Nothing's Shocking | ||||
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Studio album by | ||||
Released | August 23, 1988 | |||
Recorded | 1987–1988 | |||
Studio | Eldorado, Los Angeles | |||
Genre | ||||
Length | 45:13 | |||
Label | Warner Bros. | |||
Producer | ||||
Jane's Addiction chronology | ||||
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Singles from Nothing's Shocking | ||||
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Nothing's Shocking is the debut studio album by American rock band Jane's Addiction, released on August 23, 1988 through Warner Bros. Records. Nothing's Shocking was well received by critics and peaked at number 103 on the Billboard 200. The single "Jane Says" reached number six on the Billboard Modern Rock Tracks in 1988. Rolling Stone ranked Nothing's Shocking at number 312 on its "500 Greatest Albums of All Time". It received a nomination for the 31st Grammy Awards in the category for Best Hard Rock/Metal Performance Vocal or Instrumental. [6]
Warner Bros. Records gave Jane's Addiction a list of producers to choose from. The band's frontman, Perry Farrell, appreciated Dave Jerden's work as engineer on David Byrne and Brian Eno's album, My Life in the Bush of Ghosts . Jerden said he "jumped" at the chance to work with the group. [7] "I had a demo tape of 18 songs," Jerden recalled, "and I listened to it every night all summer. I picked nine songs from the tape and put them in an order. And then I said to the band, 'Let's do these nine songs. You'll rehearse them in this order, and we'll record them in this order.' And that's what we did." [8]
During the recording sessions, Farrell stated he wanted 50% of the band's publishing royalties for writing the lyrics, plus a quarter of the remaining half for writing music, adding up to 62.5%. Bassist Eric Avery said he and the other members – guitarist Dave Navarro and drummer Stephen Perkins – were stunned by these demands. [9] One day, Jerden drove to the studio to find Farrell, Navarro, and Perkins leaving; Farrell told him the band had broken up and there would be no record. Warner Bros. called an emergency meeting to resolve the situation. Farrell received the percentage he sought, and the other members received 12.5% each. Avery said the incident had a profound effect on the band, creating an internal fracture. [10]
Not long after the royalties dispute, Farrell and Avery – who had cofounded the band – had a falling out. This was the result of Avery's newfound sobriety as well as an incident in which Farrell believed Avery had drunkenly tried to pick up his girlfriend. "Unfortunately," Farrell recalled, "the tensions between Eric and I affected the whole family. Some people were asked to take sides, and others just moped about because they didn't know what was going on." [11] Perkins, however, is reported to have got along with Navarro, Avery, and Farrell. [12]
The writing process varied from song to song. "Some came from Eric's bass lines," noted Navarro, "some from guitar, some came from Perry, some came from drum riffs, and some just came from free-form jams. There was really no formula." Avery wrote several songs, including "Mountain Song", "Had a Dad", "Jane Says", and "Summertime Rolls" (the latter two of which he also created the guitar parts for). For his songs, Avery came up with lyrical concepts that Perry Farrell would create lyrics for; for example, "Had a Dad" dealt with Avery discovering he had a different biological father. [13]
"Jane Says" and "Pigs in Zen", which first appeared on the band's self-titled 1987 debut, were rerecorded for Nothing's Shocking. The later version of "Jane Says" features a steel drum while the spoken interlude in "Pigs in Zen" is completely different.
"Mountain Song" – originally released in 1986 on the soundtrack for the film Dudes – was also rerecorded. Musically similar to the original, it is sung in a higher key, to be consistent with the rest of the record. The 1986 original saw a more widespread release when it was included on the band's 1997 outtake/alternate/live and new compilation Kettle Whistle .
