Loving (Original Motion Picture Soundtrack) | ||||
---|---|---|---|---|
Soundtrack album by | ||||
Released | November 4, 2016 [1] | |||
Recorded | 2016 | |||
Studio | 12th Street Sound [2] | |||
Genre | Soundtrack | |||
Length | 37:37 | |||
Label | Back Lot Music B01LZK5FIR[ citation needed ] | |||
Producer | David Wingo [3] | |||
David Wingo chronology | ||||
|
Loving (Original Motion Picture Soundtrack) is the soundtrack album for the 2016 film of the same name directed by Jeff Nichols, taking inspiration from Nancy Buirski's documentary The Loving Story (2011). The film documents the life of Richard and Mildred Loving, the plaintiffs in the 1967 U.S. Supreme Court (the Warren Court) decision Loving v. Virginia , which invalidated state laws prohibiting interracial marriage, [4] [5] [6] and stars Ruth Negga and Joel Edgerton as Mildred and Richard Loving. [7] The film was produced by Big Beach and Raindog Films, [8] [9] and distributed worldwide by Focus Features. [10]
The original score is composed by David Wingo, [11] who worked with Nichols previously on Take Shelter (2011), Mud (2012), and Midnight Special (2016). [12] [13] [14] The soundtrack album featured 20 tracks, including an original song – the title track – performed by Ben Nichols, [15] Jeff's brother, and lead guitarist at the American rock band Lucero, [16] which was released as a single on October 29, 2016. [17] The soundtrack was released digitally on November 4, 2016, by Universal Pictures' primary record label Back Lot Music, [18] while the physical versions were distributed on November 11. [18]
The soundtrack received acclaim from critics, saying Wingo's score "complimented several emotions with Richard and Midred's relationship". Wingo received appreciation from industry critics and insiders for his work in the film, and the score was shortlisted for several nominations in the Original Score category, including the Academy Awards but could not get selected. [19]
Wingo wanted the original music for the film to feel "like it could have been from any time" referring to the 1950s setting, [20] while Jeff Nichols wished for the score of Loving to be orchestral, classical, while not contemporary sounding. [21] Wingo stated that Ennio Morricone's compositions for Days of Heaven (1978), The Battle of Algiers (1966), and The Mission influenced the score of Loving, albeit Wingo didn't listen to them prior to scoring. [21] Speaking in an interview to Flood magazine, Wingo stated about his collaborations with Nichols and David Gordon Green claiming that "they play such a big role that sometimes feel like they should get a writing credit. They’re both extremely musically minded. The music would not be what it is without their involvement." [21] While, on the flip side, he, Nichols, Green does not have any experience on music, so "there is definitely a sort of chasm that needs to be bridged". Hence he approached the film's music in the way, what Nichols and Green do, thinking in terms of emotions and moods and colors, in an impressionistic sort of way, and develop their own vocabulary". [21]
Using a minimalist approach, when he could, Wingo mostly wished to reflect Richard and Mildred's emotional and psychological stakes. [22] [23] For the relationship between Richard and Mildred, which has a sense of melancholy, a hope between something they loved and lost, he mostly used traditional and classical music, making use of strings, brass and piano. At some sequences, for creating tension and anxiety, Wingo made devoid of using orchestral elements which was "sample-based and sound designing and a lot of drones, scrapes and just a foreign feeling of feeling just so not of that world, not of their world, and that was the intention was just [incorporating] things that just feels so foreign – just that sense of displacement in the music." [22]
Wingo felt that Loving shouldn't have any big, sweeping themes because both Richard and Mildred were very shy, reserved people but having such a grace and beauty about them. [24] He spoke of Nichols wanting him to watch Nancy Buirski's The Loving Story (2011), as Nichols wanted the movie to feel the same way. [24] Wingo later spoke of [Nichols] wishing to capture what they felt facing this horrible persecution, which results in the music being simple and restrained, albeit with a real beauty to it. [24] Wingo chose the distinctive Americana-type score to establish the musical voice of the film, [25] and managed to gather a 14-piece string ensemble of local musicians at 12th Street Sound for the recording of the soundtrack. [26]
In regards to scoring Loving, Wingo remarked that the score for Loving needed to be "elemental and simple to a certain degree while avoiding any sentimentality to capture the grace and beauty of Richard and Mildred." [27] He stated that all of his scores for [Nichols] in the past have had elements of an orchestral background, however, he knew that the main themes for Loving needed to contain a traditional orchestral score without any modern elements. He concluded by stating of Nichols that, "The other main thing that [Nichols] needed the score to accomplish was to really reflect the always-present anxiety and tension that they were living with all these years. Those pieces don't just operate in a different way than the other themes but are completely different instrumentation as well, with hardly any orchestral elements." [28]
