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References
- ↑ Kothiyal, Tanuja (2016-03-14). Nomadic Narratives: A History of Mobility and Identity in the Great Indian Desert. Cambridge University Press. ISBN 978-1-316-67389-8.
Another client caste of the Charans were the Bhands, who sang and danced for the Charans on festive occasions. Their particular form of dance is still popular and called rammat.
- 1 2 3 4 Mathur, Madan Mohan (2006). Kuchamaṇi Khyal: An Endangered Folk Theatre Style of Rajasthan. Madan Mohan Mathur.
Rawals are the caste genealogists of the Charans . They claim to have been converted from the Brahmins in about 1195 A.D.
- ↑ Qanungo, Kalika Ranjan; Kānūnago, Kālikā Rañjana (1960). Studies in Rajput History. S. Chand.
There are seven categories of persons and communities, who in their turn have a hereditary claim on the Charan's bounty, and are not allowed to beg of any other community. Besides their kula-guru family of Brahmans living in Ujjain till today, and the purohit (family priest), these are: the Rao Bhat of Chandisa sept of Marwar (who are the Bhats of the Charans as of the Rathors of Marwar); the Rawal Brahmans, the Goind-pota and the Viram-pota (Bhats singing with dhol?) and the Motisar community
- 1 2 3 Rajasthan, India Superintendent of Census Operations; Mathur, U. B. (1969). Ethnographic Atlas of Rajasthan: With Reference to Scheduled Castes & Scheduled Tribes. Manager of Publications.
- ↑ Vidyarthi, Lalita Prasad; Sahay, B. N. (1980). Applied Anthropology and Development in India. National.
The Rawals provide entertainment particularly for the people of Charan caste by arranging night long shows.
- 1 2 Bhanawat, Mahendra (1979). Overview of the folk theatre of Rajasthan. Sangeet Natak Akademi, New Delhi.
- ↑ Sangeet Natak. Sangeet Natak Akademi. 1979. p. 26.
- ↑ Jansen, Jan; Maier, Hendrik M. J. (2004). Epic Adventures: Heroic Narrative in the Oral Performance Traditions of Four Continents. LIT Verlag Münster. ISBN 978-3-8258-6758-4.