The ground of the parish of Henfield is mostly composed of Weald clay, but towards the centre of the parish are low ridges of plateau gravel lying on Lower Greensand. On one of these, near the old road that ran from Eatons, near Ashurst, to Hurstpierpoint, stands the church of St Peter, rather to the north-west of most of the village's older buildings. The first St. Peter's Church, probably built on the same spot, was founded by thegn Waerbald and his wife Tidburg, to whom Osmund, king of Sussex, granted 15 hides of land for that purpose in the year 770.[1][2] It has been suggested that this church was a minster, i.e. that it held a community of clergymen, but this remains a disputed point.[3]
The 15 hides granted by Osmund can presumably be identified with the lands which appear after the Conquest as Stretham (or Henfield) manor, Oreham manor, Henfield park, and the rectory estate. The early history of Stretham manor, consisting of the church itself and most of the southern and central parts of Henfield parish along with outlying parts in neighbouring parishes, shows the close connection between St Peter's, Henfield and its bishops. By 1066 Stretham manor was the property of the bishopric of Selsey, and in 1086 Domesday Book records it as belonging to the bishopric of Chichester (to which the see had been moved in 1075).[4][5] The bishops of Chichester kept a house on this estate which in the later Middle Ages served as Henfield's main courthouse. A farmhouse comprising one wing of the original house still survives under the name Stretham Manor.[4][6][7] A vicarage was ordained in 1219, by which date the rectory had become a prebend of Chichester Cathedral, further strengthening the links between St Peter's and its see.[3]
The Saxon church survived at least as late as Domesday Book, but nothing now remains of it.[8] Perhaps around 1200–1220, and certainly no later than 1250, it had been replaced by a simple nave and chancel built of Caen stone, a kind of Middle Jurassic limestone quarried in Normandy.[9][10][11][12] The chancel arch from this building can still be seen, as can two lancet windows in what is now the vestry.[13] Two aisles to north and south were built later in the 13th century, and in the 14th century the porch and the arches separating the nave from the aisles were added. There was much further building in the 15th century: the tower, a westward extension of the nave, and north of the chancel a new chapel, known as the Parham chapel.[14] This last may have been the work of Thomas Beckington, Prebendary of Henfield from 1438 to 1443.[15] In 1530 the dedication of the church, which is usually given as being to St Peter, was recorded as being to Sts Peter and Paul. In 1627 two dormer windows were added to the north aisle; those in the south aisle are of uncertain date but may be from the same period. A gallery on the south side of the church is recorded as being in place in 1718.[14]
St Peter's and one of its churchwardens featured in a court case in 1607 involving the theft of a bell from St Leonard's Church, Aldrington, a parish church a few miles away.[16][17]Aldrington parish was then depopulated and the church was ruinous, and arrangements were made to sell its bell. Although this arrived at St Peter's, "it did not travel to Henfield with the consent of the Aldrington parishioners": the churchwarden admitted helping to steal it, and "the authorities at Henfield Church admitted that they had received 650 pounds (290kg) of bell material" which was used to cast a new bell for the tower. They agreed to pay compensation of £16.5s. to Aldrington parish.[16][17]
The 19th century saw extensive rebuilding of the fabric of the church. First of all the south aisle, which had been said to be badly out of repair as early as 1637, was replaced before 1833 at the expense of the notable botanist William Borrer, a local resident, and a gallery was included for the use of schoolchildren. In 1855 the tower was restored by an unknown architect.[14][8] In 1870 and 1871 a large-scale restoration was undertaken to the designs of the architects William Slater and Richard Carpenter. Most of the walls were refaced with flint, the chancel was lengthened eastward and raised in height, a new south chancel chapel was built, both aisles were entirely rebuilt, the roof of the nave was opened up and new clerestory lancet windows installed.[8][14][18]
St Peter's Church was designated a Grade II* listed building on 15 March 1955.[19] Such buildings are defined as being "particularly important ... [and] of more than special interest".[20] In February 2001, it was one of 54 Grade II* listed buildings, and 1,028 listed buildings of all grades, in the district of Mid Sussex.[21] In 2008 a new stone floor was laid, under-floor heating installed, and the 19th-century pews were replaced with chairs.[18][22]
