Rebel Yell | ||||
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Studio album by | ||||
Released | 10 November 1983 (US) 9 January 1984 (UK) | |||
Recorded | 1983 | |||
Studio |
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Genre | ||||
Length | 38:10 | |||
Label | Chrysalis | |||
Producer | Keith Forsey | |||
Billy Idol chronology | ||||
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Singles from Rebel Yell | ||||
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Rebel Yell is the second studio album by the English rock singer Billy Idol, released on 10 November 1983 by Chrysalis Records. After the release of his 1982 eponymous debut studio album, Idol continued his collaboration with producer Keith Forsey and multi-instrumentalist Steve Stevens. The album was recorded at Electric Lady Studios in New York. Initially recording without a drummer, utilizing only the LinnDrum and Roland TR-808 drum machines, [4] Forsey and Stevens later decided to hire Thommy Price to play drums on some of the songs. [5] Musically, Rebel Yell is a new wave album with hard rock and other influences. The cover sleeve and images were shot by Brian Griffin. Idol got the idea of the album's title after attending a party with the Rolling Stones and drinking Rebel Yell bourbon whiskey.
Rebel Yell reunited the hit-making team of Idol, Steve Stevens, and Keith Forsey after their success with Idol's solo debut, Billy Idol (1982). Idol got the idea to name the album "Rebel Yell" after attending a party with the Rolling Stones. He explained on VH1 Storytellers that people were drinking Rebel Yell bourbon whiskey and he thought that would be a great title for an album. [6] The title track was recorded in only three days at Electric Lady Studios in New York City. [5]
Working with Forsey were guitarist Steve Stevens, bassist Phil Feit and later Steve Webster, drummer Gregg Gerson, and keyboardists Judi Dozier and Jack Waldman. Drummer Thommy Price was brought in towards the end of the recording sessions. [7]
When Rebel Yell was in production, Idol had a disagreement with his record company over the image that would be used on the album cover: he saw it as flawed, but the company refused to change it. In response, Idol decided to steal the master tapes for the album and give them to his drug dealer so that he could blackmail the company, saying, "This guy I've given them to, he'll have them out on the street bootlegged in a couple of days if you don't change this picture." [8] Forsey later recounted that Idol had actually taken the wrong tapes: "I let him think he had the masters ... He did whatever he had to do with the label. Everything was squared away, and then he came back and I said, 'By the way, Bill, I've got the real masters.'" [5]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Classic Rock | 9/10 [2] |
Number One | 3/5 [9] |
The Philadelphia Inquirer | ![]() ![]() ![]() ![]() ![]() |
Record Collector | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Smash Hits | 8/10 [14] |
Spin Alternative Record Guide | 9/10 [15] |
The Village Voice | C [16] |
Rebel Yell was released to commercial success. In the United States, the album peaked at number six on the Billboard 200, and it also peaked in the top ten in other countries, including Canada, Germany, and New Zealand. The Recording Industry Association of America (RIAA) certified it double platinum for shipments of two million copies across the United States. Four singles – "Rebel Yell", "Eyes Without a Face", "Flesh for Fantasy", and "Catch My Fall" – were released from the album. The accompanying music videos for all singles received heavy airplay on television channel MTV. Idol's longtime girlfriend Perri Lister can be seen in the front row during the video for "Rebel Yell".
Upon its release, Rebel Yell received positive reviews from critics. Parke Puterbaugh of Rolling Stone called it "a ferocious record, sharp as a saber, hard as diamond, as beautiful and seductive as the darker side of life with which it flirts", and ultimately "an intelligent assault upon the senses" at a time "when too much of what comes over the airwaves is all sweetness and light, or mere undifferentiated head-banging". [12] In Smash Hits , Kimberley Leston praised Idol and Stevens for "stirring together rock, disco and punk elements without forgetting the importance of a good tune." [14] Robert Christgau, however, suggested in The Village Voice that music videos "have been the making of this born poser's career and the unmaking of his music", quipping, "if you've got no taste for the sound of the sneer, the visuals definitely aren't fantasy enough." [16]
In the 2004 Rolling Stone Album Guide , Rob Sheffield highlighted the wide-ranging music on Rebel Yell, calling it "a brilliant combination of punk, disco, synth pop, glam rock, metal, and mud wrestling". [13] AllMusic editor Stephen Thomas Erlewine concluded, "Each stylistic turn is distinguished by Idol's gusto. He's unafraid to be gloriously, shameless tacky, a quality that separated him from his new wave peers then and continues to give Rebel Yell a trashy kick years after its release." [1] Writing for Record Collector , Simon Price deemed it "essentially a dance record", crediting Forsey with taking influence from krautrock and disco "to machine-tool Billy Idol's music into an irresistibly metronomic force". [11] Classic Rock 's Dom Lawson lauded Rebel Yell as "an 80s hard rock pinnacle" which marked Idol's "transformation into the ultimate MTV-generation rock star". [2]
In 1999, EMI Music reissued Rebel Yell as part of their "Expanded" series. The new version of the album included previously unreleased bonus tracks and expanded liner notes. In 2010, audiophile label Audio Fidelity reissued a 24-karat CD remastered in HDCD by Steve Hoffman.
All tracks are written by Billy Idol and Steve Stevens, except where noted
No. | Title | Length |
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1. | "Rebel Yell" | 4:45 |
2. | "Daytime Drama" | 4:02 |
3. | "Eyes Without a Face" | 4:58 |
4. | "Blue Highway" | 5:05 |
Total length: | 18:50 |
No. | Title | Writer(s) | Length |
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1. | "Flesh for Fantasy" | 4:37 | |
2. | "Catch My Fall" | Idol | 3:42 |
3. | "Crank Call" | 3:56 | |
4. | "(Do Not) Stand in the Shadows" | 3:10 | |
5. | "The Dead Next Door" | 3:45 | |
Total length: | 19:10 |
No. | Title | Writer(s) | Length |
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10. | "Rebel Yell" (Session Take) | 5:27 | |
11. | "Motorbikin'" (Session Take) | Christopher Spedding | 4:16 |
12. | "Catch My Fall" (Original Demo) | 4:11 | |
13. | "Flesh for Fantasy" (Session Take) | 5:09 | |
14. | "Blue Highway" (Original Demo) | 5:00 |
Musicians
Technical
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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Brazil (Pro-Música Brasil) [32] Expanded Edition | Platinum | 250,000‡ |
Canada (Music Canada) [33] | 5× Platinum | 500,000^ |
Germany (BVMI) [34] | Gold | 250,000^ |
New Zealand (RMNZ) [35] | Platinum | 15,000^ |
United Kingdom (BPI) [36] | Silver | 60,000^ |
United States (RIAA) [37] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
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"Rebel Yell" is a song by English rock musician Billy Idol. It is the title track of his second album Rebel Yell (1983), and was released as the album's lead single in January 1984 by Chrysalis Records. Initially, it only reached No. 62 in the UK and No. 46 in the US upon its release. However, a 1985 re-issue proved to be a big hit, peaking at no. 6 in the UK. The song received wide critical acclaim and in 2009 was named the 79th best hard rock song of all time by VH1 based on a public vote.
Keith Forsey is an English pop musician and record producer.
William Michael Albert Broad, known professionally as Billy Idol, is an English punk singer, songwriter, musician and actor. He achieved fame in the 1970s emerging from the London punk rock scene as the lead singer of the group Generation X. Subsequently, he embarked on a solo career which led to international recognition and made Idol a lead artist during the MTV-driven "Second British Invasion" in the US.
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