Red Dawn

Last updated

Red Dawn
Red dawn.jpg
Original theatrical release poster by John Alvin
Directed by John Milius
Screenplay by
Story byKevin Reynolds
Produced by
Starring
Cinematography Ric Waite
Edited by Thom Noble
Music by Basil Poledouris
Production
companies
Distributed by MGM/UA Entertainment Company
Release date
  • August 10, 1984 (1984-08-10)
Running time
114 minutes [1]
CountryUnited States
Languages
  • English
  • Spanish
  • Russian
Budget$17 million [2]
Box office$38 million [1]

Red Dawn is a 1984 American action drama film directed by John Milius with a screenplay by Milius and Kevin Reynolds. The film depicts a fictional World War III centering on a military invasion of the United States by an alliance of Soviet, Warsaw Pact, and Communist Latin American states. The story follows a group of teenage guerrillas, known as the Wolverines, in Soviet-occupied Colorado. The film stars Patrick Swayze, Charlie Sheen, C. Thomas Howell, Lea Thompson and Jennifer Grey, with supporting roles played by Ben Johnson, Darren Dalton, Harry Dean Stanton, Ron O'Neal, William Smith and Powers Boothe.

Contents

Despite mixed reviews from critics, the film became a commercial success, grossing $38 million against a budget of $17 million. It was the first film to be released in the U.S. with a PG-13 rating under the modified rating system introduced on July 1, 1984. [3] A remake was released in 2012.

Plot

In the 1980s, the United States becomes increasingly isolated after a green political party gains power in West Germany and successfully persuades Western Europe to remove its nuclear weapons. Subsequently, NATO dissolves. Meanwhile, the Soviet Union is devastated by a failed wheat harvest and invades Poland to suppress food and labor riots. Soviet allies Cuba and Nicaragua build up their military strength while El Salvador and Honduras fall under Soviet influence and a communist coup d'état seizes control in Mexico.

In the town of Calumet, Colorado, a high school class is interrupted by a Soviet-led invasion. Some students, including brothers Jed and Matt Eckert, escape the chaos as Soviet paratroopers attack. Combined Soviet, Cuban and Nicaraguan soldiers then occupy Calumet. Jed, Matt, and their friends Robert, Danny, Daryl, and Arturo flee into the countryside after procuring supplies and weapons from a store run by Robert's father. When they encounter a Soviet roadblock, they are saved by a U.S. helicopter gunship. After several weeks hiding in the forests, the group learns that Mr. Eckert is held at a re-education camp at Calumet's drive-in. Visiting the camp, they speak to him through a fence and learn that Mrs. Eckert is dead; he tells the group to avenge him.

The group visits the Mason family in occupied territory and learns that Robert's father was executed by the occupiers. The Masons ask Jed and Matt to care for their granddaughters, Toni and Erica. The group begins launching guerilla attacks on the occupational forces, calling themselves the "Wolverines" after their high school mascot. The occupiers respond with brutal crackdowns, resulting in the executions of Mr. Eckert and Arturo's father, but the Wolverines are undeterred. They meet crashed USAF pilot Andrew Tanner, who informs them of the current state of the war: Several American cities, including Washington D.C., were destroyed by nuclear strikes, Strategic Air Command was crippled by Cuban saboteurs, and paratroopers were dropped from commercial airliners to seize key positions in preparation for the main assaults via Mexico and Alaska. Most of the southwestern United States and Northwestern Canada are occupied by the Soviets, but American counterattacks halted their advances between the Rocky Mountains and the Mississippi River. Europe has decided to remain neutral. America's only remaining foreign allies—China and the United Kingdom—remain active against the Soviets, but are militarily crippled.

Tanner assists the Wolverines in their guerrilla operations, which leads to increased reprisals by occupational forces against civilians. Visiting the front lines of the war, Tanner and Arturo are killed in the crossfire of a tank battle between Soviet and U.S. forces. The Soviets bring in Colonel Strelnikov, a brutal Spetsnaz commander, and his men, to track down the Wolverines. Daryl is arrested by the KGB after his father betrays him. They force him to swallow a tracking device and release him to rejoin the Wolverines. Soviet troops track the group to the forests using radio triangulation equipment but are ambushed by the Wolverines, who trace the source of the signal to Daryl; confessing the truth, he pleads for mercy but is shot dead by Robert.

