This is a list of currently existing qin societies, of which some are learned societies.
There is a difference between qin schools and qin societies. The former concerns itself with transmission of a style, the latter concerns itself with performance. The qin society will encourage meetings with fellow qin players in order to play music and maybe discuss the nature of the qin. Gatherings such as this are called yaji (雅集, literally "elegant gatherings"), and take place once every month or two. Sometimes, societies may go on excursions to places of natural beauty to play qin, or attend conferences. They may also participate in competitions or research. Of course, societies do not have to have a strict structure to adhere to; it could mostly be on a leisurely basis. The main purpose of qin societies is to promote and play qin music. It is often a good opportunity to network and learn to play the instrument, to ask questions and to receive answers.
Most qin schools and societies are based in China, but during the twentieth century many overseas societies began to form. Although qin study was initially confined to China in ancient times, countries like Japan also have their own qin traditions via import from China, but are extremely small in scale. The Tokyo Qin Society was recently founded, opening up more opportunities for qin study in Japan. Japan has published a qinpu (qin tablature collection) in the past, known as Toukou Kinpu or Donggao Qinpu 【東臯琴譜】. Other qin societies exist in North America and Europe, which are less formal than their counterparts in mainland China, such as the North American Guqin Association and the London Youlan Qin Society.
Society Name (English) | Society Name (Chinese) | Location or base | Date of founding | Website | Remarks |
---|---|---|---|---|---|
Northern China | |||||
Beijing Guqin Yanjiu Hui | 北京古琴研究會 | Beijing | November 1947 | ||
Peking University Guqin Society | 北京大學古琴社 | Beijing | September 2001 | ||
Shandong Deyin Qinshe | 山東德音琴社 | Jinan | 6 November 2003 | ||
Shandong Guqin Yianjiu Hui | 山東古琴研究會 | Shandong | |||
Yuanyin Qinshe | 元音琴社 | Taiyuan | 1921 | ||
Songfeng Qinshe | 松風琴社 | Dalian | July 2000 | ||
Shenyang Guqin Yianjiuhui | 沈陽古琴研究會 | Shenyang | March 1980 | ||
Jinjiang Qinshe | 錦江琴社 | Chengdu | 1979 | The main qin society out of many in the Chengdu/Chongqing area. | |
Bohai Qinshe | 渤海琴社 | Shijiazhuang | |||
Tongshan-Xian Guqin Xuehui | 銅山縣古琴學會 | Cuizhou | 1987 | ||
Southern China | |||||
Jinyu Qin Society | 今虞琴社 | Shanghai | 1934 | The principal qin society in the Shanghai area. Has many activities and preeminent members of the years. | |
Mei'an Qinshe | 梅庵琴社 | Nantong | 1929 | Website | |
Xiaoyiao Qinshe | 逍遥琴社 | Hefei | 1999 | ||
Xihu Qinshe | 西湖琴社 | Hangzhou | 1987 | ||
Wumen Qinshe | 蘇州吳門琴社 | Suzhou | November 1986 | ||
Guangling Qinshe | 廣陵琴社 | Yangzhou | 1915 | ||
Mengqi Qinshe | 夢溪琴社 | Zhenjiang | |||
Yushan Qinshe | 虞山琴社 | Changshu | Revived 1984 | ||
Jinling Qinshe | 金陵琴社 | Nanjing | 1934 | ||
Bozhou Guqin Yianjiuhui | 播洲古琴研究會 | Guizhou | 1986 | ||
Guangdong Guqin Yianjiuhui | 廣東古琴研究會 | Canton | October 1980 | ||
Foshan Guqin Society | 佛山古琴研究會 | Canton | December 2006 | Website | |
Hong Kong | |||||
Deyin Qinshe | 德愔琴社 | Hong Kong | 1998 | Founded by students of Tsar Teh-Yun. | |
Tianting Qinshe | 天聽琴社 | Hong Kong | July 1959 | ||
Tang Yishe | 唐藝社 | Hong Kong | |||
Taiwan | |||||
Haitian Qinshe | 海天琴社 | Taiwan | |||
Hezhen Qinshe | 和真琴社 | Taiwan | |||
Yingzhou Qinshe | 瀛洲琴社 | Taiwan | 1999? | Website | |
Tianmu Ge Sixian Qinshe | 天穆閣絲弦琴社 | Taiwan | |||
Chinese Guqin Study Group – Taipei Qin Hall | 中華古琴學會-臺北琴道舘 | Taiwan | 2010s | Website | |
Taiwan Qin Society | 台灣琴會 | Taiwan | 2014? | Website | |
Taiwan Guqin Association | 台灣古琴協會 | Taiwan | 2010s | Website | |
Xiangeng Qinshe | 弦耕琴社 | Taiwan | 2015? | ||
Other Chinese locations and to-be-classified | |||||
Youtong Qinshe | 友桶琴社 | ||||
Wuxing Qinshe | 吳興琴社 |
