"Don't Bring Me Down" | ||||
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Single by Electric Light Orchestra | ||||
from the album Discovery | ||||
B-side | "Dreaming of 4000" | |||
Released | 24 August 1979 (UK) [1] [2] | |||
Genre | ||||
Length | 4:02 | |||
Label | Jet | |||
Songwriter(s) | Jeff Lynne | |||
Producer(s) | Jeff Lynne | |||
Electric Light Orchestra singles chronology | ||||
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Discovery track listing | ||||
9 tracks
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Music video | ||||
"Don't Bring Me Down" on YouTube |
"Don't Bring Me Down" is the ninth and final track on the English rock band the Electric Light Orchestra's 1979 album Discovery . It is their highest-charting hit in the United States.
It's a great big galloping ball of distortion. I wrote it at the last minute, 'cause I felt there weren't enough loud ones on the album. This was just what I was after.
— Discovery remaster (2001), Jeff Lynne
"Don't Bring Me Down" is the band's second-highest-charting hit in the UK, where it peaked at number 3, [5] and their biggest hit in the United States, peaking at number 4 on the Billboard Hot 100. [6] It also charted well in Canada (number 1) and Australia (number 6). This was the first single by ELO not to include a string section. [7] Engineer Reinhold Mack claims that this was his idea, after Lynne did not know what they should record next, and that he encouraged Lynne to "just boogie out for a night." [8]
The drum track is in fact a tape loop, coming from "On the Run" looped and slowed down and then sped up; [7] [9] [8] Mack recalls that Bevan was not interested in joining in the jam session that helped create the song; Mack decided to use a drum loop, and Lynne asked Mack to change the speed of the loop tape. After developing the drum tape loop, Lynne composed the music on a piano and then developed the lyrics about a girl who thought herself better than her boyfriend. [10] The instruments do not include strings. [10] Lynne said "This was the first song I did without any strings. It was exciting to work with them when we started, but [after] six albums, I got fed up with them. There was also trouble with the unions. They’d stop playing before the end of the song if the end of the hour was approaching. Now they aren’t so rude since there are samplers and everything." [10]
The song ends with the sound of a door slamming. According to producer Jeff Lynne, this was a metal fire door at Musicland Studios where the song was recorded. [7]
The song was dedicated to the NASA Skylab space station, which re-entered the Earth's atmosphere and burned up over the Indian Ocean and Western Australia on 11 July 1979. [7]
On 4 November 2007, Lynne was awarded a BMI (Broadcast Music, Inc) Million-Air certificate for "Don't Bring Me Down" for the song having reached two million airplays.
A common mondegreen in the song is the perception that, following the title line, Lynne shouts "Bruce!" In the liner notes of the ELO compilation Flashback and elsewhere, Lynne has explained that he is singing a made-up word, "Groos", which some have suggested sounds like the German expression "Gruß", meaning "greeting." [11] [8] [10] Lynne has explained that originally he did not realize the meaning of the syllable, and he just used it as a temporary placekeeper to fill a gap in the lyrics, but upon learning the German meaning he decided to leave it in. [11] After the song's release, so many people had misinterpreted the word as "Bruce" that Lynne actually began to sing the word as "Bruce" for fun at live shows. [12] [13] [11] [14]
ELO engineer Reinhold Mack remembers the genesis of the term differently, stating that Lynne was actually singing "Bruce" as a joke in advance of an Australian tour "referring to how many Australian guys are called Bruce." [11] [8] Mack stated that this was a temporary line, as "[they] couldn't leave it like that, so eventually we replaced it with 'Gruss,' based on the Bavarian greeting 'Grüß Gott," - 'greet God.' Gruss, not Bruce, is what you hear in the song immediately following the title line." [8]
AllMusic's Donald Guarisco retrospectively praised ELO for not including a string section in the song: "Electric Light Orchestra can easily be summed up as 'pop music with strings'. Thus, it is pretty ironic that the group's biggest American hit, 'Don't Bring Me Down', features no string section at all", adding that "it proved that Electric Light Orchestra could be just as interesting without the string section and thus paved the way for later string-less [ sic ] hits like 'Hold On Tight' and 'Calling America', concluding that it was a song that was "powerful enough for rock fans but dance-friendly enough for the disco set". [3] Billboard found the song to be Beatlesque while praising the multiple "irresistible" instrumental and vocal hooks. [15] Cash Box similarly described it as being influenced by the Beatles, particularly the song "You Can't Do That," and said that the song "brims with overdubbed Lynne harmonies and a pounding rhythm track." [16] Record World said that "From the opening drum blasts, through the harmony vocal/percussion break, to the echo-filled closing, this song rocks." [17] Ultimate Classic Rock rated "Don't Bring Me Down" as the 97th greatest classic rock song, saying it "may just be Jeff Lynne's most concise and representative musical statement." [18]
In 2022 Lynne listed it as one of his nine favorite ELO songs. [19]
A music video was produced, which showed the band performing the song interspersed with various animations relating to the song's subject matter, including big-bottomed majorettes and a pulsating neon frankfurter. The band's three resident string players are depicted playing keyboards in the music video.
Jeff Lynne re-recorded the song in his own home studio. It was released on a compilation album with other re-recorded ELO songs called Mr. Blue Sky: The Very Best of Electric Light Orchestra . [20]
Partial credits from JeffLynneSongs.com [7] and engineer Reinhold Mack. [8]
Weekly charts
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The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. During their first run from 1970 to 1986, Lynne and Bevan were the group's only consistent members.
