Surfing with the Alien | ||||
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Studio album by | ||||
Released | October 15, 1987 | |||
Studio |
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Genre | ||||
Length | 37:37 | |||
Label | Relativity | |||
Producer | Joe Satriani, John Cuniberti | |||
Joe Satriani chronology | ||||
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Singles from Surfing with the Alien | ||||
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Alternative cover | ||||
Surfing with the Alien is the second studio album by American rock guitarist Joe Satriani. It was released on October 15,1987,by Relativity Records. The album is one of Satriani's most successful to date and helped establish his reputation as a respected rock guitarist. [4]
The album was recorded on a budget of $13,000. [5] Satriani's equipment was limited by the budget,consisting of two Kramer Pacer guitars and an adapted Stratocaster guitar,for which he would change the pickups to get different sounds. [5] His guitar effects included a Roland JC-120,a Marshall '68 half-stack,and a Rockman. [6]
Due to the limited budget,Satriani had to use whatever studio time and rooms were available,and as a result printed his effects to tape while tracking. This proved fortuitous for "Surfing with the Alien",whose solo was recorded with a malfunctioning Eventide H949 as his allotted studio time nearly ended. [6]
To save money,the album heavily used drum machines,programmed by Bongo Bob Smith,with Jeff Campitelli recording overdubs of hi-hats,cymbals,toms and snares. Satriani stated this gave the music an "awkward charm",and maintained the combination of loose guitar playing and machine-like drum programming. [5]
"Satch Boogie" is the only song to fully feature live drums,played by Campitelli. [5] The song was originally recorded to a drum machine pattern,and the quick fade-out disguised the sound of the drum machine being picked up by the amplifier at the end. [5]
Satriani described the arrangements of the album as follows:
"Even though my sensibilities were driving me to be very succinct on the record—with very obvious chorus,bridge,and verse sections—after I tracked the outro to “Surfing,”I dug it so much that it set the template for the rest of the record. As a result,the outros turned into the spots where I could relax a little bit and go nuts." [6]
The heavy metal-influenced "Crushing Day" contains the only solo on the album that was worked out beforehand,due to its length;the others are improvised. Satriani expressed regret for this decision later,as he felt constrained when having to play the song on stage. [5]
A Casio CZ-101 was used to record the flute and orchestral instruments on "Midnight". [5]
It contains fast and complex songs such as the title track and "Satch Boogie",which helped to further popularize shred guitar during that time. [6] By contrast slower,melodic songs such as "Always with Me,Always with You" and "Echo" provide a change of pace. "Midnight" utilizes the technique of two-handed tapping at high tempo, [6] evoking a Spanish fingerstyle effect. "Ice 9" references the fictional apocalyptic substance from Kurt Vonnegut's 1963 novel Cat's Cradle . [7]
The cover art of the original release depicts the Marvel Comics character Silver Surfer on the front,with the hand of Galactus on the back cover. The artwork,which was licensed from the publisher, [8] [9] is taken from a panel from Silver Surfer #1 (1982),drawn by John Byrne. [10] Byrne did not receive a royalty for the art's use on the album cover. [10] [11] Satriani was unfamiliar with the Silver Surfer and had named the album and title track without the character in mind. [8] [11] [12] However,Jim Kozlowski,the production manager for Relativity Records,was a comic book fan and had used the nickname "The Silver Surfer" as a radio DJ name. [8] [11] He suggested using the character for the album cover. Kozlowski presented the album to Marvel and obtained permission to use the character. [8] [11] Subsequently,Marvel Comics has paid homage to Satriani in Silver Surfer comics ("the planet Satriani") and Satriani has named later compositions after other elements of the Silver Surfer mythos ("Back to Shalla-Bal","The Power Cosmic 2000").