Society Name (English) | Society Name (Chinese) | Location or base | Date of founding | Website | Remarks | |||
---|---|---|---|---|---|---|---|---|
Japan | ||||||||
Tokyo Qin Society | 東京琴社 | Tokyo | Mainly formed by overseas Chinese students studying in Tokyo. | |||||
Kamakura Qin Society | 鎌倉琴社 | Kanagawa | 2002 | Founded by Muka Fushimi. Restructured in 2013 into the Chushi Qin Society after Fushimi moved to Kyoto. | ||||
Chushi Qin Society | 疇祉琴社 | Kyoto | 2013 | Website | Formerly of Kamakura Qin Society. | |||
Japan Society for Promotions of Guqin | 日本古琴振興会 | Tokyo | 2015 | Website | ||||
Singapore | ||||||||
"He Yue Zhai" Guqin Music and Arts Centre | "龢樂齋"古琴館 | Singapore | October 2013 | Website | ||||
Malaysia | ||||||||
Dalü Guqin Music School | 大吕琴院 | Kepong, Malaysia | 2010 | Website | ||||
Thailand | ||||||||
Siam Guqin | 元韻山房 (สำนักหยวนอวิ้นซานฝาง) | Bangkok | 2010 | Website | Founded by Chatchol Thaikheaw who studied under various Chinese players, including Li Xiangting. |
Society Name (English) | Society Name (Chinese) | Location or base | Date of founding | Website | Remarks |
---|---|---|---|---|---|
United States of America | |||||
North American Guqin Association | 北美琴社 | San Francisco | 1997 | Website | One of the earliest qin societies in the West headed by Wang Fei. Activities are wide-ranging. |
North America Mei'an Society | 北美梅庵琴社 | Boston | 2009 | Website | Founded by Yu Shuishan. |
New York Guqin Association | 紐約古琴研究會 | New York City | 2015 | Website | Founded by Liu Li. |
New York Guqin School | 紐約梅庵琴苑 | New York City | 2013 | Website | Founded by 葉時華 Shihhua (Judy) Yeh, first New York based qin school to teach qin in the formal way. |
New York Qin Society | 紐約琴社 | New York City | 2000 | Website | A more formal qin society based in New York. |
Canada | |||||
Jiuyi Qinshe | 九嶷琴社 | Vancouver | 2005 | Website | |
University of Toronto Guqin Association | 多倫多大學古琴社 | Toronto | 2005 | https://web.archive.org/web/20060501041347/http://guqin.sa.utoronto.ca/ (defunct) | Restructured into the "University of Toronto Chinese Cultural Aesthetic Society (UTCCAS)" since August 2007, guqin aspects again restructured in August 2008. |
Toronto Guqin Society (TQS) | 多倫多古琴社 | Toronto | 2008 | Website | Restructured from UTCCAS's guqin operations in August 2008, with this group oriented toward the Toronto community. |
Society Name (English) | Society Name (Chinese) | Location or base | Date of founding | Website | Remarks |
---|---|---|---|---|---|
United Kingdom | |||||
London Youlan Qin Society | 倫敦幽蘭琴社 | London, UK | July 2003 | Website | A formal and very active qin society catering for UK qin players. Organises a guqin summer school each year. |
Mainland Europe | |||||
Berlin Boya Qin Association | 柏林博雅古琴社 | Berlin, Germany | Autumn 2016 | ||
Friends of Guqin : Amics del Guqin | 古琴之友 | Spain; internet-based | September 2004 | Website (defunct) | Though not officially a society, their activities were mostly internet-based and also translated qin books into Spanish. They have been inactive since Aug 2011 and presumably defunct. |
Society Name (English) | Society Name (Chinese) | Location or base | Date of founding | Website | Remarks |
---|---|---|---|---|---|
Australia | |||||
Australian Guqin Society Incorporated | 澳大利亞中國琴會 | Melbourne | Feb 2018 | ||
Guqin in Sydney | 悉尼古琴同好會 | Sydney | Mid-2010s | Website | |
JianZhai Guqin Sydney | 简斋古琴 | Sydney | 2021 | Website |
Society Name (English) | Society Name (Chinese) | Location or base | Date of founding | Website | Remarks |
---|---|---|---|---|---|
Guqin – 古琴 (a.k.a. International Guqin Society) | 國際琴社 | International; internet-based | 22 October 2006 | Website | The largest online Facebook group mainly catering for English-speaking qin players residing in the West. |
The guqin is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The guqin is not to be confused with the guzheng, another Chinese long stringed instrument also without frets, but with moveable bridges under each string.
