Terror Twilight | ||||
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Studio album by | ||||
Released | June 8, 1999 | |||
Recorded | June – December 1998 [1] | |||
Studio |
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Genre | Indie rock | |||
Length | 44:08 | |||
Label | ||||
Producer | Nigel Godrich | |||
Pavement chronology | ||||
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Singles from Terror Twilight | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Entertainment Weekly | B+ [3] |
The Guardian | [4] |
Los Angeles Times | [5] |
Melody Maker | [6] |
NME | 8/10 [7] |
Pitchfork | 9.2/10 (1999) [8] 7.5/10 (2019) [9] |
Rolling Stone | [10] |
The Rolling Stone Album Guide | [11] |
Spin | 6/10 [12] |
The Village Voice | A− [13] |
Terror Twilight is the fifth and final studio album by the American indie rock band Pavement. It was released on June 8, 1999, on Matador Records in the US and Domino Recording Company in the UK.
Terror Twilight was produced by Nigel Godrich, who hoped to create a "straighter" album and bring Pavement to a wider audience. He and the band disagreed over some choices, and the songwriter, Stephen Malkmus, later expressed dissatisfaction with the album. It received positive reviews. After finishing the tour for the album, Pavement disbanded. In 2022, Matador released an expanded reissue, Terror Twilight: Farewell Horizontal.
Terror Twilight was produced by the British producer Nigel Godrich, who had gained fame for his work with Radiohead, Beck and R.E.M.. [14] Godrich, a Pavement fan, accepted the job without having met the band or seen them perform. [14] Hoping to help them find a bigger audience, he wanted to make an album that "stood up straighter" and would "reach people who were turned off by the beautiful sloppiness of other Pavement records". [15] According to the songwriter, Stephen Malkmus, Godrich asked no fee, asking only for royalties. However, Malkmus said: "We paid for the studio time, of course, which started to get expensive. Because [Godrich] had his own, uh, standards." [16]
The group began work in Sonic Youth's studio in lower Manhattan, New York. [14] Godrich found the studio limiting, [14] so the group moved to RPM Studios near Washington Square Park, where Malkmus estimated three quarters of the album were recorded. [16] Dominic Murcott of High Llamas played drums for two tracks when Steve West could not play in time. Malkmus also played drums on one track. [16] Overdubbing and editing took place in London at RAK Studios and Godrich's studio Shebang. [14] The Radiohead guitarist Jonny Greenwood added harmonica on "Platform Blues" and "Billie". [17] Godrich mixed the album at Mayfair Studios. [14]
According to the percussionist, Bob Nastanovich, Godrich struggled with the band's casual approach, [14] and called for more takes than they were used to. [14] Though Nastanovich said Godrich took on a "substantial challenge" and "did a good job", he felt he only connected with Malkmus and disregarded the other band members. Nastanovich realized after several days that Godrich did not know his name. [14] The band was also less familiar with the new material, as it was driven entirely by Malkmus. [14] The guitarist Scott Kannberg was unhappy that Malkmus was not interested in working on songs Kannberg had written, and said Terror Twilight was the hardest Pavement record to make. [14]
Deciding the track list created conflict, Godrich wanted to begin the record with "Platform Blues" and end with "Spit on a Stranger". [14] He felt it should open with a "longer, more challenging song to set the tempo", similar to the 1997 Radiohead album OK Computer. However, the band wanted to open with an "easier" song. Malkmus recalled, "Nigel was like, 'I'm done with this. This is the wrong move. We made a stoner album and you're going halfway.' He’s right probably." [16]
Many of the tracks were previewed at a pair of solo Malkmus shows in California on August 12–13, 1998. These included "Ann Don't Cry", "Carrot Rope", "Spit On A Stranger", "Platform Blues", "You Are The Light", "Folk Jam", and two others that remain unreleased ("Civilized Satanist," which used a Moby Grape sample, and "Dot Days"). [18] [19]
At these shows, Malkmus played electric guitar and sang along with home demo recordings of the songs. The style of the recordings was similar to those found on the compilation At Home With the Groovebox ("Robyn Turns 26" and "Watch Out!"), the B-sides of the "Spit on a Stranger" single ("Rooftop Gambler" and "The Porpoise And The Hand Grenade"), and the demo version of "Major Leagues" found on the Major Leagues EP. [20]