Shortly thereafter, the remaining Wolverines are ambushed by Soviet helicopter gunships, which kill Toni and Robert. Jed and Matt decide to attack the occupational forces in Calumet to distract them while Danny and Erica escape. The plan works, but Jed and Matt are severely wounded by Strelnikov before Jed can kill him. They are discovered by Cuban Colonel Ernesto Bella who, completely disillusioned with both the war and Soviet ideology (seeing it as a lost cause), lets them go; the brothers sit on a park bench together where they presumably bleed to death. Danny and Erica trek through the mountains and reach American-held territory.

In the closing scene, a plaque is shown in the mountains. It is fenced off and a U.S. flag flies nearby, confirming that the U.S. ultimately won the war. The plaque states that:

In the early days of World War III, guerrillas, mostly children, placed the names of their lost upon this rock. They fought here alone and gave up their lives, so "that this nation shall not perish from the earth."

Cast

Production

Ten Soldiers

Originally called Ten Soldiers, the script was written by Kevin Reynolds. [4] Producer Barry Beckerman read it, and, in the words of Peter Bart, "thought it had the potential to become a tough, taut, 'art' picture made on a modest budget that could possibly break out to find a wider audience." [5] His father Sidney Beckerman helped him pay a $5,000 option. Reynolds wanted to direct but the Beckermans wanted someone more established. Walter Hill briefly considered the script before turning it down, as did several other directors.[ who? ] [5]

The Beckermans pitched the project to David Begelman at MGM, but were turned down. They tried again at that studio when it was run by Frank Yablans. Senior vice-president for production Peter Bart, who remembers it as a "sharply written anti-war movie ... a sort of Lord of the Flies ", [6] took the project to Yablans.

The script's chances increased when Reynolds became mentored by Steven Spielberg, who helped him make Fandango ; [5] the script was eventually purchased by MGM. [7]

John Milius

Approximate map of the events described in the movie: Blue: The United States and its allies Canada, the United Kingdom and China. Red: The Soviet Union and its allies Cuba and Nicaragua. Green: The neutral countries of Western Europe. The arrows show the invasion routes, and the red dots show the cities that were destroyed by nuclear weapons: Washington D.C., Omaha, Nebraska, Kansas City, Missouri and Beijing. Red dawn 1984 movie start of ww3.PNG
Approximate map of the events described in the movie:
Blue: The United States and its allies Canada, the United Kingdom and China.
Red: The Soviet Union and its allies Cuba and Nicaragua.
Green: The neutral countries of Western Europe.
The arrows show the invasion routes, and the red dots show the cities that were destroyed by nuclear weapons: Washington D.C., Omaha, Nebraska, Kansas City, Missouri and Beijing.

Bart recalls that things changed when "the chieftains at MGM got a better idea. Instead of making a poignant little antiwar movie, why not make a teen Rambo and turn the project over to John Milius, a genial filmmaker who loved war movies. The idea was especially popular with a member of the MGM board of directors, General Alexander Haig, the former Nixon chief of staff, who yearned to supervise the film personally and develop a movie career." [6]

Bart says most of MGM's executives, except for Yablans, were opposed to Milius directing. Bart claims he made a last minute attempt to get Reynolds to direct the film and went to see Spielberg. However, by this stage Fandango was in rough cut, and Bart sensed that Spielberg was disappointed in the film and would not speak up for Reynolds. [8] Milius was signed to direct at a fee of $1.25 million, plus a gun of his choice. [9]

Milius set about rewriting the script. He and Haig devised a backstory in which the circumstances of the invasion would occur; this was reportedly based on Hitler's proposed plans to invade the U.S. during World War II. [10] Haig took Milius under his wing, bringing him to the Hudson Institute, the conservative think tank founded by Herman Kahn, to develop a plausible scenario. Milius saw the story as a Third World liberation struggle in reverse; Haig introduced Nicaragua and suggested that, with the collapse of NATO, a left-wing Mexican government would participate in the Soviet invasion, effectively splitting the U.S. in half. [11] Bart says, "Even Milius was taken aback by Haig's approach to the project. 'This is going to end up as a jingoistic, flag-waving movie,' Milius fretted. As a result, the budget of this once $6 million movie almost tripled." [6]

Other changes included a shift in focus from conflict within the group to conflict between the teens and their oppressors, and the acceleration of the ages of some of the characters from early teens to high school age and beyond. [12] There was also the addition of a sequence where some children visit a camp to find their parents have been brainwashed. [13]

Milius later said, "I see this as an anti-war movie in the sense that if both sides could see this, maybe it wouldn't have to happen. I think it would be good for Americans to see what a war would be like. The film isn't even that violent – the war shows none of the horrors that could happen in World War III. In fact, everything that happened in the movie happened in World War II." [2]

