Filter design

"Filter theory" redirects here. For the theory on mate selection, see Filter theory (sociology).

Filter design is the process of designing a signal processing filter that satisfies a set of requirements, some of which may be conflicting. The purpose is to find a realization of the filter that meets each of the requirements to an acceptable degree.

The filter design process can be described as an optimization problem. Certain parts of the design process can be automated, but an experienced designer may be needed to get a good result.

The design of digital filters is a complex topic. ^[1] Although filters are easily understood and calculated, the practical challenges of their design and implementation are significant and are the subject of advanced research.

Typical design requirements

Typical requirements which may be considered in the design process are:

• Frequency response
• Phase shift or group delay
• impulse response
• Causal filter required?
• Stable filter required?
• Finite (in duration) impulse response required?
• Computational complexity
• Technology

The frequency function

The required frequency response is an important parameter. The steepness and complexity of the response curve determines the filter order and feasibility.

A first-order recursive filter will only have a single frequency-dependent component. This means that the slope of the frequency response is limited to 6 dB per octave. For many purposes, this is not sufficient. To achieve steeper slopes, higher-order filters are required.

In relation to the desired frequency function, there may also be an accompanying weighting function, which describes, for each frequency, how important it is that the resulting frequency function approximates the desired one.

Typical examples of frequency function are:

• A low-pass filter is used to cut unwanted high-frequency signals.
• A high-pass filter passes high frequencies fairly well; it is helpful as a filter to cut any unwanted low-frequency components.
• A band-pass filter passes a limited range of frequencies.
• A band-stop filter passes frequencies above and below a certain range. A very narrow band-stop filter is known as a notch filter.
• An all-pass filter passes all frequencies equally in gain. Only the phase shift is changed, which also affects the group delay.
• A differentiator has an amplitude response proportional to the frequency.
• A low-shelf filter passes all frequencies, but increases or reduces frequencies below the shelf frequency by specified amount.
• A high-shelf filter passes all frequencies, but increases or reduces frequencies above the shelf frequency by specified amount.
• A peak EQ filter makes a peak or a dip in the frequency response, commonly used in parametric equalizers.

Phase and group delay

Main article: Group delay and phase delay

• An all-pass filter passes through all frequencies unchanged, but changes the phase of the signal. Filters of this type can be used to equalize the group delay of recursive filters. This filter is also used in phaser effects.
• A Hilbert transformer is a specific all-pass filter that passes sinusoids with unchanged amplitude but shifts each sinusoid phase by ±90°.
• A fractional delay filter is an all-pass that has a specified and constant group or phase delay for all frequencies.

The impulse response

Main article: Impulse response

There is a direct correspondence between the filter's frequency function and its impulse response: the former is the Fourier transform of the latter. That means that any requirement on the frequency function is a requirement on the impulse response, and vice versa.

However, in certain applications it may be the filter's impulse response that is explicit and the design process then aims at producing as close an approximation as possible to the requested impulse response given all other requirements.

In some cases it may even be relevant to consider a frequency function and impulse response of the filter which are chosen independently from each other. For example, we may want both a specific frequency function of the filter and that the resulting filter have a small effective width in the signal domain as possible. The latter condition can be realized by considering a very narrow function as the wanted impulse response of the filter even though this function has no relation to the desired frequency function. The goal of the design process is then to realize a filter which tries to meet both these contradicting design goals as much as possible. An example is for high-resolution audio in which the frequency response (magnitude and phase) for steady state signals (sum of sinusoids) is the primary filter requirement, while an unconstrained impulse response may cause unexpected degradation due to time spreading of transient signals. ^{[2] [3]}

Causality

Any filter operating in real time (the filter response only depends on the current and past inputs) must be causal. If the design process yields a noncausal filter, the resulting filter can be made causal by introducing an appropriate time-shift (or delay).

Filters that do not operate in real time (e.g. for image processing) can be non-causal. Noncausal filters may be designed to have zero delay.

Stability

A stable filter assures that every limited input signal produces a limited filter response. A filter which does not meet this requirement may in some situations prove useless or even harmful. Certain design approaches can guarantee stability, for example by using only feed-forward circuits such as an FIR filter. On the other hand, filters based on feedback circuits have other advantages and may therefore be preferred, even if this class of filters includes unstable filters. In this case, the filters must be carefully designed in order to avoid instability.

