When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ganada order), Chinese, Thai, Indonesian, Filipino, Swahili, Esperanto.
Or it may use some different notation. Two notation systems are most commonly found beside the English system, the Fixed Do key notation and the German key notation
There has been a tendency in some countries that historically used the Fixed Do key notation or the German key notation to switch to the English system, especially among musicians working in popular music genres or jazz. The only case where this can lead to some confusion is when the letter B is used because it would not be clear whether the intention was for it to be understood as B♮ (English system) or B♭ (German system). Another tendency has been to use the English system in writing but to read it out according to either the Fixed Do or the German system if those are the systems used locally. For example, recent French scores or books may use the English system (this is especially common for chord symbols), but French users would read out that notation according to the Fixed Do system. Similarly, a Dutch musician may refer to a written F♯ orally as Fis. This article is concerned with written usage.
To form a key designation, locate the note name in the pitch translation table and add the major/minor qualifier from the lower table as needed.
alphabetic systems | solmization systems | |||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
English | German | Dutch (Netherlands, written) | Japanese | Chinese | Korean | Arabic | Persian | Italian | French | Spanish | Portuguese | Russian | Romanian | Dutch (Belgium) | Greek | Lithuanian |
C flat | Ces | Ces | 変ハ (hen-ha) | 降C (jiàng-C) | 내림 다 (naerim da) | دو-بيمول (Do-bemol) | دو بمل (Do Bemol) | Do bemolle | Do bémol | Do bemol | Dó bemol | До-бемоль (Do-bemol) | Do bemol | Do mol | Ντο ύφεση (Do hyphesis) | Do bemol |
C | C | C | ハ (ha) | C | 다 (da) | دو (Do) | دو (Do | Do | Do (Ut) | Do | Dó | До (Do) | Do | Do | Ντο (Do) | Do |
C sharp | Cis | Cis | 嬰ハ (ei-ha) | 升C (shēng-C) | 올림 다 (ollim da) | دو-دييز (Do-diez) | دو دیز (Do Diez) | Do diesis | Do dièse | Do sostenido | Dó sustenido | До-диез (Do-diez) | Do diez | Do kruis | Ντο δίεση (Do diesis) | Do diez |
D flat | Des | Des | 変ニ (hen-ni) | 降D (jiàng-D) | 내림 라 (naerim ra) | ري-بيمول (Re-bemol) | ر بمل (Re Bemol) | Re bemolle | Ré bémol | Re bemol | Ré bemol | Ре-бемоль (Re-bemol) | Re bemol | Re mol | Ρε ύφεση (Re hyphesis) | Re bemol |
D | D | D | ニ (ni) | D | 라 (ra) | ري (Re) | ر (Re) | Re | Ré | Re | Ré | Ре (Re) | Re | Re | Ρε (Re) | Re |
D sharp | Dis | Dis | 嬰ニ (ei-ni) | 升D (shēng-D) | 올림 라 (ollim ra) | ري-دييز (Re-diez) | ر دیز (Re Diez) | Re diesis | Ré dièse | Re sostenido | Ré sustenido | Ре-диез (Re-diez) | Re diez | Re kruis | Ρε δίεση (Re diesis) | Re diez |
E flat | Es | Es | 変ホ (hen-ho) | 降E (jiàng-E) | 내림 마 (naerim ma) | مي-بيمول (Mi-bemol) | می بمل (Mi Bemol) | Mi bemolle | Mi bémol | Mi bemol | Mi bemol | Ми-бемоль (Mi-bemol) | Mi bemol | Mi mol | Μι ύφεση (Mi hyphesis) | Mi bemol |
E | E | E | ホ (ho) | E | 마 (ma) | مي (Mi) | می (Mi) | Mi | Mi | Mi | Mi | Ми (Mi) | Mi | Mi | Μι (Mi) | Mi |
E sharp | Eis | Eis | 嬰ホ (ei-ho) | 升E (shēng-E) | 올림 마 (ollim ma) | مي-دييز (Mi-diez) | می دیز (MI Diez) | Mi diesis | Mi dièse | Mi sostenido | Mi sustenido | Ми-диез (M-diez) | Mi diez | Mi kruis | Μι δίεση (Mi diesis) | Mi diez |