Bart says Yablans pushed through filming faster than Milius wanted because MGM needed a movie over the summer. Milius wanted more time to plan, including devising futuristic weaponry and to not shoot over winter, but had to accede. [14]

Casting

Milius wanted Robert Blake to play the US pilot but Frank Yablans overruled him. Powers Boothe was selected instead. [15]

Filming

The movie was filmed in and around the city of Las Vegas, New Mexico. Many of the buildings and structures which appear in the film, including a historic Fred Harvey Company hotel adjacent to the train depot, the train yard, and a building near downtown, which was repainted with the name of "Calumet, Colorado", referencing the town in Michigan, are still there today.[ when? ] An old Safeway grocery store was converted to a sound stage and used for several scenes in the movie. [16]

Before starting work on the movie, the cast underwent an intensive eight-week military training course. During that time, production crews designed and built special combat vehicles in Newhall, California. Soldier of Fortune reported that the movie's T-72 tank was such a precise replica that "while it was being carted around Los Angeles, two CIA intelligence officers followed it to the studio and wanted to know where it had come from".[ citation needed ]

Powers Boothe later claimed that "Milius cut out the emotional life of its characters. Originally, my character was anti-war, as well as a rightist. I was supposed to be the voice of reason in that movie. But certain cuts negated my character." [17]

Lea Thompson said the original cut featured a love scene between her and Powers Boothe but it "was cut out after some previews because of the age difference. And that was the main reason I took the movie—it was such a terrific scene." [18]

Some of the weaponry devised for the film did not work. Futuristic helicopters created for the film did not have FAA approval to fly over people. [19]

The budget increased from $11 million to $15 million. [19] It eventually came in at $19 million. [20]

Music

The film's score was composed and conducted by Basil Poledouris; it was the first soundtrack album to be released (on LP and compact disc) by Intrada Records. The label issued the complete score in 2007.[ citation needed ]

Reception

Box office

Red Dawn was the 20th highest-grossing film of 1984, opening on August 10, 1984, in 1,822 theaters and taking in $8,230,381 on its first weekend. Its box office gross is $38,376,497. [1] [20]

Critical reaction

Red Dawn received mixed reviews, receiving a "Rotten" 48% rating on Rotten Tomatoes based on 29 reviews, with an average rating of 5.5/10. The website's consensus reads, "An appealing ensemble of young stars will have some audiences rooting for the Wolverines, but Red Dawn's self-seriousness can never conceal the silliness of its alarmist concept." [21]

Colin Greenland reviewed Red Dawn for Imagine magazine, and stated that "Red Dawn [...] is a self-congratulatory little B-picture, the sort America does so well. Set in the early months of World War Three, it's a loving chronicle of juvenile heroism in Russian-occupied Colorado. Schoolkids caught behind enemy lines become crack guerillas overnight. Slaughter nobly, die even more so. Nice scenery, shame about the movie." [22]

The New York Times reviewer Janet Maslin said, "To any sniveling lily-livers who suppose that John Milius ... has already reached the pinnacle of movie-making machismo, a warning: Mr. Milius's Red Dawn is more rip-roaring than anything he has done before. Here is Mr. Milius at his most alarming, delivering a rootin'-tootin' scenario for World War III." [23]

MGM apologized to Alaska war veterans for the film's advertising, which claimed that no foreign troops had ever landed on U.S. soil, overlooking the Aleutian Islands campaign of World War II, where Japanese soldiers occupied the Aleutian Islands, part of the Territory of Alaska. [24]

At the time it was released, Red Dawn was considered the most violent film by the Guinness Book of Records and the National Coalition on Television Violence, with a rate of 134 acts of violence per hour, or 2.23 per minute. [25] The 2007 DVD Special Edition includes an on-screen "Carnage Counter" in a nod to this. [26]

A few days after the NCTV survey came out, 35 protestors picketed the MGM/UA building in opposition to the film. [27] John Milius said:

What these people really don't like is that the movie shows violence being perpetrated against Russian and Cuban invaders, which is what the demonstration was all about. My question is, where were all these demonstrators when the Russians shot down that airliner? Were they cheering? And what about the people being gassed and yellow-rained in Afghanistan? ... There's really no pleasure in outraging these people. I suppose next some extreme right-wing organization will give me an award, which is equally ridiculous. [24]

Later reputation

National Review Online has named the film No. 15 in its list of the "Best Conservative Movies." [28] Adam Arseneau at the website DVD Verdict opined that the film "often feels like a Republican wet dream manifested into a surrealistic Orwellian nightmare". [26]

