New Zealand and South Seas International Exhibition | |
---|---|
Overview | |
BIE-class | Unrecognized exposition |
Name | New Zealand and South Seas International Exhibition |
Area | 6.5 ha |
Visitors | 3,200,498 |
Location | |
Country | New Zealand |
City | Dunedin |
Venue | Logan Park |
Timeline | |
Opening | 17 November 1925 |
Closure | 1 May 1926 |
The New Zealand and South Seas International Exhibition was a world's fair held in Dunedin, New Zealand, from 17 November 1925 until 1 May 1926, [1] [2] which celebrated that country and the South Seas. It was the third such exhibition held in Dunedin, with earlier exhibitions in 1865 and 1889. [3] The exhibition had over 3 million visitors. It had added a new 'Special Exhibits' section focusing on art and craftwork made by women, a breakthrough that lifted the profile of women's art and craftwork. [4]
The exhibition was held on reclaimed land at Logan Park, much of it reclaimed especially for the exhibition. [2] A tidal inlet originally known as Pelichet Bay had been partly reclaimed, leaving a flat area and a lake, Lake Logan. In order to provide enough land for the exhibition, the lake was drained and the site cleared before construction of a series of magnificent exhibition buildings by architect Edmund Anscombe. The buildings consisted of a series of pavilions surrounding a central court area which was dominated by a domed festival hall, and covered an area of 16 acres (6.5 ha). [3] A new tree-lined road linking the exhibition grounds with the city centre was completed, and now forms Anzac Avenue.
The exhibition grounds and buildings included an amusement park with a quarter-mile scenic railway loop, restaurant, and tearooms, along with displays from both New Zealand provinces and overseas countries, with "courts" set up by the United Kingdom, Canada, Australia, and Fiji. [3] The exhibition was opened by the Governor-General, Sir Charles Fergusson, in November 1925, and remained open until the middle of the following year. Although the country's population at the time was only 1,250,000, a total of more than 3,000,000 visitors paid for admission to the exhibition. [5] Even in its closing stages, the exhibition was most popular; the final day's attendance was a record 83,935. [3]
The exhibition was commemorated in a set of three stamps issued by the New Zealand Post Office, designed by H Linley Richardson. [5] The set was one of New Zealand's first commemorative stamp issues, and also one of very few from the country to be printed on coloured paper.
Little now remains of the exhibition venue and structure, other than Logan Park and Anzac Avenue themselves. The only remaining structure on the original site, the exhibition's art gallery, was bought at the conclusion of the exhibition by Sir Percy Sargood and his family, and donated to the city as an art gallery. [6] The building remained the site of the Dunedin Public Art Gallery until a new site was completed for the gallery in the central city in 1996.
Some sections of some of the exhibitions buildings were sold to members of the public and moved to other sites, most notably a small domed structure now part of an art gallery at Brighton, to the south of Dunedin. After the Dunedin Public Art Gallery moved to its new site in the city centre in 1996, the building was shortened to allow for expansion to the neighbouring University Oval cricket ground. The remaining portions of the gallery are used by the New Zealand Academy of Sport and Sports Medicine New Zealand as a gym, training venue, and offices. [7]
The former gallery building is the only remaining structure from any of the International Fairs held in New Zealand in the late 19th and early 20th centuries, and one of only some eight left from this era of world fairs worldwide. The building was designed by Edmund Anscombe, a driving force behind the staging of an exhibition in Dunedin, who was appointed official architect to the exhibition in 1924. The building has a Heritage New Zealand Category I classification. [7]
When proposals for an aquarium were unable to be funded by the Acclimatisation Society or the City Corporation, George Howes (entomologist) and others registered a private company, Aquarium Ltd., "To carry on the business of an aquarium at the New Zealand and South Seas Exhibition at Dunedin." [8] Aquarium Ltd. wound up at the end of the exhibition, and the aquarium building was taken on by the city. [9] [10] It was then purchased by the Otago Lawn Tennis Association. [11] The aquarium tanks were relocated to the Dunedin Botanic Garden, along with the fernery from the exhibition, where they were used for housing fish until 1933. [12] [13]
The New Zealand and South Seas Exhibition was an international exhibition held in Dunedin, New Zealand from 26 November 1889 to 19 April 1890. A previous exhibition had been held in 1865, the first world's fair in New Zealand, and a later exhibition opened in 1925.
Dunedin is the second-largest city in the South Island of New Zealand, and the principal city of the Otago region. Its name comes from Dùn Èideann, the Scottish Gaelic name for Edinburgh, the capital of Scotland. The city has a rich Māori, Scottish, and Chinese heritage.
