Taxi! | |
---|---|
Directed by | Roy Del Ruth |
Written by | Adaptation & dialogue: Kubec Glasmon John Bright |
Based on | The Blind Spot unproduced play by Kenyon Nicholson [1] |
Produced by | Robert Lord |
Starring | James Cagney Loretta Young |
Cinematography | James Van Trees |
Edited by | James Gibbon |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 69 minutes |
Country | United States |
Language | English |
Taxi! is a 1932 American pre-Code film directed by Roy Del Ruth and starring James Cagney and Loretta Young.
The film includes a famous, and often misquoted, line with Cagney speaking to his brother's killer through a locked closet door: "Come out and take it, you dirty yellow-bellied rat, or I'll give it to you through the door!" This line has often been misquoted as "You dirty rat, you killed my brother".
To play his competitor in a ballroom dance contest, Cagney recommended his pal, fellow tough-guy-dancer George Raft, who was uncredited in the film. [2] In a lengthy and memorable sequence, the scene culminates with Raft and his partner winning the dance contest against Cagney and Young, after which Cagney slugs Raft and knocks him down. [3] [4] As in The Public Enemy (1931), several scenes in Taxi! involved the use of live machine gun bullets. After a few of the bullets narrowly missed Cagney's head, he outlawed the practice in his future films. [4]
In the film they see a fictitious Warner Bros. film at the cinema called Her Hour of Love in which Cagney cracks a joke about the film's leading man's appearance (an unbilled cameo by Warners contract player Donald Cook, who had played Cagney's brother in The Public Enemy) saying, "his ears are too big". Also advertised in the cinema lobby in the film is The Mad Genius , an actual film starring John Barrymore which was released the previous year by Warners. [5]
When a veteran cab driver, Pop Riley (Guy Kibbee), refuses to be pressured into surrendering his prime soliciting location outside a cafe, where his daughter works, the old man's cab is intentionally wrecked by a ruthless mob seeking to dominate the cab industry. Upon learning of the "accidental" destruction of his cab (and along with it his livelihood), the old man retrieves his handgun and shoots the bullying man known to be responsible, which lands him in prison, where he dies of poor health in fairly short order.
Pop's waitressing daughter, Sue (Loretta Young), is asked by a scrappy young cab driver, Matt (James Cagney), to lend moral support to a resistance movement populated by other drivers, who are also experiencing similar strong-arm tactics by the same aggressive group of thugs. However, after enduring the crushing loss of her father, Sue undergoes a complete ethical reversal about the notion of fighting back, feels thoroughly sickened by the violence and bloodshed, and she angrily tells the drivers as much.
Her unpredictably wilful but passionate rant instantly lands her on Matt's bad side, although he eventually has a redemptive change of heart, then seeks to charm Sue into becoming his girlfriend. They start dating and compete in a foxtrot dance contest.
Matt and Sue get married. On their wedding night they go to a nightclub with Matt's brother Dan. They are all taunted by Buck Gerard, the man responsible for the attacks on cab drivers. Sue stops Matt from attacking Buck, but Buck stabs and kills Dan.
Matt doesn't tell the police who killed Dan so he can get revenge himself. Sue warns Buck's girlfriend, Marie, that Matt is after him. Matt tracks down Buck but Sue and Marie keep him away from Buck long enough for the police to arrive. Matt fires a gun at the closet Buck is hiding in but Buck has fallen to his death out the closet window while trying to escape.
Sue decides to leave Matt but changes her mind.
Taxi! was released in February 2012 on DVD by Warner Bros through their print on demand Warner Archive label.
James Francis Cagney Jr. was an American actor and dancer. On stage and in film, he was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances.
Footlight Parade is a 1933 American musical film directed by Lloyd Bacon, with songs written by Harry Warren (music), Al Dubin (lyrics), Sammy Fain (music) and Irving Kahal (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred James Cagney, Joan Blondell, Ruby Keeler and Dick Powell, with featured appearances by Frank McHugh, Guy Kibbee, Hugh Herbert, and Ruth Donnelly.
Clara Lou "Ann" Sheridan was an American actress and singer. She is best known for her roles in the films San Quentin (1937) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and Bogart, They Drive by Night (1940) with George Raft and Bogart, City for Conquest (1940) with Cagney and Elia Kazan, The Man Who Came to Dinner (1942) with Bette Davis, Kings Row (1942) with Ronald Reagan, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, and Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon; and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
Roy Del Ruth was an American filmmaker.