According to Jesse Walker of Reason ,

The film outraged liberal critics, but further to the left it had some supporters. In a witty and perceptive piece for The Nation , Andrew Kopkind called it "the most convincing story about popular resistance to imperial oppression since the inimitable Battle of Algiers ", adding that he'd "take the Wolverines from Colorado over a small circle of friends from Harvard Square in any revolutionary situation I can imagine." [29]

Libertarian theorist Murray Rothbard argued that the film was "not so much pro-war as it is anti-state." Rothbard gave the film a generally positive review, while expressing some reservations with the story:

One big problem with the picture is that there is no sense that successful guerrilla war feeds on itself; in real life the ranks of the guerrillas would start to swell, and this would defeat the search-and-destroy concept. In Red Dawn, on the other hand, there are only the same half-dozen teenagers, and the inevitable attrition makes the struggle seem hopeless when it need not be. Another problem is that there is no character development through action, so that, except for the leader, all the high school kids seem indistinguishable. As a result, there is no impulse to mourn as each one falls by the wayside. [30]

Ed Power writes for The Independent ,

From a political perspective, many will find its simplistic vision problematic. But the visceral punch of Red Dawn is nonetheless undeniable. It puts pedal to the floor early on and keeps it there to the end. It is one of the most relentless films ever made.... As with Conan and Apocalypse Now, the air of unrelenting doom is an acquired taste. Yet this grit has served as a preservative. Red Dawn holds up surprisingly well today. Not simply in terms of its action set pieces but in its portrait of America as a place where the frontier mentality lives on just beneath the surface. [31]

Home media

Red Dawn has been variously released across a variety of formats.

References in the film

The movie being shown to American prisoners at the re-education camp is Sergei Eisenstein's Alexander Nevsky (1938). [41]

Much of the story is set in the Arapaho National Forest, and a group of Soviet soldiers refer to the Colorado War, which was fought there between the Arapaho and Cheyenne tribes and the U.S. government. [42]

During one scene, the young freedom fighters sit and listen to a radio playing messages meant for guerrillas behind the lines. The message played, "John has a long mustache.", is one of the messages that was used before D-Day in Normandy to signal French partisans of the imminent invasion. [43] The broadcast of this message is dramatized in the 1962 film The Longest Day.

Operation Red Dawn

The operation to capture former Iraqi dictator Saddam Hussein was named Operation Red Dawn and its targets were dubbed "Wolverine 1" and "Wolverine 2". Army Captain Geoffrey McMurray, who named the mission, said the naming "was so fitting because it was a patriotic, pro-American movie." Milius approved of the naming, saying "I was deeply flattered and honored. It's nice to have a lasting legacy." [44]

Cultural influence

Red Dawn has been reference for and influence on a number of other media, including music, books, film, and video games. Following the Russian invasion of Ukraine, 'Wolverines' graffiti was reported seen on a destroyed Russian APC. [45]

Books, film and television

Phineas and Ferb into the 2nd Dimension references Red Dawn when Irving stands above destroyed robots, holds a staff up, and yells, “Wolverines!”

Music

Video games

Red Dawn has influenced a number of video games.

Red Dawn emails

In the wake of the COVID-19 pandemic, a string of emails by Trump administration officials detailing concerns about the government's response to COVID-19 was dubbed the "Red Dawn emails" in reference to the film. [59]

Ukrainian resistance during the Russo-Ukrainian War

During the Russian invasion of Ukraine, several Russian armored vehicles destroyed by the Ukrainians appeared with the word "Wolverines" spray-painted in white, [60] a clear reference to the film. One theory is that numerically the Ukrainian are outnumbered by the Russians, similar to the scenario depicted in the film. It is not known whether "Wolverines" was painted by civilians or soldiers, but it has been spotted in Kyiv. [61]

Remake

A remake of Red Dawn directed by Dan Bradley was released in 2012. The film takes place in the 2010s, with North Korea invading the United States. Milius criticized the remake as "terrible" after reading an original script where the villains were Chinese:

"There was a strange feeling to the whole thing. They were fans of the movie so they put in stuff they thought was neat. It's all about neat action scenes, and has nothing to do with story. ... There's only one example in 4,000 years of Chinese territorial adventurism, and that was in 1979, when they invaded Vietnam, and to put it mildly they got their [butts] handed to them ... Why would China want us? They sell us stuff. We're a market. I would have done it about Mexico." [62]

See also

Related Research Articles

<i>The Adventures of Buckaroo Banzai Across the 8th Dimension</i> 1984 American science fiction film by W. D. Richter

The Adventures of Buckaroo Banzai Across the 8th Dimension, often shortened to Buckaroo Banzai, is a 1984 American adventure science fiction comedy film produced and directed by W. D. Richter and written by Earl Mac Rauch. It stars Peter Weller in the title role, with Ellen Barkin, John Lithgow, Jeff Goldblum, and Christopher Lloyd. The supporting cast includes Lewis Smith, Rosalind Cash, Clancy Brown, Pepe Serna, Robert Ito, Vincent Schiavelli, Dan Hedaya, Jonathan Banks, John Ashton, Carl Lumbly and Ronald Lacey.

