Genre
Length40:24
Label Mirage/Atlantic (North America)
Polydor (Japan)
Liberty (Rest of the world)
Producer Martin Birch
Whitesnake chronology
Live...in the Heart of the City
(1980)
Come an' Get It
(1981)
Saints & Sinners
(1982)
Singles from Come an' Get It
  1. "Don't Break My Heart Again"
    Released: March 1981 [1]
  2. "Would I Lie to You"
    Released: May 1981 [2]
Side one
No.TitleWriter(s)Length
1."Come an' Get It" David Coverdale 3:59
2."Hot Stuff"Coverdale, Micky Moody 3:22
3."Don't Break My Heart Again"Coverdale4:03
4."Lonely Days, Lonely Nights"Coverdale4:16
5."Wine, Women an' Song"Coverdale, Moody, Bernie Marsden, Neil Murray, Jon Lord, Ian Paice 3:45
Side two
No.TitleWriter(s)Length
6."Child of Babylon"Coverdale, Marsden4:48
7."Would I Lie to You"Coverdale, Moody, Marsden4:29
8."Girl"Coverdale, Marsden, Murray3:55
9."Hit an' Run"Coverdale, Moody, Marsden3:23
10."Till the Day I Die"Coverdale4:23
2007 remastered bonus tracks
No.TitleWriter(s)Length
11."Child of Babylon" (Alternate rough mix)Coverdale, Marsden4:28
12."Girl" (Alternate version/rough mix)Coverdale, Marsden, Murray4:07
13."Come an' Get It" (Rough mix)Coverdale3:59
14."Lonely Days, Lonely Nights" (Alternate version/rough mix)Coverdale4:13
15."Till the Day I Die" (Rough mix)Coverdale4:44
16."Hit an' Run" (Backing track)Coverdale, Moody, Marsden3:18

Personnel

Credits are adapted from the album's liner notes. [14] [15]

Whitesnake
Technical
Design
  • Malcolm "Magnet" Horton - illustration, album art, cover concept development, artwork co-ordination
  • Fin Costello - photography
Reissue
  • David Coverdale & Michael McIntyre - producer
  • Jo Brooks, Libby Jones, & Nigel Reeve - project and A&R co-ordination (in retrospect for EMI)
  • Koh Hasebe & Paul Cox - additional photos
  • Geoff Barton - sleeve notes
  • Hugh Gilmour - artwork remastering
  • Peter Mew - remastering (at Abbey Road Studios in London)

Charts

Certifications

RegionCertification Certified units/sales
Japan (RIAJ) [25] Gold100,000^
United Kingdom (BPI) [26] Gold100,000^

^ Shipments figures based on certification alone.

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