The Heiress is a 1949 American romantic drama film directed and produced by William Wyler, from a screenplay written by Ruth and Augustus Goetz, adapted from their 1947 stage play of the same title, which was itself adapted from Henry James' 1880 novel Washington Square. The film stars Olivia de Havilland as Catherine Sloper, a naive young woman who falls in love with a handsome young man despite the objections of her emotionally abusive father who suspects the man of being a fortune hunter. Montgomery Clift stars as Morris Townsend, and Ralph Richardson as Dr. Sloper.
Adolphe Jean Menjou was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931.
The Mortal Storm is a 1940 American drama film produced by Metro-Goldwyn-Mayer. It was directed by Frank Borzage and stars Margaret Sullavan and James Stewart. The film shows the impact on Germans after Hitler becomes chancellor of Germany and gains unlimited power. The supporting cast features Robert Young, Robert Stack, Frank Morgan, Dan Dailey, Ward Bond and Maria Ouspenskaya.
Val Lewton was a Ukrainian-American novelist, film producer and screenwriter best known for a string of low-budget horror films he produced for RKO Pictures in the 1940s. His son, also named Val Lewton, was a painter and exhibition designer.
William Joseph Patrick O'Brien was an American film actor with more than 100 screen credits. Of Irish descent, he often played Irish and Irish-American characters and was referred to as "Hollywood's Irishman in Residence" in the press. One of the best-known screen actors of the 1930s and 1940s, he played priests, cops, military figures, pilots, and reporters. He is especially well-remembered for his roles in Knute Rockne, All American (1940), Angels with Dirty Faces (1938), and Some Like It Hot (1959). He was frequently paired onscreen with Hollywood star James Cagney. O'Brien also appeared on stage and television.
Moonrise is a 1948 American film noir crime film directed by Frank Borzage starring Dane Clark, Gail Russell and Ethel Barrymore. It is based on the 1946 novel of the same name by Theodore Strauss. The plot concerns the son of a man who was hanged for murder, leading to his own bullying by others and subsequent trials when he commits a crime in self-defense.
Intermezzo is a 1939 American romantic film remake of a 1936 Swedish film of the same title. It stars Leslie Howard as a married virtuoso violinist who falls in love with his accompanist, played by Ingrid Bergman in her Hollywood debut. The film was directed by Gregory Ratoff and produced by David O. Selznick. It features multiple orchestrations of Heinz Provost's title piece, which won a contest associated with the original film's production. The screenplay by George O'Neil was based on that of the original film by Gösta Stevens and Gustaf Molander. It was produced by Selznick International Pictures.
Felix Bressart was a German-born actor of stage and screen whose career spanned both Europe and Hollywood.
Philip Dorn, sometimes billed as Frits van Dongen, was a Dutch American actor who had a career in Hollywood. He was best known for portraying the father in the film I Remember Mama (1948).
Humoresque is a 1946 American melodrama film by Warner Bros. starring Joan Crawford and John Garfield in an older woman/younger man tale about a violinist and his patroness. The screenplay by Clifford Odets and Zachary Gold was based upon the 1919 short story "Humoresque" by Fannie Hurst, which previously was made into a film in 1920. Humoresque was directed by Jean Negulesco and produced by Jerry Wald.
Wake of the Red Witch is a 1948 American adventure film directed by Edward Ludwig, produced by Edmund Grainger and starring John Wayne, Gail Russell, Gig Young, Adele Mara and Luther Adler. It is based upon the 1946 novel of the same name written by Garland Roark. The film is one of the few A-level features produced by Republic Pictures, as it had a relatively high production budget. It became one of Republic' most successful releases.
Dance, Girl, Dance is a 1940 American comedy-drama film directed by Dorothy Arzner and starring Maureen O'Hara, Louis Hayward, Lucille Ball, and Ralph Bellamy. The film follows two dancers who strive to preserve their own integrity while fighting for their place in the spotlight and for the affections of a wealthy young suitor.
A Farewell to Arms is a 1932 American pre-Code romance drama film directed by Frank Borzage and starring Helen Hayes, Gary Cooper, and Adolphe Menjou. Based on the 1929 semi-autobiographical novel A Farewell to Arms by Ernest Hemingway, with a screenplay by Oliver H. P. Garrett and Benjamin Glazer, the film is about a tragic romantic love affair between an American ambulance driver and an English nurse in Italy during World War I. The film received Academy Awards for Best Cinematography and Best Sound, and was nominated for Best Picture and Best Art Direction.
Catherine McLeod was an American actress who made over 60 television and movie appearances between 1944 and 1976. She memorably portrayed the one woman whom James Garner's character Bret Maverick wanted to marry on the 1957 ABC/Warner Brothers television series Maverick, in the episode "Rage for Vengeance."
Ernst Fegté was a German art director. He was active in the American cinema from the 1920s to the 1970s, he was the art director or production designer on more than 75 feature films. He worked at Paramount Studios at the height of his career and won an Academy Award for Best Art Direction for Frenchman's Creek (1944). He was also nominated in the same category for three other films: Five Graves to Cairo (1943), The Princess and the Pirate (1944), and Destination Moon (1950). He also worked in television in the 1950s and was nominated for an Emmy Award in 1956 for his work on the series, Medic.
That Brennan Girl, also known as Tough Girl, is a 1946 American melodrama film produced and directed by Alfred Santell and starring James Dunn, Mona Freeman, William Marshall, and June Duprez. The story concerns a young woman raised in an unwholesome environment who joins a confidence racket run by one of her mother's friends. She agrees to marry the victim of one of her scams, becomes a war widow, and is left to raise a baby, but abandons it each evening to go out dancing. After the child suffers an accident in her absence, she is charged with child neglect and loses custody. She mends her ways by devotedly caring for an abandoned infant and meets up again with the con man, who has also reformed after a prison stint, and together they build a new life. The film was the last work of director Santell and the last leading role for actor Dunn.
That's My Man is a 1947 American drama film directed by Frank Borzage, written by Steve Fisher and Bradley King, and starring Don Ameche, Catherine McLeod, Roscoe Karns, John Ridgely, Kitty Irish and Joe Frisco. It was released on June 1, 1947, by Republic Pictures.
Madame Jealousy is a 1918 American silent allegorical drama film directed by Robert G. Vignola and written by George V. Hobart and Eve Unsell. The film stars Pauline Frederick, Thomas Meighan, Frank Losee, Charles Wellesley, Isabel O'Madigan, and Elsie MacLeod. The film was released on February 4, 1918, by Paramount Pictures.
A Doctor's Diary is a 1937 American drama film directed by Charles Vidor and written by David Boehm and Samuel Ornitz. The film stars George Bancroft, Helen Burgess, John Trent, Ruth Coleman, Ronald Sinclair and Molly Lamont. The film was released on January 22, 1937, by Paramount Pictures.
Wyoming is a 1947 American Western film directed by Joseph Kane and starring Wild Bill Elliott, Vera Ralston and John Carroll. It was produced by Republic Pictures. While Republic specialized in lower-budget second features, it also released more prestigious films such as this in an attempt to compete with the major studios. The film's sets were designed by the art director Frank Hotaling.