<span class="mw-page-title-main">John Milius</span> American screenwriter and director (born 1944)

John Frederick Milius is an American screenwriter and film director. He was a writer for the first two Dirty Harry films, received an Academy Award nomination as screenwriter of Apocalypse Now (1979), and wrote and directed The Wind and the Lion (1975), Conan the Barbarian (1982), and Red Dawn (1984). He later served as the co-creator of the Primetime Emmy Award-winning television series Rome (2005–2007).

<i>Alexander Nevsky</i> (film) 1938 film by Sergei Eisenstein

Alexander Nevsky is a 1938 Soviet historical drama film directed by Sergei Eisenstein. It depicts the attempted invasion of Novgorod in the 13th century by the Teutonic Knights of the Holy Roman Empire and their defeat by Prince Alexander, known popularly as Alexander Nevsky (1220–1263).

<span class="mw-page-title-main">Omega Red</span> Marvel Comics fictional character

Omega Red is a fictional character appearing in American comic books published by Marvel Comics, most commonly in association with the X-Men. In 2009, Omega Red was ranked as IGN's 95th-greatest comic book villain of all time.

<span class="mw-page-title-main">Powers Boothe</span> American actor (1948–2017)

Powers Allen Boothe was an American actor known for his commanding character actor roles on film and television. He received a Primetime Emmy Award and nominations for two Screen Actors Guild Awards.

<span class="mw-page-title-main">Basil Poledouris</span> American composer (1945–2006)

Basil Konstantine Poledouris was an American composer, conductor, and orchestrator of film and television scores, best known for his long-running collaborations with directors John Milius and Paul Verhoeven. Among his works are scores for the films Conan the Barbarian (1982), Red Dawn (1984), Iron Eagle (1986), RoboCop (1987), The Hunt for Red October (1990), Free Willy (1993), Starship Troopers (1997) and Les Misérables (1998).

<span class="mw-page-title-main">Warner Bros. Discovery Home Entertainment</span> Home video distribution arm of Warner Bros. Entertainment

Warner Bros. Discovery Home Entertainment, Inc. is the American home video distribution division of Warner Bros. Discovery.

<i>The Wind and the Lion</i> 1975 film written and directed by John Milius

The Wind and the Lion is a 1975 American epic historical adventure film written and directed by John Milius, and starring Sean Connery, Candice Bergen, Brian Keith, and John Huston. The film is loosely based on the real-life Perdicaris affair of 1904. Connery plays Mulai Ahmed er Raisuli, a Moroccan Berber rebel and anti-imperialist leader, and Bergen plays his hostage Eden Pedecaris, a fictional character inspired by Ion Hanford Perdicaris.

<i>Rolling Thunder</i> (film) 1977 film directed by John Flynn

Rolling Thunder is a 1977 American psychological thriller film directed by John Flynn, from a screenplay by Paul Schrader and Heywood Gould, based on a story by Schrader. It was produced by Norman T. Herman, with Lawrence Gordon as executive producer. The film stars William Devane alongside Tommy Lee Jones, Linda Haynes, James Best, Dabney Coleman, and Luke Askew in supporting roles.

<i>Farewell to the King</i> 1989 film by John Milius

Farewell to the King is a 1989 American action adventure drama film written and directed by John Milius. It stars Nick Nolte, Nigel Havers, Frank McRae, and Gerry Lopez and is loosely based on the 1969 novel Farewell to the King by Pierre Schoendoerffer. Longtime Milius collaborator Basil Poledouris composed the musical score.

<i>Bolero</i> (1984 film) 1984 film by John Derek

Bolero is a 1984 American romantic drama film written and directed by John Derek and starring Bo Derek. The film centers on the protagonist's sexual awakening and her journey around the world to pursue an ideal first lover who will take her virginity.