F flat | Fes | Fes | 変ヘ (hen-he) | 降F (jiàng-F) | 내림 바 (naerim ba) | فا-بيمول (Fa-bemol) | فا بمل (Fa Bemol) | Fa bemolle | Fa bémol | Fa bemol | Fá bemol | Фа-бемоль (Fa-bemol) | Fa bemol | Fa mol | Φα ύφεση (Fa hyphesis) | Fa bemol |
F | F | F | ヘ (he) | F | 바 (ba) | فا (Fa) | فا (Fa) | Fa | Fa | Fa | Fá | Фа (Fa) | Fa | Fa | Φα (Fa) | Fa |
F sharp | Fis | Fis | 嬰ヘ (ei-he) | 升F (shēng-F) | 올림 바 (ollim ba) | فا-دييز (Fa-diez) | فا دیز (Fa Diez) | Fa diesis | Fa dièse | Fa sostenido | Fá sustenido | Фа-диез (Fa diez) | Fa diez | Fa kruis | Φα δίεση (Fa diesis) | Fa diez |
G flat | Ges | Ges | 変ト (hen-to) | 降G (jiàng-G) | 내림 사 (naerim sa) | صول-بيمول (Sol-bemol) | سول بمل (Sol Bemol) | Sol bemolle | Sol bémol | Sol bemol | Sol bemol | Соль-бемоль (Sol-bemol) | Sol bemol | Sol mol | Σολ ύφεση (Sol hyphesis) | Sol bemol |
G | G | G | ト (to) | G | 사 (sa) | صول (Sol) | سول (Sol) | Sol | Sol | Sol | Sol | Соль (Sol) | Sol | Sol | Σολ (Sol) | Sol |
G sharp | Gis | Gis | 嬰ト (ei-to) | 升G (shēng-G) | 올림 사 (ollim sa) | صول-دييز (Sol-diez) | سول دیز (Sol Diez) | Sol diesis | Sol dièse | Sol sostenido | Sol sustenido | Соль-диез (Sol-diez) | Sol diez | Sol kruis | Σολ δίεση (Sol diesis) | Sol diez |
A flat | As | As | 変イ (hen-i) | 降A (jiàng-A) | 내림 가 (naerim ga) | لا-بيمول (la-bemol) | لا بمل (La Bemol) | La bemolle | La bémol | La bemol | Lá bemol | Ля-бемоль (Lja-bemol) | La bemol | La mol | Λα ύφεση (La hyphesis) | Lia bemol |
A | A | A | イ (i) | A | 가 (ga) | لا (La) | لا (La) | La | La | La | Lá | Ля (Lja) | La | La | Λα (La) | Lia |
A sharp | Ais | Ais | 嬰イ (ei-i) | 升A (shēng-A) | 올림 가 (ollim ga) | لا-دييز (La-diez) | لا دیز (La Diez) | La diesis | La dièse | La sostenido | Lá sustenido | Ля-диез (Lja-diez) | La diez | La kruis | Λα δίεση (La diesis) | Lia diez |
B flat | B | Bes | 変ロ (hen-ro) | 降B (jiàng-B) | 내림 나 (naerim na) | سي-بيمول (Si-bemol) | سی بمل (Si Bemol) | Si bemolle | Si bémol | Si bemol | Si bemol | Си-бемоль (Si-bemol) | Si bemol | Si mol | Σι ύφεση (Si hyphesis) | Si bemol |
B | H | B | ロ (ro) | B | 나 (na) | سي (Si) | سی (Si) | Si | Si | Si | Si | Си (Si) | Si | Si | Σι (Si) | Si |
B sharp | His | Bis | 嬰ロ (ei-ro) | 升B (shēng-B) | 올림 나 (ollim na) | سي-دييز (Si-diez) | سی دیز (Si Diez) | Si diesis | Si dièse | Si sostenido | Si sustenido | Си-диез (Si-diez) | Si diez | Si kruis | Σι δίεση (Si diesis) | Si diez |
English | Arabic | German | Dutch [1] | Japanese | Chinese | Korean | Italian | French | Spanish | Persian | Portuguese | Russian | Romanian | Greek | Lithuanian |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
major | الكبير (alkabeer) | Dur | groot, grote terts | 長調 (chōchō) | 大调 (dà diào) | 장조 (jangjo) | maggiore | majeur | mayor | ماژور (Mažor) | maior | мажор | major | μείζονα | mažoras/dur |
minor | الصغير (alsagheer) | Moll | klein, kleine terts | 短調 (tanchō) | 小调 (xiǎo diào) | 단조 (danjo) | minore | mineur | menor | مینور (Minor) | menor | минор | minor | ελάσσονα | minoras/moll |
The 'major' alteration is usually superfluous, as a key description missing an alteration is invariably assumed to be major.
In the German notation scheme, a hyphen is added between the pitch and the alteration (D-Dur).
In German, Dutch, and Lithuanian, the minor key signatures are written with a lower case letter (d-Moll, d klein, d kleine terts).
For example, to describe a song composed in a key of E-flat minor, one could say:
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