Praise, My Soul, the King of Heaven

Last updated
Praise, My Soul, the King of Heaven
Henry Francis Lyte.jpg
Henry Francis Lyte
Genre Hymn
Written1834
Text Henry Francis Lyte
Based on Psalm103
Meter8.7.8.7.8.7
Melody"Lauda Anima" by John Goss, "Regent Square" by Henry T. Smart
John Goss John-Goss-portrait.jpg
John Goss

Praise, My Soul, the King of Heaven is a Christian hymn.

Contents

Its text, which draws from Psalm 103, was written by Anglican divine (clergyman) Henry Francis Lyte. [1] First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations. [2]

History

The text of the hymn was first published in Lyte’s The Spirit of the Psalms (1834), [2] a publication intended for the use of his own congregation in southern England. [1] It appeared in multiple influential publications, such as Hymns Ancient and Modern (1861) and the English Hymnal (1906). [3] It remains extremely popular and John Richard Watson notes that "it is hard to find a major hymnbook that does not include it". [2]

The hymn is frequently sung in the United Kingdom and was used in the 1947 royal wedding of Princess Elizabeth, now Queen Elizabeth II, and Prince Philip, Duke of Edinburgh. [1] It was also used as the opening hymn at the 2018 funeral of former U.S. President George H. W. Bush. [4]

Text

The text is a free paraphrase of Psalm 103. While, in the mid-nineteenth century, hymn writers usually kept their metrical settings of psalm texts as close as possible to the original, Henry F. Lyte instead decided to maintain the spirit of the words while freely paraphrasing them. The result speaks, in an imaginative fashion, with "beautiful imagery and thoughtful prose", of themes such as the Love of God, healing and forgiveness [1] , including the repeated exclamations "Praise Him!", [3] in what is a spectacular rhetorical statement of praise. [2]

In modern versions, Lyte's text has been frequently altered. One common variant, which originates in the 1861 Hymns Ancient and Modern collection, is replacing the line "Praise Him! Praise Him!" with "Alleluia!". The original fourth stanza, corresponding with verses 15-17 of the Psalm, was marked for optional omission in the original printing and many modern hymnals therefore do not include it. [2] The text of the omitted stanza shares a "valedictory but hopeful tone" with the other well known hymn by Lyte, Abide with me. [5]

Other more modern changes, including more gender-neutral language, [lower-alpha 1] are relatively minor. [2] An alternate text, written as part of the 1980s and 1990s attempts to reduce the omnipresence of masculine metaphors for God and published as a variant in the Presbyterian Hymnal, begins "Praise my soul, the God of heaven". [6]

Praise, my soul, the King of Heaven;
To His feet thy tribute bring.
Ransomed, healed, restored, forgiven,
Who like thee His praise should sing
Praise Him ! Praise Him! [lower-alpha 2]
Praise the everlasting King.

Praise Him for His grace and favour
To our fathers in distress.
Praise Him still the same for ever,
Slow to chide, and swift to bless
Praise Him ! Praise Him!
Glorious in His faithfulness.

Father-like He tends and spares us;
Well our feeble frame He knows.
In His hands He gently bears us,
Rescues us from all our foes.
Praise Him ! Praise Him !
Widely as His mercy flows.

Angels, help us to adore Him
Ye behold Him face to face;
Sun and moon, bow down before Him,
Dwellers all in time and space.
Praise Him ! Praise Him !
Praise with us the God of grace.

Tune

The hymn is most commonly sung to the tune "Lauda Anima" ("Praise, my soul"), written as a setting for Lyte's words by John Goss in 1868, [3] and first published in Robert Brown-Borthwick’s Supplemental Hymn and Tune Book (Third Edition, 1869). [2] This was an instant success, a report in the 1869 Musical Times stating that "it is at once the most beautiful and dignified hymn tune which has lately come under our notice". Paul Westermeyer notes that it has "been praised as one of the finest" hymn tunes from the Victorian period and remains much a favourite of congregations. [2] The original setting by Goss is in D major. The first stanza is marked to be sung unison with harmonies from the organ. The second is in four-part harmony (transcribed below), while the remaining stanzas are again in unison. [7] A version in F-sharp minor was also composed for the original fourth stanza (now regularly omitted) in November 1868. [2] [lower-alpha 3]

Praise, My Soul, the King of Heaven

An alternative is "Regent Square", originally written by Henry Smart for "Glory be to God the Father" by Horatius Bonar. [3] [2]

Notes

  1. Such as in stanza two, where "To our fathers" is sometimes replaced with "To our forbears" or other variants.
  2. This line is repeated when sung
  3. An example of this rare appearance is in the 1971 Canadian Hymn Book.