"The Hexx" was a quieter, slowed-down version of a discordant jam that was played extensively on the Brighten The Corners tour. Pavement had recorded a faster, louder version during the Brighten The Corners sessions—in fact, at one point "The Hexx" was to have been the opening track on that album. This recording was edited, retitled "...And Then" and issued as the vinyl B-side to "Spit on a Stranger". The original, full-length recording can be found on Brighten The Corners: Nicene Creedence Edition . The single edit also appears among eight bonus tracks on the vinyl incarnation of the Creedence edition. [21]
The original cover art for Terror Twilight lists the final track, "Carrot Rope," as "...And Carrot Rope." This alternate song title was revived for the 2010 Record Store Day version of Quarantine the Past , even though the song was the fifth track on side one. [22]
Initial UK copies of the album came with a bonus CD-ROM which contained the whole album with a brief track-by-track commentary; film of Stephen Malkmus writing this – and calling for the help of his fellow band members in doing so – can be seen on the Slow Century DVD. The disc also contained the videos for "Stereo" and "Shady Lane" from their previous album Brighten the Corners and a home movie segment containing some footage also seen in the Slow Century DVD. [23]
Nastanovich came up with the title, and said it described the period between dusk and sunset when most traffic accidents occur, as only half of drivers switch on their headlights. [24] [25] His original suggestion was Farewell Horizontal, but he dismissed this as "there was no way I was going to be on the Farewell Horizontal tour for the next year". [14]
Terror Twilight was Pavement's final album before their breakup. Godrich later said he could "sense it was the end" during the recording, and that "people had differences of opinion". [14] Fans perceived the lines "The damage is done / I am not having fun any more" from "Ann Don't Cry" as a veiled reference to the band's end. [14]
During the six-month world tour for Terror Twilight, relationships within the group frayed, especially between Malkmus and the other members. After their show at the 1999 Coachella Festival, Malkmus told his bandmates he did not want to continue. [26] During the final concert of the tour, at Brixton Academy in London on November 20, 1999, [27] Malkmus had a pair of handcuffs attached to his microphone stand and told the audience: "These symbolize what it's like being in a band all these years." [28] About two weeks later, a spokesperson for their record label told NME that Pavement had "retired for the foreseeable future". [27]
In 2017, Malkmus described Terror Twilight as "a real classic-rock overproduced $100,000 record. With that much money you should be able to make something good. We made some things that weren't as good as they could've been." [16] In response to the comments, Godrich tweeted: "I literally slept on a friend's floor in NYC to be able to make that album." [16] In 2020, Godrich said that he loved the album and had enjoyed making it. [16] He said: "Maybe there were some internal politics, as there are in any band, but I made a friend forever in Stephen ... The writing may have been on the wall even before I got there, but I don't think I had any part of that." [16]
On April 8, 2022, Pavement released a special edition reissue, Terror Twilight: Farewell Horizontal, including 28 previously unreleased tracks. The vinyl set uses the track listing that Godrich suggested. [29]
All tracks are written by Stephen Malkmus
No. | Title | Length |
---|---|---|
1. | "Spit on a Stranger" | 3:04 |
2. | "Folk Jam" | 3:34 |
3. | "You Are a Light" | 3:54 |
4. | "Cream of Gold" | 3:47 |
5. | "Major Leagues" | 3:24 |
6. | "Platform Blues" | 4:42 |
7. | "Ann Don't Cry" | 4:09 |
8. | "Billie" | 3:44 |
9. | "Speak, See, Remember" | 4:19 |
10. | "The Hexx" | 5:39 |
11. | "Carrot Rope" | 3:52 |
Total length: | 44:08 |
Pavement
Additional musicians
Technical
Chart (1999) | Peak position |
---|---|
Australian Albums (ARIA) [30] | 63 |
German Albums (Offizielle Top 100) [31] | 63 |
New Zealand Albums (RMNZ) [32] | 24 |
Norwegian Albums (VG-lista) [33] | 20 |
UK Albums (OCC) [34] | 19 |
US Billboard 200 [35] | 95 |
Pavement is an American indie rock band that formed in Stockton, California, in 1989. For most of their career, the group consisted of Stephen Malkmus, Scott Kannberg, Mark Ibold (bass), Steve West (drums), and Bob Nastanovich. Initially conceived as a recording project, the band at first avoided press or live performances, while attracting considerable underground attention with their early releases. Gradually evolving into a more polished band, Pavement recorded five full-length albums and ten EPs over the course of their decade-long career, though they disbanded with some acrimony in 1999 as the members moved on to other projects. In 2010, they undertook a well-received reunion tour, followed by another international tour from 2022 to 2024.