The original license to use the character artwork was time-limited. Though the license was renewed multiple times,in 2018,Satriani and Marvel could not come to terms on a price,and so the cover art was replaced. [8] As of 2018 [update] ,digital retailers such as iTunes and Spotify display an alternative artwork that does not feature the Silver Surfer. [13] [14] In 2019 a limited deluxe edition of the album was released featuring a silver guitar headstock in place of the Silver Surfer. The background and font of this new artwork is very similar to the original with minor differences.
Review scores | |
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Source | Rating |
AllMusic | [4] |
Encyclopedia of Popular Music | [15] |
The Rolling Stone Album Guide | [16] |
The Village Voice | C+ [17] |
Released on October 15,1987,by Relativity Records, [18] Surfing with the Alien charted at number 29 on the Billboard 200,proving to be Satriani's third highest-charting album in the United States. [19] It remained on Billboard 200 for 75 weeks,the longest run of any of his releases. [20] Surfing with the Alien was certified Gold on February 17,1989,and Platinum on February 3,1992,having shipped one million copies in the US. It was Satriani's first album to earn platinum certification,and remains his only studio album to have done so. [18]
Two singles from the album reached Billboard's Mainstream Rock chart:"Satch Boogie" at No. 22 and "Surfing with the Alien" at No. 37. [19] A third single,"Always with Me,Always with You",received a nomination for Best Pop Instrumental Performance at the 1989 Grammy Awards,while the album itself was nominated for Best Rock Instrumental Performance at the same event, [21] Satriani's first two of many such nominations. Live versions of "Always with Me,Always with You" would later be nominated for Best Rock Instrumental twice more,at the 2002 and 2008 Grammys. [22] [23]
In a contemporary review for The Village Voice ,music critic Robert Christgau snidely referred to Satriani as "the latest guitar god" and felt he is too much of a formalist,because he not only composes but edits his guitar melodies:"Thus he delivers both the prowess cultists demand and the comfort they secretly crave". [17] In a retrospective review for AllMusic,Stephen Thomas Erlewine was more impressed by his technical abilities and praised Surfing with the Alien,writing that it "can be seen as the gold standard for guitar playing of the mid- to late '80s,an album that captures everything that was good about the glory days of shred." [4] According to The Rolling Stone Album Guide (1992),the record "put Satriani on the map. Beautifully played and well-paced,it manages to capture all the icy fire of fusion jazz without losing any of the visceral power of rock &roll". [16]
Surfing with the Alien has been reissued several times. A remastered edition of the album was first released on July 27,1999 through Epic Records,which featured expanded liner notes. [24] A second remaster celebrating the album's 20th anniversary was released on August 7,2007 through Epic/Legacy Recordings; [25] [26] this is a double-disc set comprising the album itself with further expanded liner notes,as well as a DVD featuring Satriani's live performance at the 1988 Montreux Jazz Festival,music videos for "Always with Me,Always with You" and "Satch Boogie",and additional bonus material. To promote the 2007 reissue,Satriani played exclusive club gigs in select cities. [27]
The most recent reissue of Surfing with the Alien was part of The Complete Studio Recordings ,released on April 22,2014 through Legacy Recordings;this is a box set compilation containing newly remastered editions of every Satriani studio album from 1986 to 2013. [28]
For Record Store Day Black Friday 2019,the album was re-released as a limited edition,gatefold cover on colored vinyl. The album included a hype sticker that read,"Surfing is now 'Stripped'". "Brand New Limited Edition Features The Original Album + All Of The Backing Tracks. Joe's Leads Have Been Removed,Allowing You To Play Lead On This Iconic Album,The Perfect Audiophile Guitar Player Experience." The release included the original version of the album on red vinyl and the "stripped" version on yellow vinyl. The album artwork has been modified for this release,showing only the headstock of Joe's guitar,instead of the surfer while the background maintains a similar color scheme as the original.