Locality

In certain applications we have to deal with signals which contain components which can be described as local phenomena, for example pulses or steps, which have certain time duration. A consequence of applying a filter to a signal is, in intuitive terms, that the duration of the local phenomena is extended by the width of the filter. This implies that it is sometimes important to keep the width of the filter's impulse response function as short as possible.

According to the uncertainty relation of the Fourier transform, the product of the width of the filter's impulse response function and the width of its frequency function must exceed a certain constant. This means that any requirement on the filter's locality also implies a bound on its frequency function's width. Consequently, it may not be possible to simultaneously meet requirements on the locality of the filter's impulse response function as well as on its frequency function. This is a typical example of contradicting requirements.

Computational complexity

A general desire in any design is that the number of operations (additions and multiplications) needed to compute the filter response is as low as possible. In certain applications, this desire is a strict requirement, for example due to limited computational resources, limited power resources, or limited time. The last limitation is typical in real-time applications.

There are several ways in which a filter can have different computational complexity. For example, the order of a filter is more or less proportional to the number of operations. This means that by choosing a low order filter, the computation time can be reduced.

For discrete filters the computational complexity is more or less proportional to the number of filter coefficients. If the filter has many coefficients, for example in the case of multidimensional signals such as tomography data, it may be relevant to reduce the number of coefficients by removing those which are sufficiently close to zero. In multirate filters, the number of coefficients by taking advantage of its bandwidth limits, where the input signal is downsampled (e.g. to its critical frequency), and upsampled after filtering.

Another issue related to computational complexity is separability, that is, if and how a filter can be written as a convolution of two or more simpler filters. In particular, this issue is of importance for multidimensional filters, e.g., 2D filter which are used in image processing. In this case, a significant reduction in computational complexity can be obtained if the filter can be separated as the convolution of one 1D filter in the horizontal direction and one 1D filter in the vertical direction. A result of the filter design process may, e.g., be to approximate some desired filter as a separable filter or as a sum of separable filters.

Other considerations

It must also be decided how the filter is going to be implemented:

• Analog filter
• Analog sampled filter
• Digital filter
• Mechanical filter

Analog filters

The design of linear analog filters is for the most part covered in the linear filter section.

Digital filters

Digital filters are classified into one of two basic forms, according to how they respond to a unit impulse:

• Finite impulse response, or FIR, filters express each output sample as a weighted sum of the last N input samples, where N is the order of the filter. FIR filters are normally non-recursive, meaning they do not use feedback and as such are inherently stable. A moving average filter or CIC filter are examples of FIR filters that are normally recursive (that use feedback). If the FIR coefficients are symmetrical (often the case), then such a filter is linear phase, so it delays signals of all frequencies equally which is important in many applications. It is also straightforward to avoid overflow in an FIR filter. The main disadvantage is that they may require significantly more processing and memory resources than cleverly designed IIR variants. FIR filters are generally easier to design than IIR filters - the Parks-McClellan filter design algorithm (based on the Remez algorithm) is one suitable method for designing quite good filters semi-automatically. (See Methodology.)
• Infinite impulse response, or IIR, filters are the digital counterpart to analog filters. Such a filter contains internal state, and the output and the next internal state are determined by a linear combination of the previous inputs and outputs (in other words, they use feedback, which FIR filters normally do not). In theory, the impulse response of such a filter never dies out completely, hence the name IIR, though in practice, this is not true given the finite resolution of computer arithmetic. IIR filters normally require less computing resources than an FIR filter of similar performance. However, due to the feedback, high order IIR filters may have problems with instability, arithmetic overflow, and limit cycles, and require careful design to avoid such pitfalls. Additionally, since the phase shift is inherently a non-linear function of frequency, the time delay through such a filter is frequency-dependent, which can be a problem in many situations. 2nd order IIR filters are often called 'biquads' and a common implementation of higher order filters is to cascade biquads. A useful reference for computing biquad coefficients is the RBJ Audio EQ Cookbook.

Sample rate

Unless the sample rate is fixed by some outside constraint, selecting a suitable sample rate is an important design decision. A high rate will require more in terms of computational resources, but less in terms of anti-aliasing filters. Interference and beating with other signals in the system may also be an issue.

