Memphis Belle (film)

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Memphis Belle
Memphis belle poster.jpg
Theatrical release poster
Directed by Michael Caton-Jones
Written by Monte Merrick
Produced by
Starring
Cinematography David Watkin
Edited by Jim Clark
Music by George Fenton
Production
companies
Distributed by Warner Bros.
Release dates
  • 5 September 1990 (1990-09-05)(Premiere)
  • 7 September 1990 (1990-09-07)(United Kingdom)
  • 12 October 1990 (1990-10-12)(United States)
Running time
107 minutes
Countries
  • United Kingdom
  • United States
LanguageEnglish
Budget$23 million (estimated)[ citation needed ]
Box office$27 million (USA)

Memphis Belle is a 1990 war drama film directed by Michael Caton-Jones and written by Monte Merrick. The film stars Matthew Modine, Eric Stoltz, and Harry Connick Jr. (in his film debut). Memphis Belle is a fictional version of the 1944 documentary Memphis Belle: A Story of a Flying Fortress by director William Wyler, about the 25th and last mission of an American Boeing B-17 Flying Fortress bomber, the Memphis Belle , based in England during World War II. [1] The 1990 version was co-produced by David Puttnam and Wyler's daughter Catherine and dedicated to her father. The film closes with a dedication to all airmen, friend or foe, who fought in the skies above Europe during World War II.

Contents

Plot

The crew of the Memphis Belle, a B-17 Flying Fortress, prepares to fly their 25th mission, an attack on a Focke-Wulf Fw 190 aircraft manufacturing plant in Bremen, Germany beyond the range of friendly fighter cover. If successful, they will be the first bomber crew in the Eighth Air Force to survive a full tour of duty. Army publicist Lieutenant Colonel Bruce Derringer intends on using Belle's fame accrued from her record to sell vital war bonds. Pilot Captain Dennis Dearborn and his nine crewmen prepare for their final flight despite the added distraction. As the Belle is repaired for her final mission, the crew watches the rest of the squadron return from a mission. One damaged B-17 attempts a wheels-up landing, but explodes after coming to a stop, killing the crew.

The mission starts late, and the Belle nearly has a mid-air collision during formation. The approach to the target is heavily opposed by enemy fighter planes and flak. The Belle takes over as lead aircraft when Windy City is destroyed. As they approach the target a smoke screen forces Dearborn to expose the formation to heavy fire by going around on a second pass. The tactic works as the smoke screen dissipates and allows bombing of an unobscured target. The formation is harassed by German planes on the return trip. Radioman Danny Daly is severely wounded, and damage causes a fire in one of the engines. The Belle is forced to drop from the protection of the formation to extinguish the fire by diving.

The Belle arrives over England with a damaged electric system and three dead or dying engines. The crew manually deploys the landing gear in time to avoid a wheels-up landing. Lieutenant Colonel Derringer and the ground crew run to the plane to celebrate its victory. Captain Dearborn, teased continually by the crew for his by-the-book manner, opens a stowed bottle of Champagne to celebrate with his crew. The closing credits state that the Memphis Belle flew her 25th and final mission on May 17, 1943, and that over a quarter of a million aircraft saw action over Western Europe during World War II, with 200,000 airmen losing their lives.

Cast

Production

B-17G Sally B in 2014 Boeing B-17G Flying Fortress '124485 - DF-A' (G-BEDF) (14423153306).jpg
B-17G Sally B in 2014

Five real B-17 warbirds were used in the filming of Memphis Belle, out of eight B-17s that were airworthy during the late 1980s. Two were located in the United States (N3703G and N17W), two were in France (F-BEEA, which was destroyed in a takeoff accident [2] and F-AZDX The Pink Lady), and one was in England (G-BEDF Sally B ). N17W is currently on static display at Museum of Flight in Tukwila, WA. The original Memphis Belle was a B-17F model, so any B-17Gs used in the film were heavily modified to look like an earlier F model, having chin turrets removed, tail gun positions retrofitted with older designs and being painted olive drab green. During filming, two B-17s portrayed the Belle (one was the movie version of the Memphis Belle (N3703G) and the other was Sally B for scenes requiring pyrotechnics such as smoke and sparks indicating machine gun "hits") while the rest had nose art and squadron markings changed numerous times to make it appear there were more aircraft. [3]

Ground sequences for the movie (including takeoff and landing scenes) were filmed at the non-operational RAF Binbrook in Lincolnshire, England with a period control tower and vehicles being placed on site. Flying sequences were flown from the airfield site of the Imperial War Museum Duxford. All the extras for the film were obtained from auditions held in the area and included current and former members of the Royal Air Force. The filmmakers also used Pinewood Studios to shoot interior scenes and to shoot various models of B-17s. [4]

