Don Juan's Reckless Daughter | ||||
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Studio album by | ||||
Released | December 13, 1977 | |||
Recorded | 1977 | |||
Studio |
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Genre | ||||
Length | 59:38 | |||
Label | Asylum | |||
Producer |
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Joni Mitchell chronology | ||||
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Alternative cover | ||||
Singles from Don Juan's Reckless Daughter | ||||
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Don Juan's Reckless Daughter is a 1977 double album by Canadian singer-songwriter Joni Mitchell. Her ninth album,it is unusual for its experimental style,expanding even further on the jazz-influenced sound of Mitchell's previous recordings. Mitchell has stated that,close to completing her contract with Asylum Records,she allowed this album to be looser than anything she had done previously. [7]
Don Juan's Reckless Daughter was released in December 1977 to mixed reviews. It reached No. 25 on the Billboard charts and attained gold record status within three months.
The album is also notable for Mitchell's controversial use of blackface on the cover.
Much of the album is experimental:"Overture" is played with six simultaneous guitars,some in different tunings from others,with vocal echo effects;"The Tenth World" is an extended-length instrumental of Latin percussion;"Dreamland" features only percussion and voices (including that of Chaka Khan).
"Paprika Plains" is a 16-minute song played on improvised piano and arranged with a full orchestra;it takes up all of Side 2. In it,Mitchell narrates a first-person description of a late-night gathering in a bar frequented by Indigenous peoples of Canada,touching on themes of hopelessness and alcoholism. At one point in the narrative,the narrator leaves the setting to watch the rain and enters into a dreamstate,and the lyrics –printed in the liner notes but not sung –become a mixture of references to innocent childhood memories,a nuclear explosion and an expressionless tribe gazing upon the dreamer. The narrator returns inside after the rain passes. In speaking to Anthony Fawcett about working on "Paprika Plains",Mitchell said:
The Improvisational,the spontaneous aspect of this creative process –still as a poet –is to set words to the music,which is a hammer and chisel process. Sometimes it flows,but a lot of times it's blocked by concept. And if you're writing free consciousness –which I do once in a while just to remind myself that I can,you know,because I'm fitting little pieces of this puzzle together –the end result must flow as if it was spoken for the first time. [7]
"Off Night Backstreet" was released as a single backed with "Jericho",but did not chart. "The Tenth World" was also released as a single in France.
Two of the album's songs had previously been released:"Jericho" by Mitchell on her 1974 live album Miles of Aisles and "Dreamland" by Roger McGuinn on his 1976 album Cardiff Rose .
Don Juan's Reckless Daughter featured contributions from prominent jazz musicians,including four members of Weather Report –Jaco Pastorius,Wayne Shorter,Manolo Badrena,and Alex Acuña.
The original album artwork depicted a photomontage of shots taken by Norman Seeff, later arranged by Mitchell with a camera lucida and set on an orange-and-blue colour backdrop selected by Glen Christensen. Most prominently, Mitchell is featured in blackface with a pimp outfit and afro wig. In the inner sleeve, she appears in blackface again with a speech bubble reading "Mooslems, Mooooslems! Heh, Heh, Heh." This reference to Muslims echoes the line "While Muslims stick up Washington" in the song "Otis and Marlena", which itself refers to the 1977 Washington, D.C., attack and hostage taking that involved the Black Muslim Hanafi Movement. [8]
Mitchell's use of blackface became one of the most controversial moments of her career, widely criticised as racist in subsequent years. [9] [10] [11]
On 29 April 2024, Don Juan's Reckless Daughter was given a new album cover on music streaming services. The new cover features a photo of Mitchell with a dog, an outtake from the 1985 photo sessions for the later album Dog Eat Dog . A subsequent box set, The Asylum Albums, and standalone physical reissue also use the new cover. [12] [13] No announcement was made about the change nor any official reason given, and Mitchell has not commented on the matter. [14]
Review scores | |
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Source | Rating |
AllMusic | [15] |