Anti-aliasing

For any digital filter design, it is crucial to analyze and avoid aliasing effects. Often, this is done by adding analog anti-aliasing filters at the input and output, thus avoiding any frequency component above the Nyquist frequency. The complexity (i.e., steepness) of such filters depends on the required signal-to-noise ratio and the ratio between the sampling rate and the highest frequency of the signal.

Theoretical basis

Parts of the design problem relate to the fact that certain requirements are described in the frequency domain while others are expressed in the time domain and that these may conflict. For example, it is not possible to obtain a filter which has both an arbitrary impulse response and arbitrary frequency function. Other effects which refer to relations between the time and frequency domain are

• The uncertainty principle between the time and frequency domains
• The variance extension theorem
• The asymptotic behaviour of one domain versus discontinuities in the other

The uncertainty principle

As stated by the Gabor limit, an uncertainty principle, the product of the width of the frequency function and the width of the impulse response cannot be smaller than a specific constant. This implies that if a specific frequency function is requested, corresponding to a specific frequency width, the minimum width of the filter in the signal domain is set. Vice versa, if the maximum width of the response is given, this determines the smallest possible width in the frequency. This is a typical example of contradictory requirements where the filter design process may try to find a useful compromise.

The variance extension theorem

Let ${\displaystyle \sigma _{s}^{2}}$ be the variance of the input signal and let ${\displaystyle \sigma _{f}^{2}}$ be the variance of the filter. The variance of the filter response, ${\displaystyle \sigma _{r}^{2}}$, is then given by

${\displaystyle \sigma _{r}^{2}}$ = ${\displaystyle \sigma _{s}^{2}}$ + ${\displaystyle \sigma _{f}^{2}}$

This means that ${\displaystyle \sigma _{r}>\sigma _{f}}$ and implies that the localization of various features such as pulses or steps in the filter response is limited by the filter width in the signal domain. If a precise localization is requested, we need a filter of small width in the signal domain and, via the uncertainty principle, its width in the frequency domain cannot be arbitrary small.

Discontinuities versus asymptotic behaviour

Let f(t) be a function and let ${\displaystyle F(\omega )}$ be its Fourier transform. There is a theorem which states that if the first derivative of F which is discontinuous has order ${\displaystyle n\geq 0}$, then f has an asymptotic decay like ${\displaystyle t^{-n-1}}$.

A consequence of this theorem is that the frequency function of a filter should be as smooth as possible to allow its impulse response to have a fast decay, and thereby a short width.

Methodology

One common method for designing FIR filters is the Parks-McClellan filter design algorithm, based on the Remez exchange algorithm. Here the user specifies a desired frequency response, a weighting function for errors from this response, and a filter order N. The algorithm then finds the set of N coefficients that minimize the maximum deviation from the ideal. Intuitively, this finds the filter that is as close as you can get to the desired response given that you can use only N coefficients. This method is particularly easy in practice and at least one text ^[4] includes a program that takes the desired filter and N and returns the optimum coefficients. One possible drawback to filters designed this way is that they contain many small ripples in the passband(s), since such a filter minimizes the peak error.

Another method to finding a discrete FIR filter is filter optimization described in Knutsson et al., which minimizes the integral of the square of the error, instead of its maximum value. In its basic form this approach requires that an ideal frequency function of the filter ${\displaystyle F_{I}(\omega )}$ is specified together with a frequency weighting function ${\displaystyle W(\omega )}$ and set of coordinates ${\displaystyle x_{k}}$ in the signal domain where the filter coefficients are located.

An error function ${\displaystyle \varepsilon }$ is defined as

${\displaystyle \varepsilon =\|W\cdot (F_{I}-{\mathcal {F}}\{f\})\|^{2}}$

where ${\displaystyle f(x)}$ is the discrete filter and ${\displaystyle {\mathcal {F}}}$ is the discrete-time Fourier transform defined on the specified set of coordinates. The norm used here is, formally, the usual norm on ${\displaystyle L^{2}}$ spaces. This means that ${\displaystyle \varepsilon }$ measures the deviation between the requested frequency function of the filter, ${\displaystyle F_{I}}$, and the actual frequency function of the realized filter, ${\displaystyle {\mathcal {F}}\{f\}}$. However, the deviation is also subject to the weighting function ${\displaystyle W}$ before the error function is computed.