Related buildings
Seen from the north-east
The prebend is recorded in 1341 as consisting of a house and garden with 60 acres of land. About 1520 it became the property of the diocese, but a few years later in 1533 it was leased for 80 years to Thomas Bishop, lawyer to Bishop Robert Sherburne. From him the lease passed first to his son Sir Thomas Bishop, then to the second Thomas's younger son Henry Bishop, Postmaster General of England, who was temporarily deprived of it during the Commonwealth period.[23] Parsonage House, the successor of the original prebend house, was built in the 16th century or earlier but was refronted in the 18th century; it still stands in Church Street.[24]
A vicarage house appears in documents of 1481, 1529, 1636 and 1724, but the present vicarage was built c. 1806 and enlarged c. 1850.[3]
In 1812 a church school for boys was opened in Henfield. Its successor, St Peter's Church of England Primary School, occupies buildings on the north-west edge of the village which were built in 1957 and extended in 1983.[25]
An iron mission room capable of seating 60 was built on Oreham Common in 1891, but, services there being very badly attended, it was demolished before 1909.[14]
Architecture and fittings
The church tower and some of the churchyard's 104 clipped yews
The church of St Peter as it stands today consists of a nave with north and south aisles and transepts, a chancel flanked by a chapel to the north and a vestry to the south, a porch and a tower. The nave dates from the 13th century, though whether early or late is disputed. The chancel arch, though 13th century, was rebuilt in the 19th. The aisles and chancel are products of the 1870–1871 restoration.[14][8] The 15th-century Parham chapel is remarkable for its east window, a lovely example of the Gothic style of Henry VI's reign.[26][27] The tower is in a rather austere version of the Perpendicular style, "as grim", Pevsner says, "as it would be in Northumberland".[28]
During the restoration work of 1870–1871 some murals were uncovered, the most interesting of which, found on the church's north wall, was on a heraldic subject. Medieval murals are quite common in Sussex churches, but this one was dated as late as 1694.[29][30] There was also formerly a painting of the Decalogue, Creed and Lord's Prayer with cherubs and angels, dating from 1897, which hung in the Parham chapel until the 1950s.[31]
The church's notable fittings include an octagonal font, dated variously to the early 13th century or to the 15th century, a 14th-century iron-bound chest, and, in the Parham chapel, a reredos carved by Frank Ernest Howard with figures of the patron saints of the four countries of the United Kingdom.[26][8] The chapel screen, in the arch between the Parham chapel and the north aisle, was executed by Frances E. Allen in 1969, but it incorporates 15th-century work. There are eight 18th-century bells, said to give "one of the best rings in the county".[13][14] The plate is of a similar date, consisting of a salver (1704), flagon (1732), chalice (1733), and two patens and an almsdish (1753).[28] The modern kneelers illustrate in tapestry the animal and plant life of Henfield parish in almost 300 different designs.[32]
There are two brasses. One, in the vestry, shows Ann Kenwellmersh (d. 1633) with her hand on the head of her nine-year-old grandson Menelab Rainsford (d. 1627). The other, in the Parham chapel, is of Thomas Bishop (d. 1559), the first of the family to lease the rectory.[8][26] Also in the Parham chapel is a monument to Thomas's grandson Henry Bishop, the Postmaster General. Two memorial tablets inside the church, on the right as you walk through the door from the porch, name the 60 men of the parish who died in the First World War, and the 14 who died in the Second World War.[33][34]
St Peter's Church is notable for the quality of its stained glass,[22] which includes work by some of the best-known designers in late 19th-century and early 20th-century England. In the north aisle the second window, depicting Fortitude and Charity, was produced c. 1907 by the firm of James Powell and Sons, and the first window (St Luke and St Paul) was designed by the Sussex artist Charles Eamer Kempe in 1903.[35] The north transept's north window was made in 1928 by Kempe and Co after Kempe's death; its east window (Madonna and Child, and St Nicholas with children) by Frederick Charles Eden, a Brighton man, in 1935.[35][36] In the Parham chapel, the north window is full of local interest, its five lights depicting Lancelot Andrewes, St Richard of Chichester, St Peter (the dedicatee of the church), St Wilfrid (whom Gibbon called the Apostle of Sussex), and St Augustine of Canterbury. It was produced by Kempe and Co in 1920.[35][37] The chapel's east window, in four lights, is a 1921 work by Geoffrey Fuller Webb.[35] It shows the Captain of the Host of the Lord appearing to Joshua before Jericho (Joshua 5:13–15), and St John the Divine writing about the Holy City.[38]