All music is composed by Joe Satriani
No. | Title | Length |
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1. | "Surfing with the Alien" | 4:25 |
2. | "Ice 9" | 4:00 |
3. | "Crushing Day" | 5:14 |
4. | "Always with Me, Always with You" | 3:22 |
5. | "Satch Boogie" | 3:13 |
6. | "Hill of the Skull" | 1:48 |
7. | "Circles" | 3:28 |
8. | "Lords of Karma" | 4:48 |
9. | "Midnight" | 1:42 |
10. | "Echo" | 5:37 |
Total length: | 37:37 |
No. | Title | Length |
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1. | "Ice 9" | |
2. | "Memories" | |
3. | "Midnight" | |
4. | "Rubina" | |
5. | "Circles" | |
6. | "Lords of Karma" | |
7. | "Bass solo" | |
8. | "Echo" | |
9. | "Hordes of Locusts" | |
10. | "Always with Me, Always with You" | |
11. | "Satch Boogie" | |
12. | "Satch Boogie" (music video) | |
13. | "Always with Me, Always with You" (music video) | |
14. | "Bonus material" |
Region | Certification | Certified units/sales |
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Australia (ARIA) [34] | Gold | 35,000^ |
United Kingdom (BPI) [35] | Silver | 60,000* |
United States (RIAA) [36] | Platinum | 1,000,000^ |
* Sales figures based on certification alone. |
Joseph Satriani is an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.
Instrumental rock is rock music that emphasizes instrumental performance and features very little or no singing. Examples of instrumental music in rock can be found in practically every subgenre of the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the late 1960s and early 1970s did many virtuosic instrumental performances.
Crystal Planet is the seventh studio album by the guitarist Joe Satriani, released on March 3, 1998, by Epic Records. It was his first album to be released on Epic, whereas his previous six albums were released by Relativity Records. Crystal Planet reached No. 50 on the U.S. Billboard 200 and remained on that chart for eight weeks, as well as reaching the top 100 in five other countries. "Ceremony" was released as a single, reaching No. 28 on Billboard's Mainstream Rock chart and featuring Satriani's first recorded use of a seven-string guitar, namely the Ibanez Universe. "A Train of Angels" was nominated for Best Rock Instrumental Performance at the 1999 Grammy Awards, Satriani's ninth such nomination.
The Extremist is the fourth studio album by guitarist Joe Satriani, released on July 21, 1992, through Relativity Records. The album is one of Satriani's most popular releases and his highest-charting to date, reaching No. 22 on the U.S. Billboard 200 and remaining on that chart for 28 weeks, as well as reaching the top 50 in six other countries. Three singles reached Billboard's Mainstream Rock chart: "Summer Song" at No. 5, "Friends" at No. 12 and "Cryin'" at No. 24. The Extremist was certified Gold on December 22, 1992. and received a nomination for Best Rock Instrumental Performance at the 1993 Grammy Awards, Satriani's fourth such nomination.
Time Machine is the fifth studio album by guitarist Joe Satriani, released on October 13, 1993, through Relativity Records and reissued in 1998 through Epic Records. It is a double-disc album: the first disc contains a selection of new tracks, outtakes and unreleased studio recordings, while the second disc is composed of live recordings from 1988 and 1992.
Is There Love in Space? is the tenth studio album by guitarist Joe Satriani, released on April 13, 2004, through Epic Records. The album reached No. 80 on the U.S. Billboard 200 and remained on that chart for two weeks, as well as reaching the top 100 in three other countries.
Flying in a Blue Dream is the third studio album by guitarist Joe Satriani, released on October 30, 1989 through Relativity Records. It is one of Satriani's most popular albums and his second highest-charting release to date, reaching No. 23 on the U.S. Billboard 200 and remaining on that chart for 39 weeks, as well as reaching the top 40 in three other countries.
Joe Satriani is the sixth studio album by guitarist Joe Satriani, released in October 1995 through Relativity Records. This was his last album for Relativity, as he would switch record labels to Epic for his next eleven albums. Joe Satriani reached No. 51 on the U.S. Billboard 200 and remained on that chart for seven weeks, as well as reaching the top 100 in four other countries. "(You're) My World" was released as a single, reaching No. 30 on Billboard's Mainstream Rock chart and receiving a nomination for Best Rock Instrumental Performance at the 1997 Grammy Awards, Satriani's seventh such nomination.
