Pictures at an Exhibition | ||||
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Live album by | ||||
Released | November 1971 | |||
Recorded | 26 March 1971 | |||
Venue | Newcastle City Hall, Newcastle | |||
Genre | ||||
Length | 38:00 | |||
Label | Island (UK) Cotillion (US) | |||
Producer | Greg Lake | |||
Emerson, Lake & Palmer chronology | ||||
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Emerson, Lake & Palmer live chronology | ||||
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Singles from Pictures at an Exhibition | ||||
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Pictures at an Exhibition is a live album by English progressive rock band Emerson,Lake &Palmer,released in November 1971 on Island Records. It features the group's rock adaptation of Pictures at an Exhibition ,the piano suite by Modest Mussorgsky,performed at Newcastle City Hall on 26 March 1971.
The band had performed the Mussorgsky piece since their live debut in August 1970,after keyboardist Keith Emerson had attended an orchestral performance of the piece several years before and pitched the idea to guitarist and frontman Greg Lake and drummer Carl Palmer,who agreed to adapt it while contributing sections to the arrangement. The album concludes with the concert's encore,"Nut Rocker",a rock adaptation of The Nutcracker originally arranged by Kim Fowley and recorded by B. Bumble and the Stingers in 1962.
Pictures at an Exhibition went to number 3 on the UK Albums Chart and number 10 on the US Billboard 200. In 2001,it was reissued as a remastered edition that included a studio version of the piece recorded in 1993.
In February 1971,Emerson,Lake &Palmer finished recording their second studio album Tarkus . They resumed touring in the following month,which began with a UK leg that included a show at Newcastle City Hall,Newcastle on 26 March. The tour's setlist included their rock arrangement of the classical suite Pictures at an Exhibition by Modest Mussorgsky,which had been performed since their live debut in August 1970. Keyboardist Keith Emerson had attended an orchestral performance of the suite several years before,and bought a copy of the score. He pitched the idea of performing the suite to singer/bassist/guitarist Greg Lake and drummer Carl Palmer,who agreed to adapt it. Both members contributed their own arrangements and additions to the suite.
The band had already recorded and filmed a live performance of the Mussorgsky suite at the Lyceum Theatre in London,on 9 December 1970,and planned a live album release around August 1971. However,their dissatisfaction with the picture,editing,and audio led to the decision to record another show. Palmer deemed the film "shocking" which lacked any contemporary filming technique,and said the absence of engineer Eddy Offord to control the sound contributed to its substandard quality. [2] The date at Newcastle City Hall was chosen for the new recording,and Palmer recalled the "amazing atmosphere" of the concert. [2] Emerson said the venue was chosen as the band were popular there,and hoped to use its pipe organ. He was granted permission,but had to promise the Musician's Union he would not stick knives on the console,which he had done since he was in The Nice. [3] The band paid for the recording costs themselves,with the aim of producing the best quality version. They arrived at Newcastle at 10am and underwent rehearsals and checks for several hours. [2] The Lyceum concert film had a limited theatrical release,which Palmer said was only due to the fact that a group friend was in charge and let them release it. [2]
The album was recorded using the mobile recording unit from Pye Records. The opening section,"Promenade",features Emerson playing a Harrison &Harrison pipe organ which was installed at the venue in 1928. The organ console is some way above stage level,at the top of a stepped terrace typically used for choral performances. Palmer's drum roll connecting "Promenade" to the following section was added to give Emerson time to return to his keyboards.
The band's arrangement of the suite uses only four of the ten parts in Mussorgsky's suite,along with the linking "Promenade" sections. The suite was performed live as one continuous piece,with new,group-written sections linking Mussorgsky's original themes.
Note that Mussorgsky's original compositions are listed in bold:
The cover was designed and painted by William Neal,who produced every canvas. Palmer bought one of them after he had completed it. [2] The album was packaged in a gatefold sleeve,the outside of which depicts blank picture frames labelled with the titles of the pictures:"The Old Castle","The Gnome",etc. The paintings were large oil paintings containing various images related to the band,like the Tarkus background in "The Hut" and the white dove embossed into the titanium white oil paint in "Promenade" (visible only on the original painting),resembling the cover of the band's debut album. On the inner gatefold all of the paintings were revealed,but "Promenade" remains blank;this section of the suite is not about a picture,but represents a walk through the exhibition. Some later pressings on CD use only the "revealed" version.
