James Paul McCartney | |
---|---|
Developed by | ATV |
Directed by | Dwight Hemion |
Starring | |
Composers |
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Country of origin | United Kingdom |
Original language | English |
Production | |
Executive producers | Gary Smith, Dwight Hemion |
Producer | Gary Smith (ATV) |
Running time | 50 mins approx. |
Production company | ATV |
Release | |
Original network | |
Original release | 16 April 1973 |
Related | |
James Paul McCartney is the title of a 1973 television special produced by ATV and starring English musician Paul McCartney and his then current rock group Wings. It was first broadcast on 16 April 1973 in the United States on the ABC network, and was later broadcast in the United Kingdom on 10 May 1973. It was issued on DVD (its first home video release of any kind) as part of the super-deluxe Red Rose Speedway box set in December 2018.
Paul McCartney agreed to star in a television special for the British ATV company in order to settle his two-year legal dispute with Sir Lew Grade. [1] [2] As the owner of the network and its music publishing division – and, by extension, the Beatles' Northern Songs catalogue [3] – Grade had objected to McCartney crediting his wife Linda as his co-writer since 1971, citing her lack of professional experience as a songwriter and musician. [4] [5] McCartney's commitment to the television project allowed him to retain the second composer's publishing royalties, [1] which otherwise would have been assigned to Grade's company. [2] [6]
James Paul McCartney was McCartney's first such special since the Beatles' 1967 television film Magical Mystery Tour [7] and was intended to showcase his versatility as an artist and entertainer. [1] [8] Many of the portions featured his band Wings; in others he would perform alone. [9] ATV hired Gary Smith and Dwight Hemion as producer and director, respectively, although McCartney was assured full creative control over the programme's content. [10] Having recently completed their second album, Red Rose Speedway , Wings travelled to Marrakesh in early February 1973 to plan and rehearse for the show. [11] [12]
McCartney performed "Mama's Little Girl", "Hey Diddle", "Long Haired Lady", and "Yesterday", among others, as part of the acoustic medley (Part 2), though they were not edited into any version of the broadcast. The complete recording of this medley appeared since on unofficial "bootleg" releases, along with alternate takes of the intro for "Gotta Sing, Gotta Dance".
Additional tracks performed during the "Wings in Concert" segment (Part 10) included "When the Night", "Wild Life", "Go Now" and "The Long and Winding Road", which was the first time McCartney performed this song in front of a live audience ever.
Critical reception to the programme was highly unfavourable. [10] [13] [14] According to authors Chip Madinger and Mark Easter, the show "was roundly panned by every critic with a pulse, and was not a stunning success in the ratings either". [10] Melody Maker stated: "McCartney has always had an eye and ear for full-blown romanticism, and nothing wrong with that, but here he too often lets it get out of hand and it becomes over-blown and silly." [15] The New York Times ' reviewer described it as "a series of disconnected routines strung together with commercials for Chevrolet cars", while The Washington Post criticised the amount of screen time allocated to Linda McCartney, saying that "her previous careers ... certainly don't qualify her to perform in public." [16]
Writing for Rolling Stone , Lenny Kaye found McCartney "remote and distant from the camera" and added: "if the consequent production did nothing to heal McCartney's ongoing image problem, it certainly didn't help his musical offerings, which came off as forgettably ordinary and certainly disappointing." [17] Referring to the former Beatle's return to television, Alan Coren of The Times wrote: "[James Paul McCartney] was not the sort of programme you make a come-back with. It was the sort of programme you make a come-back after." [18]
Among more recent critiques, Peter Doggett describes the special as "insipid" and "unrecognisable as the work of the man who had conceived Magical Mystery Tour". [19] Robert Rodriguez writes that, in its attempts to present McCartney as all-round entertainer, the show embarrassed and alienated his rock audience, and that even the in-concert segment was lacklustre. Rodriguez concludes: "the band must surely have been conscious of their shortcomings alongside virtually any other recording act of the day. When Henry McCullough buries his head in his hands during the [McCartney] solo finale of 'Yesterday,' one feels his pain." [20] Tom Doyle contends that the show "wasn't all bad" but considers the "Gotta Sing, Gotta Dance" segment and the Chelsea Reach pub scene to have been particularly ill-advised for McCartney's image at the time. [21]
The special was never released on VHS. [22]
In 2018, a DVD remaster was released as part of the "Paul McCartney Archive" deluxe reissue of Red Rose Speedway . [23] This new edit doesn't contain "Bluebird" as part of the acoustic medley (Part 2), alike original UK broadcast. However, unlike the UK broadcast, the last song of the "Wings in Concert" segment (Part 10) is "Long Tall Sally", as the US/Japanese broadcast, while "Hi, Hi, Hi" is missing.
