Oceanic | ||||
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Studio album by | ||||
Released | September 16, 2002 | |||
Recorded | April–May 2002 Fort Apache, New England New Alliance, Massachusetts | |||
Genre | ||||
Length | 63:20 | |||
Label | Ipecac | |||
Producer |
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ISIS chronology | ||||
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Oceanic is the second full-length album by American post-metal band ISIS, released on September 17, 2002, by Ipecac Recordings. On November 4, 2014, a remastered edition was released via Hydrahead/Ipecac Recordings. Since its release, Oceanic has received critical acclaim and has been regarded as a masterpiece. [3]
On July 23, 2006, Isis performed Oceanic in its entirety at KOKO, Camden Town, London as part of the All Tomorrow's Parties curated Don't Look Back series. [4] This performance was recorded and eventually released in 2009 as Live V . The track "Weight" was used in the 20th episode of the 1st season of the 2007 television series Friday Night Lights . [5]
The album themes are considered to be an expansion on the bands 1999 EP The Red Sea, which includes themes of water throughout, death, emotional detachment, incest, and suicide.[ citation needed ]
Oceanic is a concept album (presumably told non-chronologically, or told through memories) about a man who, on the brink of emotional emptiness and numbness, finds a female counterpart who, prematurely, completes him (“The Beginning and the End"). However, he soon discovers that she has had a long-term incestuous relationship ("False Light", "Weight") with her brother over the course of the man's relationship with her. ("Hym", "The Other"). After discovering this, it drives him back into his emotionally comatose state, and he subsequently commits suicide by drowning himself in the ocean.("from sinking sands, he stepped into light's embrace").
The entire story is described by frontman Aaron Turner in a radio interview and in more nebulous terms in the album's booklet. [6]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Collector's Guide to Heavy Metal | 8/10 [8] |
Encyclopedia of Popular Music | [9] |
Metal Storm | 9.3/10 [10] |
OndaRock | 8/10 [11] |
Ox-Fanzine | 8/10 [12] |
Pitchfork | 9.1/10 [13] |
Rock Hard | 8.5/10 [14] |
Sputnikmusic | [2] |
Stylus | A− [15] |
The album’s style marks a distinct departure from their previous sound; up until this point, Isis had been characterised by crushing, distorted guitars and a coarse, unforgiving tone. With this album came the introduction of lengthy periods of clean guitar, large amounts of ambient noise and female vocals; a notable post-rock influence, first hinted at on SGNL>05 and Celestial . This transition was retrospectively labelled by FACT's Robin Jahdi as "one of the more eye-opening musical metamorphoses of the decade"; [16] it has been described as "seminal". [17] As Ben Richardson notes in the San Francisco Bay Guardian , the album's release "fomented an explosion of glacial, Neurosis-inspired instrumental 'post-metal'"; [18] likewise it has been described as "the standard by which all post-metal albums have been judged since". [19] It has retrospectively been labelled a "masterpiece". [3]
As one reviewer notes, the album is in "a place somewhere between metal and hardcore and post-rock, a place where crunching guitars and hoarse, tuneless vocals and slow spaciness all converge and create something big and mean and delightful". [20] The change of style proved trying for some long-standing fans, but beneficial in garnering a greater fanbase and the Neurosis-Godflesh comparisons began to weaken. The eschewing of sludgecore elements, and increased focus on atmospherics and post-rock elements whilst still retaining metal and hardcore elements led to the album being labelled by many as post-metal, and essentially as being the genre's progenitor. [21] Some critics attribute it to having truly formed the genre, out of a previously nebulous definition. This leaning, in the direction of post-rock, was greeted with great critical acclaim; the presence of female vocals proved popular with many reviewers, and songs featuring those vocals are generally seen as stand-outs. Those songs include "The Beginning and the End", "Carry" and "Weight", all of which feature Maria Christopher of 27.