They Drive by Night is a 1940 American film noir directed by Raoul Walsh and starring George Raft, Ann Sheridan, Ida Lupino, and Humphrey Bogart, and featuring Gale Page, Alan Hale, Roscoe Karns, John Litel and George Tobias. The picture involves a pair of embattled truck drivers and was released in the UK under the title The Road to Frisco. The film was based on A. I. Bezzerides' 1938 novel Long Haul, which was later reprinted under the title They Drive by Night to capitalize on the success of the film.
Each Dawn I Die is a 1939 gangster film directed by William Keighley and starring James Cagney and George Raft. The plot involves an investigative reporter who is unjustly thrown in jail and befriends a famous gangster. The film was based on the novel of the same name by Jerome Odlum and the supporting cast features Jane Bryan, George Bancroft, Slapsie Maxie Rosenbloom, and Victor Jory.
Broadway is a 1942 crime drama musical film directed by William A. Seiter and starring George Raft as himself and Pat O'Brien as a detective. The supporting cast features Janet Blair and Broderick Crawford.
Quick Millions is a 1931 pre-Code crime film directed by Rowland Brown and starring Spencer Tracy, Marguerite Churchill, Sally Eilers, and featuring George Raft as the sidekick with a solo eccentric dance performance.
Invisible Stripes is a 1939 Warner Bros. crime film starring George Raft as a gangster unable to go straight after returning home from prison. The movie was directed by Lloyd Bacon and also features William Holden, Jane Bryan and Humphrey Bogart. The screenplay by Warren Duff was based on the novel of the same title by Warden Lewis E. Lawes, a fervent crusader for prison reform, as adapted by Jonathan Finn.
The House Across the Bay is a 1940 film directed by Archie Mayo, starring George Raft and Joan Bennett, produced by Walter Wanger, written by Myles Connolly and Kathryn Scola, and released by United Artists. The supporting cast features Lloyd Nolan, Walter Pidgeon and Gladys George.
Stolen Harmony is a 1935 American crime film directed by Alfred L. Werker and starring George Raft, Ben Bernie and Grace Bradley. It is a semi-musical, featuring Big Band numbers. It was produced and distributed by Paramount Pictures.
I Stole a Million is a 1939 film noir crime film starring George Raft as a cab driver turned small-time crook who makes a big score and lives to regret it. The supporting cast includes Claire Trevor, Dick Foran, and Victor Jory. The movie was written by Nathanael West based on a story idea by Lester Cole, which in turn was based on the life story of bank robber Roy Gardner. It was directed by Frank Tuttle, and released by Universal Pictures.
Pick-Up is a 1933 American pre-Code crime film directed by Marion Gering and starring Sylvia Sidney and George Raft.
Winner Take All is a 1932 American pre-Code drama film directed by Roy Del Ruth and starring James Cagney as a boxer. The film also features a single scene of George Raft conducting a band that had been lifted from Queen of the Night Clubs, an earlier film and lost film. Cagney and Raft would not make a full-fledged film together until Each Dawn I Die seven years later.
Queen of the Night Clubs is a 1929 American Pre-Code musical drama film produced and directed by Bryan Foy, distributed by Warner Bros., and starred legendary nightclub hostess Texas Guinan. The picture, which featured appearances by Eddie Foy Jr., Lila Lee, and George Raft, is now considered a lost film. A still existing vintage movie trailer of this film displays no clip of the feature.
City for Conquest is a 1940 American epic drama film directed by Anatole Litvak and starring James Cagney, Ann Sheridan and Arthur Kennedy. The picture is based on the 1936 novel of the same name by Aben Kandel. The supporting cast features Elia Kazan, Anthony Quinn, Donald Crisp, Frank McHugh, Frank Craven and Lee Patrick.
Christmas Eve is a 1947 American portmanteau comedy drama film directed by Edwin L. Marin and starring George Raft, George Brent and Randolph Scott. It is based on a story by Laurence Stallings and Richard H. Landau. An independent production by Benedict Bogeaus it was distributed by United Artists. It was re-released under the alternative title title Sinner's Holiday. It was one of several films Raft made with Edwin Marin and Benedict Bogeaus.
Waterfront is a 1939 Warner Bros. crime-drama film directed by Terry O. Morse and starring Gloria Dickson, Dennis Morgan and Marie Wilson. It was adapted from the play Blind Spot by Kenyon Nicholson. It is preserved at the Library of Congress.
Noel Francis was an American actress of the stage and screen during the 1920s and 1930s. Born in Texas, she began her acting career on the Broadway stage in the mid-1920s, before moving to Hollywood at the beginning of the sound film era.