In Greek mythology, the Cabeiri or Cabiri, also transliterated Kabeiri or Kabiri, were a group of enigmatic chthonic deities. They were worshipped in a mystery cult closely associated with that of Hephaestus, centered in the north Aegean Islands of Lemnos and possibly Samothrace—at the Samothrace temple complex—and at Thebes. In their distant origins the Cabeiri and the Samothracian gods may include pre-Greek elements, or other non-Greek elements, such as Thracian, Tyrrhenian, Pelasgian, Phrygian or Hittite. The Lemnian cult was always local to Lemnos, but the Samothracian mystery cult spread rapidly throughout the Greek world during the Hellenistic period, eventually initiating Romans.
In ancient Roman religion, the diiNovensiles or Novensides are collective deities of obscure significance found in inscriptions, prayer formulary, and both ancient and early-Christian literary texts.
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture.
Tages was claimed as a founding prophet of Etruscan religion who is known from reports by Latin authors of the late Roman Republic and Roman Empire. He revealed a cosmic view of divinity and correct methods of ascertaining divine will concerning events of public interest. Such divination was undertaken in Roman society by priestly officials called haruspices.
Tinia was the sky god and the highest deity in Etruscan religion, equivalent to the Roman Jupiter and the Greek Zeus.
An omen is a phenomenon that is believed to foretell the future, often signifying the advent of change. It was commonly believed in ancient times, and still believed by some today, that omens bring divine messages from the gods.
Anthropomancy is a method of divination by the entrails of dead or dying men or women through sacrifice. This practice was sometimes also called splanchnomancy. In ancient Etruria and Rome, the usual variety of divination from entrails was haruspicy, in which the sacrifice was an animal.
Augury was a Greco-Roman religion practice of observing the behavior of birds, to receive omens. When the individual, known as the augur, read these signs, it was referred to as "taking the auspices". "Auspices" means "looking at birds". Auspex, another word for augur, can be translated to "one who looks at birds". Depending upon the birds, the auspices from the gods could be favorable or unfavorable. Sometimes politically motivated augurs would fabricate unfavorable auspices in order to delay certain state functions, such as elections. Pliny the Elder attributes the invention of auspicy to Tiresias the seer of Thebes.
Uni is the ancient goddess of marriage, fertility, family, and women in Etruscan religion and myth, and was the patron goddess of Perugia. She is identified as the Etruscan equivalent of Juno in Roman mythology, and Hera in Greek mythology. As the supreme goddess of the Etruscan pantheon, she is part of the Etruscan trinity, an original precursor to the Capitoline Triad, made up of her husband Tinia, the god of the sky, and daughter Menrva, the goddess of wisdom.
The religions of the ancient Near East were mostly polytheistic, with some examples of monolatry. Some scholars believe that the similarities between these religions indicate that the religions are related, a belief known as patternism.
Ornithomancy is the practice of reading omens from the actions of birds followed in many ancient cultures including the Greeks, and is equivalent to the augury employed by the ancient Romans.
The Liver of Piacenza is an Etruscan artifact found in a field on September 26, 1877, near Gossolengo, in the province of Piacenza, Italy, now kept in the Municipal Museum of Piacenza, in the Palazzo Farnese.
The Dii Consentes, also known as Di or Dei Consentes, or The Harmonious Gods, is an ancient list of twelve major deities, six gods and six goddesses, in the pantheon of Ancient Rome. Their gilt statues stood in the Roman Forum, and later apparently in the Porticus Deorum Consentium.
In ancient Roman culture, the olla is a squat, rounded pot or jar. An olla would be used primarily to cook or store food, hence the word "olla" is still used in some Romance languages for either a cooking pot or a dish in the sense of cuisine. In the typology of ancient Roman pottery, the olla is a vessel distinguished by its rounded "belly", typically with no or small handles or at times with volutes at the lip, and made within a Roman sphere of influence; the term olla may also be used for Etruscan and Gallic examples, or Greek pottery found in an Italian setting.
The vocabulary of ancient Roman religion was highly specialized. Its study affords important information about the religion, traditions and beliefs of the ancient Romans. This legacy is conspicuous in European cultural history in its influence on later juridical and religious vocabulary in Europe, particularly of the Christian Church. This glossary provides explanations of concepts as they were expressed in Latin pertaining to religious practices and beliefs, with links to articles on major topics such as priesthoods, forms of divination, and rituals.
Vegoia is a sibyl, prophet, or nymph within the Etruscan religious framework who is identified as the author of parts of their large and complex set of sacred books, detailing the religiously correct methods of founding cities and shrines, draining fields, formulating laws and ordinances, measuring space and dividing time; she initiated the Etruscan people to the arts, as originating the rules and rituals of land marking, and as presiding over the observance, respect, and preservation of boundaries. Vegoia also is known as Vecu, Vecui, and Vecuvia, as well as Vegoe; her name is also given as Begoe or Bigois.
Satre or Satres was an Etruscan god who appears on the Liver of Piacenza, a bronze model used for haruspicy. He occupies the dark and negative northwest region, and seems to be a "frightening and dangerous god who hurls his lightning from his abode deep in the earth." It is possible that Satre is also referred to with the word "satrs" in the Liber Linteus, the Etruscan text preserved in Ptolemaic Egypt as mummy wrappings.
The di inferi or dii inferi were a shadowy collective of ancient Roman deities associated with death and the underworld. The epithet inferi is also given to the mysterious Manes, a collective of ancestral spirits. The most likely origin of the word Manes is from manus or manis, meaning "good" or "kindly," which was a euphemistic way to speak of the inferi so as to avert their potential to harm or cause fear.
A bārû, in ancient Mesopotamian religion, is a practitioner of a form of divination based on hepatoscopy, reading of omens from a liver of a sacrificial animal, known as bārûtu. Baru began the divination ceremony by first addressing the oracle gods, Šamaš and Adad, with prayers and benedictions, requesting them to "write" their message upon the entrails of the sacrificial animal. During the Sumerian period, the predictions offered by the divination ceremony were in a form of binary, yes or no answers. In the late Assyrian period, the method evolved to predict specific events, that were in turn considered to be either favorable or unfavorable. The totals of favorable and unfavorable events were tallied to generate either a positive or a negative verdict. Divinations of baru were not universally trusted and there is evidence that Sennacherib separated baru into groups to avoid collusion in situations that necessitated reliable reports to important questions.
Mesopotamian divination was divination within the Mesopotamian period.
