This article may rely excessively on sources too closely associated with the subject , potentially preventing the article from being verifiable and neutral.(December 2014) |
Established | 1 July 1904 [1] |
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Location | Linthorpe Road, Middlesbrough |
Coordinates | 54°33′52″N1°14′27″W / 54.5644°N 1.2409°W |
Nearest car park | Street parking adjacent to museum |
Website | www |
Dorman Museum is a local and social history museum on the town centre side of Albert Park, Linthorpe in Middlesbrough, North Yorkshire, England. It is one of two museums operated by the local borough council, along with the Captain Cook birthplace in Stewart Park.
The museum was founded by Sir Arthur Dorman of the Dorman Long engineering company in honour of his son George Lockwood Dorman, [2] who died of enteric fever at Kroonstad in the Second Boer War. [3]
At its official opening on 1 July 1904, the museum's theme was the natural sciences. Since then, galleries of the local Linthorpe Art Pottery, work by Victorian industrial designer Christopher Dresser, and Middlesbrough's history have eclipsed this early theme. Remnants of the original Victorian and Edwardian collection of taxidermied, plinth-mounted animals are in the Nelson Room; various taxidermied exotic birds in their original cases with decorative painted backgrounds and colourful and large birds' eggs.
The Dorman Museum has eight permanent display galleries and a changing temporary exhibition spaces on the ground floor. Small exhibitions also take place within the ground floor corridor. Access to the upper floor is by the main staircase or lift. [4] The museum also has a Victorian style tearoom on the ground floor, named Dresser's Tea Room. [5]
The original collection included items such as a stuffed and mounted eagle owl in the act of taking a hare; a stuffed lion in a "rampant" pose; and many birds' eggs, butterflies, and insects preserved under glass and in drawers, with covers over the glass to avoid the effects of light on the specimens. One particular specimen case contained a model, at least 100 times normal size, of a human head louse. At about the same time, the museum possessed a fossil of an ichthyosaur. There was also a stuffed ribbonfish, a few metres in length.
One of the first contributors to the museum was Henry Bolckow, founder of Middlesbrough's largest ironworks, Bolckow Vaughan, who paid for some stuffed birds in 1874. [6]
Christopher Dresser was a pivotal figure in the Aesthetic Movement and deeply involved in the Linthorpe Art Pottery less than a mile from the museum which after the closure thus has the primary Dresser collection. This was backed by a Heritage Lottery Fund grant leading to the 2014-refurbished gallery. It showcases 160 works produced directly from his designs, as well as those produced by others influenced by his work, and the collection expands. The mostpart was bought from one collector – further helped by the Art Fund and the V&A's Purchase Grant Fund. The Linthorpe Art Pottery gallery covers the pottery's success, sources and lasting inspirations – by no means limited to ceramics. [7]
The museum runs an education and activity programme covering these vibrant and dynamic collections.
The museum has a library of journals and photographs by Frank Elgee during his excavations. Principally at the Bronze Age hillfort at Eston Nab and burial grounds at Loose Howe, also, a dug-out canoe recovered from the Tees 8-foot (2.4 m)deep in 1926 is on view. A green plaque dedicated to Elgee – curator between 1923 and 1932 – graces the entrance. [8]
Replicas of the Roseberry Topping Bronze Age hoard, bronze axe- and spear-heads and the mould of a large axe head itself, ideal for making more axes from, are in a display case.
1,900 items including commemorative medallions, badges and banknotes as well as coins and military medals. Collections include the Yearby hoard of 16th- and 17th-century coins, the Thorpe Thewles hoard of Henry II and Henry III silver pennies and the Middridge hoard of Edward I coins. [10]
2,400 items of women's fashions from the 20th century including shoes, hats and accessories. There is also a small collection of uniforms, including military, childrenswear, under garments, sportswear and men's suits, and an additional collection of 130 items, mostly Victorian. [11]
340 items, mostly consisting of pieces from the Middlesbrough Pottery with some examples from other regional potteries and glass manufacturers. There is a small collection of pieces from the Bretby Art Pottery and Ault Pottery because of their connections with the Linthorpe Pottery. There is also a collection of 19th-century Japanese figures or okimono , possibly carved from walrus ivory. [12]
A fossil (natural history) and a geological collection of rocks and minerals exists. [13]
This collection consists of about 3,500 prints, glass negatives and carte de visite , plus 2,190 lantern slides. [14]
There are approximately 16,000 objects in the social history collections. The museum started to collect everyday objects in the 1930s, recognising that society was rapidly changing and old ways of life disappearing. [15]
The museum's collection of around 1,500 artefacts from different world cultures has its origins in the colonial era. Sir Alfred Pease, in addition to his hunting trophies, also gave a collection of beadwork from North-East Africa. George Lockwood Dorman within his brief life had managed to collect ethnographical items from abroad, including Australia, New Zealand, Oceania – and South Africa when he was stationed there during the Boer War. These items formed an important part of the museum's founding collections. [16]
These still represent the major part of the museum's holdings, numbering in excess of 150,000 specimens. The bulk of the collections are made up of invertebrates, especially molluscs and insects. [17] A popular seasonal item was a beehive in an acrylic glass case with an exit through a side window, allowing to seeing the bees at work.
The museum has archived materials related to the wider collections. The ephemera collection spans the booming period of Middlesbrough and is wide-ranging, consisting of commercial printed materials such as posters, invoices, letterheads, and newspaper cuttings relating to Middlesbrough events and people. [18]
20th Century Woman – Examining the major social and political changes of the last century and how they have shaped the lives of women in Middlesbrough.
Earth in Space – A look at how our planet has become and continues to be affected by cosmic, geological and biological forces.
