Related Research Articles
Antonio Allegri da Correggio, usually known as just Correggio, was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin and a cup in Tarquinia, are signed by him as painter.
Massimo Pallottino was an Italian archaeologist specializing in Etruscan civilization and art.
The Corpus Inscriptionum Etruscarum is a corpus of Etruscan texts, collected by Carl Pauli and his followers since 1885. After the death of Olof August Danielsson in 1933, this collection was passed on to the Uppsala University Library.
Giulio Quirino Giglioli was an art historian of classical Roman and Etruscan art and was associated with Fascism in Italy.
Lammert Bouke van der Meer is a Dutch classicist and classical archaeologist specialized in Etruscology. He studied classics and archaeology at the University of Groningen, and received his Ph.D. from the same university in 1978 with a dissertation entitled Etruscan urns from Volterra. Studies on mythological representations, I-II. Van der Meer is retired associate professor of Classical Archaeology at Leiden University.
Larissa Bonfante was an Italian-American classicist, Professor of Classics emerita at New York University and an authority on Etruscan language and culture.
Hermonax was a Greek vase painter working in the red-figure style. He painted between c. 470 and 440 BC in Athens. Ten vases signed with the phrase "Hermonax has painted it" survive, mainly stamnoi and lekythoi. He is generally a painter of large pots, though some cups survive.
Wedding Painter is the conventional name for an ancient Greek vase painter active in Athens from circa 480 to 460 BC. He painted in the red-figure technique. His name vase is a pyxis in the Louvre depicting the wedding of Thetis and Peleus.
Tleson was an Attic potter and perhaps also a vase painter in the black-figure style. He was the son of the famous potter Nearchos and brother of Ergoteles. His workshop apparently produced mostly Little-master cups. Most of his vases were painted by the Tleson Painter, whose real name is unknown, and whose conventional name is derived from Tleson. Based on the fact that vases known by that hand so far are only ever signed by Tleson, John Beazley suggested that Tleson and the Tleson painter may be identical. There is no proof for this hypothesis. Some of Tleson's pots were painted by other artists, such as Oltos and the Centaur Painter.
The Phrynos Painter was an Attic black-figure vase painter, active in Athens between c. 560 and 545 BC. He was allocated the conventional name "Phrynos Painter" after the potter Phrynos, as he had painted three cups signed by the latter:
The Taleides Painter was an Attic vase painter of the black-figure style, active in the second half of the 6th century BC. His conventional name is derived from his close cooperation with the potter Taleides, many of whose vases he painted. He also worked for the potter Timagoras.
The Lysippides Painter was an Attic vase painter in the black-figure style. He was active around 530 to 510 BC. His conventional name comes from a kalos inscription on a vase in the British Museum attributed to him; his real name is not known.
Sergio Ceccotti is an Italian painter. He lives and works in Rome.
The Centaur of Vulci is a statue of the Etruscan Orientalising period, discovered in Vulci near Etruscan Viterbo, now in the collection of the National Etruscan Museum of Villa Giulia in Rome.