Red Hot Chili Peppers bassist Flea played trumpet on "Idiots Rule". [14]
Farrell and his then girlfriend Casey Niccoli created the cover image, which features a sculpture of nude female conjoined twins on a rocking chair with their heads on fire. He hired Warner Bros. employees to create the sculpture, but – after learning how to create sculptures by watching them closely – fired them and created the artwork himself. [15] "The idea came from a dream I had," he recalled. "There were these two women swinging back and forth. They were joined at the hip and shoulder, and their hair was on fire. I just went from there, and Casey assisted me. We had a fellow come and do a plaster body-casting of her, then we made the twins' hair and head gear from pipe cleaners. You'll notice the chair rocks from side to side, as opposed to back and forth, so we had to have that made specially. We also went shopping for fake eyeballs." [16]
Owing to the cover, nine of the eleven leading record store chains refused to carry Nothing's Shocking. It was issued covered with brown paper. [17]
"Mountain Song" was released as a single; however, MTV refused to air the song's music video owing to a scene containing graphic nudity. [18] Farrell decided to release the video commercially, adding twenty minutes of additional footage to create the Soul Kiss home video. [19]
Lack of airplay on MTV and modern rock radio meant Nothing's Shocking sold only 200,000 to 250,000 copies in its first year of release. [20] By 1998, it had been certified platinum by the Recording Industry Association of America for shipments of one million copies in the United States. [21]
A remastered edition of Nothing's Shocking was released on June 19, 2012 on a 24 karat gold disc. [22]
Other than the addition of remastering production credits and a cardboard slipcase over the standard jewel case, the liner notes and artwork are almost identical to the original release. Likewise, the track list remained unchanged. The most notable artwork difference between the original and the remaster is in the color of band name typeface on the cover: the original is rendered in a deep teal color with black outline while the remaster features a light grey type with purple outline.
Produced by Audio Fidelity, the remaster had a limited production run of 5,000 units. Each pressing came individually numbered.
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Kerrang! | 5/5 [23] |
Los Angeles Times | [24] |
NME | 7/10 [25] |
The Philadelphia Inquirer | [26] |
Pitchfork | 9.3/10 [2] |
Q | [27] |
Rolling Stone | [28] |
The Rolling Stone Album Guide | [29] |
The Village Voice | B− [30] |
Reviewing Nothing's Shocking for Rolling Stone , Steve Pond praised Jane's Addiction as "the true heir to Led Zeppelin" and called the album "simultaneously forbidding and weighty, delicate and ethereal", while also distinctly more "hardheaded and realistic" in sensibility than Led Zeppelin's music. [28] Los Angeles Times critic Richard Cromelin commented that Jane's Addiction "sounds supremely assured as it alternates its taut, brutal metal alloy with oddly endearing moments of reflection", describing their style as "a bracing throwback to rebellious sources and forces of excess like old Black Sabbath and Alice Cooper". [24] Ken Tucker, writing for The Philadelphia Inquirer , found the album's lyrics incomprehensible in meaning, but viewed them as secondary to the music, which he deemed "first-rate – deceptively slapdash, passionately messy, thoroughly exhilarating." [26] Kerrang! 's Phil Wilding hailed Jane's Addiction as "the second coming" and posited that their innovation would be "understood" over time, [23] while Q 's Martin Aston wrote that the band manages to recall acts such as Led Zeppelin and Van Halen without resorting to "the plagiarism that plagues the HM/hard rock genre." [27] Jack Barron of NME credited Jane's Addiction for having "breadth" and concluded that they "come from a town ruled by glam where talent is only mascara deep, but this is no five-year-old's IQ on show here." [25]
At the end of 1988, Nothing's Shocking was voted the 34th best album of the year in The Village Voice 's Pazz & Jop critics' poll. [31] The poll's curator, Robert Christgau, was lukewarm toward the record, summarizing Jane's Addiction as "Alice Cooper revisited" while conceding that "if they stick at it like the pros they'll be, they might land an 'Only Women Bleed.'" [30]
In a retrospective review, AllMusic's Greg Prato called Nothing's Shocking a "now classic" album and "a must-have for lovers of cutting-edge, influential, and timeless hard rock." [4] Steve Hochman, writing in the 2004 edition of The Rolling Stone Album Guide , regarded it as an "often stunning" work whose songs juxtapose "slinky Zeppelin thunder with personal/poetic imagery recalling Lou Reed." [29] "Even with all the baggage of prophecy and influence," wrote Ian Cohen of Pitchfork , "Nothing's Shocking lives as a poignant, almost quixotic work of Hollywood imagination". [2] Pitchfork listed it as one of the 1980s' best albums in 2002, ranking it 90th, [32] and in 2018, ranking it 134th. [33] In 2006, Q named it the 32nd best album of the 1980s. [34] Nothing's Shocking was ranked at number 312 on Rolling Stone's 2012 edition of its "500 Greatest Albums of All Time" list. [35]
