Monkberry Moon Delight

Last updated
"Monkberry Moon Delight"
Song by Paul and Linda McCartney
from the album Ram
Released17 May 1971 (1971-05-17)
RecordedNovember–December 1970 [1]
Genre Hard rock [2]
Length5:21
Label Apple
Songwriter(s) Paul McCartney, Linda McCartney
Producer(s) Paul McCartney, Linda McCartney

"Monkberry Moon Delight" is a song written by English musician Paul McCartney and his wife Linda, from their 1971 album Ram .

Contents

Composition and arrangement

"Monkberry Moon Delight" is in the key of C minor. [3] McCartney's vocals are accompanied by a chord progression consisting of Cm, Gm7, and G7 chords (i–v7–V7). [3] In the chorus, which features Linda in a more active role on vocals, her and McCartney's singing is supported by Cm and Fm chords. [3] This leads to an A♭7–G7–Cm harmonic succession, with the A♭7 functioning as an augmented sixth chord (Ger+6). [3] McCartney's gruff, distinctive vocalization was influenced by Screamin' Jay Hawkins, who later covered the song. [4]

Lyrics

McCartney said of the song's title, which also appears in the lyrics:

When my kids were young they used to call milk "monk" for whatever reason that kids do—I think it's magical the way that kids can develop better names for things than the real ones. In fact, as a joke, Linda and I still occasionally refer to an object by that child-language name. So, monk was always milk, and monkberry moon delight was a fantasy drink, rather like "Love Potion No. 9", hence the line in the song, "sipping monkberry moon delight". It was a fantasy milk shake. [1] [3]

Reception

Upon Ram's release, Anthony Boot of The Kingston Whig-Standard referred to "Monkberry Moon Delight" as "a bit of a waste" on what he considered to otherwise be "an excellent album". [5]

In 2020, Rolling Stone ranked "Monkberry Moon Delight" number 22 on their ranking of the 40 greatest McCartney songs from his solo career; the list's compilers refer to the song as one of McCartney's "genius obscurities". [6]

Ultimate Classic Rock critic Dave Swanson rated "Monkberry Moon Delight" as McCartney's most underrated song, saying that it "features one of his rawest vocals tracks ever" and a "stomping rhythm and whimsical backup vocals". [7]

Personnel

Cover versions

In 1972, Bahamian musician Exuma recorded a cover of "Monkberry Moon Delight", which was included on his album Reincarnation . [9] The following year, Screamin' Jay Hawkins recorded a cover of the song and released it as a single. [1] [3] The American band Robbers on High Street released a version on their 2006 EP "The Fatalist and Friends."

Related Research Articles

<span class="mw-page-title-main">Yesterday (song)</span> 1965 single by the Beatles

"Yesterday" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album Help! in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP Yesterday in March 1966 and made its US album debut on Yesterday and Today, in June 1966.

<span class="mw-page-title-main">Here, There and Everywhere</span> 1966 song by the Beatles

"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.

<span class="mw-page-title-main">Michelle (song)</span> 1965 song by the Beatles

"Michelle" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was composed principally by Paul McCartney, with the middle eight co-written with John Lennon. The song is a love ballad with part of its lyrics sung in French.

<span class="mw-page-title-main">A Hard Day's Night (song)</span> 1964 single by The Beatles

"A Hard Day's Night" is a song by the English rock band the Beatles. Credited to Lennon–McCartney, it was primarily written by John Lennon, with some minor collaboration from Paul McCartney. It was released on the film soundtrack of the same name in 1964. It was also released as a single in the UK, and in the US

<span class="mw-page-title-main">Too Many People</span> 1971 song by Paul McCartney

"Too Many People" is a song by Paul McCartney and his wife Linda McCartney, from the 1971 album Ram. The song was issued as the B-side of the "Uncle Albert/Admiral Halsey" single, and was also included on The 7" Singles Box in 2022.

