"Daddy's Gonna Pay for Your Crashed Car" | |
---|---|
Song by U2 | |
from the album Zooropa | |
Released | 5 July 1993 |
Recorded | March–May 1993 |
Genre | Alternative rock, industrial rock, alternative dance |
Length | 5:20 |
Label | Island |
Composer(s) | U2 |
Lyricist(s) | Bono |
Producer(s) |
"Daddy's Gonna Pay for Your Crashed Car" is a song by Irish rock band U2 and the sixth track from their 1993 studio album Zooropa .
"Daddy's Gonna Pay for Your Crashed Car" was conceived during the band's Zooropa sessions in early 1993. At the time, U2 intended to make Zooropa as an EP, but it quickly evolved into a full album. Bono described writing the song as an "industrial blues" type. [1] The song begins with an introduction of brass instrumentation samples from the introduction to a Russian folk song, "Есть на Волге Утес" ("There's a Rock on the Volga"), performed by the Alexandrov Ensemble and included in a 1976 Melodiya LP box-set titled Любимые песни Ильича (Lenin's Favourite Songs),[ citation needed ] and MC 900 Ft. Jesus' "The City Sleeps" from the 1991 album Welcome to My Dream . [1] [2] After the introduction ends, The Edge and Larry Mullen Jr. start playing guitar and drums, respectively. There are moments of distortion and feedback throughout the song, particularly on Adam Clayton's bassline.
"Being involved in it, I always felt it was going to be a better song. Whereas, what it is is, it's a great feeling. I love the whole introduction: it's total experiment. And it sort of seems to lead you into a place that for me, personally, I was never quite sure it achieved where it was going to go to. I know for some people they absolutely love that, because it's not a "song" song, per se. But for other reasons there are so many sonic things on that track that if I detailed what was doing what, you wouldn't believe what was going on."
Regarding the song's theme, Bono described it as being about dependence and heroin addiction. The Edge, however, said the meaning was not intended to be heroin but rather a commentary on dependency itself. In an interview with Pulse! , he explained, "It doesn't have to be illegal substances. You can be addicted to applause, you can be addicted to being on the road. I mean, being in U2 can be its own addiction. We have to recognize that. And there's a part of that in the lyrics. The image of Daddy is one of benevolence and in this song it's twisted around and become the thing that you're dependent on and that you look for support from". [5]
"Daddy's Gonna Pay for Your Crashed Car" received mostly positive reviews from critics. Parry Gettelman of the Orlando Sentinel felt it was among the better songs on Zooropa. [6] The Independent 's Andy Gill praised the song as one of the best album tracks, noting its resemblance to David Bowie's "Always Crashing in the Same Car". [7] Allmusic's Stephen Thomas Erlewine cited the song's "quiet menace" as one of the album's highlights. [8] Likewise, Annie Zaleski of The A.V. Club praised the song as "seductive" with "dank beats reminiscent of Beck's chaotic sound collages". [9] David Fricke of Rolling Stone described the song as "a highly studio-processed piece of metallic dance rock grounded by a corrosive backward bass loop". [10]
In retrospect, Flood admits the song could have been better, saying "I sort of wish it could have been more, but as an entity, it was brilliant." [3]
After the release of Zooropa, "Daddy's Gonna Pay for Your Crashed Car" was one of five songs incorporated into the Zoomerang and New Zooland legs of the Zoo TV Tour. The 27 November 1993 performance can be seen on the 1994 concert film Zoo TV: Live From Sydney . During both legs, the song was performed in full for a total of ten times and snippeted at another five shows . As of 2019, it has not been played live since. However, a brief snippet of the song appeared at the 20 September 2005 Vertigo Tour concert, at some shows of the Experience + Innocence Tour and some ones of the Joshua Tree Tour 2019. [11]
The song was used in the soundtrack of Peter Greenaway's 1996 film The Pillow Book , but it was not included on the official soundtrack CD itself. [12]
Achtung Baby is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one.