Christgau's Record Guide | B− [16] |
The Encyclopedia of Popular Music | [17] |
The Great Rock Discography | 5/10 [4] |
MusicHound Rock | [18] |
Pitchfork | 6.1/10 [19] |
The Rolling Stone Album Guide | [20] |
Rolling Stone opined that "the best that can be said for Don Juan's Reckless Daughter is that it is an instructive failure," writing that "it's sapped of emotion and full of ideas that should have remained whims, melodies that should have been riffs, songs that should have been fragments." [21] The Globe and Mail concluded that "many of the novel sounds that marked her shift to the fully electric, pop-oriented sound have gone bland for lack of detailed attention." [22]
All tracks are written by Joni Mitchell, except where noted
No. | Title | Length |
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1. | "Overture – Cotton Avenue" | 6:41 |
2. | "Talk to Me" | 3:45 |
3. | "Jericho" | 3:22 |
No. | Title | Length |
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1. | "Paprika Plains" | 16:21 |
No. | Title | Writer(s) | Length |
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1. | "Otis and Marlena" | 4:09 | |
2. | "The Tenth World" | Joni Mitchell, Don Alias, Manolo Badrena, Alex Acuña, Airto Moreira, Jaco Pastorius | 6:45 |
3. | "Dreamland" | 4:38 |
No. | Title | Length |
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1. | "Don Juan's Reckless Daughter" | 6:36 |
2. | "Off Night Backstreet" | 3:20 |
3. | "The Silky Veils of Ardor" | 4:01 |
Musicians
Production
Chart (1977–1978) | Peak position |
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Australian Albums (Kent Music Report) [23] | 39 |
Canada Top Albums/CDs ( RPM ) [24] | 28 |
UK Albums (OCC) [25] | 20 |
US Billboard 200 [26] | 25 |
US Cash Box Top 100 Albums [27] | 23 |
Chart (2024) | Peak position |
---|---|
Hungarian Physical Albums (MAHASZ) [28] | 24 |
Roberta Joan "Joni" Mitchell is a Canadian-American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. Among her accolades are eleven Grammy Awards, and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century."
Dreamland or Dream Land may refer to:
John FrancisAnthony Pastorius III, also known as Jaco Pastorius was an American jazz bassist, composer, and producer. Widely regarded as one of the greatest and most influential bassists of all time, Pastorius recorded albums as a solo artist, band leader, and as a member of the jazz fusion group Weather Report from 1976 to 1981. He also collaborated with numerous artists, including Herbie Hancock, Pat Metheny and Joni Mitchell.
Charles "Don" Alias was an American jazz percussionist.
Jaco Pastorius is the debut solo album by Jaco Pastorius, released in 1976 by Epic Records. The album was produced by Bobby Colomby, drummer and founder of Blood, Sweat & Tears.
"Coyote" is a song by Canadian singer-songwriter Joni Mitchell from her eighth album Hejira (1976). It was released as the album's lead single.
Hejira is the eighth studio album by Canadian singer-songwriter Joni Mitchell, released in 1976 on Asylum Records. Its material was written during a period of frequent travel in late 1975 and early 1976, and reflects Mitchell's experiences on the road during that time. It is characterized by lyrically dense, sprawling songs and musical backing by several jazz-oriented instrumentalists, most prominently fretless bass player Jaco Pastorius, guitarist Larry Carlton, and drummer John Guerin.
Miles of Aisles is the first live album by Canadian singer-songwriter Joni Mitchell, released in 1974 on Asylum Records. It is a double album documenting her concerts in support of the Court and Spark album with her backing band for the tour, the L.A. Express. It reached No. 2 on the Billboard 200 and became one of her biggest-selling records, certified a gold record by the RIAA.
Mingus is the tenth studio album by Canadian musician Joni Mitchell. It was released on June 13, 1979, and was her last studio album for Asylum Records. The album is a collaboration between Mitchell and Charles Mingus. It was recorded in the months before and after Mingus' death in January 1979 and is wholly dedicated to him. The album is one of Mitchell's most experimental and jazz-centric works. Mingus originally wrote six compositions for Mitchell to write lyrics for, and three of these were included on the album. Two other tracks written exclusively by Mitchell are included, alongside a new version of Mingus' standard "Goodbye Pork Pie Hat", featuring lyrics written by Mitchell. In addition to these, five spoken word tracks are dispersed throughout the album.
