"Night Moves" is a song by American singer-songwriter Bob Seger. It was the lead single from his ninth studio album of the same name (1976),which was released on Capitol Records. Seger wrote the song as a coming of age tale about adolescent love and adult memory of it. It was based on Seger's teenage love affair,which he experienced in the early 1960s. It took him six months to write and was recorded quickly at Nimbus Nine Studios in Toronto,Ontario,with producer Jack Richardson. As much of Seger's Silver Bullet Band had returned home by this point,the song was recorded with several local session musicians.
Released as a single in December 1976,it reached number four on the Billboard Hot 100,becoming Seger's first hit single since "Ramblin' Gamblin' Man" from 1969. It also charted at number five in Canada and was a top 25 hit in Australia. The song changed Seger from a popular regional favorite to a national star.
Background
"Night Moves" has roots in Seger's adolescence;he wrote the song to capture the "freedom and looseness" he experienced during that period. At a certain point,he began socializing with a rougher crowd,who thought he was cool because he played music.[2] The song's contents are largely autobiographical;for example,the group of friends would often hold parties they called "grassers",which involved going to a farmer's field outside Ann Arbor to dance.[3] Through these,he met a woman—credited as Rene Andretti in the Encyclopedia of Great Popular Song Recordings—whose boyfriend was in the military and was away.[4] "It's about this dark haired Italian girl that I went out with when I was 19,she was one year older than me," he later recalled.[5] Seger promptly pursued a romance with the girl,but eventually her boyfriend returned,and they married,leaving Seger broken-hearted.[6] Seger later told journalist Timothy White that many of his early songs were written to impress the girl.[7]
The song took Seger over six months to complete writing. He had recently purchased a house due to the success of his first live album,Live Bullet,and he and the band would write and practice in its large basement. The ending lyrics were written first.[3] The use of descriptive imagery was inspired by Kris Kristofferson's "Me and Bobby McGee" (1969),a song that Seger loved and which motivated him as he was developing his writing style. The catalyst for writing "Night Moves" came after Seger saw the 1973 film American Graffiti:"I came out of the theater thinking,'Hey,I've got a story to tell,too! Nobody has ever told about how it was to grow up in my neck of the woods.'"[2] Seger was inspired by the film's depictions of early 1960s car culture,of which he was a part.[3] A 1996 article in The Detroit News claims that Seger wrote portions of the song while at an A&W drive-in restaurant in Ann Arbor,Michigan.[8] Seger was inspired by the example of Bruce Springsteen's "Jungleland" to include two bridges in "Night Moves."[9]
"Night Moves" was recorded at Nimbus Nine Studios in Toronto, Ontario. Seger and the Silver Bullet Band had gone there for three days to record a few tracks with The Guess Who's producer Jack Richardson at the request of Seger's manager, who wanted him to produce a more "commercial" song. The band quickly recorded two Seger originals and a cover of the Motown hit "My World Is Empty Without You", but before Seger left on the third day, he composed a fourth song to record. He had been "waiting on the right moment" to record "Night Moves", as he feared a saxophone, performed by Alto Reed, would not complement it, and that lead guitarist Drew Abbott's playing would not be satisfactory.[3] Richardson remembered Seger first playing the song at a piano in his office, though Seger did not feel it was good enough to record.[2] Seger instead remembered that Richardson was not sold on the song at first.[5] As the only members of the Silver Bullet Band still in Toronto were bassist Chris Campbell and drummer Charlie Allen Martin (plus Seger on acoustic guitar and piano), Richardson recruited Joe Miquelon to play electric guitar and Doug Riley to perform organ. At the same time, Sharon Lee Williams, Rhonda Silver, and Laurel Ward and Tracy Richardson sang the song's trademark backing vocals.[2]
The song was completed in fewer than ten takes, with the session dispersing momentarily to record the bridge section that consisted solely of Seger and a guitar.[2]Paul Cotton of Poco was brought in to record a guitar solo that was later edited out, though the last notes of it are faintly audible preceding the last verse.[3] The team stayed at the studio until 2:30 in the morning to get the song right.[4] After Richardson and engineer Brian Christian mixed the tracks, Richardson said that he received a call from Seger's manager/producer Punch Andrews expressing dissatisfaction with the tracks. Andrews noted that Capitol Records had been equally disappointed.[2] A few months later, when Richardson was talking to a Capitol A&R executive, he asked about the Seger sessions and was told that "both tracks" were potential B-sides.[2] It turned out that Seger and Andrews had never given "Night Moves" to Capitol, so Richardson did, and after hearing it, Capitol made it the title track of Seger's next album, as well as the first single.[2]
Composition
"I really liked the title because it was two-edged. It had a duality to it. "Workin' on our night moves"—our moves with girls—and "Ain't it funny how the night moves"—what you remember as you're getting older."
