Reviews for the album were mixed. AllMusic editor Heather Phares gave it three out of five stars, praising some of the songs like his duet with Gwyneth Paltrow for its melody for giving his voice "more to do than most of the by-the-numbers contemporary pop here" and "It's Over" for being "one of the truest expressions of his talent," but felt that the best moments - his duets with Sting and Elton John - feels like "it gives the impression that he can't carry a song without someone else." She concluded that "Ultimately, Matthew Morrison is more scattered and less fresh-feeling than the fare he sings week in and week out on Glee. Though it has plenty of appealing moments, it just doesn't capitalize on Morrison's star and vocal power."[4]Rolling Stone's Jody Rosen said of the record: "Verdict: a mildly charming, sometimes gawky LP that will please Gleeks and befuddle everyone else. Prediction: It'll be a huge hit."[6]Slant Magazine writer Jonathan Keefe gave criticism to the producer-driven songs for being "the most middlebrow and indistinct brand of pop that is never less than competent, but is never even the slightest bit innovative or noteworthy" and the original tracks for being "just as unmemorable," but gave positive insight on his singing voice saying "[I]t isn't that Morrison's a poor singer: He actually has a pure, pleasant tenor that's as limber and expressive as that of any seasoned stage performer."[7]
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