The Zombies are an English rock band formed in St Albans in 1961. Led by keyboardist/vocalist Rod Argent and lead vocalist Colin Blunstone, the group had their first British and American hit in 1964 with "She's Not There". In the US, two further singles—"Tell Her No" in 1965 and "Time of the Season" in 1968—were also successful.
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown group the Supremes, reaching number one on the Billboard Hot 100.
Colin Edward Michael Blunstone is an English singer and songwriter. In a career spanning more than 60 years, Blunstone came to prominence in the mid-1960s as the lead singer of the rock band the Zombies, which released four singles that entered the Top 75 charts in the United States during the 1960s: "She's Not There", "Tell Her No", "She's Coming Home" and "Time of the Season". Blunstone began his solo career in 1969, releasing three singles under a pseudonym of Neil MacArthur. Since then, he has released ten studio albums under his real name. He was also a recurring guest vocalist with the Alan Parsons Project, appearing on four of their albums between 1978 and 1985.
"Time of the Season" is a song by the British rock band the Zombies, featured on their 1968 album Odessey and Oracle. It was written by keyboardist Rod Argent and recorded at Abbey Road Studios in September 1967. Over a year after its original release, the track became a surprise hit in the United States, rising to number three on the Billboard Hot 100 and number one on the Cashbox chart. It has become one of the Zombies' most popular and recognizable songs, and an iconic hit of 1960s psychedelia.
"The Boy Is Mine" is a duet by American singers Brandy and Monica. It was written by LaShawn Daniels, Japhe Tejeda, Fred Jerkins III, Rodney "Darkchild" Jerkins, and Brandy, while production was helmed by Jerkins and Dallas Austin. It was released as the lead single from both singers' second albums from 1998, Never Say Never by Brandy and the album of the same name by Monica. Inspired by Michael Jackson and Paul McCartney's 1982 duet "The Girl Is Mine", the lyrics of the mid-tempo R&B track revolve around two women fighting over a man.
"The Tracks of My Tears" is a song written by Smokey Robinson, Pete Moore, and Marv Tarplin. It is a multiple award-winning 1965 hit R&B song originally recorded by their group, the Miracles, on Motown's Tamla label. The Miracles' million-selling original version has been inducted into The Grammy Hall of Fame, has been ranked by the Recording Industry Association of America and The National Endowment for the Arts at No. 127 in its list of the "Songs of the Century" – the 365 Greatest Songs of the 20th Century, and has been selected by Rolling Stone as No. 50 on its list of "The 500 Greatest Songs of All Time", among many other awards. In 2021, Rolling Stone ranked the Miracles' original recording of "The Tracks of My Tears" as "The Greatest Motown Song of All Time".
"Smooth" is a song performed by American rock band Santana and Rob Thomas of Matchbox Twenty, who sings the lead vocals. It was released to radio on June 15, 1999, as the lead single from Santana's 1999 studio album, Supernatural. It was physically released as a single in August. It was written by Itaal Shur and Thomas, who re-wrote Shur's original melody and lyrics, and produced by Matt Serletic.
"Maria Maria" is a song by American rock band Santana featuring the Product G&B, included on Santana's 18th studio album, Supernatural (1999). The song was written by Wyclef Jean, Jerry "Wonda" Duplessis, Carlos Santana, Karl Perazzo, and Raul Rekow, while Jean and Duplessis produced it. The track samples the drum beat from "God Make Me Funky" by American jazz fusion band the Headhunters, and the melody riff was inspired by the Wu-Tang Clan song "Wu-Tang Clan Ain't Nuthing ta Fuck Wit". Interspersed with guitars and other strings, "Maria Maria" is driven by a hip hop beat. At the 2000 Grammy Awards, the song won Best Pop Performance by a Duo or Group with Vocals before it experienced commercial success.
"Silly Love Songs" is a song by the British–American rock band Wings that was written by Paul and Linda McCartney. The song first appeared in March 1976 on the album Wings at the Speed of Sound, then it was released as a single backed with "Cook of the House" on 1 April in the US, and 30 April in the UK. The song, which features disco overtones, was seen as being written in response to music critics accusing McCartney of predominantly writing "silly love songs" and "sentimental slush"; however, McCartney has since clarified that the song was actually directed to John Lennon who accused him of writing such songs.
"To Sir with Love" is the theme from James Clavell's 1967 film To Sir, with Love. The song was performed by British singer and actress Lulu, and written by Don Black and Mark London. Mickie Most produced the record, with Mike Leander arranging and conducting. The song peaked at the top of the Billboard Hot 100, and became the best-selling single of 1967 in the United States.