All lyrics are written by Perry Farrell; all music is composed by Jane's Addiction
No. | Title | Length |
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1. | "Up the Beach" | 3:00 |
2. | "Ocean Size" | 4:20 |
3. | "Had a Dad" | 3:44 |
4. | "Ted, Just Admit It..." | 7:23 |
5. | "Standing in the Shower... Thinking" | 3:03 |
6. | "Summertime Rolls" | 6:18 |
7. | "Mountain Song" | 4:03 |
8. | "Idiots Rule" | 3:00 |
9. | "Jane Says" | 4:52 |
10. | "Thank You Boys" | 1:01 |
11. | "Pigs in Zen" (not on vinyl edition) | 4:30 |
Jane's Addiction
Additional musicians
Recording personnel
Additional personnel
Chart (1988) | Peak position |
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US Billboard 200 [36] | 103 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [37] | Gold | 35,000^ |
United Kingdom (BPI) [38] | Silver | 60,000^ |
United States (RIAA) [21] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
Jane's Addiction is an American rock band formed in Los Angeles in 1985. The band consists of singer Perry Farrell, guitarist Dave Navarro, drummer Stephen Perkins and bassist Eric Avery. Jane's Addiction was one of the first bands from the early 1990s alternative rock movement to gain commercial success.
Strays is the third studio album by American rock band Jane's Addiction, released on July 22, 2003, on Capitol Records. Released 13 years after Ritual de lo Habitual (1990), the album marks the band's longest gap between full studio albums, although the group had recorded and released two new songs six years prior on the compilation album Kettle Whistle (1997). Strays is the first album to feature bassist Chris Chaney. Regarding the decision to record a new studio album after such a long hiatus, drummer Stephen Perkins stated that the band had already completed two reunion tours performing old material, and that Jane's was ready for "a new challenge."
Ritual de lo Habitual is the second studio album by American rock band Jane's Addiction, released on August 21, 1990, by Warner Bros. Records. Co-produced by Dave Jerden, it was the band's final studio album before their initial break-up in 1991. Singles from Ritual de lo Habitual include "Been Caught Stealing" and "Stop!". Ritual de lo Habitual is certified 2× Platinum in the U.S.
David Michael Navarro is an American guitarist. He is best known as a member of the rock band Jane's Addiction, with whom he has recorded four studio albums. Between 1993 and 1998, Navarro was the guitarist of Red Hot Chili Peppers, recording one studio album, One Hot Minute (1995), before departing. He has also released one solo album, Trust No One (2001). Navarro has also been a member of Jane's Addiction-related bands Deconstruction and the Panic Channel.
Perry Farrell is an American singer, songwriter, and musician referred to as the "Godfather of Alternative Music". Farrell began his career with Psi Com in the early 1980s, before becoming the frontman of the band Jane's Addiction. He became well known for his success with Jane's Addiction; the band quickly became a key act in the '80s Los Angeles music scene, blending punk, metal, and psychedelic rock to create a unique sound. Their daring live performances and experimental approach resonated with disillusioned youth, contributing to the rise of alternative music as a form of rebellion and self-expression.
Eric Adam Avery is an American musician. He is best known as the founding bass guitarist and co-songwriter of the alternative rock band Jane's Addiction, with whom he has recorded two studio albums. From 2005 to 2022, Avery was the bassist for Garbage, which he joined as sideman and with whom he recorded three studio albums.
Jane's Addiction is a live album by American rock band Jane's Addiction, released on May 15, 1987. Its basic tracks were recorded live at the Roxy Theatre in Los Angeles on January 26, 1987, with additional overdubs and corrections recorded at The Edge Studio in Los Angeles. An audience applause dub from a Los Lobos concert was overlaid onto the final mix.
Porno for Pyros is the debut studio album by the American alternative rock band Porno for Pyros, released on April 27, 1993, by Warner Bros. Records. Jane's Addiction guitarist Dave Navarro and bassist Eric Avery, battling substance abuse issues, had left the band in 1991 in an attempt to stay clean, though the other half of the band wished to continue creating music. The remaining members of Jane's Addiction, Perry Farrell and Stephen Perkins, were joined by guitarist Peter DiStefano and future Jane's Addiction bassist Martyn LeNoble, and continued under the new band name Porno for Pyros. The band name is a reference to the 1992 Los Angeles riots, which are mentioned throughout the songs on the album as a recurring theme.
