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"Let's Misbehave" | |
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Song by Irene Bordoni | |
Written | 1927 |
Published | June 21, 1927 Harms, Inc. [1] |
Songwriter(s) | Cole Porter |
"Let's Misbehave" is a song written by Cole Porter in 1927, originally intended for the female lead of his first major musical production, Paris . It was discarded before the Broadway opening in favor of "Let's Do It, Let's Fall in Love". However, the star of the Broadway production, Irene Bordoni, performed it for a phonograph recording which was labelled as being from the production of Paris.
The song with partial lyrics was a notable 1928 hit for Irving Aaronson and his Commanders. The song was recorded earlier with partial lyrics for the Brunswick label by Scrappy Lambert and Billy Hillpot with Ben Bernie's orchestra in December 1927, and by Tom Stacks with Harry Reser's band "The Bluebirds" in January 1928. Banjo Buddy's (a.k.a. Harold Sandelman) recording in April 1928 contained full lyrics and verse. [2] It was included perhaps most infamously in the 1962 revival of Anything Goes and was also added into the 1991 version of Porter's You Never Know.
Cole Albert Porter was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
"Ol' Man River" is a show tune from the 1927 musical Show Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II, who wrote the song in 1925. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat, and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This has happened, but the river keeps rolling on anyway."
"There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical.
"Let's Do It, Let's Fall in Love" (also known as "Let's Do It (Let's Fall in Love)" or simply "Let's Do It") is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni for whom Porter had written the musical as a starring vehicle.
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
Paris is a musical with the book by Martin Brown, and music and lyrics by Cole Porter, as well as Walter Kollo and Louis Alter (music) and E. Ray Goetz and Roy Turk (lyrics). The musical, which premiered on Broadway in 1928, was Porter's first Broadway hit. The musical introduced the song "Let's Do It, Let's Fall in Love" sung by the show's star, Irene Bordoni. The story involves a young man from a very proper family in Newton, Massachusetts whose mother is horrified by his intention to wed a French actress.
Born to Dance is a 1936 American musical film directed by Roy Del Ruth and starring Eleanor Powell, James Stewart and Virginia Bruce. It was produced and distributed by Metro-Goldwyn-Mayer. The score was composed by Cole Porter.
Irène Bordoni was a Franco-American actress and singer.
A list song, also called a laundry list song or a catalog song, is a song based wholly or in part on a list. Unlike topical songs with a narrative and a cast of characters, list songs typically develop by working through a series of information, often humorous or comically, articulating their images additively, and sometimes use items of escalating absurdity.
Irving A. Aaronson was an American jazz pianist and big band leader. Aaronson's orchestra was one of the most popular in America during the Roaring Twenties. His most popular song, "The Loveliest Night of the Year", was not recorded with his band but was adapted by Aaronson in 1950 for the Mario Lanza film The Great Caruso.
"What'll I Do" is a song written by Irving Berlin in 1923. It was introduced by singers Grace Moore and John Steel late in the run of Berlin's third Music Box Revue and was also included in the following year's edition.
"Let a Smile Be Your Umbrellas" is a popular song.
"You Made Me Love You (I Didn't Want to Do It)" is a popular song from 1913 composed by James V. Monaco with lyrics by Joseph McCarthy. It was introduced by Al Jolson in the Broadway revue The Honeymoon Express (1913), and used in the 1973 revival of the musical Irene.
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"Almost Like Being in Love" is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical Brigadoon. The song was first sung by David Brooks and Marion Bell, in the Broadway production. It was later performed in the 1954 film version by Gene Kelly.
"Let's Face the Music and Dance" is a song published in 1936 by Irving Berlin for the film Follow the Fleet, where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others.
"Me and My Shadow" is a 1927 popular song. Officially the credits show it as written by Al Jolson, Billy Rose, and Dave Dreyer, with Jolson and Dreyer being shown on the sheet music as being responsible for the music and Rose the lyrics. Al Jolson was often given credits on sheet music so he could earn more money by popularizing them, but he played no actual part in writing this song. Jolson never recorded the song although he did use it in the touring version of "Big Boy" in 1927.