"Walkin' on the Sun" is a song by American rock band Smash Mouth from their first album, Fush Yu Mang (1997). Smash Mouth released it as their debut single in June 1997, the song was Smash Mouth's first major single, reaching No. 1 on the US Billboard Modern Rock Tracks chart and No. 2 on the Billboard Hot 100 Airplay chart. It was also a success abroad, peaking at No. 3 in Canada and Iceland, No. 5 in Italy and Spain, and No. 7 in Australia, where it is certified platinum for shipments exceeding 70,000 units.
"Tell Her No" is a hit single written by Rod Argent and included by English rock band the Zombies on their debut album The Zombies in 1965. It peaked at No. 6 on the Billboard Hot 100 chart in the United States in March 1965 and was one of three big American hits by the Zombies. "Tell Her No" was only a minor hit for the Zombies in their native Britain, where it peaked at No. 42 on the UK Singles Chart in February 1965.
"Goin' Out of My Head" is a song written by Teddy Randazzo and Bobby Weinstein, initially recorded by Little Anthony and the Imperials in 1964. Randazzo, a childhood friend of the group, wrote the song especially for them, having also supplied the group with their previous Top 20 Hit "I'm on the Outside ". Their original version of the song was a Billboard Top 10 Pop smash, reaching No. 6 on the Billboard Hot 100, and No. 1 in the Canadian RPM-list in 1965. The song peaked at No. 8 on Cashbox magazine's R&B chart. The Little Anthony and the Imperials original recording is the best-known version of the song, although it has since been covered by many other artists, including the Zombies, who released a rendition as their last single on Decca Records.
"Hold On" is a song written and first recorded by the Canadian singer and songwriter Ian Thomas, on his 1981 album The Runner. His version reached No. 28 on the Canadian pop singles chart.
"Hold Your Head Up" is a song by the English rock band Argent, first released as a single in 1971. The song was a Top 5 hit in the US, the UK, and the Canadian charts, peaking at No. 5 in all three countries. However, it was the band's only song to chart on the Billboard Hot 100. Billboard ranked it as the No. 50 song for 1972. The song appeared on the third Argent album All Together Now (1972).
"Just Out of Reach" is a song written by singer Colin Blunstone, first recorded by his band the Zombies in 1965. In 1965, it was clear that the Zombies were going to be featured in Otto Preminger's 1966 movie Bunny Lake Is Missing. Therefore, the band had struck a deal with Preminger; he wanted three new songs by the group, recorded in the span of only ten days. During this time, the band's primary songwriters, keyboardist Rod Argent and bassist Chris White suffered somewhat from writer's block. Although White had already managed to come up with two songs, "Remember You" and "Nothing's Changed", the third song was still missing, much to the group's disappointment. Therefore, Blunstone was tasked with the final song.
"Leave Me Be" is a song by the English rock band the Zombies. Written by Chris White, the band's bass guitarist, "Leave Me Be" was released on a non-album single in October 1964. Following the release of the band's debut single "She's Not There" in July 1964, White wrote a handful of songs in between performances during the band's heavy schedule. Most of the work on the song occurred in August 1964, when the Zombies recorded both a demo and the backing track for it. The instrumentation largely differs from both earlier and later Zombies records; it features electric organ played by Rod Argent, compared to his previous usage of the electric piano. Together with record producer Ken Jones, they returned in September to finish the vocal track, which was disliked by most band members for its similarity to "She's Not There"; the vocals would eventually be re-recorded a few months later.
"She's Coming Home" is a song written by keyboardist Rod Argent recorded by his band the Zombies. The song has early origins in Argent's life; he lifted segments from the 1946 song "Magnificat and Nunc dimittis" which he had heard in boy choir. Characterized by its unusual chord progression, the song was recorded on 2 March 1965 during a three-hour session held at Decca Studios along with several other tracks, all of whom were by their standard producer Ken Jones, who knew what Argent had looked for in the song and attempted to produce it in that style.
"I Want You Back Again" is a song written by keyboardist Rod Argent and originally recorded by his band the Zombies. Initially laid down during a session at Decca Studios on 25 November 1964, the group was unsatisfied with the result and the song was not re-recorded until 2 March 1965, together with several other songs. The song largely departs from the soft rock sound of their earlier singles and ventures into jazz rock. Characterized by an unusual rhythmic melody, the song was liked by lead vocalist Colin Blunstone, who didn't like the genre.
"Whenever You're Ready" is a song written by English keyboardist Rod Argent, first recorded by his band the Zombies. Following an American tour in April 1965 supporting their then single "She's Coming Home", the band were disappointed in finding out it had been a chart failure. After the follow-up "I Want You Back Again" was an even less commercial song, pressure from the group's management came forward in order for them to write a commercial song in the style of their earlier singles, which had been hits.