<i>Ram</i> (album) 1971 studio album by Paul and Linda McCartney

Ram is the only studio album credited to the husband-and-wife music duo Paul and Linda McCartney, and the former’s second album post-Beatles. Released on 17 May 1971 by Apple Records, it was recorded in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Three singles were issued from the album: "Uncle Albert/Admiral Halsey", "The Back Seat of My Car" and "Eat at Home". The recording sessions also yielded the non-album single "Another Day".

<span class="mw-page-title-main">Here Comes the Sun</span> 1969 song by the Beatles

"Here Comes the Sun" is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written and sung by George Harrison, and is one of his best-known compositions. Harrison wrote the song in early 1969 at the country house of his friend Eric Clapton, where Harrison had chosen to play truant for the day to avoid attending a meeting at the Beatles' Apple Corps organisation. The lyrics reflect his relief at the arrival of spring and the temporary respite he was experiencing from the band's business affairs.

<span class="mw-page-title-main">The End (Beatles song)</span> 1969 song by the Beatles

"The End" is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was composed by Paul McCartney and credited to Lennon–McCartney. It was the last song recorded collectively by all four Beatles, and is the final song of the medley that constitutes the majority of side two of the album. The song features the only drum solo recorded by Ringo Starr with the Beatles.

<span class="mw-page-title-main">I Want You (She's So Heavy)</span> 1969 song by the Beatles

"I Want You (She's So Heavy)" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. The song closes side one of their 1969 album Abbey Road and features Billy Preston playing the organ. It was the first song recorded for the Abbey Road album but one of the last songs to be finished; the band gathered in the studio to mix the song on 20 August 1969, marking the final time that all four Beatles were together in the studio.

<span class="mw-page-title-main">Sun King (song)</span> 1969 song by the Beatles

"Sun King" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by John Lennon and credited to Lennon–McCartney, it is the second song of the album's climactic medley. Like other tracks on the album the song features lush multi-tracked vocal harmonies, provided by Lennon, Paul McCartney and George Harrison.

<span class="mw-page-title-main">Yes It Is</span> 1965 single by the Beatles

"Yes It Is" is a song by the English rock band the Beatles. Written by John Lennon, it was first released in 1965 as the B-side to "Ticket to Ride". It features some of the Beatles' most complex and dissonant three-part vocal harmonies and showcases George Harrison's early use of volume pedal guitar. Ian MacDonald describes the song as having "rich and unusual harmonic motion."

<span class="mw-page-title-main">Uncle Albert/Admiral Halsey</span> 1971 single by Paul & Linda McCartney

"Uncle Albert/Admiral Halsey" is a song by Paul and Linda McCartney from the album Ram. Released in the United States as a single on 2 August 1971, it reached number one on the Billboard Hot 100 on 4 September 1971, making it the first of a string of post-Beatles, Paul McCartney–penned singles to top the US pop chart during the 1970s and 1980s. Billboard ranked the song as number 22 on its Top Pop Singles of 1971 year-end chart. It became McCartney's first gold record after the breakup of the Beatles.

<span class="mw-page-title-main">The Back Seat of My Car</span> 1971 single by Paul and Linda McCartney

"The Back Seat of My Car" is a song written by Paul McCartney, released as the closing track of his and his wife Linda's 1971 album, Ram. Several months later, it was released as a single in the UK, peaking at number 39. The song modulates stylistically between a sweeping piano-and-orchestra ballad similar to McCartney's "The Long and Winding Road" and upbeat rock sections before ending in a raucous and passionate finale.

<span class="mw-page-title-main">Eat at Home</span> 1971 single by Paul and Linda McCartney

"Eat at Home" is a 1971 single by Paul and Linda McCartney that also appeared on their album Ram from the same year. The song, a standard rock number, features McCartney on lead vocals, electric guitar and bass, and Linda McCartney performing backing vocals.

<span class="mw-page-title-main">Heart of the Country</span> 1971 single by Paul and Linda McCartney

"Heart of the Country" is a song written by Paul and Linda McCartney from their album Ram released in 1971.