Between the chapel and the chancel are glass windows engraved with agricultural scenes, which were installed in 1969.[13] The five-light east window of the chancel was designed by Kempe in 1874 or 1875, and shows a Nativity scene, the Crucifixion, and several saints.[35][8] In the vestry, which is kept locked, is a striking, quasi-Art Nouveau depiction of Mary Magdalene over the text "She hath done what she could" (Mark 14:8). It was produced by Lowndes and Drury, to a design attributed by one authority to Mary Lowndes, by another to Isobel Lilian Gloag. According to the art historian Peter Cormack it was designed by Gloag and painted by Lowndes.[22][8][28]
An adjoining office, also locked, has the oldest stained glass in the church, a depiction of Jesus preaching the Sermon on the Mount installed in 1872. Its style suggests it is the work of Clayton and Bell. The three-light south transept window (St Oswald, St George and St Edmund) is by Kempe and Co, 1916. The south aisle's first window by Charles Eamer Kempe, 1898, shows the Annunciation. The second window, designed by Mary Lowndes and produced by James Powell and Sons in 1891, is on the theme "Suffer the little children to come unto me" (Mark 10:14). Finally the west window, which is not accessible to the public, depicts St Michael, St George and St Raphael. It was made in 1896 and is once again the work of Charles Eamer Kempe.[35]
Today
Since 1978 St Peter's, Henfield has formed part of the united benefice of Henfield with Shermanbury and Woodmancote, but it remains a distinct parish.[3] The parish is served by a vicar, an assistant priest and an assistant curate. Holy Communion is celebrated on Sunday at 10.00 a.m., sometimes with the Book of Common Prayer liturgy and sometimes with Common Worship, except on the first Sunday of every month when there is a family-friendly service without Communion.[22] There are also sometimes services earlier on Sunday morning, and at 6.30 on Sunday evening. Holy Communion is celebrated on Wednesday at 10.30 a.m. and on Thursday at 7.15 p.m., and services are regularly conducted in two local care homes.[39] The church is open to visitors every day from 8.00 a.m. to 6.00 p.m.[22]
Charles Eamer Kempe was a Victorian designer and manufacturer of stained glass. His studios produced over 4,000 windows and also designs for altars and altar frontals, furniture and furnishings, lichgates and memorials that helped to define a later nineteenth-century Anglican style. The list of English cathedrals containing examples of his work includes: Chester, Gloucester, Hereford, Lichfield, Wells, Winchester and York. Kempe's networks of patrons and influence stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde.
St Leonard's Church is an Anglican church in Hove, in the English city of Brighton and Hove. It is on New Church Road in the Aldrington area of Hove, which was previously a separate village, and it serves as Aldrington's parish church. The church was on Church Road but now stands on New Church Road, renamed in reference to the other church which was started in 1894 as a chapel of ease.
St Wulfran's Church, dedicated to the 7th-century French archbishop Wulfram of Sens, is an Anglican church in Ovingdean, a rural village now within the English city of Brighton and Hove. Parts of the structure date from the early 12th century, and the church is listed at Grade I, a designation used for buildings "of outstanding architectural or historic interest".
St Peter's Church is an Anglican church in the West Blatchington area of Hove, part of the English city of Brighton and Hove. Although it has 11th- and 12th-century origins, the church was rebuilt from a ruined state in the late 19th century and extended substantially in the 1960s, and little trace remains of the ancient building. The church serves the parish of West Blatchington, a residential area in the north of Hove near the border with Brighton.
St Nicolas Church is an Anglican church in the Portslade area of the English city of Brighton and Hove. It has 12th-century origins, and serves the old village of Portslade, inland from the mostly 19th-century Portslade-by-Sea area.