"Night Moves" is a mid-tempo number that starts quietly with acoustic guitar. Bass and drums are introduced as the song's setting is described: 1962, cornfields, '60 Chevy. While Seger actually owned a 1962 Chevy, he felt "'60" flowed better in the song.[3] Seger uses the word "points" in verse one to reference his pointed boots and his love interest's breasts.[3] An intense summertime teenaged love affair is described as knowingly more sexual than romantic, with short instrumental lines breaking the evocative imagery, sometimes in mid-sentence. Piano, backing vocals, electric guitar, and organ are added as the song's emotional nostalgia builds momentum. Then suddenly, it stops, as the narrative flashes forward to some period in the future, where he hums a song from 1962. Seger has claimed in interviews that he was referencing the song "Be My Baby" by the Ronettes, though that song was released one year later.[10] To a quiet acoustic guitar, the narrator, awakened by a clap of thunder and unable to fall back asleep, ponders a different sense of the title phrase. Seger said this passage was inspired by late-night self-analysis and "the uncertainty night represents": "I was thinking about the whole aura of nighttime, the four o'clock in the morning moment when you assess yourself, check your weaknesses."[11] The rest of the instruments fall back in for an extended coda vamp of the chorus.
Richardson said that "the whole arrangement came together in the studio."[2] The decision for an unusual bridge (consisting of three separate movements) was inspired by the Bruce Springsteen song "Jungleland". He credited that song, in addition to the Born to Run album, with helping him complete the song: "He had like a multiple bridge, he had various different things going on, and I thought to myself, 'That's how I'll finish 'Night Moves.'"[5][12]
To Rolling Stone critic Dave Marsh, the coda after the false ending takes the song beyond the realm of nostalgia to turn it into a complete story covering both the past and the present. According to Marsh, the song could be "about the sexual discovery embodied in the verses, or the sense of loss and nostalgia captured in its coda. Or you could say that the Bob Seger story really took place in the long silence between them, from the moment he began to play to the moment, fifteen years later, when he was finally widely heard."[13] Marsh also states that the characters in "Night Moves" are more realistic than those in American Graffiti in that the characters in "Night Moves" don't pretend to expect fidelity when pursuing sex, and that the coda reveals how "trivial such a crucial moment" becomes years later.[14]
Seger described writing the song:
It was inspired by the movie American Graffiti. It was all about cars and peg pants and rolled-up T-shirts with a cigarette pack up here and stiletto pointed shoes. That's how I grew up, that was my high-school years. It was the easiest song in the world to write but the hardest song to finish. It took me six months to finish it. I had the first two verses. Then I'm listening to Born To Run and I notice in "Jungleland" Bruce had a double bridge. I never thought of two bridges in one song. So I have two bridges in "Night Moves." People at Capitol Records told me after they heard the song "Night Moves" that I had a 'career record". They said: "This is a song that you're gonna have to play for the rest of your life."[15]
Chart performance
"Night Moves" was a commercial success in the United States. It debuted on the Billboard Hot 100 chart during the week of December 11, 1976 at number 85,[16] gradually rising over the ensuing weeks to a peak of number four on March 12, 1977,[17] a position it held for two weeks.[18] "Night Moves" was Seger's first single to chart in the top ten on the Billboard Hot 100. In total, it spent 21 weeks on the chart.[17] In Canada, the song debuted on RPM's Top Singles chart at number 93 in the issue dated December 18, 1976,[19] eventually rising over twelve weeks to a peak of number five on March 12, 1977.[20]
The song also charted in Australasian territories: in Australia, it peaked at number 25 on the national charts,[21] and in New Zealand, it reached a peak of number 39.[22] The song did not chart in the United Kingdom until 1995, when it peaked at a position of 45 on April 30, 1995.[23]
Reception
"Night Moves" received critical acclaim. Timothy White of Crawdaddy! felt "the genius of the song [...] is the way Seger changes the meaning of the phrase 'night moves,' from a reference to making out, to a comment on the passage of time."[11]Billboard described "Night Moves" as having a similar feel and theme to Van Morrison's "Wild Night," stating that the theme was "the earthy yearnings of adolescence" and saying that Seger matched Bruce Springsteen and Rod Stewart in vocal expressiveness.[24]Cash Box said that the song is "based on standard, emotive rock 'n' roll chords played on acoustic guitar, dressed up with keyboards, a soulful backing chorus and of course Seger's throaty voice."[25]Los Angeles Times critic Robert Hilburn said that "this Van Morrison-influenced slice back-seat sensuality" may be the song to return Seger to the Top 10 after an 8 year absence.[26] In his 1979 volume Stranded: Rock and Roll for a Desert Island, famed rock critic Greil Marcus selected the single "Night Moves" for inclusion on same, writing simply: "The mystic chords of memory."[27] Paul Evans, in The New Rolling Stone Album Guide, writes: "[It] is not only Seger's best song, but one of rock's most moving exercises in elegy."[28]
For his part, Seger has claimed that "Night Moves" is his favorite song he ever wrote, and he continued to try and replicate it years afterward.[29]
Filmmaker Gary Weis produced an unofficial music video for "Night Moves" that aired on Saturday Night Live in January 1977.
