In art, a commission is the act of requesting the creation of a piece, often on behalf of another. Artwork may be commissioned by private individuals, by the government, or businesses. Commissions often resemble endorsement or sponsorship.
In classical music, ensembles often commission pieces from composers, where the ensemble secures the composer's payment from private or public organizations or donors.
Throughout history, it has been common for rulers and governments to commission public art as a means of demonstrating power and wealth, or even for specific propaganda purposes.
In ancient Rome, large architectural projects were commissioned as symbols of imperial glory. The Roman Colosseum for example, was commissioned by Emperor Vespasian. Public statuary was widespread, depicting mythical and heroic figures. The frieze that is carved into the Marcus Column, located at the Campus Martius, depicts the figure of Victory, and would have been commissioned to honour successful military campaigns waged by Marcus Aurelius. [1] Ancient Roman culture was anti-intellectual and held artists in low esteem, in contrast to ancient cultures such as the Greek [2] or Babylonian. Despite this, the sheer amount of surviving artworks commissioned at the height of the Roman Empire testify to the rulers' view that art could influence public opinion.
During the Renaissance, visual art flourished in the cities of Italy due to the patronage of wealthy merchants and government officials, such as Cesare Borgia. Leonardo da Vinci earned steady commissions for artwork ranging from paintings (such as the Virgin of the Rocks for the Church of San Francisco Grande), to murals ( The Last Supper for the monastery church of Santa Maria della Grazia), to sculptures (the Gran Cavallo at Sforza). [3] The most famous commissioned artwork of the Renaissance may be the Sistine Chapel ceiling at the Vatican, painted by Michelangelo as a commission for Pope Julius II.
Today, public artworks may be commissioned by benefactors who wish to donate the artwork to a city as a gift to the public. "Famine" (1997), a series of sculptures by Rowan Gillespie depicting victims of the Great Famine, was commissioned by Norma Smurfit and donated to the city of Dublin, Ireland. The harrowing memorial has brought other commissions to Gillespie, who has created companion sculptures for the cities of Toronto [4] and Boston.
According to US copyright law, copyright holders have the sole right to distribute derivative works based on an original creation. This includes commissioned fan art, which is not in itself fair use. Sales of commissioned copyrighted material requires permission of the copyright owner. The US also has agreements with most other countries regarding copyright and most respect each other's copyright laws. A full list of countries that comply with US Copyright law and other information about US Copyright law can be found on the US Government's Copyright law website. [5]
An art gallery or dealer "processes" the artist's work usually resulting in a sale of the artworks on the artist's behalf. The dealer or art gallery then typically takes a percentage of the price. This portion is called the gallery's "commission". The remainder of the proceeds goes to the artist. In this way, the gallery or dealer is not only the middleman but obliquely takes the role of "patron" in that it provides representation, housing of artworks, marketing and income for the artist.
Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanist ideal, and his collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo.
The Uffizi Gallery is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.
The Vatican Museums are the public museums of Vatican City, enclave of Rome. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employs 640 people who work in 40 different administrative, scholarly, and restoration departments.
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started between 1490 and 1500, and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the mutinous army of Charles V, Holy Roman Emperor, or about 1530. The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In the 21st century, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works.
The Vitruvian Man is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. It was described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization". Although not the only known drawing of a man inspired by the writings of Vitruvius, the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the High Renaissance.
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy remained an important centre, not only of the Carolingian art, Ottonian art of the Holy Roman Emperors, Norman art, but for the Byzantine art of Ravenna and other sites.
The Virgin of the Rocks, sometimes the Madonna of the Rocks, is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant details. The version generally considered the prime version, the earlier of the two, is unrestored and hangs in the Louvre in Paris. The other, which was restored between 2008 and 2010, hangs in the National Gallery, London. The works are often known as the Louvre Virgin of the Rocks and London Virgin of the Rocks respectively. The paintings are both nearly 2 metres high and are painted in oils. Both were originally painted on wooden panels, but the Louvre version has been transferred to canvas.
John Byrne is an Irish artist born in Belfast, Northern Ireland, now living and working in Dublin.
The Annunciation is a painting widely attributed to the Italian Renaissance artist Leonardo da Vinci, dated to c. 1472–1476. Leonardo's earliest extant major work, it was completed in Florence while he was an apprentice in the studio of Andrea del Verrocchio. The painting was made using oil and tempera on a large poplar panel and depicts the Annunciation, a popular biblical subject in 15th-century Florence. Since 1867 it has been housed in the Uffizi in Florence, the city where it was created. Though the work has been criticized for inaccuracies in its composition, it is among the best-known portrayals of the Annunciation in Christian art.
The Adoration of the Magi is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of San Donato in Scopeto in Florence in 1481, but he departed for Milan the following year, leaving the painting unfinished. It has been in the Uffizi Gallery in Florence since 1670.
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
Saint Michael Vanquishing Satan is a painting by the Italian High Renaissance artist Raphael. It shows the archangel Michael standing on top of Satan's back with his right foot. The painting was commissioned by Pope Leo X and has been located in the Louvre in Paris since 1667.
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made.
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas.
Rowan Fergus Meredith Gillespie is an Irish bronze casting sculptor of international renown. Born in Dublin to Irish parents, Gillespie spent his formative years in Cyprus.
The Equestrian Statue of Gattamelata is an Italian Renaissance sculpture by Donatello, dating from 1453, today in the Piazza del Santo in Padua, Italy. It portrays the condottiere Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. It is the first full-size equestrian statue of the Italian Renaissance.
Salvator Mundi is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's, who sold the work in 2017, stated that most leading scholars consider it an original work by Leonardo, but this attribution has been disputed by other leading specialists, some of whom propose that he only contributed certain elements; and others who believe that the extensive restoration prevents a definitive attribution.
Leonardo da Vinci's Mona Lisa is one of the most recognizable and famous works of art in the world, and also one of the most replicated and reinterpreted. Mona Lisa replicas were already being painted during Leonardo's lifetime by his own students and contemporaries. Some are claimed to be the work of Leonardo himself, and remain disputed by scholars. Prominent 20th-century artists such as Marcel Duchamp and Salvador Dalí have also produced derivative works, manipulating Mona Lisa's image to suit their own aesthetic. Replicating Renaissance masterpieces continues to be a way for aspiring artists to perfect their painting techniques and prove their skills.
The Rearing Horse and Mounted Warrior or Budapest horse is a bronze sculpture attributed to Leonardo da Vinci. Depicting Francis I of France on a destrier horse, it is estimated to have been cast from a clay or wax model in the first half of the 16th century. The sculpture is in the permanent exhibit of the Budapest Museum of Fine Arts.
Food art is a type of art that depicts food, drink, or edible objects as the medium or subject matter of an artistic work to create an attractive visual display or provide social critique. It can be presented in two-dimensional or three-dimensional format, like painting or sculpture. Food art can also incorporate food as a medium.
| Authority control databases: National |
|---|