Dunedin railway station is a prominent landmark and tourist site in Dunedin, a city in the South Island of New Zealand. It is speculated by locals to be the most photographed building in the country, as well as the second most photographed in the southern hemisphere, after the Sydney Opera House.
Otago Polytechnic is a public New Zealand tertiary education institute, centred in Dunedin with additional campuses in Cromwell and Auckland. Otago Polytechnic provides career-focused education and training, offering a range of New Zealand accredited postgraduate qualifications, degrees, diplomas and certificates at levels 2–10. In November 2022, it became a business unit of the national mega polytechnic Te Pūkenga, ending its existence as an independent entity.
The New Zealand Centennial Exhibition took place over six months from Wednesday 8 November 1939 until 4 May 1940. It celebrated one hundred years since the signing of the Treaty of Waitangi in 1840 and the subsequent mass European settlement of New Zealand. 2,641,043 visitors attended the exhibition.
The Dunedin Public Art Gallery holds the main public art collection of the city of Dunedin, New Zealand. Located in The Octagon in the heart of the city, it is close to the city's public library, Dunedin Town Hall, and other facilities such as the Regent Theatre.
Logan Park is a sporting venue in the city of Dunedin, New Zealand. It lies on land reclaimed from the former Lake Logan.
The villages and then city that lay at the head of Otago Harbour never existed in isolation, but have always been a staging ground between inland Otago and the wider world. While Dunedin's current official city limits extend north to Waikouaiti, inland to Middlemarch and south to the Taieri River mouth, this articles focus is the history of the Dunedin urban area, only mentioning Mosgiel, the Otago Peninsula, Port Chalmers and inland Otago for context.
Tūhura Otago Museum, located near the city center of Dunedin, New Zealand, adjacent to the University of Otago campus, is one of the country's largest museums and a prominent attraction in the city. The museum's extensive collections encompass natural science specimens and humanities artifacts from the Otago region and around the world, which are featured in its long-term gallery displays. A notable feature of the museum is its interactive science center, which includes an immersive tropical rainforest butterfly house. In 2022, the museum was officially renamed Tūhura Otago Museum, incorporating the Māori name "Tūhura," meaning "to discover, investigate, and explore."
Edmund Anscombe was one of the most important figures to shape the architectural and urban fabric of New Zealand. He was important, not only because of the prolific nature of his practice and the quality of his work, but also because of the range and the scale of his built and speculative projects. These extended from conventional essays to monumental urban schemes informed by his international travel, especially in America. His influence was specifically felt in Dunedin, Wellington, and the rebuild of Hastings following the 1931 Hawkes Bay Earthquake. He also realised projects in Alexandra, Invercargill, Palmerston, Palmerston North, Rotorua, Waimate North and Wānaka. His key works include the 1925–26 New Zealand and South Seas International Exhibition, the 1940 New Zealand Centennial Exhibition, the Herd Street Post and Telegraph building, Anscombe Flats, the Empire Deluxe theatre and his work on the clocktower complex – including specifically the Archway Building and Marama Hall – effectively re-conceiving the design of the University of Otago's historical core. His sister was painter Eliza Anscombe
King Edward Technical College is a former school and technical college in Dunedin, New Zealand. The college was established in 1889 as the Dunedin Technical School when the Caledonian Society instigated night education classes.
William George Howes was a New Zealand entomologist and businessman.
Kathleen Lucy Salmond was a New Zealand artist, born in Dunedin.
Grace Ellen Butler was a New Zealand artist.
Esther Studholme Hope was a New Zealand artist.
Heather Straka is a New Zealand artist, based in Auckland, who primarily works with the media of painting and photography. Straka is well known as a painter that utilises a lot of detail. She often depicts cultures that are not her own, which has caused controversy at times. Her work engages with themes of economic and social upheaval in interwar China, the role of women in Arabic society and Māori in relation to colonisation in New Zealand. Eventually, the figure became important in Straka's practice and she began to use photographs as the starting point for some of her works and "Increasingly too the body feminine has become her milieu".
Jasmine Togo-Brisby is a South Sea Islander artist known for her sculpture installations and portrait photographs. She currently resides in Te Whanganui-a-Tara/Wellington and is one of few artists that centres Pacific slave labour as the focus of her practice.
The Sargood Centre is the common name for the former Exhibition Art Gallery, located at 40 Logan Park Drive in Dunedin, Otago. It is registered as a Category I heritage building by Heritage New Zealand. The building was designed by Edmund Anscombe as the art gallery for the 1925 New Zealand and South Seas International Exhibition. The building is considered of "outstanding historical significance" as it is the only exhibition building from any of New Zealand's exhibitions that is still intact and in situ, and one of only eight worldwide.
Kate Mary Ogston was an artist in Dunedin, New Zealand. She was known for floral and landscape paintings.