In 1994, nearly 20 years after the original song was released, an official accompanying music video was released.[32] Directed by Wayne Isham, it was set in a drive-in movie theater in the early 1960s; it interspersed footage of Seger performing in a present-day version of the drive-in (seemingly, now abandoned) with various vignettes featuring characters described in the song. Matt LeBlanc, a friend of Isham's, was in the starring role before his debut in Friends; he later claimed that he was drunk through the whole video, as Seger had shared a bottle of tequila with him in the musician's motorhome immediately before the shoot.[33] Also featured in the video was Daphne Zuniga of Melrose Place. In the video, Zuniga's dark, edgy young woman becomes an object of visual fascination for LeBlanc's clean-cut young man. Johnny Galecki and Natasha Gregson Wagner also appear in the video as a young couple.
In the film American Pop, the final feature character in the family saga concludes with him using his one opportunity to become a professional musician with the song he wrote in this story. The performance is a piano-oriented interpretation[34] that has never been commercially released.
In 1995 and 1996, the song was used in the closing credits of TNN's broadcast of The Winston.
The song can be heard twice during the first season of The O.C.. Seger is one of Julie's favorite singers.
How I Met Your Mother, Season 5 episode 20 called Home Wreckers, the song is playing on the radio as Barney drives Ted's mother to the airport and seduces her.
"Night Moves" was referenced in the popular NBC sitcom 30 Rock in the nineteenth episode of Season Three. Liz Lemon sings "Workin' on my Night Cheese!" as she consumes a one-pound brick of what appears to be cheddar cheese. It has also been reported that the purchase of the broadcast rights to "Night Moves" was required for the scene, reportedly costing the network as much as $50,000.[35]
The song is also featured in the video game Grand Theft Auto V, on one of the game's fictional radio stations, Los Santos Rock Radio.
The song also appeared in the TV series Supernatural in the fourth episode of Season Eleven entitled "Baby".
‡ Sales+streaming figures based on certification alone.
Related Research Articles
‘Live’ Bullet is a live album by American rock band Bob Seger & the Silver Bullet Band, released on April 12, 1976. It was recorded at Cobo Hall in Detroit, Michigan, during the heyday of that arena's time as an important rock concert venue. The album is credited, along with Night Moves, with launching Seger's mainstream popularity.
Robert Clark Seger is an American retired singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, breaking through with his first album, Ramblin' Gamblin' Man in 1969. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands. In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums.
Night Moves is the ninth studio album by American rock singer-songwriter Bob Seger, released on October 22, 1976, by Capitol Records. It is his first studio album to credit his backing band, the Silver Bullet Band, although they only perform on five of the nine songs on the album; the other four feature backing by the Muscle Shoals Rhythm Section.
Stranger in Town is the tenth studio album by American rock singer Bob Seger and his second with the Silver Bullet Band, released by Capitol Records in May 1978. As with its predecessor, the Silver Bullet Band backed Seger on about half of the songs and the Muscle Shoals Rhythm Section backed Seger on the other half.
Against the Wind is the eleventh studio album by American rock singer Bob Seger and his third which credits the Silver Bullet Band. Like many of his albums, about half of the tracks feature the Muscle Shoals Rhythm Section as backing musicians. It was released in February 1980. It is Seger's only number-one album to date, spending six weeks at the top of the Billboard Top LPs chart, knocking Pink Floyd's The Wall from the top spot. Seger said that the album "is about trying to move ahead, keeping your sanity and integrity at the same time."
"Turn the Page" is a song originally recorded by Bob Seger in 1971 and released on his Back in '72 album in 1973. It was not released as a single until Seger's live version of the song on the 1976 Live Bullet album got released in Germany and the UK. The song became a mainstay of album-oriented rock radio stations, and still gets significant airplay on classic rock stations.
"Against the Wind" is a song written and recorded by the American singer-songwriter Bob Seger for his eleventh studio album of the same name. It was released as the second single from the album in April 1980 through Capitol Records. Seger recorded the ballad during a two-year process that begat his eleventh album; it was recorded with producer Bill Szymczyk at Criteria Studios in north Miami, Florida. Sonically, "Against the Wind" is a mid-tempo soft rock tune with piano backing. It was recorded with Seger's Silver Bullet Band, and features backing vocals from Eagles co-frontman Glenn Frey.