Related Research Articles

Hymn type of song specifically written for the purpose of adoration or prayer

A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.

A doxology is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, where some version of the Kaddish serves to terminate each section of the service.

<i>Love Divine, All Loves Excelling</i> Christian hymn by Charles Welsey

Love Divine, All Loves Excelling is a Christian hymn by Charles Wesley with a theme of "Christian perfection." Judging by general repute, it is among Wesley's finest: "justly famous and beloved, better known than almost any other hymn of Charles Wesley." Judging by its distribution, it is also among his most successful: by the end of the 19th century, it is found in 15 of the 17 hymn books consulted by the authors of Lyric Studies. On a larger scale, it is found almost universally in general collections of the past century, including not only Methodist and Anglican hymn books and commercial and ecumenical collections, but also hymnals published by Reformed, Presbyterian, Baptist, Brethren, Seventh-day Adventist, Lutheran, Congregationalist, Pentecostal, and Roman Catholic traditions, among others including the Churches of Christ. Specifically, it appears in 1,328 of the North American hymnals indexed by the online Dictionary of North American Hymnology, comparable to Newton's "Amazing Grace" (1,036), Wesley's "O for a Thousand Tongues" (1,249), and Watts' "When I Survey the Wondrous Cross" (1,483), though still well short of Toplady's "Rock of Ages" (2,139) or Wesley's own "Jesu, Lover of my Soul" (2,164).

A Mighty Fortress Is Our God Hymn by Martin Luther

"A Mighty Fortress Is Our God" is one of the best known hymns by the reformer Martin Luther, a prolific hymnodist. Luther wrote the words and composed the melody sometime between 1527 and 1529. It has been translated into English at least seventy times and also into many other languages. The words are a paraphrase of Psalm 46.

"Old 100th" or "Old Hundredth" is a hymn tune in Long Metre from Pseaumes Octante Trois de David (1551) and is one of the best known melodies in all Christian musical traditions. The tune is usually attributed to the French composer Louis Bourgeois.

O for a Thousand Tongues to Sing Christian hymn written by Charles Wesley

"O for a Thousand Tongues to Sing" is a Christian hymn written by Charles Wesley. Charles Wesley wrote over 6,000 hymns, many of which were subsequently reprinted, frequently with alterations, in hymnals, particularly those of Methodist churches.

"The Spirit of God Like a Fire Is Burning" is a hymn of the Latter Day Saint movement. It was written by W. W. Phelps, one of the most prolific hymnwriters of early Mormonism.

Psalm 103 psalm

Psalm 103 is the 103rd psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "Bless the LORD, O my soul". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Greek Septuagint version of the bible, and in its Latin translation in the Vulgate, this psalm is Psalm 102 in a slightly different numbering system. In Latin, it is known as "Benedic anima mea Domino". The psalm is a hymn psalm.

Eternal Father, Strong to Save song

"Eternal Father, Strong to Save" is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. Written in 1860, its author William Whiting was inspired by the dangers of the sea described in Psalm 107. It was popularised by the Royal Navy and the United States Navy in the late 19th century, and variations of it were soon adopted by many branches of the armed services in the United Kingdom and the United States. Services who have adapted the hymn include the Royal Marines, Royal Air Force, the British Army, the United States Coast Guard and the United States Marine Corps, as well as the navies of many Commonwealth realms. Accordingly, it is known by many names, variously referred to as the Hymn of Her Majesty's Armed Forces, the Royal Navy Hymn, the United States Navy Hymn, and sometimes by the last line of its first verse, "For Those in Peril on the Sea". The hymn has a long tradition in civilian maritime contexts as well, being regularly invoked by ship's chaplains and sung during services on ocean crossings.

Johann Sebastian Bach composed the church cantata Wär Gott nicht mit uns diese Zeit, BWV 14, in Leipzig in 1735 for the fourth Sunday after Epiphany and first performed it on 30 January 1735, a few weeks after his Christmas Oratorio. The cantata, in Bach's chorale cantata format, is based on Martin Luther's hymn "Wär Gott nicht mit uns diese Zeit". Its text paraphrases Psalm 124, focussing on the thought that the believers' life depends on God's help and is lost without it.

"For the Beauty of the Earth" is a Christian hymn by Folliott S. Pierpoint (1835-1917).