The score received critical acclaim, with critics assigning that Wingo's compositions "suits with the film's theme perfectly". [29] In the review for Vanity Fair , writer Richard Lawson had said that Wingo's music is "maybe the most conventionally dramatic" and "Oscar baiting". [30] Daily Collegian -based Lauren LaMagna compared Wingo and Nichols' collaboration as "the two blend together just as beautifully as James Cameron and James Horner or Steven Spielberg and John Williams. Wingo knows exactly how to advance the story through his music. He allows us to understand how the Lovings are feeling and what they’re thinking. This is especially laudable since both Mildred and Richard are introverted and meek." [31] The Hollywood Reporter 's Todd McCarthy, called Wingo as "one of the winning key contributors of the timely drama, in Nichols' technicalities for loving". [32]
Vulture 's David Edelstein reviewed that: "Nichols uses David Wingo’s score sparingly, for longing or portent. Often he just uses birds or insects or car engines. A couple of moments have a Hitchcock frisson: Richard’s point-of-view when a car — maybe the police, maybe some vigilante — passes by, its taillights receding in the driver’s mirror. I can imagine a Hollywood executive reading his script and saying, “Can we punch this up with a cross burning? Or a scene where Richard gets into a fight with some rednecks?” But Nichols embellishes nothing. With minimal means, he makes the air thick with dread." [33] D. H. Schleicher said Wingo's "score matches the mood of the scenes to a perfect degree", [34] while a critic based at CW 69 Atlanta said the score "enhances the beautiful moments between Richard and Mildred where the dialogues are sparse". [35] Another reviewer from Broadcast Music, Inc. wrote "Wingo’s music for the triumphant film is no less compelling than the story. It’s the perfect blend of sound for the wide-range of emotions felt during the spellbinding portrayal of the couples’ civil rights case, Loving v. Virginia". [36]
No. | Title | Length |
---|---|---|
1. | "Proposal" | 1:16 |
2. | "Arrest" | 3:07 |
3. | "Sheriff" | 2:11 |
4. | "Time Passing" | 2:06 |
5. | "Leaving Jail" | 1:26 |
6. | "Leaving Home" | 1:22 |
7. | "D.C." | 2:10 |
8. | "Hand Off" | 3:10 |
9. | "Call the Lawyer" | 3:09 |
10. | "The Letter" | 1:05 |
11. | "Phone Call" | 1:02 |
12. | "Bernard Cohen" | 1:31 |
13. | "Baseball Game" | 1:15 |
14. | "Leaving D.C." | 2:30 |
15. | "Farmhouse" | 1:55 |
16. | "Bernie and Phil" | 0:51 |
17. | "Brick" | 2:15 |
18. | "The Decision" | 2:05 |
19. | "Home" | 2:56 |
20. | "Loving" (performed by Ben Nichols) | 2:54 |
Chart (2016) | Peak position |
---|---|
UK Soundtrack Albums (OCC) [38] | 49 |
US Billboard 200 [39] | 188 |
US Soundtrack Albums (Billboard) [40] | 47 |
Songs that are not featured in soundtrack, but played throughout the film, include: [41] [42]
Credits adapted from AllMusic [43]
Daniel Robert Elfman is an American film composer, singer, songwriter, and musician. He came to prominence as the lead singer and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
The Prince of Tides is a 1991 American romantic drama film directed and co-produced by Barbra Streisand, from a screenplay written by Pat Conroy and Becky Johnston, based on Conroy's 1986 novel of the same name. It stars Streisand and Nick Nolte. It tells the story of the narrator's struggle to overcome the psychological damage inflicted by his dysfunctional childhood in South Carolina.
Todd Haynes is an American film director, screenwriter, and producer. His films span four decades with themes examining the personalities of well-known musicians, dysfunctional and dystopian societies, and blurred gender roles.
Marton Paul Csokas is a New Zealand actor of film, stage, and television. A graduate of the Toi Whakaari drama school, he has worked extensively in Australia and Hollywood, along with his native country, and often portrays villainous roles.
Brian Theodore Tyler is an American composer, conductor, musician, arranger, and record producer, best known for his film, television, and video game scores. In his 26-year career, Tyler has scored seven installments of the Fast & Furious franchise, Rambo, Eagle Eye, The Expendables trilogy, Iron Man 3, Now You See Me, Avengers: Age of Ultron with Danny Elfman, Crazy Rich Asians and The Super Mario Bros. Movie among others. He also composed and re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012), and composed the 2013–2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN and the Formula One theme. He is also behind the soundtrack of many television series including Yellowstone. For his work as a film composer, he won the IFMCA Awards 2014 Composer of the Year.
Loving Day is an annual national celebration held on June 12, the anniversary of the 1967 United States Supreme Court decision Loving v. Virginia which struck down all anti-miscegenation laws remaining in sixteen U.S. states. In the United States, anti-miscegenation laws were U.S. state laws banning interracial marriage, mainly forbidding marriage between two different races, until the Warren Court ruled unanimously in 1967 that these state laws were unconstitutional. Chief Justice Earl Warren wrote in the court majority opinion that "the freedom to marry, or not marry, a person of another race resides with the individual, and cannot be infringed by the State."