Neal's paintings were later hung at Hammersmith Town Hall,and photographed by Keith Morris and Nigel Marlow,both former graduates from Guildford School of Art. [4]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Christgau's Record Guide | D+ [6] |
Rolling Stone | (unfavorable) [7] |
The Daily Vault | B+ [8] |
Sound &Vision | [9] |
Sea of Tranquility | [10] |
After the album was recorded Lake was wary that its classical content would make the public compare Emerson,Lake &Palmer to The Nice,and argued against its release before Tarkus. [11] As a compromise Pictures at an Exhibition was to be released at a budget price,but upon learning this Atlantic Records vetoed the idea. The label could not decide whether to promote it as a rock or classical record and at one point,considered putting it out on an associated label,Nonesuch Records,that handled classical releases. [12] [11] Fearing that this would lead to poor sales,the band decided to shelve the work. Palmer said the group received letters from fans expressing their anger at the delay. [2] After the album was broadcast in its entirety on WNEW-FM in New York City,the public's demand for the album convinced Atlantic to release it at full price. [11] The band had hoped to release it in the UK for 99p,but it was released at £1.49. [2] Originally,the group had thought of releasing Pictures at an Exhibition as a double album,with the suite on disc one and the material they had recorded for Trilogy (1972) on disc two,but they thought the public had waited long enough for Pictures to be released and wanted to put it out sooner. [2]
The album was released in November 1971 and reached number 3 on the UK Albums Chart. Budget-priced albums were eligible for inclusion at the time of release,but a change in chart regulations in early 1972 excluded them,which meant that the album disappeared from the chart after just five weeks. In the US,the album peaked at number 10 on the Billboard 200 chart.
Critical reception to the album was generally favorable in the UK (where ELP won the Melody Maker poll for best group that year) but quite harsh in America,where a new contingent of rock critics was beginning to rail against the excesses of progressive rock. Robert Christgau gave the album a D+ and Lester Bangs,writing for Rolling Stone,brutally mocked the attempt at recording a classical suite. The album was a great success with fans,however,and a shortened version of "Pictures" continued to be used as a live encore through the remainder of the band's career. The album continues to evoke a highly divided reaction among critics,with some hailing it as a peak of the progressive rock genre while others continue to bewail it as its nadir.
The album was included in the book 1001 Albums You Must Hear Before You Die . [13]
The album was reissued in 2001 with a new master and a bonus studio version of the suite recorded in 1993 that was released The Return of the Manticore (1993) box set and some pressings of In the Hot Seat (1994). A new remaster was issued in a 2005 Deluxe Edition included the live performance of the suite from the 1970 Isle of Wight Festival. The album was remastered once more in 2016,containing live bonus tracks from the 1972 Mar y Sol Festival (actually only the track "Pictures at an Exhibition (Medley)") and the December 9,1970 Lyceum Theatre concert (almost the complete show).
All music by Modest Mussorgsky,except where noted. All lyrics by Greg Lake and Richard Fraser.
No. | Title | Writer(s) | Length |
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1. | "Promenade" | Modest Mussorgsky, arr. Keith Emerson | 1:58 |
2. | "The Gnome" | Mussorgsky, arr. Carl Palmer | 4:18 |
3. | "Promenade" | Mussorgsky, arr. Emerson, Greg Lake / lyrics: Lake | 1:23 |
4. | "The Sage" | Lake | 4:42 |
5. | "The Old Castle" | Mussorgsky, arr. Emerson | 2:33 |
6. | "Blues Variation" | Emerson, Lake, Palmer | 4:22 |
No. | Title | Writer(s) | Length |
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7. | "Promenade" | Mussorgsky, arr. Emerson | 1:29 |
8. | "The Hut of Baba Yaga" | Mussorgsky, arr. Emerson | 1:12 |
9. | "The Curse of Baba Yaga" | Emerson, Lake, Palmer | 4:10 |
10. | "The Hut of Baba Yaga" | Mussorgsky, arr. Emerson | 1:06 |
11. | "The Great Gates of Kiev" | Mussorgsky, arr. Emerson / lyrics: Lake | 6:37 |
12. | "Nut Rocker" | Pyotr Tchaikovsky, Kim Fowley, arr. Emerson, Lake, Palmer | 4:26 |
Emerson, Lake & Palmer
Production
Chart (1971) | Peak position |
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Australian Albums (Kent Music Report) [14] | 19 |
Canada Top Albums/CDs ( RPM ) [15] | 3 |
Dutch Albums (Album Top 100) [16] | 6 |
Finnish Albums (The Official Finnish Charts) [17] | 8 |
German Albums (Offizielle Top 100) [18] | 9 |
Italian Albums ( Musica e Dischi ) [19] | 5 |
Japanese Albums (Oricon) [20] | 2 |
Norwegian Albums (VG-lista) [21] | 18 |
UK Albums (OCC) [22] | 3 |
US Billboard 200 [23] | 10 |
Chart (2016) | Peak position |
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UK Independent Albums (OCC) [24] | 32 |
UK Rock & Metal Albums (OCC) [25] | 22 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [26] | Silver | 60,000^ |
United States (RIAA) [27] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Emerson, Lake & Palmer were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of The Nice, Greg Lake of King Crimson, and Carl Palmer of Atomic Rooster. With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano.
Keith Noel Emerson was an English keyboardist, songwriter, composer and record producer. He played keyboards in a number of bands before finding his first commercial success with the Nice in the late 1960s. He became internationally famous for his work with the Nice, which included writing rock arrangements of classical music. After leaving the Nice in 1970, he was a founding member of Emerson, Lake & Palmer (ELP), one of the early progressive rock supergroups.