St Philip's Church is a Church of England parish church in Hove, in the city of Brighton and Hove, England. It was opened in 1895 and consecrated in 1898 on New Church Road, near Aldrington's parish church of St Leonard's. It has come under threat of closure but is still active as of 2012. It is a Grade II listed building.
St Peter's Church is a former Anglican church in the Preston Village area of Brighton, in the English city of Brighton and Hove. The 13th-century building, standing on the site of two older churches, was restored in the late 19th century and again after a serious fire in 1906. It was the parish church of Preston until 1908, when the newly built St John the Evangelist's Church gained this status. The Diocese of Chichester declared St Peter's redundant in 1990, and it is now owned by the Churches Conservation Trust. It has Grade II* listed status, reflecting its architectural and historical importance.
St Peter's Church is a Roman Catholic church in the Aldrington area of Hove, part of the English city of Brighton and Hove. It is one of three Roman Catholic churches in Hove and one of eleven in the wider city area. Built between 1912 and 1915 in a red-brick Romanesque style, its tall campanile forms a local landmark. It has been listed at Grade II by English Heritage in view of its architectural importance.
St Michael and All Angels Church is an Anglican church in the town of Southwick in the district of Adur, one of seven local government districts in the English county of West Sussex. Some Saxon-era structural work is still visible despite rebuilding work in the 12th and 13th centuries and in more recent times; and a church may have existed on the site as early as the 10th century—before the ancient settlement of Southwick even took that name. The church has been damaged by fire and bombing, but is still in active use as the area's parish church. English Heritage has listed it at Grade II* for its architectural and historical importance.
Holy Trinity Church is an Anglican church in the village of Cuckfield in the district of Mid Sussex; one of seven local government districts in the English county of West Sussex. It was founded in the 11th century and was in the possession of Lewes Priory by 1090. The present structure dates from the mid-13th century but was extended in the 14th century and heavily altered and restored during the Victorian period, with much interior work by Charles Eamer Kempe and stained glass by both Kempe and the Clayton and Bell firm. The church's spire was replaced in 1981 following a fire. Former chapels of ease in outlying hamlets have closed, and the church now serves a large rural area in the centre of Sussex. It is protected as a Grade I listed building.
St Mary's Church is an Anglican church in the village of Slaugham in Mid Sussex, one of seven local government districts in the English county of West Sussex. The 12th- and 13th-century church, restored in the Victorian era, serves a large rural area of the Sussex Weald, covering three villages as well as the ancient settlement of Slaugham. It also controlled the church in the market town of Crawley—now one of the area's largest towns—for the first few centuries of its existence. A locally important family built a private chapel in the church in the 17th century, and a series of memorials to deceased family members are considered to be excellent examples of their type. English Heritage has listed the building at Grade II* for its architectural and historical importance.
St John the Baptist's Church is the Church of England parish church of the village of Clayton in Mid Sussex District, one of seven local government districts in the English county of West Sussex. The small and simple Anglo-Saxon building is distinguished by its "remarkable" and extensive set of wall paintings, dating from the early 12th century and rediscovered more than 700 years later. Much of the structural work of the church is 11th-century and has had little alteration. The church, which stands in the middle of a large churchyard and serves the small village of Clayton at the foot of the South Downs, is part of a joint parish with the neighbouring village of Keymer—an arrangement which has existed informally for centuries and which was legally recognised in the 20th century. English Heritage has listed the church at Grade I for its architectural and historical importance.
North Stoke Church, rededicated in 2007 to St Mary the Virgin after its medieval dedication was unexpectedly rediscovered, is a former Church of England parish church in the riverside hamlet of North Stoke in the Horsham District of West Sussex. The partly 11th-century cruciform building, set in an almost deserted village in a loop of the River Arun, is mostly unrestored and stands on an ancient earthwork which has pre-Christian origins. The building has architectural features and internal fittings spanning hundreds of years, including some very old stained glass and wall paintings, although there are few memorials compared with other Sussex churches of a similar age. The church, "movingly eloquent of centuries of remote Sussex agricultural life", is no longer used for worship: it was declared redundant in 1992, after which it was entrusted to the Churches Conservation Trust. English Heritage lists the church at Grade I for its architectural and historical importance.