Good God's Urge is the second and final studio album by American alternative rock band Porno for Pyros. It was released in 1996 on Warner Bros. It was the band's first album to feature bass guitarist Mike Watt, who assisted the band in finishing the album after Martyn LeNoble left before all his bass tracks had been completed. There were three singles released from the album.
Stephen Andrew Perkins is an American musician and songwriter. A drummer and percussionist, he currently plays with Jane's Addiction, Porno for Pyros, Banyan and Hellride. His style blends rock, jazz, swing, African, Indian and Latin drumming styles together.
Dave Jerden is an American record producer, engineer, and mixer who has worked with artists in various genres including alternative rock, punk rock and metal. However, Jerden has stated that he dislikes the term "producer", preferring to refer to himself primarily as an engineer.
Kettle Whistle is a compilation album by alternative rock band Jane's Addiction, released November 4, 1997, on Warner Bros. Issued to coincide with the 1997 "Relapse" tour, the album – originally titled It's My Party – includes new, alternate, unreleased and live tracks.
Up from the Catacombs – The Best of Jane's Addiction is a best of compilation album by Jane's Addiction, released September 19, 2006, on Rhino.
"Been Caught Stealing" is a song by American rock band Jane's Addiction, released in November 1990 by Warner Bros. as the third single from the band's second album, Ritual de lo Habitual (1990). The song is also the band's biggest hit, spending four weeks at No. 1 on the US Billboard Modern Rock chart. Different versions appear on the compilations Kettle Whistle, Up from the Catacombs – The Best of Jane's Addiction and Rev.
Deconstruction is the only album by the band of the same name, released in 1994. It was released by Rick Rubin's label American Recordings and charted at number 31 on the Billboard Heatseekers album chart. Deconstruction disbanded shortly after the release of the album, with Eric Avery forming the band Polar Bear and Dave Navarro joining Red Hot Chili Peppers. The pair would later reunite as bandmates in Jane's Addiction in 2008.
The discography of Jane's Addiction, an American alternative rock band, consists of four studio albums, two live albums, four compilation albums, seventeen singles and ten music videos. Jane's Addiction was formed in Los Angeles, California in 1985. The band is composed of Perry Farrell (vocals), Dave Navarro (guitar), Eric Avery (bass) and Stephen Perkins (drums). After breaking up in 1991, Jane's Addiction briefly toured in 1997, reunited in 2001 and then parted ways in 2004. Jane's Addiction reunited again in 2008, with founding member Eric Avery returning on bass. In 2010, Avery Left once again, only to return once more in 2022. The band's varied musical style has influences rooted in punk rock and heavy metal.
"Mountain Song" is a song by American rock band Jane's Addiction, released as the second single from their debut studio album Nothing's Shocking (1988). "Mountain Song" was the first song written by the band in 1985, before a band name had even been decided upon. The song was initially recorded in 1986 and featured on the soundtrack to the film Dudes, starring Jon Cryer. This version can also be found as a track on the 1997 alternate & live cut compilation album Kettle Whistle. The song was re-recorded in 1988 for Nothing's Shocking.
Live and Rare is a compilation album by alternative rock band Jane's Addiction, released in 1991 through Warner Bros. Records. The release is essentially a collection of early b-sides, demos, and live cuts.
The Great Escape Artist is the fourth studio album by American alternative rock band Jane's Addiction, released October 18, 2011 on Capitol Records. The album was the band's first since its 2003 release Strays and features TV on the Radio's multi-instrumentalist Dave Sitek contributing bass guitar alongside Chris Chaney. The album's release was preceded by singles "End to the Lies," released as a free download on April 7, 2011, and "Irresistible Force ," released August 3, 2011. Regarding the album's title, vocalist Perry Farrell said "I love being able to escape my past, even though my past was great. I just love the future even more."
"End to the Lies" is the first single by American alternative rock band Jane's Addiction from its fourth album The Great Escape Artist. It was released on March 30, 2011, via digital download, the band's first new release after 2003's Strays.
Bibliography