Ruth Negga is an Irish actress known for the AMC television series Preacher and the film Loving. For her portrayal of Mildred Loving in the latter, Negga received several major nominations from the Academy Awards, British Academy Film Awards and the Golden Globe Awards, and won the Irish Film and Television Award for Best Actress. In 2022, Negga made her Broadway debut in a production of Shakespeare's Macbeth as Lady Macbeth, and earned a nomination for the Tony Award for Best Performance by a Leading Actress in a Play.
Mildred Delores Loving and Richard Perry Loving were an American married couple who were the plaintiffs in the landmark U.S. Supreme Court case Loving v. Virginia (1967). Their marriage has been the subject of three movies, including the 2016 drama Loving, and several songs. The Lovings were criminally charged with interracial marriage under a Virginia statute banning such marriages, and were forced to leave the state to avoid being jailed. They moved to Washington, D.C., but wanted to return to their home town. With the help of the American Civil Liberties Union (ACLU), they filed suit to overturn the law. In 1967, the Supreme Court ruled in their favor, striking down the Virginia statute and all state anti-miscegenation laws as unconstitutional, for violating due process and equal protection of the law under the Fourteenth Amendment. On June 29, 1975, a drunk driver struck the Lovings' car in Caroline County, Virginia. Richard was killed in the crash, at the age of 41. Mildred lost her right eye.
Jeff Nichols is an American filmmaker. His films are characterized by their Southern United States backdrop and ambience. He is also known for his longstanding collaboration with actor Michael Shannon, who has appeared in all of his feature films to date.
Sarah Green is an American film producer. She currently sits on the National Board of Directors for the Producers Guild of America. On January 24, 2012, she was nominated for an Academy Award for the film The Tree of Life.
Nicholas Britell is an American film and television composer. He has received numerous accolades including a Emmy Award as well as nominations for three Academy Awards and a Grammy Award. He has received Academy Award nominations for Best Original Score for Barry Jenkins' Moonlight (2016) and If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015) and Vice (2018). He is also known for scoring Battle of the Sexes (2017), Cruella (2021), and She Said (2022).
Ged Doherty is a British film and music industry executive. Formerly the chairman of the British Phonographic Industry (BPI) and BRIT Awards Limited and the chairman and CEO of Sony Music UK, he is the CEO and co-founder of Raindog Films.
Loving is a 2016 American biographical romantic drama film which tells the story of Richard and Mildred Loving, the plaintiffs in the 1967 U.S. Supreme Court decision Loving v. Virginia, which invalidated state laws prohibiting interracial marriage. The film was produced by Big Beach and Raindog Films, and distributed by Focus Features. The film takes inspiration from The Loving Story (2011) by Nancy Buirski, a documentary which follows the Lovings and their landmark case.
The music of the Marvel Cinematic Universe (MCU) covers the soundtracks of the American media franchise and shared universe, which is centered on a series of superhero films produced by Marvel Studios. The films are based on characters that appear in American comic books published by Marvel Comics. The soundtracks include the original scores composed by various composers for the films and television series of the franchise, as well as the songs that are heard in each film.
Dominic Alexander Charles Lewis is a British film and television composer. He first worked on various music departments for film projects before transitioning into more solo work starting with Free Birds. His other credits includes The Man in the High Castle, DuckTales, Peter Rabbit, Peter Rabbit 2: The Runaway, and Monsters at Work. He serves as the singing voice of Lurch in The Addams Family 2, and of Donald Duck in the DuckTales reboot.
Inside Out: Original Soundtrack is the soundtrack album to Disney/Pixar's 2015 film of the same name, produced by Pixar Animation Studios and Walt Disney Pictures. Directed by Pete Docter, the film featured musical score composed by Michael Giacchino. This is the second collaboration between Giacchino and Docter, after previously working on Up, which fetched the former, an Academy Award for Best Original Score. Giacchino termed the score as "more emotional in comparison to the score for Up" and also being "more personal" due to his experience on parenthood. The score was recorded within January and May 2015, and featured more orchestral and symphonic music accompanied by a range of instruments, from piano, guitar, drum, organ and harp.
The Artist (Original Motion Picture Soundtrack) is the soundtrack album to the 2011 French comedy-drama film of the same name directed by Michel Hazanavicius, and stars Jean Dujardin and Bérénice Bejo in the lead. The film features original score composed by Ludovic Bource, Michel's norm collaborator, and the album consists of 24 tracks of Bource's score, which also incorporates works from other composers such as Alberto Ginastera's "Estancia".
Maleficent (Original Motion Picture Soundtrack) is the score album composed by James Newton Howard for the 2014 film Maleficent, based on the Disney villain character Maleficent from the animated film Sleeping Beauty (1959). The film is a live-action spin-off of Sleeping Beauty, and is loosely inspired from Charles Perrault's original fairy tale. Directed by Robert Stromberg, the film stars Angelina Jolie in the titular character.
David Wingo is an American film and television composer. He is known for his collaborations with directors David Gordon Green and Jeff Nichols.
{{cite web}}
: CS1 maint: bot: original URL status unknown (link)