"We've Got Tonite" is a song written by American rock musician Bob Seger, from his album Stranger in Town (1978). The single record charted twice for Seger, and was developed from a prior song that he had written. Further versions charted in 1983 for Kenny Rogers as a duet with Sheena Easton, and again in 2002 for Ronan Keating.
"Heavy Music" is a song first released as a single by Bob Seger & the Last Heard. Two different vocal takes of the song were released together on either side of the single, with the names "Heavy Music Part 1" and "Heavy Music Part 2". An eight-minute fourteen-second-long live version of the song is featured on the album Live Bullet with the Silver Bullet Band.
"Fire Lake" is a song written and recorded by the American musical artist Bob Seger. He had planned to record "Fire Lake" for his 1975 album Beautiful Loser, but the track was not finished. The song had been partly written years before, in 1971, and was finally finished in 1979 and released in 1980 on Seger's album Against the Wind. The single reached number 6 on the Billboard Hot 100. A live version of the song appeared on the album Nine Tonight, released in 1981.
"Old Time Rock and Roll" is a song written by George Jackson and Thomas E. Jones III, with uncredited lyrics by Bob Seger. It was recorded by Seger for his tenth studio album Stranger in Town. It was also released as a single in 1979. It is a sentimentalized look back at the music of the original rock 'n' roll era and has often been referenced as Seger's favorite song. The song gained renewed popularity after being featured in the 1983 film Risky Business. It has since become a standard in popular music and was ranked number two on the Amusement & Music Operators Association's survey of the Top 40 Jukebox Singles of All Time in 1996. It was also listed as one of the Songs of the Century in 2001 and ranked No. 100 in the American Film Institute's 100 Years...100 Songs poll in 2004 of the top songs in American cinema.
"Shame on the Moon" is a song written and recorded by Rodney Crowell on his 1981 self-titled album. It was covered by Bob Seger & the Silver Bullet Band as the lead single from their 1982 album The Distance.
The discography of Bob Seger, an American rock artist, includes 18 studio albums, two live albums, five compilation albums and more than 60 singles. Bob Seger's albums have sold over 50 million copies and received seven multi-platinum, four Platinum and two Gold certifications by the RIAA.
"Ramblin' Gamblin' Man" is a song by the American rock band the Bob Seger System, and written by its leader Bob Seger. The song was originally released as a single in October 1968, then as a track on the album Ramblin' Gamblin' Man in April 1969. The single fared well, reaching No. 17 on the national charts. The original studio version, released in mono, had been unavailable to the public until it was included on Seger's compilation album Ultimate Hits: Rock and Roll Never Forgets (2011). It was Bob Seger's first top 20 hit.
"Rock and Roll Never Forgets" is a song written by American singer-songwriter Bob Seger. The song first appeared on Seger's ninth studio album Night Moves (1976). The song was released in early 1977 as the third and final single from the album. The song peaked at No. 41 on the Billboard Hot 100, charting less successfully than the previous two singles. Nevertheless, "Rock and Roll Never Forgets" remains popular with Seger fans, and has become a staple of classic rock radio.
"Mainstreet" is a song written and recorded by Bob Seger & The Silver Bullet Band. It was released in April 1977 as the second single from the album Night Moves. The song peaked at number 24 on the U.S. Billboard Hot 100 and has become a staple of classic rock radio; it also reached number one on the Canadian Singles Chart.
Jesse Willard "Pete" Carr was an American guitarist. Carr contributed session work to recordings by Joan Baez, Luther Ingram, Bob Seger, Paul Simon, Willie Nelson, Joe Cocker, Boz Scaggs, Percy Sledge, The Staple Singers, Rod Stewart, Barbra Streisand, Wilson Pickett, Hank Williams, Jr., and many others, from the 1970s onward.
"Still the Same" is a 1978 song written and recorded by the American singer Bob Seger. It hit #4 on the U.S. Billboard Hot 100 chart and was an international hit.
"American Storm" is a song written by American singer-songwriter Bob Seger. It was recorded with The Silver Bullet Band and released in March 1986 as the lead single from their album Like a Rock. The single peaked at number 13 on the U.S. Billboard Hot 100 chart and at number 2 on the US Billboard Mainstream Rock Tracks chart.
"The Real Love" is a song by American rock band Bob Seger & the Silver Bullet Band. Frontman Bob Seger wrote the track for the band's sixth studio album, The Fire Inside (1991), and it was produced by Don Was. In Europe, "The Real Love" was released as the album's second single, while in the United States, where "Take a Chance" did not receive a commercial release, it served as the album's lead single. According to Seger, the song is about a man who searches for true love, with "simple" lyrics.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
