Monkberry Moon Delight

Last updated
"Monkberry Moon Delight"
Song by Paul and Linda McCartney
from the album Ram
Released17 May 1971 (1971-05-17)
RecordedNovember–December 1970 [1]
Genre Rock
Length5:21
Label Apple
Songwriter(s) Paul McCartney, Linda McCartney
Producer(s) Paul McCartney, Linda McCartney

"Monkberry Moon Delight" is a song written by English musician Paul McCartney and his wife Linda, from their 1971 album Ram .

Contents

Composition and arrangement

"Monkberry Moon Delight" is in the key of C minor. [2] McCartney's vocals are accompanied by a chord progression consisting of Cm, Gm7, and G7 chords (i–v7–V7). [2] In the chorus, which features Linda in a more active role on vocals, her and McCartney's singing is supported by Cm and Fm chords. [2] This leads to an A♭7–G7–Cm harmonic succession, with the A♭7 functioning as an augmented sixth chord (Ger+6). [2] McCartney's gruff, distinctive vocalization was influenced by Screamin' Jay Hawkins, who later covered the song. [3]

Lyrics

McCartney said of the song's title, which also appears in the lyrics:

When my kids were young they used to call milk "monk" for whatever reason that kids do—I think it's magical the way that kids can develop better names for things than the real ones. In fact, as a joke, Linda and I still occasionally refer to an object by that child-language name. So, monk was always milk, and monkberry moon delight was a fantasy drink, rather like "Love Potion No. 9", hence the line in the song, "sipping monkberry moon delight". It was a fantasy milk shake. [1] [2]

Reception

Upon Ram's release, Anthony Boot of The Kingston Whig-Standard referred to "Monkberry Moon Delight" as "a bit of a waste" on what he considered to otherwise be "an excellent album." [4]

In 2020, Rolling Stone ranked "Monkberry Moon Delight" #22 on their ranking of the 40 greatest McCartney songs from his solo career; the list's compilers refer to the song as one of McCartney's "genius obscurities". [5]

Ultimate Classic Rock critic Dave Swanson rated "Monkberry Moon Delight" as McCartney's most underrated song, saying that it "features one of his rawest vocals tracks ever" and a "stomping rhythm and whimsical backup vocals." [6]

Personnel

Cover versions

In 1972, Bahamian musician Exuma recorded a cover of "Monkberry Moon Delight", which was included on his album Reincarnation . [8] The following year, Screamin' Jay Hawkins recorded a cover of the song and released it as a single. [1] [2] The American band Robbers on High Street released a version on their 2006 EP "The Fatalist and Friends."

Related Research Articles

<span class="mw-page-title-main">Hey Jude</span> 1968 single by the Beatles

"Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time.

<span class="mw-page-title-main">Here, There and Everywhere</span> 1966 song by the Beatles

"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.

<span class="mw-page-title-main">Michelle (song)</span> 1965 song by the Beatles

"Michelle" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was composed principally by Paul McCartney, with the middle eight co-written with John Lennon. The song is a love ballad with part of its lyrics sung in French.

<span class="mw-page-title-main">Too Many People</span> 1971 song by Paul McCartney

"Too Many People" is a song by Paul McCartney from him and his wife Linda McCartney's 1971 album Ram. It was issued as the B-side of the "Uncle Albert/Admiral Halsey" single. It was also included on The 7" Singles Box in 2022.

<span class="mw-page-title-main">All Those Years Ago</span> 1981 single by George Harrison

"All Those Years Ago" is a song by English musician George Harrison, released in May 1981 as a single from his album Somewhere in England. Having previously recorded the music for the song, Harrison tailored the lyrics to serve as a personal tribute to his former Beatles bandmate John Lennon, following the latter's murder in 1980. Ringo Starr is featured on drums, and Paul McCartney overdubbed backing vocals onto the basic track. The single spent three weeks at number 2 on the US Billboard Hot 100, behind "Bette Davis Eyes" by Kim Carnes, and it peaked at number 13 on the UK Singles Chart. It also topped Canada's RPM singles chart and spent one week at number 1 on Billboard's Adult Contemporary listings.

<i>Ram</i> (album) 1971 studio album by Paul and Linda McCartney

Ram is the only studio album credited to the husband-and-wife music duo Paul and Linda McCartney. Released on 17 May 1971 by Apple Records, it was recorded in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Three singles were issued from the album: "Uncle Albert/Admiral Halsey", "The Back Seat of My Car" and "Eat at Home". The recording sessions also yielded the non-album single "Another Day".

<span class="mw-page-title-main">Chord substitution</span> Technique of using a chord in place of another in a progression of chords

In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that is made to function like the original. Usually substituted chords possess two pitches in common with the triad that they are replacing."

<span class="mw-page-title-main">The End (Beatles song)</span> 1969 song by the Beatles

"The End" is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was composed by Paul McCartney and credited to Lennon–McCartney. It was the last song recorded collectively by all four Beatles, and is the final song of the medley that constitutes the majority of side two of the album. The song features the only drum solo recorded by Ringo Starr with the Beatles.

<span class="mw-page-title-main">Sun King (song)</span> 1969 song by the Beatles

"Sun King" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written primarily by John Lennon and credited to Lennon–McCartney, it is the second song of the album's climactic medley. Like other tracks on the album the song features lush multi-tracked vocal harmonies, provided by Lennon, Paul McCartney and George Harrison.