A North American B-25 Mitchell was used to film the majority of the aerial scenes with several fixed and trainable cameras also mounted on the available B-17s and fighter aircraft for action shots. A Grumman TBM Avenger (with its tail section painted the same olive drab tones used on the B-17s) was used as back-up for a short time when the B-25 became unserviceable during filming. [5]

The film pilots were warbird display pilots coming from the UK, USA, France, Germany, New Zealand and Norway, the roster changing several times as pilots had to return to their full-time jobs during filming. The flying sequences were devised and planned under the coordination of Old Flying Machine Company (OFMC) pilots Ray Hanna and his son Mark, who also acted as chief pilots for the fighter aircraft used and flew the camera-equipped fighter and TBM Avenger aircraft during filming. [6]

Due to a shortage of actual B-17 airframes, wooden silhouette mock-ups were made and placed at distant parts of the airfield.

Filming accident

The incident aircraft in 1970 Boeing B-17G Flying Fortress, France - Institut Geographique National JP12461.jpg
The incident aircraft in 1970

A French B-17G (F-BEEA), used as a filming platform, hit a tree and a pile of gravel after losing engine power and swinging during takeoff from Binbrook and was destroyed by the subsequent fire. All 10 of the crew escaped with only minor injuries, the most serious of which being a broken leg. While lined up on runway 21 awaiting takeoff, a puff of smoke was observed by a ground engineer from the vicinity of engine three which he conjectured could have been due to an over-boost. The aircraft commenced its ground roll and after about 100 yards (91 m) swung slightly to the left, which the commander (the handling pilot) corrected with the rudder and by reducing power to number 3 and 4 engines. Once corrected full power on all engines was resumed but the aircraft swung right. The commander applied corrective rudder and reduced power to number 1 and 2 engines, but this was not immediately effective and the aircraft left the runway before straightening, parallel to the runway. Knowing that the aircraft was capable of being operated from grass landing strips, the pilot opted to continue the takeoff; however, after 400–500 yards (370–460 m) and at an airspeed of 90–95 miles per hour (145–153 km/h) the aircraft swung right and its course was obstructed by a tree which was hit by the left wing and a pile of gravel which was hit by the number 4 propeller. The aircraft yawed to the right and came to rest in a cornfield; the fuselage broke into two sections aft of the bomb bay and caught fire. [2]

Release

The film's world premiere was held at the Empire, Leicester Square in London on 5 September 1990, attended by the Duchess of Kent. [7] It opened in the UK on 7 September 1990. [8]

Reception

Memphis Belle received mixed reviews, with Roger Ebert stating the film was "entertaining" yet filled with familiar wartime cliches. "This human element in the experience of the Memphis Belle crew somehow compensates for a lack of human dimension in the characters. We can't really tell the crew members apart and don't much care to, but we can identify with them." [9] UK film reviewer Andy Webb had similar reservations. "Despite its good intentions to highlight the risks and heroics of the brave men who flew dangerous bombing missions deep into enemy soil during World War II, the one thing which you can't miss about Memphis Belle is that it is a cliche commercial production." [10]

On Rotten Tomatoes the film has an approval rating of 68% based on reviews from 25 critics. [11] Audiences surveyed by CinemaScore gave the film a grade A on scale of A to F. [12]

Box office

The film opened in the UK on 266 screens and grossed £1,174,250 in its opening week, ranking number one at the box office. [8] It was number one in its second week too. [13] It went on to gross £4,924,000 in the UK. [14]

Soundtrack

Memphis Belle (Original Motion Picture Soundtrack)
Soundtrack album by
Released1 October 1990
Recorded Abbey Road Studios,
CTS Studios, and
Angel Recording Studios,
London, England
Genre Soundtrack
Length42:47
Label Varèse Sarabande
Producer

"The Chestnut Tree", performed by Glenn Miller And His Orchestra and written by Tommie Connor, Jimmy Kennedy and Hamilton Kennedy is featured in the film playing over the Memphis Belle's radio, but isn't on the soundtrack album. The upbeat version of "Danny Boy" performed by Connick at the party is not found on the soundtrack album; a slower version performed by Mark Williamson appears instead. [15] The film score, by George Fenton, was nominated for a BAFTA award for Best Original Film Score in 1991.

The Original Motion Picture Soundtrack album was recorded at Abbey Road Studios, CTS Studios, and Angel Recording Studios in London, England. [16] Included is Glenn Miller and His Orchestra performing "I Know Why (And So Do You)".