<i>The Hunt for Red October</i> (film) 1990 film directed by John McTiernan

The Hunt for Red October is a 1990 American submarine spy thriller film directed by John McTiernan, produced by Mace Neufeld, and starring Sean Connery, Alec Baldwin, Scott Glenn, James Earl Jones, and Sam Neill. The film is an adaptation of Tom Clancy's 1984 bestselling novel of the same name. It is the first installment of the film series with the protagonist Jack Ryan.

<i>The Return of the Living Dead</i> 1985 film by Dan OBannon

The Return of the Living Dead is a 1985 American comedy horror film written and directed by Dan O'Bannon from a story by Rudy Ricci, John Russo, and Russell Streiner, and starring Clu Gulager, James Karen, Thom Mathews, and Don Calfa. The film tells the story of how a warehouse owner, accompanied by his two employees, mortician friend and a group of teenage punks, deal with the accidental release of a horde of unkillable, brain-hungry zombies onto an unsuspecting town.

<i>Extreme Prejudice</i> (film) 1987 American film by Walter Hill

Extreme Prejudice is a 1987 American neo-Western action thriller film directed by Walter Hill, from a screenplay by Harry Kleiner and Deric Washburn, from a story by John Milius and Fred Rexer. It stars Nick Nolte and Powers Boothe, with a supporting cast including Michael Ironside, María Conchita Alonso, Rip Torn, William Forsythe, and Clancy Brown.

<i>Song of Russia</i> 1944 film

Song of Russia is a 1944 American war film made and distributed by Metro-Goldwyn-Mayer. The picture was credited as being directed by Gregory Ratoff, though Ratoff became ill near the end of the five-month production, and was replaced by László Benedek, who completed principal photography; the credited screenwriters were Paul Jarrico and Richard J. Collins. The film stars Robert Taylor, Susan Peters, and Robert Benchley.

<i>The Russia House</i> (film) 1990 American film by Fred Schepisi

The Russia House is a 1990 American spy film directed by Fred Schepisi and starring Sean Connery, Michelle Pfeiffer, Roy Scheider, James Fox, John Mahoney, Klaus Maria Brandauer and director Ken Russell. Tom Stoppard wrote the screenplay based on John le Carré's 1989 novel of the same name. It was the first US motion picture to be shot substantially on location in the Soviet Union.

<i>Apocalypse Now</i> 1979 epic war film directed by Francis Ford Coppola

Apocalypse Now is a 1979 American epic war film produced and directed by Francis Ford Coppola. The screenplay, co-written by Coppola, John Milius, and Michael Herr, is loosely inspired by the 1899 novella Heart of Darkness by Joseph Conrad, with the setting changed from late 19th-century Congo to the Vietnam War. The film follows a river journey from South Vietnam into Cambodia undertaken by Captain Willard, who is on a secret mission to assassinate Colonel Kurtz, a renegade Special Forces officer who is accused of murder and presumed insane. The ensemble cast also features Robert Duvall, Frederic Forrest, Albert Hall, Sam Bottoms, Laurence Fishburne, Dennis Hopper, and Harrison Ford.

<i>Red Dawn</i> (2012 film) 2012 American film

Red Dawn is a 2012 American action war film directed by Dan Bradley and written by Carl Ellsworth and Jeremy Passmore. It is a remake of the 1984 film of the same name. The film stars Chris Hemsworth, Josh Peck, Josh Hutcherson, Adrianne Palicki, Isabel Lucas, and Jeffrey Dean Morgan. The film centers on a group of young people who defend their hometown from a North Korean invasion.

<i>Marvel Animated Features</i> Direct to DVD series of animated films by MLG Productions

Marvel Animated Features (MAF) is a series of eight direct-to-video animated superhero films made by MLG Productions, a joint venture between Marvel Studios and Lions Gate Entertainment.

<i>Superman: Red Son</i> (film) Animated film by DC Comics

Superman: Red Son is a 2020 American animated superhero film focusing on the DC Comics character Superman, and the 39th film of the DC Universe Animated Original Movies. The film is based on the 2003 comic book miniseries of the same name written by Mark Millar and pencilled by Dave Johnson, Andrew Robinson, Walden Wong and Killian Plunkett. It was released digitally on February 25, 2020 and was released on Ultra HD Blu-ray and Blu-ray on March 17. This was the final film of Jim Ward before his retirement in 2021.