Holy, Holy, Holy! Lord God Almighty Christian hymn written by Reginald Heber

"Holy, Holy, Holy! Lord God Almighty!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826).

Hymn tune musical setting of a Christian hymn; the melody of a musical composition to which a hymn text is sung

A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part harmony, a fast harmonic rhythm, and no refrain or chorus.

Our God, Our Help in Ages Past Christian hymn

"Our God, Our Help in Ages Past" is a hymn by Isaac Watts in 1708 that paraphrases the 90th Psalm of the Book of Psalms. It originally consisted of nine stanzas; however, in present usage the fourth, sixth, and eighth stanzas are commonly omitted to leave a total of six. In 1738, John Wesley in his hymnal, Psalms and Hymns, changed the first line of the text from "Our God" to "O God." Both Watts' wording and Wesley's rewording remain in current use.

Praise to the Lord, the Almighty 1680 Christian sacred song

"Praise to the Lord, the Almighty" is a hymn based on Joachim Neander's German hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. John Julian in his A Dictionary of Hymnology calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first rank in its class."

This Is My Fathers World song

"This is My Father's World" is a well-known Christian hymn written by Maltbie Davenport Babcock, a minister from New York, and published posthumously in 1901.

Wo Gott der Herr nicht bei uns hält song with lyrics by Justus Jonas

"Wo Gott der Herr nicht bei uns hält" is a Lutheran hymn by Justus Jonas, a paraphrase of Psalm 124 in eight stanzas. It was first published in 1524 in the Erfurt Enchiridion. The theme of the psalm is the need of help against raging enemies. It has been translated also as "Where the Lord God does not stand (stay) with us", "If God the Lord is not with us", "If God the Lord is not on our side", among others.

Du meine Seele singe song

"Du meine Seele singe" is a hymn in German by Paul Gerhardt, a paraphrase of Psalm 146. Johann Georg Ebeling wrote the well-known melody in 1666. The song in 10 stanzas was first published in 1667 in the collection Pauli GerhardiGeistliche-Andachten of songs by Gerhardt. It is No. 302 in the current Protestant hymnal Evangelisches Gesangbuch.

Allein Gott in der Höh sei Ehr sacred Song composed by Nikolaus Decius with lyrics by Nikolaus Decius

"Allein Gott in der Höh sei Ehr" is an early Lutheran hymn, with text and melody attributed to Nikolaus Decius. It was intended as a German version of the Gloria part of the Latin mass. Decius wrote three stanzas, probably in 1523, while a fourth was added probably by Joachim Slüter.

In dich hab ich gehoffet, Herr German Lutheran hymn, paraphrasing Psalm 31

"In dich hab ich gehoffet, Herr" is a Lutheran hymn in seven stanzas, written by Adam Reusner and first published in 1533. He paraphrased the beginning of Psalm 31. It was first sung to the melody of a Passion hymn. The melody connected with the hymn in 1560 was derived from models dating back to the 14th century. A third melody from 1608 became a hymn tune for several other songs and translations to English. In the German Protestant hymnal Evangelisches Gesangbuch, the hymn appears as EG 257 with the second melody. Johann Sebastian Bach used the second and third melodies in chorale preludes, and the third also in cantatas and the St Matthew Passion.

References

  1. 1 2 3 4 Randy Petersen (2014). Be Still, My Soul The Inspiring Stories Behind 175 of the Most-loved Hymns. Tyndale House Publishers. p. 267. ISBN   978-1-4143-7972-2.
  2. 1 2 3 4 5 6 7 8 9 10 Watson, John Richard. "Praise, my soul, the King of heaven". The Canterbury Dictionary of Hymnology. Canterbury Press. Retrieved 21 May 2020.
  3. 1 2 3 4 "Praise, My Soul, the King of Heaven". Hymnary.org.
  4. Cole, Devan (5 December 2018). "George H.W. Bush's full funeral program". CNN.com. Retrieved 5 December 2018.
  5. "Praise, my soul, the King of heaven (StF 83)". www.methodist.org.uk.
  6. Music, David W. (2001). Christian Hymnody in Twentieth-century Britain and America: An Annotated Bibliography. Greenwood Publishing Group. p. 20. ISBN   978-0-313-30903-8.
  7. Forster, Michael; Sayers, Susan, eds. (2000). Complete Anglican Hymns Old and New‎page. Stowmarket, Suffolk: Kevin Mayhew Ltd. p. 936-939.