Pictures at an Exhibition is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky. It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year. Each movement of the suite is based on an individual work, some of which are lost.
Live at the Isle of Wight Festival 1970 is an album by British progressive rock band Emerson, Lake & Palmer, recorded at the Isle of Wight Festival in 1970 and released on CD in 1997. At this concert ELP played "Pictures at an Exhibition".
Tarkus is the second studio album by English progressive rock band Emerson, Lake & Palmer, released on 14 June 1971 on Island Records. Following their debut tour across Europe during the second half of 1970, the group paused touring commitments in January 1971 to record a new album at Advision Studios in London. Greg Lake produced the album with Eddy Offord as engineer.
Brain Salad Surgery is the fourth studio album by English progressive rock band Emerson, Lake & Palmer, released on 7 December 1973 by their new record label, Manticore Records, and distributed by Atlantic Records.
Trilogy is the third studio album by English progressive rock supergroup Emerson, Lake & Palmer, released in June 1972, by Island Records. The group had spent most of 1971 touring, and paused in September so they could record a new album at Advision Studios with Eddy Offord resuming his role as engineer. It would be his last with the group, as he later elected to work full-time with Yes. The album features "Hoedown", an arrangement of Aaron Copland's ballet composition which became a live favourite.
Manticore Records is a record label launched by the Manticore production company in 1973. These companies were owned by the members of the progressive rock group Emerson, Lake & Palmer and their manager, Stewart Young. The manticore was first featured in the artwork for the second ELP album Tarkus, as one of the eponymous creature's adversaries. Manticore was initially the name given to ELP's music publishers, credits first appearing in the credits on Trilogy, released on Island in 1972.
Welcome Back, My Friends, to the Show That Never Ends – Ladies and Gentlemen is the second live album by the English progressive rock band Emerson, Lake & Palmer, released as a triple album in August 1974 on Manticore Records. It was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California, during the group's 1973–74 world tour in support of their fourth studio album, Brain Salad Surgery (1973).
Emerson, Lake & Palmer is the debut studio album by English progressive rock band Emerson, Lake & Palmer. It was released in the United Kingdom by Island Records in November 1970, and in the United States by Cotillion Records in January 1971. After the group formed in the spring of 1970, they entered rehearsals and prepared material for an album which became a mix of original songs and rock arrangements of classical music. The album was recorded at Advision Studios in July 1970, when the band had yet to perform live. Lead vocalist and bassist/guitarist Greg Lake produced it.
"Tarkus" is the title track of Emerson, Lake & Palmer's second album. The progressive rock epic lasts 20:35. It was the longest studio suite by the band until the three impressions of "Karn Evil 9". The name "Tarkus" refers to the armadillo-tank from the William Neal paintings on the album cover. The artist has explained that the name is an amalgamation between 'Tartarus' and 'carcass'. Consequently, the name refers to the "futility of war, a man made mess with symbols of mutated destruction." The song "Tarkus" supposedly follows the adventures of Tarkus from his birth, through a fight with a manticore, which he loses and concludes with an aquatic version of Tarkus named "Aquatarkus". Keith Emerson, when asked what work he is proudest of, named his "Piano Concerto" and "Tarkus".
Live at the Royal Albert Hall is a live album by Emerson, Lake & Palmer. It was recorded at two concerts at the Royal Albert Hall during the Black Moon tour in early October 1992.
Emerson, Lake & Powell, sometimes abbreviated as ELP, were an English progressive rock band, considered by many as a variant lineup of Emerson, Lake & Palmer, that released one official studio album in 1986. The album's debut single was "Touch and Go," which peaked at number 60 on the Billboard charts on 19 July 1986.
Then and Now is a live album by British progressive rock band Emerson, Lake & Palmer, released in 1998.
Live in Poland is a live album by the progressive rock group Emerson, Lake & Palmer. It features a performance in Katowice, Poland, during June 1997. The performance was originally released exclusively in Poland in 1997, with a different cover, by Polish music company Metal Mind Productions. It would be released internationally for the first time at Austria in 2001, and for the rest of the world during April 2003.
Richard Fraser was a lyricist for the British progressive rock band Emerson, Lake & Palmer (ELP).
From the Beginning is a box set which presents aural and visual documentation celebrating Emerson, Lake & Palmer's career; consisting of five discs that include a number of single b-sides, significant live recordings, alternative studio mixes and material taken from band rehearsals, plus a bonus DVD featuring 'The Manticore Years' documentary, presented in a deluxe book-style sleeve complete with a 60-page picture booklet containing extensive sleeve notes by the band discussing the ELP years. It also contains rare and previously unseen photographs and images.
The discography of Emerson, Lake & Palmer, an English progressive rock band, includes 9 studio albums, 24 live albums, 12 compilation albums and 17 singles.
High Voltage is a double live album by British progressive rock band Emerson, Lake & Palmer, released in 2010.
Live at the Mar y Sol Festival '72 is a live album by British progressive rock band Emerson, Lake & Palmer, released in 2011. It was recorded on 2 April 1972 at the Mar y Sol Pop Festival in Puerto Rico.