The Cure are an English rock band formed in Crawley, West Sussex in 1976 by guitarist, lead vocalist, and main songwriter Robert Smith and drummer Laurence Tolhurst. Throughout numerous lineup changes since the band's formation, including stints of guitarist Porl Thompson and drummer Boris Williams, Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. The band's current line-up features Smith and Gallup alongside longtime members, Roger O'Donnell (keyboards), Perry Bamonte (guitar), Jason Cooper (drums) and Reeves Gabrels (guitar).
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.
Kiss Me, Kiss Me, Kiss Me is the seventh studio album by English rock band the Cure, released on 26 May 1987 by Fiction Records. The album was recorded at Studio Miraval in Correns, France.
Bloodflowers is the eleventh studio album by English rock band The Cure. It was first released in Japan on 2 February 2000, before being released in the UK and Europe on 14 February 2000 and then the day after in the US by Fiction Records and Polydor Records. Initially the album was to be released in 1999, as it had been completed by May that year, but the record company wanted it to be released “post millennial fever.”
Pornography is the fourth studio album by English rock band the Cure, released on 4 May 1982 by Fiction Records. Preceded by the non-album single "Charlotte Sometimes", it was the band's first album with new producer Phil Thornalley, and was recorded at RAK Studios from January to April 1982. The sessions saw the band on the brink of collapse, with heavy drug use, band in-fighting, and frontman Robert Smith's depression fueling the album's musical and lyrical content. Pornography represents the conclusion of the Cure's early dark, gloomy musical phase, which began with their second album Seventeen Seconds (1980).
The Top is the fifth studio album by English rock band the Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 13 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Galore: The Singles 1987–1997 is the second singles compilation by The Cure and was released on 28 October 1997. It contains singles from the years 1987–1997. The song "Wrong Number" is the only new song on the album. The album cover features Isabel Caroline Slark photographed by Ralph John Perou c.1997.
Standing on a Beach is a greatest hits album by English rock band the Cure, released in the United States on 15 May 1986 by Elektra Records and in the United Kingdom on 19 May 1986 by Fiction Records, marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, "Killing an Arab".
"Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This latter version of the song became a number-one hit on the Billboard Hot 100.
"Lovesong" is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on the Billboard Hot 100. In the United Kingdom, the single charted at number 18, and it peaked within the top 20 in Canada and Ireland.
"There Is a Light That Never Goes Out" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and lead vocalist Morrissey. Featured on the band's third studio album The Queen Is Dead (1986), it was not released as a single in the United Kingdom until 1992, five years after their split, to promote the compilation album ...Best II. It peaked at No. 25 on the UK Singles Chart and No. 22 on the Irish Singles Chart. The song has received considerable critical acclaim; in 2014, NME listed it as the 12th-greatest song of all time. In 2021, it was ranked at No. 226 on Rolling Stone's list of the "500 Greatest Songs of All Time".
"Mint Car" is a song by English rock band the Cure, released as the second single from their tenth studio album Wild Mood Swings in June 1996. It reached the top 20 in Finland and Iceland and peaked at number 31 on the UK Singles Chart.
"Let's Go to Bed" is a song by English rock band the Cure, released as a stand-alone single by Fiction Records in November 1982. In the aftermath of the dark Pornography, Robert Smith returned from a month-long detox in the Lake District to write the song, the antithesis to what the Cure currently represented. It was later included on the album Japanese Whispers, which compiles the band's three singles from 1982 to 1983 and their five B-sides.
"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.
"Friday I'm in Love" is a song by British rock band the Cure. Released as the second single from their ninth studio album, Wish (1992), in May 1992, the song became a worldwide hit, reaching number six in the UK and number 18 in the United States, where it also topped the Modern Rock Tracks chart. It also won the award for European Viewer's Choice for Best Music Video at the 1992 MTV Video Music Awards.
"I'll Sleep When I'm Dead" is a song by American rock band Bon Jovi. It was released on July 26, 1993 by Mercury and Jambco, as the fourth single from their fifth studio album, Keep the Faith (1992). The song was written by Jon Bon Jovi, Richie Sambora, and Desmond Child. "I'll Sleep When I'm Dead" reached No. 17 on the UK Singles Chart, No. 97 on the US Billboard Hot 100, and No. 29 on the Billboard Album Rock Tracks charts. The grave of the Doors' lead singer Jim Morrison was featured in the song's music video.
4:13 Dream is the thirteenth studio album by English rock band the Cure, released on 27 October 2008 by Suretone and Geffen Records. The album was preceded by four singles, all of which were released on 13th of each month, starting in May with "The Only One" and ending in August with "The Perfect Boy".The band also released a remix EP in September, also on the 13th, titled Hypnagogic States (2008).
"Freakshow" is a single by English rock band the Cure which was released on 13 June 2008 on Geffen Records in the United Kingdom. In the United States, the single was released three days early, on 10 June because of the tradition of releasing songs on a Tuesday. It is the second single from the band's thirteenth album 4:13 Dream (2008).
