History
The palace was built for entrepreneur Ermengildo Castiglioni, who chose architect Giuseppe Sommaruga because of his anticonventional solutions. Castiglioni wanted the palace to reflect his wealth and grandeur; the choice of the Liberty style, a new and "trendy" style, for a building that would be located in the historic centre of Milan, was intended by Castiglioni and Sommaruga as a sort of challenge to the Milanese conservative élite. The most provocative element of the original design turned out to be a couple of nude female statues, by Ernesto Bazzaro, decorating the facade; these raised such turmoil that the local newspaper Guerin Meschino published a series of satyrical illustrations on them, and the Milanese population renamed the palace "Cà di ciapp" (in Milanese, "house of buttocks"). The statues, that were intended to represent "Peace" and "Industry", were eventually removed and are now used as decorations of another Milanese palace also by Sommaruga, the Villa Romeo Faccanoni on Via Michelangelo Buonarroti #48.
The furniture was destroyed by the US army that occupied it in 1945-46 and used it as wood for heating. Only decorations, facades, iron work and lamps were saved. The building was put under the protection of the Beaux Arts on March 5, 1957.
In 1967 the Castiglioni family sold the building to the Union of Commerce because of high costs of maintenance and a tax to finance the construction of the subway. Architect Eugenio Gerli and engineer Giorgio Keffer signed the project to transform it in an office building. They kept the entrance, the staircase, some large rooms on the first floor, the facades and the house on via Marina. The remaining part was emptied, an auditorium was built under the garden, a new building was built next to the house on via Marina. The Art Nuoveau expert Rossana Bossaglia opposed the project and asked to use the building as Art Nouveau Museum. The superintendent approved the project because the Trader's Union of menaced to let the building deteriorate. [1]
In the 150th anniversary of the birth and the 100th anniversary of the death of Arch. Sommaruga Confcomercio has organized a convention in the building on October 20, 2017, with an exhibit of pictures of the Castiglioni family and has opened it to free guided tours on October 21 and 22 ottobre from 10 am to 6 pm. [2]
Lodi is a city and comune (municipality) in Lombardy, northern Italy, primarily on the western bank of the River Adda. It is the capital of the province of Lodi.
Liberty style was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914. It was also sometimes known as stile floreale, arte nuova, or stile moderno. It took its name from Arthur Lasenby Liberty and the store he founded in 1874 in London, Liberty Department Store, which specialized in importing ornaments, textiles and art objects from Japan and the Far East. Major Italian designers using the style included Ernesto Basile, Ettore De Maria Bergler, Vittorio Ducrot, Carlo Bugatti, Raimondo D'Aronco, Eugenio Quarti, and Galileo Chini.
Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.
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Eugenio Gerli was an Italian architect and designer. In an intense working life spanning more than six decades, Eugenio Gerli explored many different areas of his profession. He built villas, apartment blocks, office blocks, factories, banks and stores, and also restored historic buildings. He often completed his works with custom-made interiors and furniture.This diverse range of projects inspired his industrial design and today many have become icons, like the S83 chair, the PS 142 armchair Clamis, the Jamaica cabinet and the Graphis System.
Palazzo Arese was a 16th century baroque palace and seat of a branch of the House of Arese in Milan, Italy. It was located adjacent to Casa Fontana Silvestri near the Porta Orientale. The palazzo was demolished in 1943 following damage sustained during the bombing of Milan in World War II.
Alessandro Mazzucotelli was an Italian craftsman, particularly known as a master ironworker and decorator. A specialist in wrought iron, Mazzucotelli linked his fame to the decorations of the works of the major exponents of Art Nouveau in Italy and abroad.
Art Nouveau in Milan indicates the spread of such artistic style in the city of Milan between the early years of the 20th century and the outbreak of the First World War. In the Lombard capital, art nouveau, called StileLiberty in Italian, found—thanks to its close relationship with the rampant industrial bourgeoisie of the time—a fertile ground for its rapid development, during which it oscillated between the influences of French Art Nouveau, German Jugendstil and eclecticism.
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Palazzo Cusani is a 17th-century palace in Milano, remodelled a first time between 1712 and 1719 and a second time between 1775 and 1779. Historically belonging to the sestiere of Porta Nuova, it is located at via Brera 13–15.
The Palazzo del Banco Mediceo or simply Banco Mediceo, was a palace in Milan, the Milanese seat of the Medici's financial exchange activities, known throughout Europe as the Medici Bank. It was one of the earliest examples of Lombard Renaissance architecture.
Although it has been characterized in recent centuries as an essentially industrial city, Busto Arsizio counts among its most valuable buildings the numerous monuments of an ecclesiastical nature, testifying to the deep religiosity of its people. Of particular note are the Sanctuary of Santa Maria di Piazza, the Basilica of St. John the Baptist, and the Church of San Michele Arcangelo.
Baroque in Milan refers to the dominant artistic style between the 17th century and the first half of the 18th century in the city. Due to the work of the Borromeo cardinals and its importance in the Italian domains, at first Spanish and then Austrian, Milan experienced a lively artistic season in which it assumed the role of the driving force behind Lombard Baroque.
Via XX Settembre is one of the main thoroughfares in the center of Genoa, Italy, located within the San Vincenzo district. It is slightly less than a kilometer long.
The Grand Hotel Campo dei Fiori is a hotel located on Monte Tre Croci, in Campo dei Fiori, Varese, Italy. It was designed by Giuseppe Sommaruga between 1908 and 1912. It is in the Art Nouveau style. It was closed in 1968. As of 2024, it is in a semi-abandoned state. It is opened three times a year by the FAI.
The architectural and artistic presence in Milan represents one of the attractions of the Lombard capital. Milan has been among the most important Italian centers in the history of architecture, has made important contributions to the development of art history, and has been the cradle of a number of modern art movements.