The se or guse is an ancient plucked zither of Chinese origin. It varied in size and construction, but generally had 25–50 strings with moveable bridges and a range of up to five octaves. It was one of the most important stringed instruments in China, along with the guqin. The se gradually faded out of use, having evolved into the similar zheng. Modern versions of the se often resemble the zheng, and attempts have been made to revive the instrument.
The four arts, or the four arts of the Chinese scholar, were the four main academic and artistic talents required of the aristocratic ancient Chinese scholar-gentleman. They were the mastery of the qin, qi, shu and hua, and are also referred to by listing all four: 琴棋書畫; qínqíshūhuà.
Zha Fuxi, also known as Zha Yiping (查夷平) was a leading player and scholar of the guqin. Born in Jiangxi, he started learning guqin in his childhood. In 1936, he co-founded the Jinyu Qin Society (今虞琴社) which later became one of the major national musical organizations for the guqin.
Zeng Chengwei (曾成偉) is a Chinese musician of the guqin, born in the Sichuan province of China. He is a fifth-generation transmitter of the Shu school of qin music, having studied with his maternal grandfather, Yu Shaoze. Zeng is also a well-known maker of the instrument.
Guan Pinghu, was a leading player of the guqin (古琴), a Chinese 7-string bridgeless zither. Born in Suzhou, Jiangsu, Guan came from an artistic family, and started to learn the guqin from his father, Guan Nianci. After the death of his father when he was thirteen, Guan continued with his father's friend Ye Shimeng and Zhang Xiangtao. He also studied with the leading players of three different schools; Yang Zongji (1865–1933), the leading player in Beijing, the Daoist Qin Heming, and the Buddhist monk Wucheng.
The notation of the guqin is a unique form of tablature for the Chinese musical instrument, with a history of over 1,500 years, still in use today.
The North American Guqin Association is a guqin society based in the State of California, in the United States, which serves guqin players on the West Coast of the United States. Of the three major qin societies of the West, this society was the world's largest English speaking online community for the guqin and has the most connections and scope of activities.
The London Youlan Qin Society is a London-based qin society serving guqin players in the UK. Of the three major qin societies of the West, this society was the most informal but still the most active in terms of regular events and yajis.
Lin Youren was a noted player of the Chinese musical instrument guqin. He was famous for his unaffected playing style. Lin also taught guqin at the Shanghai Conservatory of Music.
The history of the guqin, an ancient Chinese musical instrument, is a long one that spans 3,000 years. Although similar, it should not be confused with another Chinese zither instrument, the guzheng, which has bridges.
The construction of the guqin Chinese zither is a complex process like any other musical instrument. However, there is much symbolism in the choice of materials, the shape or form of the instrument that are important things to consider when creating a qin.
The strings of the guqin Chinese zither are either made of silk, nylon or metal-nylon.
There are many different tunings for the guqin.
The guqin is a Chinese musical instrument with a long history of being played since ancient times. When the guqin is played, a number of aesthetic elements are involved.
The New York Qin Society is a guqin society based in New York, New York in America, serving guqin players on the East Coast of the United States. Of the three major qin societies in the West, this society is the most formally structured with a formal agreement of rules and a more learned society approach to selecting members.
Systems of musical notation have been in use in China for over two thousand years. Different systems have been used to record music for bells and for the Guqin stringed instrument. More recently a system of numbered notes (Jianpu) has been used, with resemblances to Western notations.
The Shu School of Qin Music (蜀派古琴) refers to the modern guqin regional performance style tradition and lineage begun in the mid-19th century by its founder, Zhang Kongshan. The "Shu" name derives from the main base of operations at the time, namely the Sichuan region of China. Today, the Shu School has many branches and lineages, most of which trace their foundation to Zhang Kongshan, though the term is equally applied to Sichuan-based players in general.
Yu Shuishan is one of the master contemporary guqin players and contributors. He is a Professor of Architecture in the College of Arts, Media and Design at the Northeastern University, a fourth generation Mei’an School guqin player, and the founder of North America Mei'an Society (北美梅庵琴社).
This article has an unclear citation style .(August 2016) |