Jeffrey Lynne is an English musician, singer-songwriter and record producer. He is the co-founder and currently the sole member of the rock band Electric Light Orchestra (ELO), which was formed in 1970, and as a songwriter has written all of the band's music past 1972, including the hits "Evil Woman", "Livin' Thing", "Telephone Line", "Mr. Blue Sky", "Don't Bring Me Down", and "Hold On Tight". He also has had a solo career, with two albums: Armchair Theatre (1990) and Long Wave (2012).
Face the Music is the fifth studio album by Electric Light Orchestra (ELO). It was released in September 1975 by United Artists Records and on 14 November 1975 in the United Kingdom by Jet Records. The album moves away from the large-scale classical orchestrated sound of the previous album, Eldorado, in favour of more "radio-friendly" pop/rock songs, though the string sections are still very prominent. The new sound proved successful for the group, for Face the Music was the first ELO album to go platinum.
A New World Record is the sixth studio album by Electric Light Orchestra (ELO). It was released on 15 October 1976 on United Artists Records in the U.S., and on 19 November 1976 on Jet Records in the United Kingdom. A New World Record marked ELO's shift towards shorter pop songs, a trend which would continue across their career.
Out of the Blue is the seventh studio album by the British rock group Electric Light Orchestra (ELO), released on 24 October 1977 in the United States and four days after in the UK on 28 October. Written and produced by ELO frontman Jeff Lynne, the double album is among the most commercially successful records in the group's history, selling about 10 million copies worldwide by 2007.
Discovery is the eighth studio album by English rock band Electric Light Orchestra (ELO). It was released on 1 June 1979 in the United Kingdom by Jet Records, where it topped record charts, and on 8 June in the United States on Jet through Columbia Records distribution. A music video album featuring all the songs being played by the band was then released on VHS in 1979, then re-released as part of the Out of the Blue: Live at Wembley DVD and VHS in 1998.
Time is the ninth studio album by English rock band Electric Light Orchestra, released in July 1981 on Jet Records. It is a concept album about a man from the 1980s who is taken to the year 2095, where he is confronted by the dichotomy between technological advancement and a longing for past romance. The record topped the UK Albums Chart for two weeks, though it attracted mixed reviews for its heavy use of synthesizers and stylistic shift away from the orchestral rock of previous ELO albums. It has since gained a cult following, particularly among retrofuturist enthusiasts.
"Livin' Thing" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). It appears on ELO's 1976 album A New World Record and was also released as a single. Patti Quatro sang uncredited vocals, particularly the "higher and higher" parts.
"Mr. Blue Sky" is a song by the Electric Light Orchestra (ELO), featured on the band's seventh studio album Out of the Blue (1977). Written and produced by frontman Jeff Lynne, the song forms the fourth and final track of the "Concerto for a Rainy Day" suite on side three of the original double album. "Mr. Blue Sky" was the second single to be taken from Out of the Blue, peaking at number 6 in the UK Singles Chart and number 35 in the US Billboard Charts.
"Do Ya" is a song written by Jeff Lynne, that was originally recorded by The Move, which became a hit for the Electric Light Orchestra in 1977.
"Turn to Stone" is a 1977 song by Electric Light Orchestra (ELO).
"Ma-Ma-Ma Belle" is a song recorded by the Electric Light Orchestra (ELO).
"Sweet Talkin' Woman" is a 1978 single by Electric Light Orchestra (ELO) from the album Out of the Blue (1977). Its original title was "Dead End Street", but it was changed during recording. Some words that survived from that version can be heard in the opening of the third verse, "I've been livin' on a dead end street".
"Showdown" is a 1973 song written by Jeff Lynne and recorded by the Electric Light Orchestra (ELO). It was the band's last contemporary recording to be released on the Harvest label. The song was released as a single and reached No 12 in the UK Singles Chart, in the week beginning 28 October, and No 9 on the Norwegian chart VG-lista.
"Evil Woman" is a song recorded by Electric Light Orchestra (ELO) and written by lead vocalist Jeff Lynne. It was first released on the band's fifth album, 1975's Face the Music.
"Telephone Line" is a song by English rock band Electric Light Orchestra (ELO). It was released in May 1977 through Jet Records and United Artists Records as part of the album A New World Record. It was commercially successful, topping the charts of Canada and New Zealand and entering the top 10 in Australia, the United Kingdom, and the United States.
"Shine a Little Love" is a song by English rock band Electric Light Orchestra (ELO). It was released as a single in the US and UK in 1979.
Eldorado is the fourth studio album by the Electric Light Orchestra (ELO). It was released in the United States in September 1974 by United Artists Records and in the United Kingdom in October 1974 by Warner Bros. Records.
"Boy Blue" is a song written by Jeff Lynne and performed by the Electric Light Orchestra (ELO) which first appeared as track number 3 from their 1974 album Eldorado.
Wembley or Bust is a live album and concert film by Jeff Lynne's ELO. It was recorded during the Alone in the Universe Tour at Wembley Stadium. The album peaked at number 8 on the UK Albums Chart and at number 12 on the Billboard Top Rock Albums. The album was also certified silver in the United Kingdom.
The preeminent interstellar orch-rockers of the '70s discovering disco, with warp-speed takeoff.