Oceanic was named Terrorizer number one album of 2002, [22] [23] and in Drowned in Sound's "Our 66" introspective of the best albums of the past six years, it placed fifth. [24] Pitchfork Media ranked it as 2002's 31st-best record, rating it as having “more depth than its touted predecessor”. [25] It was greeted with great critical acclaim from not only niche magazines, but also from popular music reviewers, such as AllMusic. [7] In some ways, this release pushed Isis to the fore of their genre, and enabled them to branch out to new fans. [26] Beyond yearly accolades, it ranked fourth in Decibel's "Top 100 Albums of the Decade" special issue. [27] In 2017, Rolling Stone ranked it at #72 on their list of the "100 Greatest Metal Albums of All Time". [28]
Some fans and critics will point out that the album had a notable influence on the metal/post-rock scene in the years following. In 2004, Cult of Luna released Salvation ; taking a similar stylistic departure from previous LPs Cult of Luna and The Beyond as Oceanic took from preceding albums SGNL>05 and Celestial. The band itself cites Isis as an influence, and a review in Terrorizer posits that Oceanic covered "fairly similar aquatic terrain" as their release Salvation. [29]
The album was remixed in a series of four vinyl EPs, named Oceanic Remixes/Interpretations Volumes I-IV and released on Robotic Empire Records in 2004 and 2005. Contributors included Mike Patton, Venetian Snares and Justin Broadrick. These tracks, and an additional track by Tim Hecker, were compiled into a two-CD release on Hydra Head Records, entitled Oceanic: Remixes & Reinterpretations .
All tracks are written by Isis
No. | Title | Length |
---|---|---|
1. | "The Beginning and the End" | 8:02 |
2. | "The Other" | 7:15 |
3. | "False Light" | 7:42 |
4. | "Carry" | 6:46 |
5. | "-" | 2:06 |
6. | "Maritime" | 3:03 |
7. | "Weight" | 10:46 |
8. | "From Sinking" | 8:24 |
9. | "Hym" | 9:14 |
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This section needs to be updated.(August 2021) |
Date | Label | Region | Catalogue number | Format |
---|---|---|---|---|
September 16, 2002 | Ipecac Recordings | United States | IPC-032 | CD [31] |
October 17, 2002 | Escape Artist Records | United States | EA12.0 | 2×LP [32] |
October 2002 | Trust No One Recordings | Europe | TNO018 | 2×LP [33] |
September 13, 2002 | Ritual Records | Japan | HWCY-1109 | CD |
2007 | Level Plane Records | United States | LP105 | 2×LP |
January 22, 2010 | Daymare Recordings | Japan | DYMC114 | CD [34] |
Melvins are an American rock band formed in 1983 in Montesano, Washington. Their early work was key to the development of both grunge and sludge metal. Primarily a trio, they have also performed as a quartet, with either two drummers or two bassists. Since 1984, vocalist and guitarist Buzz Osborne and drummer Dale Crover have been constant members.
Tomahawk is an American rock supergroup. They formed in 1999 when singer/keyboardist Mike Patton met guitar player Duane Denison and the pair started swapping tapes with the intention of collaborating. Denison then recruited drummer John Stanier (Helmet), while Patton invited bass player Kevin Rutmanis (Melvins/ex-Cows). The group recorded three albums and toured extensively from 2000–2007 then went on extended hiatus, and reformed in 2013 with Trevor Dunn replacing Rutmanis.
Isis was an American post-metal band formed in Boston, Massachusetts in 1997 by guitarist and vocalist Aaron Turner, bassist Jeff Caxide, vocalist and electronic instrumentalist Chris Mereschuk and drummer Aaron Harris. After a demo and the EP Mosquito Control were recorded by the original lineup, Mereschuk was replaced by Jay Randall in 1999, who joined the group alongside guitarist Michael Gallagher. Jay Randall would later be replaced by guitarist and keyboardist Bryant Clifford Meyer after the recording of Red Sea. With roots in hardcore punk and doom metal, the band borrowed from and helped to evolve the post-metal sound pioneered by bands such as Neurosis and Godflesh, characterized by lengthy songs focusing on repetition and evolution of structure. Isis disbanded in June 2010, just before the release of a split EP with the Melvins, reforming only once in 2018 as Celestial for a one-off show to pay tribute to Caleb Scofield.
The Director's Cut is the second studio album by American musical supergroup Fantômas. The album is a collection of cover versions of themes from horror films and television series, performed in a variety of different musical styles. The album was released on July 9, 2001, through Ipecac Recordings, a record label co-owned by vocalist Mike Patton.
Ipecac Recordings is an American independent record label founded in 1999 by Greg Werckman and Mike Patton. The label was established to release Patton's band Fantômas' self-titled début, allowing retention of "all the creative control". Its creation also provided the Melvins – friends of Werckman and Patton's – with a label.
Tomahawk is the debut studio album by American experimental rock band Tomahawk. Recorded after a meeting between vocalist Mike Patton and guitarist Duane Denison, the album features members of Faith No More, The Jesus Lizard, Helmet and Melvins. The band toured with Tool in support of the record.