St Mary Magdalene's Church is the former Anglican parish church of the hamlet of Tortington in the district of Arun, one of seven local government districts in the English county of West Sussex. Founded in the 12th century to serve a priory and villagers in the riverside location, it has experienced little change despite a 19th-century restoration. Its ancient chancel arch and doorway have remarkable carvings with "grotesque, boggle-eyed monsters", rare beakhead figures and chevron ornamentation. Standing in a picturesque setting behind a farm, the flint and Caen stone building was used for worship until 1978, when it was declared redundant. It is now cared for by the Churches Conservation Trust, and English Heritage has listed it at Grade II for its architectural and historical importance. The church is dedicated to Jesus' companion Mary Magdalene.
Cox & Barnard Ltd was a stained glass designer and manufacturer based in Hove, part of the English city of Brighton and Hove. The company was founded in Hove in 1919 and specialised in stained glass for churches and decorative glass products. Many commissions came from Anglican and Roman Catholic churches in the English counties of East Sussex, West Sussex and Kent. The company was also responsible for six war memorial windows at an Anglican church in Canada, made from shards of glass collected from war-damaged church windows across Europe.
St Mary's Church is the Grade I listed Anglican parish church of West Chiltington, a village in the Horsham district of West Sussex, England. The 12th-century building, described as a "showpiece" and "the most attractive part" of the Wealden village, retains many features of historical and architectural interest. These include an exceptionally long hagioscope or squint from the south aisle into the chancel, a porch which may be Sussex's oldest, and a well preserved and extensive scheme of wall paintings. In the Sussex volume of The Buildings of England, Ian Nairn says that the appearance of the church gives "a very happy, unexpected effect, like a French village church".
St Margaret's Church is an Anglican church in the village of West Hoathly in Mid Sussex, one of seven local government districts in the English county of West Sussex. By the late 11th century, a simple single-room stone building existed on the high, open ridge upon which the village developed. A series of medieval expansions doubled its size by the 15th century, and the present building has changed little since then—despite a Victorian restoration overseen by architect R. H. Carpenter. A major addition was the heavily buttressed Perpendicular Gothic west tower, topped with a tall broach spire and containing a peal of ancient bells. The large, steeply terraced churchyard also serves as a public cemetery and has far-reaching views across the Weald. The original dedication to Saint Margaret of Antioch fell out of use for many centuries until a researcher rediscovered it. The church serves a large rural parish which was reduced in size in 1882 when two residents of the hamlet of Highbrook paid for an additional church to be built there. English Heritage has listed it at Grade I for its architectural and historical importance.
St Mary and St Peter's Church is in the village of Wilmington, East Sussex, England. It is an active Anglican parish church on the deanery of Lewes and Seaford, the archdeaconry of Lewes and Hastings, and the diocese of Chichester. Founded in the late 11th century to serve villagers in a rural area at the foot of the South Downs, it also functioned as a priory church for the monks from the adjacent Wilmington Priory, to which it was physically connected. The building has "benefited from sympathetic restoration" over the centuries—including a series of works by prominent architects Paley and Austin in the Victorian era, and internal renovation after a fire in the early 21st century. The church is recorded in the National Heritage List for England as a designated Grade I listed building.
St Giles' Church is an Anglican church in the village of Horsted Keynes in Mid Sussex, one of seven local government districts in the English county of West Sussex. Serving an extensive rural parish in the Sussex Weald, it stands at the north end of its village on the site of an ancient pagan place of worship. The present building succeeds the original wattle and daub church, its wooden successor and a Saxon stone building—although the Norman architects who erected the cruciform structure in the 12th century preserved parts of the Saxon fabric.
↑ Fryde, E. B.; Greenway, D. E.; Porter, S.; Roy, I., eds. (1986). Handbook of British Chronology (3rded.). London: Offices of the Royal Historical Society. p.272. ISBN0861931068. Retrieved 12 August 2017.
↑ "St Peter's C of E Primary School". St Peter's Church, Henfield, with St Giles', Shermanbury, and St Peter's, Woodmancote. 2017. Retrieved 13 August 2017.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
