The Glass House | |
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General information | |
Location | Fulham, London, England |
Address | 9, 10, 11, 12 Lettice Street |
Coordinates | 51°28′27″N0°12′16″W / 51.4742°N 0.2044°W Coordinates: 51°28′27″N0°12′16″W / 51.4742°N 0.2044°W |
Completed | 1906 |
Technical details | |
Floor count | 2 |
Design and construction | |
Architect | Charles Henry Bourne Quennell |
Other designers | Christopher Whall, Alfred J. Drury |
The Glass House building was a "purpose-built stained-glass studio and workshop" for stained glass artists in Fulham, London. Having gone into partnership in 1897, Mary Lowndes and Alfred Drury had The Glass House built in 1906 for use by independent stained-glass artists. [1] [2]
The Glass House was established at 9, 10, 11 and 12 Lettice Street in Fulham by Mary Lowndes and A.J. Drury as a stained glass studio in 1906. It is a two-storey building, with paired windows on the ground floor and tall, segmental headed studio windows on the first floor; the lighting was good for stained glass work. Four gabled main bays are found in the building. The exterior is faced with stock brick, the porch is a corniced and pilastered Doric style. The pitched roof is tiled. [1]
Christopher Whall and Alfred Drury designed the building, built in 1906, that became a centre for prominent stained glass artists. [3] The official architect was Charles Henry Bourne Quennell. [4]
Lowndes designed, coloured and created Art Nouveau stained glass works. She trained and encouraged many women stained glass designers and artists, such as Wilhelmina Geddes. The artists could leverage the skills of other artists at the studio and yet obtain their own commissions. Drury particularly focused on the creation of stained glass pieces. Together they commissioned for design, painting and creation projects. [2]
Independent artists who had studios there, or who were otherwise connected, included Edward Liddall Armitage, Hugh Arnold, Robert Anning Bell, Louis Davis, Clare Dawson, Moira Forsyth, Wilhelmina Geddes, Henry Holiday, Mary Lowndes, Rachel de Montmorency, Karl Parsons, Lilian Josephine Pocock, Margaret Agnes Rope, M. E. Aldrich Rope, Arild Rosenkrantz, Theodora Salusbury, Francis Spear, Margaret Thompson [nb 1] , Martin Travers, and Christopher Whall. [1] [6] [7] [8] Many of the artists had been students of Christopher Whall and were influenced by the Arts and Crafts movement. [4]
The company was established as a limited company in September 1953 following Lowndes and Drury's deaths, Alfred's son Victor continued the operations of the company until his retirement in July 1973. Working at the Glass House during Victor's time were Emily Ford, Charles Knight, Karl Parsons, and Margaret Grace Thomas. [2] [4]
Stained-glass artists Carl Johannes Edwards and daughter Caroline Margaret Benyon began working at The Glass House [2] [9] in 1972 or 1973. Artists at the studio at that time included Carl Edwards, Caroline Benyon, Moira Forsyth and Karl Parsons. By the mid-1980s, just a portion of the Glass House was used for stained glass works. After Carl Edwards death, his daughter, Caroline Benyon, continued the business at The Glass House [2] [10] [nb 2] until 1992 when she moved the business to Hampton, London. [11]
The stained glass studio closed in March 1993. [12] The building now houses Power Yoga, Icon Architects, Icon Property Solutions and a fashion company, Sweaty Betty Holdings. [13]
Louis Davis was an English watercolourist, book illustrator and stained-glass artist. He was active in the Arts and Crafts Movement, and Nikolaus Pevsner referred to him as the last of the Pre-Raphaelites.
Christopher Whitworth Whall was a British stained-glass artist who worked from the 1880s and on into the 20th century. He is widely recognised as a leader in the Arts and Crafts Movement and a key figure in the modern history of stained glass.
Karl Bergemann Parsons was an English stained glass artist associated with the Arts and Crafts movement.
Mary Lowndes (1857–1929) was a British stained-glass artist who co-founded the stained glass studio and workshop Lowndes and Drury in 1897. She was an influential leader in the Arts and Crafts movement, not only for her stained glass work and successful studio-workshop, but also for opening doors for other women stained glass artists. She was an active participant in the suffragette movement, acting as Chair of the Artists' Suffrage League, and creating poster art to assist the movement.
Edward Woore or Davie Woore (1880–1960) was a British stained glass artist and member of the British Society of Master Glass Painters. He was a student, apprentice and collaborator with Christopher Whall, a stained glass artist and leader in the Arts and Crafts Movement.
Howard Martin Otho Travers was an English church artist and designer.
Margaret Isobel Chilton (1875–1963), born at Clifton, Bristol, was a British stained glass artist and instructor.
Caroline Charlotte Townshend (1878–1944) was a British stained glass artist of the Arts and Crafts Movement. She trained at Slade School of Fine Art and Central School of Arts and Crafts before becoming a pupil of Christopher Whall. She designed and made many stained glass windows, particularly for churches and cathedrals and set up the stained glass firm of Townshend and Howson in 1920 with her student and apprentice, Joan Howson. They used a dual signature for their completed works.
Rachel de Montmorency, née Rachel Marion Tancock, was an English painter and artist working in stained glass. She learned about stained glass when she worked for artist Christopher Whall in the 1910s and 1920s. During World War I she worked as a voluntary nurse.
Mabel Esplin (1874–1921) was a stained glass artist.
Moira Forsyth was an English stained-glass artist. Her father was Gordon Forsyth a Scottish ceramics designer, stained-glass artist, and teacher. They both made impressive works for the St. Joseph's Church in Burslem, Stoke-on-Trent, Staffordshire. She made her name for her stained-glass works, such as those found at Guildford Cathedral, Norwich Cathedral and Eton College Chapel.
Alfred J. Drury (1868–1940) was an English stained glass artist, most notable for his partnership with Mary Lowndes of Lowndes and Drury.
Edward Liddall Armitage or E. Liddall Armitage (1887–1967) was an English stained-glass designer. He studied and worked with Karl Parsons and Henry Holiday before going into partnership with Victor Drury. In the 1940s to the early 1960s, Armitage was the chief stained glass designer for James Powell and Sons. During his career he designed and made stained glass works for churches and cathedrals. He also published a book on making stained glass.
Herbert Hendrie was an English stained glass artist. He is known for his strong simple designs with scintillating jewel-like effects. Among his best-known works are the fifteen windows for Kippen church and the tall stained glass windows for Liverpool Cathedral.
Carl Johannes Edwards was an English stained glass designer. He trained at Whitefriars Glass, taking over as its chief designer following the death of James Hogan. He later established his own studio, first at the Apothecaries Hall, then at Fulham Glass House. Edwards' designs were mainly for church windows, in particular for Liverpool Cathedral.
Joseph Edward (Eddie) Nuttgens, in Germany spelt Nüttgens, was a stained glass designer in England who worked mainly on church windows.
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