Four Corners – The origins of the museum's collections and the persons behind the objects. Natural sciences, ethnography and archaeology are shown together according to their countries of origin.
H2O – A stimulating discovery space based around the theme of water with lots to handle and explore.
Linthorpe Art Pottery – A small pottery in late 19th-century Middlesbrough produced some of the most collectible art pottery, which became so popular that even Princess Alexandra purchased a turquoise Linthorpe Art Pottery vase. Much of the output was designed or influenced by Christopher Dresser and in its short 10-year life the pottery produced over 2000 different mould shapes, as well as winning two bronze medals and one gold medal at several national and international exhibitions. [19]
The Nelson Room – A 19th-century collection of mounted birds and eggs amassed by renowned local ornithologist Thomas Hudson Nelson who wrote The Birds of Yorkshire (1907), and has been maintained in its original Edwardian setting since it was bequeathed by Nelson's wife in 1918. [20]
Town in Time – The town of Middlesbrough was granted a charter in 1853 but its history stretches back thousands of years. Town in Time features two galleries crammed with artefacts and stories about the town and its people.
Lordship of Acklam Plan – Hanging in the double height space of the new Dorman Museum extension is a remarkable and unique historic plan. Measuring around 13 feet square this plan, painted on sailcloth, shows the extent and detail of the Lordship of Acklam Estates. [21]
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present. The British Museum was the first public national museum in the world.
The Ashmolean Museum of Art and Archaeology on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel..
Middlesbrough is a town on the southern bank of the River Tees in North Yorkshire, England. The Borough of Middlesbrough is governed from the town.
The Museum of New Zealand Te Papa Tongarewa is New Zealand's national museum and is located in Wellington. Te Papa Tongarewa translates literally to "container of treasures" or in full "container of treasured things and people that spring from mother Earth here in New Zealand". Usually known as Te Papa, it opened in 1998 after the merging of the National Museum of New Zealand and the National Art Gallery. An average of more than 1.5 million people visit every year, making it the 17th-most-visited art gallery in the world. Te Papa's philosophy emphasises the living face behind its cultural treasures, many of which retain deep ancestral links to the indigenous Māori people. The Museum recognises the partnership that was created by the signing of the Treaty of Waitangi in 1840.
MIMA, or Middlesbrough Institute of Modern Art, is a contemporary art gallery based in the centre of Middlesbrough, England. The gallery was formally launched on Sunday 27 January 2007; since 2014 it has been part of Teesside University.
Middlesbrough is a parliamentary constituency in the United Kingdom, recreated in 1974, and represented since 2012 in the House of Commons of the UK Parliament by Andy McDonald from the Labour Party. An earlier version of the seat existed between 1868 and 1918.
Christopher Dresser was a British designer and design theorist, now widely known as one of the first and most important, independent designers. He was a pivotal figure in the Aesthetic Movement and a major contributor to the allied Anglo-Japanese or Modern Style, both of which originated in England and had long-lasting international influence.
Dorman Long & Co was a UK steel producer, later diversifying into bridge building. It was once listed on the London Stock Exchange.
Acklam is an area in the Borough of Middlesbrough, North Yorkshire, England. It is believed that the settlement is Anglo-Saxon in origin, the name is Old English for "place at the oak clearings" or "place of oaks".
The Potteries Museum & Art Gallery is in Bethesda Street, Hanley, one of the six towns of Stoke-on-Trent in Staffordshire. Admission is free.
Linthorpe is an inner-area of Middlesbrough in the Borough of Middlesbrough, North Yorkshire, England. It contains two wards: Linthorpe and Park.
The Anglo-Japanese style developed in the United Kingdom through the Victorian period and early Edwardian period from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
Brighton Museum & Art Gallery is a municipally-owned public museum and art gallery in the city of Brighton and Hove in the South East of England. It is part of the "Royal Pavilion & Museums, Brighton and Hove". It is free for local residents but charges £6.20 per non-resident.
The Staffordshire Hoard is the largest hoard of Anglo-Saxon gold and silver metalwork yet found. It consists of almost 4,600 items and metal fragments, amounting to a total of 5.1 kg (11 lb) of gold, 1.4 kg (3 lb) of silver and some 3,500 pieces of garnet cloisonné jewellery. It is described by the historian Cat Jarman as "possibly the finest collection of early medieval artefacts ever discovered".
Bretby Art Pottery was an art pottery studio founded in 1882 by Henry Tooth and William Ault in Woodville, Derbyshire, where production began on 25 October 1883. Tooth went into partnership with Ault following his successful leadership of the celebrated Linthorpe Pottery in Middlesbrough where he had been recommended as general manager by the designer Dr Christopher Dresser in 1879.
Bolckow, Vaughan & Co., Ltd was an English ironmaking and mining company founded in 1864, based on the partnership since 1840 of its two founders, Henry Bolckow and John Vaughan. The firm drove the dramatic growth of Middlesbrough and the production of coal and iron in the north-east of England in the 19th century. The two founding partners had an exceptionally close working relationship which lasted until Vaughan's death.
Frank Watson Elgee was a published archaeologist, geologist and naturalist. He wrote several books on the North York Moors such as The Moorlands of North-Eastern Yorkshire (1912), The Romans in Cleveland (1923) and Early Man in North East Yorkshire (1930). In 1933 Leeds University conferred on him an Honorary degree of Doctor of Philosophy.
Linthorpe Art Pottery was a British pottery that operated between 1878 and 1890 in Linthorpe, Middlesbrough. It produced art pottery, and is especially known for the early collaboration of the designer Christopher Dresser; many of the early wares have his impressed signature.
Emily Hesse is a multidisciplinary British visual artist, author and activist.
William Ault was an English potter, involved with a number of companies in the Staffordshire potteries and South Derbyshire making art pottery and more utilitarian wares.
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