| Saint Jerome in Penitence | |
|---|---|
 | |
| Artist | Titian |
| Year | c. 1575 |
| Medium | oil on canvas |
| Dimensions | 255 cm× 125 cm(100 in× 49 in) |
| Location | Nuevos Museos, El Escorial, Madrid, Spain |
Saint Jerome in Penitence is a c.1575 painting of Saint Jerome by Titian, now in the Nuevos Museos in the El Escorial. It was painted for King Philip II. [1]
Titian depicted Saint Jerome in two other paintings: a 1531 painting held in the Louvre in Paris and a 1552 painting held in the Pinacoteca di Brera in Milan.
Tiziano Vecelli or Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian (Venetian) Renaissance painter of Lombard origin, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned. An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna.
Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane, was an Italian painter from Venice and a notable exponent of the Venetian school.
The Pietà is one of the last paintings by the Italian master Titian, and in its final, extended state was left incomplete at his death in 1576, to be completed by Palma Giovane. Titian had intended it to hang over his grave, and the two stages of painting were to make it fit in two different churches. It is now in the Gallerie dell'Accademia in Venice.
The Pesaro Madonna is a painting by the late Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in Venice for which the work was painted, and where it remains today. Jacopo was Bishop of Paphos, in Cyprus, and had been named commander of the papal fleet by the Borgia pope, Alexander VI. This painting recalls one of Titian's earliest paintings Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter, c. 1510-11
Francesco Vecellio was a Venetian painter of the Italian Renaissance. He was the elder brother and close collaborator of the painter Tiziano Vecellio ("Titian").
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The canvas was completed during Titian's fifth decade of painting, and is one of the works marking a shift toward his extensive exploration of tragedy and human suffering.
The Madonna and Child with Saints Luke and Catherine of Alexandria, also known simply as Holy Conversation, is a painting by the Italian Renaissance master Titian. It is one of his several versions of the canonical image of the Madonna and Child.
The musée Fesch is the central museum of fine arts in Ajaccio on Corsica. Located within the gated Palais Fesch, it is in the town's Borgu d'Ajaccio quarter. It was established by Napoleon I's uncle, cardinal Joseph Fesch, in Fesch's birthplace.
Portrait of Laura Dianti is a c. 1520–25 painting by Titian, now held in the H. Kisters Collection at Kreuzlingen. It is signed "TICI/ANVS F." The portrait features Laura Dianti, mistress, and later wife of the Duke of Ferrara Alfonso I d'Este and an African page. She is dressed in a blue dress with her hand placed on the shoulder of her page as he looks up at her. The painting is possibly associated with a portrait of Alfonso I d'Este. It is also controversial in that it was used to contest the legitimacy of the pair's marriage after the duke's death. It traveled through many locations and was initially thought to be one of many copies until a restoration uncovered a signature by Titian.
The Martyrdom of Saint Lawrence is a Renaissance era oil painting by the Venetian artist Titian, dated from 1558. It depicts the Ancient Romans' murder of Saint Lawrence and was originally an altarpiece in the Church of Santa Maria Assunta dei Crociferi, although it is now in the church of I Gesuiti in Venice.
Saint Jerome in Penitence is a c. 1552 painting by Titian.
La Gloria is a painting by Titian, commissioned by Charles V in 1550 or 1551 and completed in 1554. It was first given this title by José Sigüenza in 1601 — it is also known as The Trinity, The Final Judgement, Paradise, and Adoration of the Trinity.
The Vision of Saint Eustace is a painting by Annibale Carracci, showing saint Eustace and his vision of a crucifix between the horns of a stag whilst out hunting. The saint is set in one of the first landscapes by either of the Carracci brothers, showing how he was influenced by Venetian landscape painting until about 1598 after a stay in the city in 1587 and 1588. Specific influences include Titian's Penitent Saint Jerome (Louvre) and the naturalism of Jacopo Bassano. Critics argue the composition is based on two prints by Cornelis Cort, a Flemish printer - Penitent St Jerome and The Vision of Saint Eustace. These prints were in turn based on ideas by the Lombard painter Girolamo Muziano, who was also influenced by Venetian models. The dogs and some other details are drawn from Saint Eustace, an engraving by Albrecht Dürer of the same subject.
Saint Jerome in Penitence or Penitent Saint Jerome is a c.1531 oil on canvas painting by Titian, now in the Louvre in Paris.
Madonna and Child with Saint Jerome and Saint Dorothy is a 1516 oil on canvas painting, now in the Kelvingrove Art Gallery and Museum in Glasgow, which purchased it from the McLellan collection in 1856. The Madonna's pose is based on that of Raphael's Esterhazy Madonna.
Madonna and Child with Four Saints or Madonna and Child with Saints John the Baptist, Paul, Mary Magdalene and Jerome is a c. 1516-1520 oil on panel painting by Titian, now in the Gemäldegalerie in Dresden. It belongs to the sacra conversazione genre and features saints John the Baptist, Paul, Mary Magdalene and Jerome.
Madonna and Child with Three Saints or Adoration of the Christ Child with Saints is a c.1519 oil on canvas painting by Titian, now in the Alte Pinakothek in Munich. From left to right the adoring saints are Francis of Assisi, Jerome and Anthony Abbot.
The Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice, also called the Virgin with Three Saints, is a religious painting by Titian which hangs in the Louvre in Paris.
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