Paul McCartney and Wings, often billed simply as Wings, were a British-American rock band formed in 1971 by former Beatles bassist and singer Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for their commercial successes, musical eclecticism and frequent personnel changes; going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence.
"The Long and Winding Road" is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and last number-one hit on the Billboard Hot 100 chart in the United States.
Band on the Run is the third studio album by the British–American rock band Paul McCartney and Wings, released in December 1973. It was McCartney's fifth album after leaving the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles – "Jet" and "Band on the Run" – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works.
Back to the Egg is the seventh and final studio album by the British–American rock band Wings, released in June 1979 on Parlophone in the UK and Columbia Records in North America. Co-produced by Chris Thomas, the album reflects band leader Paul McCartney's embracing of contemporary musical trends such as new wave and punk, and marked the arrival of new Wings members Laurence Juber and Steve Holley. Back to the Egg adopts a loose conceptual theme around the idea of a working band, and its creation coincided with a period of considerable activity for the group, which included making a return to touring and work on several television and film projects.
McCartney is the debut solo album by English musician Paul McCartney, released on 17 April 1970 by Apple Records. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, McCartney eschewed the polish of the Beatles' past records in favour of a lo-fi style. Apart from occasional contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape.
Red Rose Speedway is the second studio album by the British–American rock band Wings. It was released through Apple Records on 4 May 1973, preceded by its lead single, the ballad "My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album Wild Life.
"Blackbird" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written by Paul McCartney and credited to Lennon–McCartney, and performed as a solo piece by McCartney. When discussing the song, McCartney has said that the lyrics were inspired by hearing the call of a blackbird in Rishikesh, India, and by racial tension in the Southern United States.
"The Fool on the Hill" is a song by the English rock band the Beatles from their 1967 EP and album Magical Mystery Tour. It was written and sung by Paul McCartney and credited to the Lennon–McCartney partnership. The lyrics describe the titular "fool", a solitary figure who is not understood by others, but is actually wise. McCartney said the idea for the song was inspired by the Dutch design collective the Fool, who derived their name from the tarot card of the same name, and possibly by Maharishi Mahesh Yogi.
The Beatles were an English rock band, active from 1960 until 1970. From 1962 onwards, the band's members were John Lennon, Paul McCartney, George Harrison and Ringo Starr. Their break-up is attributed to numerous factors, including: the strain of the Beatlemania phenomenon, the 1967 death of manager Brian Epstein, bandmates' resentment of McCartney's perceived domineering, Lennon's heroin use and his relationship with Yoko Ono, Harrison's increasingly prolific songwriting, the floundering of Apple Corps, the Get Back project, and managerial disputes.
"The Back Seat of My Car" is a song written by Paul McCartney, released as the closing track of his and his wife Linda's 1971 album, Ram. Several months later, it was released as a single in the UK, peaking at number 39. The song modulates stylistically between a sweeping piano-and-orchestra ballad similar to McCartney's "The Long and Winding Road" and upbeat rock sections before ending in a raucous and passionate finale.
"Give Ireland Back to the Irish" is the debut single by the British–American rock band Wings that was released in February 1972. It was written by Paul McCartney and his wife Linda in response to the events of Bloody Sunday, on 30 January that year, when British troops in Northern Ireland shot dead thirteen civil rights protestors. Keen to voice their outrage at the killings, Wings recorded the track two days later at EMI Studios in London. It was the band's first song to include Northern Irish guitarist Henry McCullough.
"My Love" is a song by the British–American band Paul McCartney and Wings that was first released as the lead single from their 1973 album Red Rose Speedway. It was written by Paul McCartney as a love song to his wife and Wings bandmate Linda. The single marked the first time that McCartney's name appeared in the artist credit for a Wings record, after their previous releases had been credited to Wings alone. Released on 23 March 1973, the song topped the Billboard Hot 100 chart in the US for four weeks and peaked at number 9 on the UK Singles Chart. The single was viewed as Wings' first significant success in the US and helped Red Rose Speedway achieve commercial success.