Panopticon is the third full-length album by Los Angeles, California based post-metal band ISIS, released by Ipecac Recordings in 2004. The album's title is derived from philosopher Jeremy Bentham's panopticon prison ideal and philosopher/historian Michel Foucault's later allegorical appropriation of the concept. The liner notes also include quotes from technology writer Howard Rheingold and futurist Alex Steffen; as a concept album, Panopticon's focus is on the proliferation of surveillance technologies throughout modern society and the government's role in that spread.
Celestial is the debut album by American post-metal band Isis, released in 2000 by Escape Artist and Hydra Head Records. It is their third "official" solo release and first full length.
Dälek is an American experimental hip hop group formed in Newark, New Jersey in 1998. The group's current lineup consists of MC dälek and Mike Manteca.
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are often but not always screamed or growled and resemble an additional instrument.
Somewhere Along the Highway is the fourth studio album by Swedish post-metal band Cult of Luna, released in 2006 by Earache Records. A concept album, it revolves around the motif of male loneliness. It was warmly received by critics and accordingly claimed several awards.
The Beyond is the second studio album by Swedish post-metal band Cult of Luna, released in 2003. The subject matter is dissent with authorities, similar in some ways to contemporaries Isis' Panopticon. This album sees the rawness of the self-titled debut channeled into a cleaner sounding and more crisply produced sound. The tempo is slowed and the feeling is of a more expansive, reflective album, which almost bridges the gap between Cult of Luna and Salvation, leaning more towards the former.
In the Absence of Truth is the fourth full-length studio album by American post-metal band ISIS, released by Ipecac Recordings on October 31, 2006. The vinyl release was handled by Conspiracy Records.
Aaron Turner is an American musician, singer, graphic artist, and founder of label Hydra Head Records. He is most widely known for his role as guitarist and vocalist for the post-metal bands SUMAC and Isis, while also participating in several other bands and projects such as Old Man Gloom, Lotus Eaters and Split Cranium, a collaboration with Jussi Lehtisalo of Finnish band Circle who toured with Isis in 2009.
Isis was an American post-metal band active from 1997 to 2010. They released five full-length albums, five extended plays (EPs), seven live albums, two singles, and have collaborated with artists on numerous other projects.
Jeff Caxide is an American bassist, best known for his time with post-metal band Isis, of which he was a founding member and present until its dissolution in 2010. He was also a founding member of Red Sparowes, but left after the release of their first full-length. He also contributed to side-project Spylacopa. Prior to his time in Isis, he was a touring member of the Boston metalcore band 454 Big Block. He also helped found Connecticut-based metalcore band Cable, for whom he played bass. His stay with the band as a musician was brief, but he did return in order to produce 1999's Gutter Queen.
Aaron Harris is an American musician and composer, best known for his career as the drummer for Los Angeles–based post-metal band Isis. He was with the band from its inception in 1997 to its dissolution in 2010. Since Isis' demise, Harris has become increasingly involved in his career as a composer and producer. His composing work has appeared in projects for A24, Warner Bros., Universal, Disney, Lionsgate, Netflix, NBC, Red Bull and Samsung, among others. As a producer Harris has also worked on records for Palms, Puscifer, Team Sleep, Pelican, Zozobra, Spotlights, Huey, Jakob, The Jezabels and more.
Bryant Clifford Meyer is a keyboardist, guitarist and vocalist, best known for his tenure with Los Angeles, California-based post-metal band Isis. He was with the band since its debut full-length, Celestial, in 2000. Previously, he was a formative member of Boston-based rock band The Gersch. He is also a member of post-rock side projects Red Sparowes, Windmills by the Ocean and a solo project named Taiga.
Wavering Radiant is the fifth and final full-length album by American post-metal group Isis, released by Ipecac Recordings in 2009 and produced by Joe Barresi. The band split just over a year after its release. The album continues Isis' history of lengthy songwriting, yet presents a slight departure from the soft-loud dynamics and post-metal aesthetic which characterized previous releases.
Palms is the first studio album by the alternative rock band Palms. It was released in 2013 in CD digipack, limited edition vinyl, limited edition cassette and digital download formats by Ipecac Records. The album was made available for streaming by Spin on June 18, 2013, one week before its release. Upon its release, Palms debuted at No. 55 on the Billboard 200 and received positive reviews. The album has been described as post-metal and alternative rock, much like singer Chino Moreno's main band, Deftones.
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