<span class="mw-page-title-main">Nineteen Hundred and Eighty-Five</span> 1974 single by Paul McCartney and Wings

"Nineteen Hundred and Eighty-Five" is a song by the British–American rock band Paul McCartney and Wings, released as the final track on their 1973 album Band on the Run. It has been featured on the 2001 documentary DVD Wingspan and Paul McCartney and Wings' 1974 TV special One Hand Clapping. A 2016 remix of the song was nominated for a Grammy Award. The song was referenced in Brett Easton Ellis’s novel Glamorama, driving a group of fictional supermodels to extreme terrorist acts.

<span class="mw-page-title-main">Love in Song</span> 1975 single by Wings

"Love in Song" is a song credited to Paul and Linda McCartney that was released on Wings' 1975 album Venus and Mars. It was also released as the B-side of Wings' number 1 single "Listen to What the Man Said." It has been covered by artists such as Helen Merrill and the Judybats.

"Little Lamb Dragonfly" is a song by Paul McCartney and Wings, composed by Paul and Linda McCartney and originally released on the 1973 album Red Rose Speedway. The song was originally recorded during the sessions for McCartney's Ram album in early 1971, and thus Hugh McCracken plays guitar on the recording rather than Wings' guitarist Denny Laine. However, Laine did provide backing vocals during the production work for Red Rose Speedway. McCartney originally intended to use the song as part of his Rupert and the Frog Song animated film project. Chip Madinger and Mark Easter noted that drummer Denny Seiwell may have assisted in writing the song, although he was not credited.

"Warm and Beautiful" is a love ballad credited to Paul and Linda McCartney that was first released by Wings on their 1976 album Wings at the Speed of Sound. It is a love ballad sung by Paul directed to Linda. Critical opinion of the song has varied widely, ranging from a comment that it is "one of the most beautiful songs that Paul ever wrote for Linda," to a suggestion that it may be "one of the worst songs Paul McCartney has ever written." In 1998, after Linda's death, Paul rearranged the song for string quartet to be played at memorial concerts for his late wife. This version was included on the 1999 album Working Classical.

"Big Barn Bed" is a song by Paul McCartney and Wings from the band's 1973 album Red Rose Speedway. The songwriting credits are attributed to Paul McCartney and Linda McCartney.

References

  1. 1 2 3 4 5 6 7 Jackson, Andrew Grant (2014). Still the Greatest: The Essential Songs of The Beatles' Solo Careers. Taylor Trade Publishing. pp. 67–68. ISBN   978-0-8108-8222-5.
  2. Sheffield, Rob (March 6, 2024). "The 100 Best Beatles Solo Songs". Rolling Stone . Retrieved April 25, 2024. Monkberry Moon Delight" is a rollicking late-night hallucinatory nightmare from Ram, the hardest rock of his early solo days.
  3. 1 2 3 4 5 6 Benitez Jr., Vincent P. (2010). The Words and Music of Paul McCartney: The Solo Years. Greenwood Publishing Group. p. 32. ISBN   978-0-313-34969-0.
  4. "Paul McCartney.com". May 15, 2021. Retrieved September 21, 2022.
  5. Boot, Anthony (4 August 1971). "Record Review". The Kingston Whig-Standard . Kingston, Ontario, Canada. Archived from the original on 13 August 2022. Retrieved 12 August 2022 via Newspapers.com.
  6. Dolan, Jon; Vozick-Levinson, Simon; Hermes, Will; Sheffield, Rob (30 November 2020). "Paul McCartney's 40 Greatest Solo Songs". Rolling Stone . Retrieved 12 August 2022.
  7. Swanson, Dave (18 June 2015). "Top 10 Underrated Paul McCartney Songs". Ultimate Classic Rock. Retrieved 2023-01-01.
  8. Badman, Keith (2001). The Beatles Diary Volume 2: After the Break-Up (1970–2001). Omnibus Press. ISBN   978-0711983076.
  9. "Billboard Album Reviews". Billboard . Vol. 84. 1972. ISSN   0006-2510. Archived from the original on 12 August 2022. Retrieved 12 August 2022.