Cwmardy

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Cwmardy
Author Lewis Jones
LanguageEnglish
SubjectWelsh mining communities, labour struggles
Genre Social realism, Proletarian literature
Publisher Lawrence & Wishart
Publication date
1937
Publication placeUnited Kingdom
Media typePrint (hardback & paperback)
Pages352
ISBN 978-0-85315-468-6
Followed byWe Live (1939) 

Cwmardy is a 1937 novel by Welsh writer Lewis Jones, based on his experiences in the Rhondda mining community. [1] Set in the fictional mining village of Cwmardy (Welsh for "valley of horses"), modelled on Jones's hometown of Clydach Vale, the novel chronicles the Lovely family across several generations and depicts major industrial disputes similar to the Cambrian Combine strike and Tonypandy riots. [2] [3]

Contents

Considered one of the most important works of Welsh industrial fiction, Cwmardy was followed by a sequel, We Live (1939). [4] [5]

Plot

The novel follows the Lovely family across three generations in the fictional mining village of Cwmardy. The story begins in the 1870s with Evan the Overman, a Nonconformist mine official who struggles with the moral conflicts between his religious beliefs and the harsh realities of industrial life. His daughter Mary marries a miner, starting the family's deeper integration into the working-class community.

The central narrative focuses on Len Roberts, Mary's son, who grows up witnessing the transformation of Welsh mining communities. As a young man, Len becomes involved in trade union activities and is gradually radicalised by the poor working conditions, industrial accidents, and exploitation he observes. His political awakening intensifies during a major strike that bears striking similarities to the Cambrian Combine strike of 1910-11, complete with violent confrontations between miners and police reminiscent of the Tonypandy riots.

The novel portrays the strike's devastating impact on the community, with families facing starvation and eviction whilst the mine owners bring in strikebreakers protected by police and military forces. Jones depicts scenes of mass picketing, street battles, and the eventual defeat of the miners after months of bitter struggle. The strike's failure leads to victimisation of union leaders and a period of demoralisation within the community.

Throughout the narrative, Jones weaves in the cultural and religious life of the South Wales Valleys, showing how traditional Nonconformist values come into conflict with emerging socialist ideas. The novel explores themes of solidarity, class consciousness, and the gradual politicisation of the Welsh working class. Len's journey from a naive young miner to a committed socialist organiser reflects the broader transformation of Welsh industrial society.

The story culminates with Len's full embrace of Communist politics and his recognition that only through organised struggle can the working class achieve meaningful change. The novel ends with a sense of continuing struggle, setting the stage for the sequel We Live, which would continue the Roberts family saga into the 1920s and 1930s. [5]

Historical context

Jones wrote Cwmardy in the early 1930s, drawing on his experiences as a miner and Communist Party organiser following the General Strike of 1926. [1] The novel depicts industrial conflicts based on the Cambrian Combine strike of 1910-11 and the Tonypandy riots.

Born in Clydach Vale in 1897, Jones witnessed the defeat of the 1926 General Strike and the subsequent depression in Welsh mining communities. [2] His background informed the novel's portrayal of mining life and strike impacts on families. [6] The novel also reflects the period's shift from traditional Nonconformist chapel influence to secular socialist politics. [7]

Published in 1937 during the rise of fascism and the Spanish Civil War, the novel served both as historical record and contemporary political statement. Jones himself fought with the International Brigades in Spain. [1]

Reception and significance

Cwmardy has been recognised as a significant work of proletarian literature and Welsh industrial fiction. [4] Literary critic Gustav Klaus described it as one of the most authentic depictions of working-class life in British literature, noting Jones's firsthand knowledge of mining communities. [2]

Contemporary reviews praised the novel's realistic portrayal of Welsh mining life. Ron Berry, writing in Planet magazine, highlighted Jones's ability to combine political commitment with literary skill, particularly in depicting the human cost of industrial disputes. [6] Scholar John Pikoulis noted the novel's importance in documenting working-class experience during the Great Unrest period. [3]

The novel has been studied as an example of social realism in Welsh literature. Historian Dai Smith positioned Cwmardy within the broader tradition of Welsh industrial writing, emphasising its role in preserving working-class memory of the pre-war period. [1] Literary scholars have praised Jones's technique of blending personal narrative with broader social and political themes. [8]

Legacy

Cwmardy became a foundational text of Welsh proletarian literature, inspiring later industrial novels including Alexander Cordell's Rape of the Fair Country and influencing the development of Welsh working-class writing. [9] The novel's authentic portrayal of mining communities established a template for subsequent fictional treatments of Welsh industrial history. [1]

The work has remained continuously in print since its 1937 publication, with multiple editions released by Lawrence & Wishart. [2] Cwmardy is studied in universities as a key text in Welsh literature and British working-class fiction, and has been translated into several languages including Welsh and German. [10]

The novel's depiction of the fictional strike has shaped popular understanding of the Tonypandy riots and Cambrian Combine strike, sometimes blurring the line between historical fact and literary interpretation. [7]

See also

References

  1. 1 2 3 4 5 Smith, Dai (1993). Aneurin Bevan and the World of South Wales. University of Wales Press. pp. 45–67.
  2. 1 2 3 4 Klaus, Gustav (1985). The Literature of Labour: Two Hundred Years of Working-Class Writing. Harvester Press. pp. 156–178.
  3. 1 2 Pikoulis, John (1986). The Art of William Jones. University of Wales Press. pp. 89–112.
  4. 1 2 Williams, Chris (1991). "Democratic Rhondda: Politics and Society, 1885-1951". Welsh History Review. 15 (3): 369–396.
  5. 1 2 Jones, Lewis (1978) [first published 1937]. Cwmardy. Lawrence & Wishart. ISBN   978-0-85315-468-6.
  6. 1 2 Berry, Ron (1978). "Lewis Jones and the Welsh Industrial Novel". Planet (42): 12–19.
  7. 1 2 Thomas, M. Wynn (2010). In the Shadow of the Pulpit: Literature and Nonconformist Wales. University of Wales Press. pp. 201–225.
  8. Haywood, Ian (1997). Working-Class Fiction: From Chartism to Trainspotting. Northcote House. pp. 67–82.
  9. Knight, Stephen (1974). "The Miners' Novel in Wales". Anglo-Welsh Review. 23 (52): 130–143.
  10. Stephens, Meic (1986). The Oxford Companion to the Literature of Wales. Oxford University Press. pp. 145–146.