Shadows and Light is the second live album by Canadian musician Joni Mitchell. It was released in September 1980 through Asylum Records, her last release for the label. It was recorded in September 1979 at the Santa Barbara Bowl in Santa Barbara, California.
Chalk Mark in a Rain Storm is the 13th studio album by Canadian singer-songwriter Joni Mitchell, released on March 23, 1988, by Geffen Records. Her third release on the label, the album features duets with a number of artists such as Peter Gabriel on "My Secret Place", Willie Nelson on "Cool Water", Don Henley on "Snakes and Ladders", and Billy Idol and Tom Petty on the track "Dancin' Clown". Henley also performs backing vocals on "Lakota", and Wendy and Lisa perform backing vocals on "The Tea Leaf Prophecy ".
Taming the Tiger is the sixteenth studio album by the Canadian musician Joni Mitchell. Released on September 29, 1998, through Reprise Records, it is the follow-up to the successful Turbulent Indigo (1994). The album was, at the time, widely believed to be her last of completely original material; this would be disproved with the release of Shine in 2007.
The Birthday Concert is a live album by Jaco Pastorius released posthumously in 1995. It was recorded in Florida in 1981 to celebrate Pastorius' 30th birthday. Guests included his friends, such as Michael Brecker and the Peter Graves Orchestra.
Dreamland is a compilation album by Canadian singer-songwriter Joni Mitchell, released in 2004 by Rhino. The songs for the album were selected by the singer herself. The booklet contains an essay by Cameron Crowe on Mitchell's career and several paintings by Joni Mitchell. As of December 2007, the album has sold 78,000 copies in the US.
Songs of a Prairie Girl is the third in Canadian singer-songwriter Joni Mitchell's series of compilations. Mitchell writes in the liner notes to the CD that the compilation is her contribution to Saskatchewan's Centennial Celebration and that the songs of the album reference Saskatchewan. Although Mitchell was born in neighboring Alberta, when she was eleven years old her family settled in Saskatoon, Saskatchewan, which Mitchell considers her hometown.
Cardiff Rose is a solo studio album by American singer/songwriter and ex-The Byrds frontman Roger McGuinn, released in 1976. The album, produced by Mick Ronson, was recorded on the heels of Bob Dylan's Rolling Thunder Revue 1975 tour, in which both McGuinn and Ronson had participated. Other key members of the Rolling Thunder Revue were primary contributors: David Mansfield, Rob Stoner, Howie Wyeth, and lyricist Jacques Levy. Levy had previously co-written "Chestnut Mare" with McGuinn, and collaborated with Dylan on the album Desire.
All American Alien Boy is the second studio album by Ian Hunter. Because of management issues, Mick Ronson did not appear on this album; instead, Hunter brought in keyboardist Chris Stainton to act as a balancing force in the studio. Unlike his previous album, the album didn't feature any of his trademark rockers and he opted for a more jazzy direction including bassist Jaco Pastorius. The album title is a play on Rick Derringer's 1973 album All American Boy. Queen appear as backing vocalists on the track "You Nearly Did Me In".
Invitation is the third album by Jaco Pastorius, released in December 1983. This is a live album recorded at various venues during a tour of Japan in September 1982, featuring his "Word of Mouth" big band. While his debut album showcased his eclectic and impressive skills on the electric bass, both Invitation and his previous album, Word of Mouth focused more on his ability to arrange for a larger band.
The Asylum Albums (1976–1980) is a five-disc box set by Canadian singer-songwriter Joni Mitchell, released on June 21, 2024, by Rhino Records. The set is the thirteenth overall release and third box set of remastered albums from the Joni Mitchell Archives, a planned series of releases featuring remastered and unreleased material from the singer's personal archives. Formatted in chronological order, the third volume of the remaster series includes the latter half of Mitchell's albums released on Asylum Records: Hejira (1976), Don Juan's Reckless Daughter (1977), Mingus (1979), and Shadows and Light (1980). The albums are presented with their original cover designs except for Don Juan which uses the revised cover image replacing the original controversial image.
Canadian singer-songwriter Joni Mitchell has been the subject of controversy for her use of blackface since the mid-1970s.
A double album of oblique, angular jazz-rock, with Joni's cool nuances a underpinned by jungly percussion and Jaco Pastorius's alternately growly/plangent bass lines