Nigel Timothy Godrich is an English record producer, recording engineer and musician. He has worked with acts including Radiohead, Travis, Beck, Air, Paul McCartney, U2, R.E.M., Pavement, Roger Waters, Arcade Fire and Idles.
Stephen Joseph Malkmus is an American musician best known as the primary songwriter, lead singer and guitarist of the indie rock band Pavement. He performs with Stephen Malkmus and the Jicks, Pavement, The Hard Quartet, and as a solo artist.
Slanted and Enchanted is the debut studio album by American indie rock band Pavement, released on April 20, 1992 by Matador Records. It is the only Pavement album to feature drummer Gary Young.
Crooked Rain, Crooked Rain is the second studio album by American indie rock band Pavement, released on February 14, 1994 by Matador Records. The album saw the band move on towards a more accessible rock sound than that of their more lo-fi debut Slanted and Enchanted and achieve moderate success with the single "Cut Your Hair". The album also saw original drummer Gary Young replaced by Steve West. It was a UK Top 20 hit upon release, although it was not so successful in the US charts.
Wowee Zowee is the third studio album by American indie rock band Pavement, released on April 11, 1995 by Matador Records. Most of it was recorded at Easley Recording in Memphis, Tennessee, where some members of the band had previously worked on Silver Jews' 1994 album Starlite Walker. The album showcases a more experimental side of the band, marking a return to the clatter and unpredictability of their early recordings after the more accessible sound of their 1994 studio album Crooked Rain, Crooked Rain. Its eclectic nature ranges from mellow yet distorted melodies to noise and punk rock, while the lyrics generally explore humorous and cryptic themes. At nearly one hour long, Wowee Zowee is Pavement's longest studio album, filling three sides of a vinyl record. Side four was left blank.
Brighten the Corners is the fourth studio album by American indie rock band Pavement, released on February 11, 1997 by Matador Records. The album received very positive reviews from critics.
Slay Tracks: 1933–1969 is the debut EP by American indie rock band Pavement. Pavement—at that time, a duo of just its two founding members Stephen Malkmus and Scott Kannberg (guitar)—recorded Slay Tracks with producer and future member Gary Young (drums) during a four-hour session. Pavement self-released the EP as a 7" vinyl record on the band's own record label Treble Kicker in 1989. The music of Slay Tracks was influenced by indie and punk rock bands such as Swell Maps and The Fall, and many of the lyrics were inspired by life in the band's hometown of Stockton, California.
Demolition Plot J-7 is the second EP by American indie rock band Pavement, released on June 1, 1990. The EP was the band's first release on Chicago independent label Drag City, and its first release that was not self-issued. It is also the band's only release to feature drummer Jason Turner. Demolition Plot J-7 shared many of the same indie and punk rock influences of Pavement's 1989 debut Slay Tracks: 1933–1969, but also diversified the group's sound by incorporating keyboards.
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Robert Nastanovich is an American musician and member of the indie rock band Pavement, as well as a former member of Silver Jews, Ectoslavia, Pale Horse Riders, and Misshapen Lodge.
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"Carrot Rope" is a song from Pavement's 1999 album Terror Twilight. It is erroneously known as "...and Carrot Rope", the "...and" was added to the stylized track listing on the back of Terror Twilight signifying that it is the final song on the album and not actually a part of the title. The song was released as a single in May 1999, exclusively in the United Kingdom. Elsewhere, "Spit on a Stranger" was released instead.
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The discography of Pavement, a Stockton, California-based indie rock group, consists of five studio albums, five double-length reissues of the albums, one compilation, ten extended plays, and thirteen singles. This list does not include material performed by members or former members of Pavement that was recorded with Stephen Malkmus and the Jicks, Silver Jews, Preston School of Industry, Free Kitten, The Crust Brothers, or any other associated solo or side projects.
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