Established | 1977 |
---|---|
Location | 520 S. First Street, San Jose, California 95113 United States |
Type | Art museum |
Collections | textiles, fiber arts |
Collection size | 1,000 |
Director | Kris Jensen (2023) |
Public transit access | Santa Clara station (VTA) San Jose Diridon station |
Website | sjquiltmuseum.org |
The San Jose Museum of Quilts & Textiles is an art museum in Downtown San Jose, California, USA. [1] Founded in 1977, the museum is the first in the United States devoted solely to quilts and textiles as an art form. [2] Holdings include a permanent collection of over 1,000 quilts, garments and ethnic textiles, emphasizing artists of the 20th- and 21st-century, and a research library with over 500 books concerning the history and techniques of the craft. [3]
The San Jose Museum of Quilts & Textiles (SJMQT) had its beginnings as the American Museum of Quilts and Related Arts, founded in Los Altos, California by the Santa Clara Valley Quilt Association in 1977. It was incorporated in 1986 as a nonprofit public benefit museum, managed by a board of trustees. It relocated several times until it moved into its 13,000 square feet (1,200 square metres) permanent home in San Jose's SoFA (South First Area) Arts District in 2005. [3]
Initially, the Permanent Collection consisted primarily of 19th and 20th century quilts gifted by members of the founding organization. By 1999, the museum obtained the Porcella Collection of Ethnic Textiles and Garments, increasing its collection by one-third. Today the Permanent Collection holds over 1,500 objects. During the museum's 40th anniversary, it was gifted the Marbaum Collection by Marvin Fletcher and his late wife. [4]
The museum provides exhibitions from around the world, focusing on the way people of many cultures use textiles to make their voices heard. Many of the artists on exhibit at the museum incorporate modern technology into the basic traditions of fiber art. Exhibitions and individual installations typically remain on view 3 months.
Exhibitions have included solo showings from contemporary Bay Area fiber artists, [5] [6] as well as broader surveys of international cultural traditions and their contemporary expressions. [7] In 2018, San Jose Museum of Quilts and Textiles held an exhibition, organized by the Studio Art Quilt Associates, that featured a number of quilts centered around the theme of gun violence called Guns: Loaded Conversations. [8] [9]
In its desire to engage with the local community, the museum has established programs for people to participate in as well as to learn more about quilts and textiles. Some of these programs have been created and operated in-house, such as their free community open houses. Other programs have been created in partnership with artists and other nonprofit organizations. [4]
The San Jose Museum of Quilts & Textiles' Artist in Residence program began in October 2016. It hosts an artist or collaborative group every three months, providing an onsite open studio and exhibition space during their three-month residency in the museum's Maker Space and Gallery. For Museum guests, the AIR program offers workshops that teach people various styles and techniques used in textile making. Past artists in residence have included Amy Ahlstrom, Cristina Velázquez, Laurie Shapiro, Heather Deyling, RoCoCo, The Rhinoceros Project - Michelle Wilson and Anne Beck (collaboration), Liz Harvey, Alise Anderson, Margaret Timbrell, Lisa Solomon, Alexander Hernandez, Amber Imire, Tricia Royal, Mung Lar Lam, and Christine Meuris. [10]
Wearable art, also known as Artwear or "art to wear", refers to art pieces in the shape of clothing or jewellery pieces. These pieces are usually handmade, and are produced only once or as a very limited series. Pieces of clothing are often made with fibrous materials and traditional techniques such as crochet, knitting, quilting, but may also include plastic sheeting, metals, paper, and more. While the making of any article of clothing or other wearable object typically involves aesthetic considerations, the term wearable art implies that the work is intended to be accepted as an artistic creation or statement. Wearable art is meant to draw attention while it is being displayed, modeled or used in performances. Pieces may be sold and exhibited.
The San José Museum of Art (SJMA) is a modern and contemporary art museum in downtown San Jose, California, United States. Founded in 1969, the museum holds a permanent collection with an emphasis on West Coast artists of the 20th and 21st centuries. It is located at Circle of Palms Plaza, beside Plaza de César Chávez. A member of North American Reciprocal Museums, SJMA has received several awards from the American Alliance of Museums.
Miriam Nathan-Roberts was a textile artist who specialized in Studio Art Quilting. Her work was centered on abstract "illusions of three dimensions on flat or semi-flat surfaces." Nathan-Roberts received many awards at the Quilt National over the years, including Best in Show, the People's Choice Award (1985), and the Juror's Award of Merit (2013); she served as Juror in 2005.
