Saint Francis Receiving the Stigmata is an oil on canvas painting by Titian, now in the Museo regionale Agostino Pepoli in Trapani. Its treatment of colour has led some to date it to the 1530s or 1550s, but the usual dating is c. 1525. [1]
The work was misattributed to Vincenzo da Pavia until 1946, when Roberto Longhi restored the attribution to Titian, now followed by the majority of art historians and confirmed by a 1953-1954 restoration which revealed Titian's signature. Its style is thought to be similar to his lost The Assassination of Saint Peter Martyr . [2]
Francesco Vecellio was a Venetian painter of the Italian Renaissance. He was the elder brother and close collaborator of the painter Tiziano Vecellio ("Titian").
Saint Mark Enthroned is an oil on panel painting by the Italian Renaissance artist Titian, created in 1510-1511. It is still in the church of Santa Maria della Salute, in Venice.
The Gozzi Altarpiece is an oil painting by the Italian Renaissance master Titian, dating from 1520. It is located in the Pinacoteca civica Francesco Podesti, in Ancona.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter is an oil painting on canvas by Titian, now in the Royal Museum of Fine Arts in Antwerp.
The Madonna of the Rabbit is an oil painting by Titian, dated to 1530 and now held in the Louvre in Paris. It is signed "Ticianus f." and is named after the white rabbit held in Mary's left hand. The rabbit is a symbol of fertility and – due to its whiteness – of Mary's purity and the mystery of the Incarnation, and is also a symbol of her virginity; female rabbits and hares can conceive a second litter of offspring while still pregnant with the first, resulting in their being able to give birth seemingly without having been impregnated.
The Entombment of Christ is a c. 1520 painting by Titian, now in the Musée du Louvre, in Paris.
The Penitent Magdalene is a 1560s oil painting by Titian of Saint Mary Magdalene, now in the Hermitage Museum in Saint Petersburg, Russia. The painting depicts Mary Magdalene who spent many years in the desert atoning for her sins The artwork was acquired from the Barbarigo Gallery in Venice, Italy and entered the Hermitage in 1850. Titian had kept this painting for himself and after his death Titian's son sold it along with other paintings to Cristoforo Barbarigo.
The Portrait of Isabella of Portugal is an oil-on-canvas portrait of Isabella of Portugal, Holy Roman Empress by Titian dating to 1548. It was part of the Spanish royal collection and is now in the Museo del Prado, in Madrid.
Portrait of Lavinia Vecellio is an oil on wood portrait by Titian, from c. 1545. It is believed to depict his daughter Lavinia. It is held in the Museo di Capodimonte, in Naples.
Saint Titian of Oderzo was a 7th-century bishop of Opitergium (Oderzo), in the Province of Treviso.
The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum, in Vienna.
The Aldobrandini Madonna is an oil painting on canvas by Titian, dating to c. 1530. It is held in the National Gallery, in London. There are studio copies in the Galleria Palatina, in Florence, and in the Kunsthistorisches Museum, in Vienna.
Saint Jerome in Penitence or Penitent Saint Jerome i an oil on canvas painting by Titian, from c. 1531. It is held in the Louvre, in Paris.
The Virgin and Child with Saints Dorothy and George is an oil on panel painting by Titian, from c. 1516.. It is held now in the Museo del Prado, in Madrid, to which it was transferred in 1839.
The Concert or The Interrupted Concert is a c. 1510–1511 oil on canvas painting by Titian, now in the Galleria Palatina, in Florence. A copy in the Galleria Borghese, in Rome, includes an additional fourth figure.
Madonna and Child with Four Saints or Madonna and Child with Saints John the Baptist, Paul, Mary Magdalene and Jerome is a c. 1516-1520 oil on panel painting by Titian, now in the Gemäldegalerie in Dresden. It belongs to the sacra conversazione genre and features saints John the Baptist, Paul, Mary Magdalene and Jerome.
Portrait of Cardinal Alessandro Farnese is a c. 1545–46 oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520–1589) by Titian. It is held in the Museo di Capodimonte, in Naples.
Portrait of Pope Paul III with Camauro is an oil on canvas painting by Titian, from c. 1545-1546. It is held in the Museo nazionale di Capodimonte, in Naples.
Portrait of Charles V or Portrait of a Man Wearing the Order of the Golden Fleece is an oil on canvas painting by Titian, from c. 1549. It is held now in the Museo di Capodimonte, in Naples.