References

  1. 1 2 3 "Red Dawn (1984)". Box Office Mojo . Archived from the original on January 22, 2020. Retrieved October 1, 2023.
  2. 1 2 Goldstein, Patrick (August 16, 1984). "'RED DAWN' IS MILIUS' KIND OF MOVIE: JOHN MILIUS". Los Angeles Times. p. i1.
  3. ↑ Parker, Ryan (May 23, 2017). "How 'The Temple of Doom' Changed the MPAA Ratings System". The Hollywood Reporter.
  4. ↑ Bart p 109–110
  5. 1 2 3 Bart p 110
  6. 1 2 3 Bart, Peter (September 28, 2009). "First Look: Famous Firings a Tough Ax to Follow". Variety. p. 2.
  7. ↑ Richard E. Sincere Jr. (October 1984). "Schoolkids Battle Red Army in Red Dawn". Journal of Civil Defense. The American Civil Defense Association: 17.
  8. ↑ Bart p. 111
  9. ↑ Bart p. 112
  10. ↑ Bart pp. 112f
  11. ↑ Hoberman, J. (November 2012). "The North Koreans Are Coming!". Film Comment (48.6 ed.). pp. 52–54, 56.
  12. ↑ Shaw, Tony (2007). Hollywood's Cold War. Edinburgh University Press. p. 270. ISBN   9780748630738. Archived from the original on February 26, 2017. Retrieved October 17, 2016.
  13. ↑ Bart p. 113
  14. ↑ Bart p. 114
  15. ↑ Bart p 135
  16. ↑ "Red Dawn Movie Filming Locations". The 80s Movies Rewind. Fast-rewind.com. Archived from the original on August 5, 2011. Retrieved August 27, 2011.
  17. ↑ Baltake, Joe (July 18, 1985). "ACTOR FINDS SUCCESS IN THE WILDS". Philadelphia Daily News. p. 51.
  18. ↑ Mann, Roderick (February 28, 1987). "THOMPSON'S AGE OF DISCONTENT". Los Angeles Times. p. 1.
  19. 1 2 Bart p 134
  20. 1 2 Bart p 228
  21. ↑ "Red Dawn". Rotten Tomatoes. Archived from the original on October 7, 2020. Retrieved November 19, 2024.
  22. ↑ Greenland, Colin (December 1984). "Fantasy Media". Imagine (review) (21). TSR Hobbies (UK), Ltd.: 55.
  23. ↑ Maslin, Janet. "FILM: 'RED DAWN,' ON WORLD WAR III". The New York Times . Archived from the original on October 18, 2017. Retrieved October 7, 2018.
  24. 1 2 London, Michael (September 19, 1984). "FILM CLIPS: DeLOREAN REJECTS 1ST BID FOR FILM BIOGRAPHY FILM CLIPS: DeLOREAN". Los Angeles Times. p. i1.
  25. ↑ "Red Dawn Condemned As Rife With Violence". The New York Times. September 4, 1984. Archived from the original on November 11, 2020. Retrieved November 15, 2020.
  26. 1 2 Arseneau, Adam (August 6, 2007). "Red Dawn: Collector's Edition". DVD Verdict. Archived from the original on July 6, 2010. Retrieved September 13, 2010.
  27. ↑ Pond, Steve (September 13, 1984). "'Red Dawn' Under Fire: Dateline Hollywood". The Washington Post. p. E7.
  28. ↑ Miller, John (February 23, 2009). "The Best Conservative Movies". National Review . Archived from the original on April 22, 2018. Retrieved March 22, 2013.
  29. ↑ Walker, Jesse (January 28, 2008). "The Ghost of Rambo". Reason . Archived from the original on October 18, 2020. Retrieved November 15, 2020.
  30. ↑ Murray Rothbard (July–August 1984). "Red Dawn". Libertarian Forum . Archived from the original on October 10, 2016. Retrieved October 9, 2016.
  31. ↑ "Was Red Dawn the most right-wing blockbuster ever?". The Independent. August 10, 2019. Retrieved September 27, 2022.
  32. ↑ Red dawn. March 9, 1985. OCLC   11765327.
  33. ↑ "LaserDisc Database – Red Dawn [ML100499]". Lddb.com. Archived from the original on October 12, 2018. Retrieved March 9, 2019.
  34. ↑ "LaserDisc Database – Red Dawn [ML104578]". Lddb.com. Archived from the original on October 13, 2018. Retrieved March 9, 2019.
  35. ↑ "Red Dawn DVD". Archived from the original on October 12, 2018.
  36. ↑ "Red Dawn: Collector's Edition". Ew.com. Archived from the original on March 31, 2019. Retrieved March 9, 2019.
  37. ↑ "Red Dawn Blu-ray". Archived from the original on October 13, 2018. Retrieved March 9, 2019– via www.blu-ray.com.