Not of This Earth is the debut studio album by guitarist Joe Satriani, released on December 18, 1986, through Relativity Records.
Strange Beautiful Music is the ninth studio album by guitarist Joe Satriani, released on June 25, 2002, through Epic Records; a Super Audio CD edition was released on September 10. The album reached No. 140 on the United States Billboard 200 and remained on that chart for a week, as well as reaching the top 100 in four other countries.
Engines of Creation is the eighth studio album by guitarist Joe Satriani, released on March 14, 2000, through Epic Records. The album reached No. 90 on the U.S. Billboard 200 and remained on that chart for three weeks, as well as reaching the top 100 in three other countries. "Until We Say Goodbye" was released as a single and received a nomination for Best Rock Instrumental Performance at the 2001 Grammy Awards, Satriani's tenth such nomination.
Dreaming #11 is the second EP by guitarist Joe Satriani, released on November 1, 1988 through Relativity Records and reissued on May 27, 1997 through Epic Records. The EP reached No. 42 on the U.S. Billboard 200 and remained on that chart for 26 weeks. Its sole studio track, "The Crush of Love", reached No. 6 on Billboard's Mainstream Rock chart and was nominated for Best Rock Instrumental Performance at the 1990 Grammy Awards; this being Satriani's second such nomination. The remaining three tracks were recorded live as part of the King Biscuit Flower Hour during the Surfing with the Alien (1987) tour. The title track, absent on the EP, would later be released on Satriani's 1993 compilation album Time Machine. Dreaming #11 was certified Gold on August 15, 1991.
Super Colossal is the eleventh studio album by guitarist Joe Satriani, released on March 14, 2006, through Epic Records. The album reached No. 86 on the U.S. Billboard 200 and remained on that chart for two weeks, as well as reaching the top 100 in three other countries. Super Colossal was nominated for Best Rock Instrumental Performance at the 2007 Grammy Awards, Satriani's thirteenth such nomination.
Live in San Francisco is a 2001 live album by instrumental rock solo artist Joe Satriani. Also available on DVD, including non-performance bonus footage.
Satriani Live! is a live album and DVD by Joe Satriani. It was recorded on May 2, 2006, in Anaheim, California, and released on October 31, 2006.
"Satch Boogie" is the fifth track from the album Surfing with the Alien, and is along with "Surfing with the Alien" one of Satriani's most famous pieces. The composition was considered the 55th greatest guitar solo ever by Guitar World Magazine readers. The tap-on bridge played only on the fifth-string is an example of pitch axis theory. Deep Purple performed the song regularly during Satriani's tenure in the band.
Professor Satchafunkilus and the Musterion of Rock is the twelfth studio album by guitarist Joe Satriani, released on April 1, 2008, through Epic Records. The album reached No. 89 on the U.S. Billboard 200 and remained on that chart for two weeks, as well as reaching the top 100 in four other countries.
Live In Paris: I Just Wanna Rock is the third live album by guitarist Joe Satriani, released in February 2010. It is a 2-CD live set of his live concert in Paris, France, on May 27, 2008.
Black Swans and Wormhole Wizards is the thirteenth studio album by guitarist Joe Satriani, released on October 5, 2010 through Epic Records.
Satchurated: Live in Montreal is a live album and concert film by American guitarist Joe Satriani. The film was released in both 2D and 3D formats to theatres worldwide during March 2012, before the DVD/Blu-ray, as well as an audio version on CD, was released in April 2012. It is the first 3D concert film to be mixed in Dolby 7.1 surround sound. It was recorded at the Metropolis Theatre in Montreal, Quebec, Canada on December 12, 2010 during Satriani's Wormhole Tour and the film was directed by award-winning film-makers Pierre and François Lamoureux.
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