Zooropa is the eighth studio album by Irish rock band U2. Produced by Flood, Brian Eno, and the Edge, it was released on 5 July 1993 on Island Records. Inspired by the band's experiences on the Zoo TV Tour, Zooropa expanded on many of the tour's themes of technology and media oversaturation. The record was a continuation of the group's experimentation with alternative rock, electronic dance music, and electronic sound effects that began with their previous album, Achtung Baby, in 1991.
Original Soundtracks 1 is a studio album recorded by rock band U2 and Brian Eno under the pseudonym Passengers as a side project. Released on 6 November 1995, the album is a collection of songs written for mostly imaginary films. Owing to Eno's involvement as a full songwriting partner and the album's experimental nature, the moniker "Passengers" was chosen to distinguish it from U2's conventional albums. It was commercially unnoticed by the band's standards and received generally mixed reviews. Guest musicians on the record included Italian opera singer Luciano Pavarotti and producer Howie B, who would co-produce U2's following album, Pop (1997).
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The Zoo TV Tour was a worldwide concert tour by rock band U2. Staged in support of their 1991 album Achtung Baby, the tour visited arenas and stadiums from 1992 to 1993. It was intended to mirror the group's new musical direction on Achtung Baby. In contrast to U2's austere stage setups from previous tours, the Zoo TV Tour was an elaborately staged multimedia spectacle, satirising television and media oversaturation by attempting to instill "sensory overload" in its audience. To escape their reputation for being earnest and over-serious, U2 embraced a more lighthearted and self-deprecating image on tour. Zoo TV and Achtung Baby were central to the group's 1990s reinvention.
"City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada.
"Lemon" is a song by Irish rock band U2. It is the fourth track on their eighth album, Zooropa (1993), and was released as its second single in September 1993 by Island Records. Inspired by old video footage of lead vocalist Bono's late mother, the lyrics describe an attempt to preserve memory through film. More than any previous U2 song, "Lemon" showcases Bono's falsetto vocal range, aided by atmospheric backing vocals from the Edge and Brian Eno. Mark Neale directed the accompanying music video. At almost seven minutes, it is among the band's longest songs.
"Numb" is a song by Irish rock band U2. It is the third track from their eight album, Zooropa (1993), and was released in June 1993 by Island Records and PolyGram as the album's first single. The song features a monotonous mantra of "don't" commands spoken by guitarist the Edge amidst a backdrop of various sound effects and samples. The noisy composition and lyrical concept for "Numb" were inspired by the theme of sensory overload, which had prominently been incorporated into the Zoo TV Tour. Lead singer Bono and drummer Larry Mullen Jr. provided backing vocals on the track.
"The Fly" is a song by Irish rock band U2. It is the seventh track from their 1991 album, Achtung Baby, and it was released as the album's first single on 21 October 1991 by Island Records. "The Fly" introduced a more abrasive-sounding U2, as the song featured danceable hip-hop beats, industrial textures, distorted vocals, and an elaborate guitar solo. Lead vocalist Bono described the song as "the sound of four men chopping down The Joshua Tree", due to its departure from the sound that had traditionally characterised the band in the 1980s.
"Zoo Station" is a song by Irish rock band U2. It is the opening track from their 1991 album Achtung Baby, a record on which the group reinvented themselves musically by incorporating influences from alternative rock, industrial, and electronic dance music. As the album's opening track, "Zoo Station" introduces the band's new sound, delivering industrial-influenced percussion and several layers of distorted guitars and vocals. Similarly, the lyrics suggest the group's new intents and anticipations. The introduction, featuring an "explosion" of percussion and a descending glissando for a guitar hook, was meant to make the listener think the album was mistakenly not U2's latest record or that their music player was broken.
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"The Wanderer" is a song by Irish rock band U2, and the tenth and final track from their 1993 studio album, Zooropa. It is one of the few U2 songs without Bono on lead vocals, instead featuring country singer Johnny Cash. Based on the Old Testament's Book of Ecclesiastes and its narrator "The Preacher", the song lyrically describes the narrator wandering through a post-apocalyptic world "in search of experience", sampling all facets of human culture and hoping to find meaning in life. Cash's haggard voice is juxtaposed against a synthesised bassline and mostly electronic instrumentation.
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