<span class="mw-page-title-main">Things We Said Today</span> 1964 single by the Beatles

"Things We Said Today" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was released in July 1964 as the B-side to the single "A Hard Day's Night" and on their album of the same name, except in North America, where it appeared on the album Something New. The band recorded the song twice for BBC Radio and regularly performed an abbreviated version during their 1964 North American tour.

<span class="mw-page-title-main">I Want to Tell You</span> 1966 song by the Beatles

"I Want to Tell You" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written and sung by George Harrison, the band's lead guitarist. After "Taxman" and "Love You To", it was the third Harrison composition recorded for Revolver. Its inclusion on the LP marked the first time that he was allocated more than two songs on a Beatles album, a reflection of his continued growth as a songwriter beside John Lennon and Paul McCartney.

<span class="mw-page-title-main">You Like Me Too Much</span> 1965 song by the Beatles

"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the Help! album, except in North America, where it appeared on Beatles VI. The band recorded the track on 17 February that year at EMI Studios in London.

<span class="mw-page-title-main">Any Time at All</span> 1964 song by the Beatles

"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. It first appeared on the Beatles' A Hard Day's Night album.

The ii–V–I progression is a common cadential chord progression used in a wide variety of music genres, including jazz harmony. It is a succession of chords whose roots descend in fifths from the second degree (supertonic) to the fifth degree (dominant), and finally to the tonic. In a major key, the supertonic triad (ii) is minor, and in a minor key it is diminished. The dominant is, in its normal form, a major triad and commonly a dominant seventh chord. With the addition of chord alterations, substitutions, and extensions, limitless variations exist on this simple formula.

<span class="mw-page-title-main">Eat at Home</span> 1971 single by Paul and Linda McCartney

"Eat at Home" is a 1971 single by Paul and Linda McCartney that also appeared on their album Ram from the same year. The song, a standard rock number, features McCartney on lead vocals, electric guitar and bass, and Linda McCartney performing backing vocals.

"Grow Old with Me" is one of the final songs written by John Lennon. It was recorded by Lennon as a demo while in Bermuda in 1980, and later appeared on the posthumous album Milk and Honey in 1984. It was also allegedly planned as a possible reunion single by his former bandmates during the making of The Beatles Anthology.

<span class="mw-page-title-main">Nineteen Hundred and Eighty-Five</span> 1974 single by Paul McCartney and Wings

"Nineteen Hundred and Eighty-Five" is a song by the British–American rock band Paul McCartney and Wings, released as the final track on their 1973 album Band on the Run. It has been featured on the 2001 documentary DVD Wingspan and Paul McCartney and Wings' 1974 TV special One Hand Clapping. A 2016 remix of the song was nominated for a Grammy Award. The song was referenced in Brett Easton Ellis’s novel Glamorama, driving a group of fictional supermodels to extreme terrorist acts.

"Little Lamb Dragonfly" is a song by Paul McCartney and Wings, composed by Paul and Linda McCartney and originally released on the 1973 album Red Rose Speedway. The song was originally recorded during the sessions for McCartney's Ram album in early 1971, and thus Hugh McCracken plays guitar on the recording rather than Wings' guitarist Denny Laine. However, Laine did provide backing vocals during the production work for Red Rose Speedway. McCartney originally intended to use the song as part of his Rupert and the Frog Song animated film project. Chip Madinger and Mark Easter noted that drummer Denny Seiwell may have assisted in writing the song, although he was not credited.

"Big Barn Bed" is a song by Paul McCartney and Wings from the band's 1973 album Red Rose Speedway. The songwriting credits are attributed to Paul McCartney and Linda McCartney.

<i>Reincarnation</i> (Exuma album) 1972 album by Exuma

Reincarnation is the fifth studio album by Bahamian folk musician Exuma, released in 1972 through Kama Sutra Records.

References

  1. 1 2 3 4 5 6 7 Jackson, Andrew Grant (2014). Still the Greatest: The Essential Songs of The Beatles' Solo Careers. Taylor Trade Publishing. pp. 67–68. ISBN   978-0-8108-8222-5.
  2. 1 2 3 4 5 6 Benitez Jr., Vincent P. (2010). The Words and Music of Paul McCartney: The Solo Years. Greenwood Publishing Group. p. 32. ISBN   978-0-313-34969-0.
  3. "Paul McCartney.com". May 15, 2021. Retrieved September 21, 2022.
  4. Boot, Anthony (4 August 1971). "Record Review". The Kingston Whig-Standard . Kingston, Ontario, Canada. Archived from the original on 13 August 2022. Retrieved 12 August 2022 via Newspapers.com.
  5. Dolan, Jon; Vozick-Levinson, Simon; Hermes, Will; Sheffield, Rob (30 November 2020). "Paul McCartney's 40 Greatest Solo Songs". Rolling Stone . Retrieved 12 August 2022.
  6. Swanson, Dave (18 June 2015). "Top 10 Underrated Paul McCartney Songs". Ultimate Classic Rock. Retrieved 2023-01-01.
  7. Badman, Keith (2001). The Beatles Diary Volume 2: After the Break-Up (1970–2001). Omnibus Press. ISBN   978-0711983076.
  8. "Billboard Album Reviews". Billboard . Vol. 84. 1972. ISSN   0006-2510. Archived from the original on 12 August 2022. Retrieved 12 August 2022.