  38. ↑ "Red Dawn Blu-ray". Archived from the original on October 13, 2018. Retrieved March 9, 2019– via www.blu-ray.com.
  39. ↑ "Red Dawn Blu-ray". Archived from the original on November 20, 2018. Retrieved March 9, 2019– via www.blu-ray.com.
  40. ↑ Red Dawn 4K Blu-ray (Collector's Edition) , retrieved August 30, 2022
  41. ↑ Maslin, Janet (August 10, 1984). "Red Dawn (1984)". The New York Times. Archived from the original on May 24, 2015. Retrieved July 16, 2012.
  42. ↑ Stephen Prince (1992). Visions of Empire: Political Imagery in Contemporary American Film. Praeger. p. 57. ISBN   0-275-93662-7.
  43. ↑ ""Molasses tomorrow will bring forth cognac." the BBC's Fascinating Coded Messages to the French Resistance". January 2019.
  44. ↑ "Red Dawn Imitated Art". USA Today. December 17, 2003. Archived from the original on June 27, 2011. Retrieved September 10, 2017.
  45. ↑ "Red Dawn style Graffiti spotted on Destroyed Russian Tank". MSN News. Retrieved April 9, 2022.
  46. ↑ Phillips, Michael (March 25, 2010). "'Hot Tub Time Machine': At last, a fun, idiotic movie that lives up to its name". Chicago Tribune. Archived from the original on December 25, 2019. Retrieved January 31, 2019.
  47. ↑ Scott, A. O. (March 25, 2010). "John Cusack Leads a Cast Back to the 1980s". The New York Times. Archived from the original on May 7, 2019. Retrieved March 9, 2019.
  48. ↑ Soriano, Krista (March 25, 2010). "Sebastian Stan on Hot Tub Time Machine". Elle.com. Retrieved March 9, 2019.
  49. ↑ "Grey Dawn (Season 7, Episode 10) – Episode Guide". South Park Studios. November 5, 2003. Retrieved October 4, 2018.
  50. ↑ "Movie Review – Red Dawn (1984) – A journey into the world of REVIEWS, the PARANORMAL, STUPIDITY, and MORE! – The Rellim Zone". Archived from the original on March 17, 2019. Retrieved March 9, 2019.
  51. ↑ Music in Television: Channels of Listening. Routledge. 2011. p. 162. ISBN   9781136826368.
  52. ↑ "Script for SEAL Team Season 1, Episode 9 "Rolling Dark"". Springfield! Springfield!. Retrieved June 6, 2019.
  53. ↑ "Red Dawn (USA) – discography, line-up, biography, interviews, photos". Spirit-of-metal.com. Archived from the original on October 7, 2018. Retrieved March 9, 2019.
  54. ↑ Aaron Boulding (September 22, 2003). "Freedom Fighters – PlayStation 2 Review at IGN". Ps2.ign.com. Archived from the original on May 20, 2019. Retrieved August 27, 2011.
  55. ↑ "Call of Duty: Modern Warfare 2 Achievement Guide". Xboxachievements.com. Archived from the original on October 5, 2018. Retrieved October 7, 2018.
  56. ↑ "News: Video game set to take place in Montrose (Montrose, Colorado)". Montrosepress.com. January 14, 2010. Archived from the original on July 1, 2016. Retrieved October 4, 2010.
  57. ↑ "Homefront: Red Dawn's ugly baby". Nypost.com. March 26, 2011. Archived from the original on October 7, 2018. Retrieved October 7, 2018.
  58. ↑ Narcisse, Evan (August 10, 2012). "The New Red Dawn Movie Channels a Little Bit of Homefront". Kotaku.com. Archived from the original on October 7, 2018. Retrieved October 7, 2018.
  59. ↑ Lipton, Eric (April 11, 2020). "The 'Red Dawn' Emails: 8 Key Exchanges on the Faltering Response to the Coronavirus". The New York Times . Archived from the original on July 6, 2020. Retrieved April 12, 2020.
  60. ↑ Xander Landen, "'Red Dawn'-Style Graffiti Spotted on Destroyed Russian Tank In Ukraine", 'Newsweek', April 7, 2022
  61. ↑ "Red Dawn's Wolverines Graffiti Showing Up in Ukraine On Russian Tanks, 'Screenrant', 17 April 2022". Screen Rant . April 17, 2022.
  62. ↑ "Original 'Red Dawn' director takes aim at the remake". Los Angeles Times. March 26, 2010. Archived from the original on November 19, 2020. Retrieved January 3, 2017.

Further reading

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.