Digital Wildlife | ||||
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Live album by | ||||
Released | 2002 | |||
Recorded | May 2001 | |||
Venue | Guerilla Euphorics, Oakland, California | |||
Genre | Avant-garde jazz, Improvisation | |||
Length | 49:04 | |||
Label | Winter & Winter 910 071 | |||
Producer | Fred Frith | |||
Maybe Monday chronology | ||||
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Digital Wildlife is an album by composer and guitarist Fred Frith's group Maybe Monday which was released on the Winter & Winter label. [1]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Allmusic gave the album 3½ stars. [2] JazzTimes' Aaron Steinberg observed "Digital Wildlife can sound, at any random point, like chamber-classical, abstract rock or folk. Frith also takes the title of the recording quite seriously: he seems to have taken tapes from the group's live-time improvisations and mixed them into a multilayered, abruptly shifting, densely overlapping collage of machine music. Acoustic and electronic elements have been cut, rearranged and pasted into a dreamy floating space, where any voice could at any time sound thoroughly foregrounded, distant, looped or distorted beyond recognition... Digital Wildlife has ambience to spare, though to most it will sound like a racket. Give this one some time. Frith has carefully crafted his own lexicon of sound, and once you've tuned in to what he's doing this beautiful recording pays dividends". [3]
All compositions by Fred Frith, Joan Jeanrenaud, Miya Masaoka and Larry Ochs
Miya Masaoka is based in New York City and is an American composer, musician, and sound artist active in the field of experimental music. Her work encompasses contemporary classical composition, improvisation, electroacoustic music, traditional Japanese instruments, and performance art. Her full-length ballet was performed at the Venice Biennale 2004. She is the recipient of the Core Fulbright Scholarship for Japan, 2016.
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improvisor.
Skeleton Crew was a United States experimental rock and jazz group from 1982 to 1986, comprising core members Fred Frith and Tom Cora, with Zeena Parkins joining later. Best known for their live improvisation performances where they played various instruments simultaneously, they also recorded two studio albums Learn to Talk (1984) and The Country of Blinds (1986).
William Winant is an American percussionist.
Gravity is a 1980 solo album by English guitarist, composer and improviser Fred Frith from Henry Cow and Art Bears. It was Frith's second solo album and his first since the demise of Henry Cow in 1978. It was originally released in the United States on LP record on The Residents's Ralph record label and was the first of three solo albums Frith made for the label.
Speechless is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on The Residents' Ralph record label. It was the second of three solo albums Frith made for the label.
Maybe Monday is an American experimental electroacoustic improvisation music ensemble comprising guitarist Fred Frith, koto player Miya Masaoka and saxophonist Larry Ochs. The trio was formed in San Francisco in March 1997 when they performed in a concert at the Great American Music Hall. They have since toured the United States, Canada and Europe, and released three albums between 1999 and 2008.
Larry Ochs is an American jazz saxophonist, co-founder of the Rova Saxophone Quartet and Metalanguage Records.
Joan Jeanrenaud, néeDutcher, is an American cellist. A native of Memphis, Tennessee, she played with the Kronos Quartet from 1978 until 1999, when, after a sabbatical, she left to pursue a solo career and collaborations with other artists, in part due to being diagnosed with multiple sclerosis. She has staged and recorded solo performance pieces, playing the cello in tandem with electronic instruments. Her first solo album, Metamorphosis, was described by Greg Cahill in Strings as "visceral, hypnotic, and often compelling."
The Orthotonics were an American experimental rock and free improvisation group from Richmond, Virginia. They began in 1979 as the Ortho-Tones, but changed their name to the Orthotonics in 1982. The group released three albums before splitting up in 1989.
Theresa Wong is a cellist, vocalist, composer and improviser in the field of experimental music. In 2013 she lives in the San Francisco Bay Area.
Electric Ascension is a live album by Rova::Orchestrova, the Rova Saxophone Quartet along with additional musicians and string players such as Nels Cline, Fred Frith and Ikue Mori, performing an interpretation of John Coltrane's Ascension which was recorded in California in 2003 and released on the Atavistic label in 2005.
Bingo is an album by the Rova Saxophone Quartet featuring compositions by Lindsay Cooper, Barry Guy, Fred Frith, and Larry Ochs which was recorded in 1996 and released on the Canadian Victo label.
Hallelujah, Anyway – Remembering Tom Cora is a 1999 double-CD compilation album by various artists dedicated to United States cellist and composer Tom Cora, who had died on April 9, 1998. It includes material composed in Cora's memory, songs he had written for other musicians and groups, and a selection of music he had performed and participated in. It was released in May 1999 by John Zorn's Tzadik Records.
Totally Spinning is an album by the Rova Saxophone Quartet recorded in 1996 for the Italian Black Saint label but not released until 2006.
Dalaba Frith Glick Rieman Kihlstedt, also stylized as DalabaFrithGlickRiemanKihlstedt, is a 2003 studio album of improvised experimental music by Lesli Dalaba, Fred Frith, Eric Glick Rieman and Carla Kihlstedt. It was recorded at Guerrilla Recording in Oakland, California, and was released by Accretions Records in San Diego, California in 2003.
All Is Always Now – Live at The Stone is a 2019 three-CD box set of live improvised music performed by English guitarist Fred Frith with other musicians, including Theresa Wong, Ikue Mori, Pauline Oliveros and Laurie Anderson. It was recorded between 2007 and 2016 at The Stone in New York City, and was released in March 2019 by Intakt Records in Switzerland.
Unsquare is a 2008 studio album by Maybe Monday, a San Francisco based experimental electroacoustic improvisation music ensemble featuring guitarist Fred Frith, koto player Miya Masaoka and saxophonist Larry Ochs. It is their third album and includes guest musicians Gerry Hemingway, Carla Kihlstedt, Ikue Mori and Zeena Parkins. Unsquare was recorded at East Side Sound Studio in New York City on November 18, 2006, and was released by Intakt Records in Switzerland in January 2008.
Still Urban is a 2009 avant-garde jazz studio album by English guitarist and composer Fred Frith and the Swiss-based ARTE Quartett. It was recorded in January 2008 at Swiss Radio DRS2 in Zürich, Switzerland, and was released in 2009 by Intakt Records, together with Frith and the ARTE Quartett's second collaborative album, The Big Picture, which was also recorded in January 2008 at Swiss Radio DRS2.
The Big Picture is a 2009 avant-garde jazz studio album by English guitarist and composer Fred Frith and the Swiss-based ARTE Quartett. It was recorded in January 2008 at Swiss Radio DRS2 in Zürich, Switzerland, and was released in 2009 by Intakt Records, together with Frith and the ARTE Quartett's first collaborative album, Still Urban, which was also recorded in January 2008 at Swiss Radio DRS2.