Once the error function is established, the optimal filter is given by the coefficients ${\displaystyle f(x)}$ which minimize ${\displaystyle \varepsilon }$. This can be done by solving the corresponding least squares problem. In practice, the ${\displaystyle L^{2}}$ norm has to be approximated by means of a suitable sum over discrete points in the frequency domain. In general, however, these points should be significantly more than the number of coefficients in the signal domain to obtain a useful approximation.

Simultaneous optimization in both domains

The previous method can be extended to include an additional error term related to a desired filter impulse response in the signal domain, with a corresponding weighting function. The ideal impulse response can be chosen independently of the ideal frequency function and is in practice used to limit the effective width and to remove ringing effects of the resulting filter in the signal domain. This is done by choosing a narrow ideal filter impulse response function, e.g., an impulse, and a weighting function which grows fast with the distance from the origin, e.g., the distance squared. The optimal filter can still be calculated by solving a simple least squares problem and the resulting filter is then a "compromise" which has a total optimal fit to the ideal functions in both domains. An important parameter is the relative strength of the two weighting functions which determines in which domain it is more important to have a good fit relative to the ideal function.

See also

• Digital filter
• Prototype filter
• Finite impulse response#Filter design

References

1. Valdez, M.E. "Digital Filters". GRM Networks. Retrieved 13 July 2020.
2. Story, Mike (September 1997). "A Suggested Explanation For (Some Of) The Audible Differences Between High Sample Rate And Conventional Sample Rate Audio Material" (PDF). dCS Ltd. Archived (PDF) from the original on 28 November 2009.
3. Robjohns, Hugh (August 2016). "MQA Time-domain Accuracy & Digital Audio Quality". soundonsound.com. Sound On Sound. Archived from the original on 10 March 2023.
4. Rabiner, Lawrence R., and Gold, Bernard, 1975: Theory and Application of Digital Signal Processing (Englewood Cliffs, New Jersey: Prentice-Hall, Inc.) ISBN   0-13-914101-4

Biblography

• A. Antoniou (1993). Digital Filters: Analysis, Design, and Applications (2 ed.). McGraw-Hill, New York, NY. ISBN   978-0-07-002117-4.
• A. Antoniou (2006). Digital Signal Processing: Signals, Systems, and Filters. McGraw-Hill, New York, NY. ISBN   978-0-07-145424-7.
• S.W.A. Bergen; A. Antoniou (2005). "Design of Nonrecursive Digital Filters Using the Ultraspherical Window Function". EURASIP Journal on Applied Signal Processing. 2005 (12): 1910. Bibcode:2005EJASP2005...44B. doi: 10.1155/ASP.2005.1910 .
• A.G. Deczky (October 1972). "Synthesis of Recursive Digital Filters Using the Minimum p-Error Criterion". IEEE Trans. Audio Electroacoustics. AU-20 (4): 257–263. doi:10.1109/TAU.1972.1162392.
• J.K. Kaiser (1974). "Nonrecursive Digital Filter Design Using the I₀-sinh Window Function". Proc. 1974 IEEE Int. Symp. Circuit Theory (ISCAS74). San Francisco, CA. pp. 20–23.
• H. Knutsson; M. Andersson; J. Wiklund (June 1999). "Advanced Filter Design". Proc. Scandinavian Symposium on Image Analysis, Kangerlussuaq, Greenland.
• S.K. Mitra (1998). Digital Signal Processing: A Computer-Based Approach. McGraw-Hill, New York, NY. ISBN   978-0-07-286546-2.
• A.V. Oppenheim; R.W. Schafer; J.R. Buck (1999). Discrete-Time Signal Processing. Prentice-Hall, Upper Saddle River, NJ. ISBN   978-0-13-754920-7.
• T.W. Parks; J.H. McClellan (March 1972). "Chebyshev Approximation for Nonrecursive Digital Filters with Linear Phase". IEEE Trans. Circuit Theory. CT-19 (2): 189–194. doi:10.1109/TCT.1972.1083419.
• L.R. Rabiner; J.H. McClellan; T.W. Parks (April 1975). "FIR Digital Filter Design Techniques Using Weighted Chebyshev Approximation". Proc. IEEE. 63 (4): 595–610. doi:10.1109/PROC.1975.9794. S2CID   12579115.

External links

• An extensive list of filter design articles and software at Circuit Sage
• A list of digital filter design software at dspGuru
• Analog Filter Design Demystified
• Yehar's digital sound processing tutorial for the braindead! This paper explains simply (between others topics) filters design theory and give some examples