The Berkeley Art Museum and Pacific Film Archive are a combined art museum, repertory movie theater, and archive associated with the University of California, Berkeley. Lawrence Rinder was Director from 2008, succeeded by Julie Rodrigues Widholm in August, 2020. The museum is a member of the North American Reciprocal Museums program.
The Omaha Children's Museum is a nonprofit learning and exploration space for young people located at 500 South 20th Street in downtown Omaha, Nebraska. The museum has received a national award from the Association of Science and Technology Museums.
Adela Akers was a Spanish-born textile and fiber artist residing in the United States. She was Professor Emeritus at the Tyler School of Art. Her career as an artist spans the "whole history of modern fiber art." Her work is in the Renwick Gallery, the Metropolitan Museum of Art and the Museum of Art and Design. Her papers are at the Archives of American Art.
Polly Barton is an American textile artist.
Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.
Oceanside Museum of Art is a fine arts museum located at 704 Pier View Way, Oceanside, California in northern San Diego County, California. The museum began holding exhibits in 1995, with a dedicated facility opening on October 6, 1997. It is housed in two buildings designed by Irving Gill and Frederick Fisher, modernist architects from southern California.
Linda MacDonald was born in 1946, in Berkeley, California. She is a multimedia artist who was at the forefront of the studio quilt art movements. She has been called a "fine artist [who works] with quilting techniques."
The Institute of Contemporary Art San José (ICA) is a nonprofit art center and gallery founded in 1980, and located in the SoFA District of Downtown San Jose, California, U.S. It supports contemporary artists working in painting, printmaking, sculpture, photography, new media works and site-specific installations. ICA San José is member and community supported. The art center offers rotating art exhibitions with free admission, along with public programs, education programs, and community events.
Wini "Akissi" McQueen is an American quilter based in Macon, Georgia. Her artistic production consists of hand-dyed accessories and narrative quilts. Her techniques for her well-known quilts include an image transferring process. In her work, she tackles issues of race, class, society, and women. Her quilts have featured in many museum exhibitions, including the Museum of African American Folk Art, the Taft Museum, the Bernice Steinbam Gallery, and the William College Art Museum. In 2020, her quilts were featured in a retrospective dedicated to her textile art at the Museum of Arts & Sciences in Macon, GA.
Lia Cook is an American fiber artist noted for her work combining weaving with photography, painting, and digital technology. She lives and works in Berkeley, California, and is known for her weavings which expanded the traditional boundaries of textile arts. She has been a professor at California College of the Arts since 1976.
Jane Dunnewold is an American textile artist and author. She was previously the president of the Surface Design Association.
Priscilla Kepner Sage is an American textile and fiber artist. She is an associate professor emeritus of art at Iowa State University. Sage's work can be found in the permanent collections of the National Quilt Museum, Brunnier Art Museum, Museum of Quilts and Textiles and the Yamanashi Prefecture International Center in Kofu, Japan. Sage's suspended sculpture, two dimensional, and bas relief work, can be found in permanent corporate, residential, and healthcare collections throughout the United States and abroad.
Joan Schulze is an American artist, lecturer, and poet. Schulze's career spans over five decades: she is best known for her work of contemporary quilts, fiberarts, and collage. Schulze has been named a “pioneer of the art quilt movement,” and her influence has been compared to that of Robert Rauschenberg’s. Her work is in galleries and private collections worldwide including the Renwick Gallery/Smithsonian Institution in Washington DC, the Museum of Arts and Design in New York, & the Oakland Museum of California.
Lillian Wolock Elliott (1930–1994) was an American fiber artist, and textile designer. She is known for her innovative basket craft.
Heather Goodchild is a Canadian artist and costume designer who produces paintings and textile art installations. She has exhibited in Berlin, Los Angeles, Miami, New York, Toronto and throughout Canada. Recurring themes in her work include symbolism, rituals, regalia, societies, traditions, morality, and personal fulfilment.
Linda Gass is an American environmental activist and artist known for brightly colored quilted silk landscapes, environmental works, and public art sculptures, which reflect her passion for environmental preservation, water conservation and land use.
Mary Balzer Buskirk was an American textile artist known for being part of the Mid-century modern movement creating fiber art outside the applied textile tradition.