"Sue Me, Sue You Blues" is a song written by English musician George Harrison, released on his 1973 album Living in the Material World. Harrison initially let American guitarist Jesse Ed Davis record it for the latter's Ululu album (1972), in gratitude to Davis for his participation in the Concert for Bangladesh. When writing the song, Harrison drew inspiration from the legal issues surrounding the Beatles during the early months of 1971, particularly the lawsuit that Paul McCartney initiated in an effort to dissolve the band's business partnership, Apple Corps.
The Back to the Egg TV special was a program containing music videos to promote the band Wings' 1979 album Back to the Egg. The program was first broadcast on US television stations in November 1979, but its UK airing, on BBC1, was delayed until June 1981, two months after the band disbanded. The locations used for filming include Lympne Castle and Camber Sands, both on the south-east coast of England.
"Sunshine Life for Me (Sail Away Raymond)" is a song by English musician Ringo Starr from his 1973 album Ringo. It was written by George Harrison, Starr's former bandmate in the Beatles, and was one of several contributions Harrison made to Ringo. Recording for the song took place in Los Angeles in March 1973, with Richard Perry as producer. In addition to Starr and Harrison, the musicians on the track include Levon Helm, Robbie Robertson, Rick Danko and Garth Hudson of the Band, and multi-instrumentalist David Bromberg.
Wings Over the World is a 1979 television music documentary film featuring the rock band Wings. It consists of concert performances from their acclaimed Wings Over the World tour of 1975-1976, together with behind-the-scenes footage. Also included is a short excerpt of Wings rehearsing at London's Institute of Contemporary Arts before their 1972 UK university tour. Problems with the audio from the 1976 live performances delayed the film's release until 16 March 1979 in the United States and 8 April 1979 in the United Kingdom, by which time, band members Jimmy McCulloch and Joe English had left the group and been replaced.
"See Yourself" is a song by English musician George Harrison, released on his 1976 album Thirty Three & 1/3. Harrison began writing the song in 1967, while he was a member of the Beatles, in response to the public outcry surrounding bandmate Paul McCartney's admission that he had taken the hallucinogenic drug LSD. McCartney's announcement created a reaction in the press similar to that caused in 1966 by John Lennon's statement that the Beatles were more popular than Christianity. In its finished form, the song's lyrics advocate self-awareness and consideration for the consequences of one's actions. Musically, the composition contains unusual shifts in time signature from standard 4/4 to 9/8, while the songwords reflect the era of its genesis by recalling themes first espoused in the Beatles tracks "Within You Without You" and "All You Need Is Love".
"Six O'Clock" is a song by English rock musician Ringo Starr from his 1973 album Ringo. It was written by Starr's former Beatles bandmate Paul McCartney and the latter's wife, Linda, who also participated in the recording of the song. It was the first time McCartney and Starr had worked together since the Beatles' break-up in 1970. Their collaboration reflected an easing of the tensions that had existed between the two musicians for much of that period.
"You and Me (Babe)" is a song by English musician Ringo Starr, released as the final track on his 1973 album Ringo. Starr's fellow ex-Beatle George Harrison wrote the song along with Mal Evans, the Beatles' longtime aide and a personal assistant to Starr during the making of Ringo. The track serves as a farewell from Starr to his audience in the manner of a show-closing finale, by lyrically referring to the completion of the album. During the extended fadeout, Starr delivers a spoken message in which he thanks the musicians and studio personnel who helped with the recording of Ringo – among them, Harrison, John Lennon and Paul McCartney, and his producer, Richard Perry.
Lennon Remembers is a 1971 book by Rolling Stone magazine co-founder and editor Jann Wenner. It consists of a lengthy interview that Wenner carried out with former Beatle John Lennon in December 1970 and which was originally serialised in Rolling Stone in its issues dated 21 January and 4 February 1971. The interview was intended to promote Lennon's primal therapy-inspired album John Lennon/Plastic Ono Band and reflects the singer's emotions and mindset after undergoing an intense course of the therapy under Arthur Janov. It also serves as a rebuttal to Paul McCartney's public announcement of the Beatles' break-up, in April 1970.