Track listing

  1. "Londonderry Air" / "Front Titles: Memphis Belle" (traditional / George Fenton) - 3:50
  2. "Green Eyes" (Nilo Menendez, Eddie Rivera, Eddie Woods) - 3:25
  3. "Flying Home" (Benny Goodman, Lionel Hampton, Sydney Robin) - 2:57
  4. "The Steel Lady" (Fenton) - 1:44
  5. "Prepare For Take Off" ("Amazing Grace") (traditional) - 2:39
  6. "The Final Mission" (Fenton) - 3:51
  7. "With Deep Regret..." (Fenton) - 2:02
  8. "I Know Why (And So Do You)" (Mack Gordon, Harry Warren) - 2:55 - performed by Glenn Miller and His Orchestra
  9. "The Bomb Run" (Fenton) - 1:30
  10. "Limping Home" (Fenton) - 2:25
  11. "Crippled Belle: The Landing" (Fenton) - 3:26
  12. "Resolution" (Fenton) - 1:06
  13. "Memphis Belle" (End Title Suite) (Fenton) - 7:37
  14. "Danny Boy" (Theme from Memphis Belle) (Frederic E. Weatherly) - 3:20 - performed by Mark Williamson

Historical accuracy

After the release of the film Robert Hanson, the real Memphis Belle's radio operator, spoke to his grandson's high school class. When asked if what happened in the film was true, he replied "No, it didn't all happen to the Memphis Belle, but everything in the movie happened to some B-17". [17] With the exception of the aircraft names, the film is fiction. The characters are composites, the names are not those of the actual crew of the Memphis Belle, and the incidents shown are supposed to be representative of B-17 missions in general. The characters and situations of the film bear little resemblance to the crew of the actual Memphis Belle, the nature of her final mission, the accuracy of strategic bombing, or Allied policy on the bombing of civilians. No optimistic official celebration on the evening before the Belle's 25th mission occurred, and there was no special welcome for the crew when the mission was over.[ citation needed ]

For the fighters, seven P-51 Mustangs were used. Five of the P-51s were painted in the markings of the first USAAF Merlin-engined Mustang squadron to operate in Britain (a few months later in 1943 than the actual mission). [N 1] As there were no surviving flyable Messerschmitt Bf 109s, Luftwaffe fighter aircraft were represented by Ha-1112s, a Spanish version of the Bf 109 (which were also used to represent Bf 109s in the 1969 film Battle of Britain) in mid-war generic paint schemes.[ citation needed ]

See also

References

Notes

  1. P-47 Thunderbolts were the escort at the time in 1943. [18]

Citations

  1. Orriss 1984, p. 83.
  2. 1 2 "Boeing B17G Flying Fortress, F-BEEA 11-89 ." Air Accident Investigation Branch . Retrieved: 27 October 2014.)
  3. Farmer 1990. p. 31.
  4. "Original print information: Memphis Belle (1990)." Turner Classic Movies. Retrieved: 27 October 2014.
  5. Carlson 2012 p. 120.
  6. Farmer 1990. p. 37.
  7. "Court circular". The Time . 6 September 1990. p. 12.
  8. 1 2 "U.K. Top 10 Films". Variety . 17 September 1990. p. 56.
  9. Ebert, Roger (12 October 1990). "Memphis Belle]". Chicago Sun Times via Roger Ebert.com.
  10. Webb, Andy. "Memphis Belle (1990)". The Movie Scene, 2014. Retrieved: 27 October 2014.
  11. "Memphis Belle". Rotten Tomatoes .
  12. "Cinemascore". Archived from the original on 20 December 2018. Retrieved 22 June 2019.
  13. "U.K. Top 10 Films". Variety . 24 September 1990. p. 40.
  14. "Back to the Future: The Fall and Rise of the British Film Industry in the 1980s - An Information Briefing" (PDF). British Film Institute. 2005. p. 26.
  15. "Memphis Belle Soundtrack." soundtrackcollector.com . Retrieved: 11 October 2010.
  16. "Memphis Belle." CD Universe, 17 October 1990. Retrieved: 11 October 2010.[ dead link ]
  17. Oliver, Myrna (10 October 2005). "Robert Hanson, 85; Last Living Crewman of the Memphis Belle". Los Angeles Times. ISSN   0458-3035 . Retrieved 29 May 2018.
  18. Farmer 1990. p. 32.

Bibliography

  • Carlson, Mark. Flying on Film: A Century of Aviation in the Movies, 1912–2012. Duncan, Oklahoma: BearManor Media, 2012. ISBN   978-1-59393-219-0.
  • Farmer, James H. Celluloid Wings: The Impact of Movies on Aviation. Blue Ridge Summit, Pennsylvania: Tab Books Inc., 1984. ISBN   978-0-83062-374-7.
  • Farmer, James H. "The Making of Memphis Belle." Air Classics, Volume 26, Number 11, November 1990.
  • Morgan, Robert, and Ron Powers. The Man Who Flew the Memphis Belle. New York: Penguin Putnam, 2001. ISBN   0-451-20594-4.
  • Orriss, Bruce. When Hollywood Ruled the Skies: The Aviation Film Classics of World War II. Hawthorne, California: Aero Associates Inc., 1984. ISBN   0-9613088-0-X.