Mary Wilson was an American singer. She gained worldwide recognition as a founding member of The Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
Scherrie Ann Payne is an American singer. Payne is best known as the third and last lead singer of the R&B/Soul vocal group The Supremes from 1973 until 1977. Because of her powerful voice and petite stature (5'2"), Payne is sometimes referred to as "the little lady with the big voice." Payne is the younger sister of singer Freda Payne. Payne continues to perform, both as a solo act and as a part of the "Former Ladies of the Supremes" (FLOS).
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.
"You Can't Hurry Love" is a 1966 song originally recorded by the Supremes on the Motown label. It was released on July 25 of 1966 as the second single from their studio album The Supremes A' Go-Go (1966).
American girl group The Supremes have released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all-time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all-time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In The Name Of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all-time UK downloads and streams.
"I Can't Help Myself (Sugar Pie Honey Bunch)" is a 1965 hit song recorded by the Four Tops for the Motown label.
Richard Dean Taylor was a Canadian musician, most notable as a singer, songwriter, and record producer for Motown during the 1960s and 1970s. According to Jason Ankeny, Taylor was "one of the most underrated acts ever to record under the Motown aegis."
More Hits by The Supremes is the sixth studio album by Motown singing group the Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
"Love " is a 1965 pop ballad by Motown girl group Martha and the Vandellas. A rare ballad for the group, whose forte was reportedly uptempo soul dance numbers including "Dancing in the Street" and "Nowhere to Run", the b-side to the group's single, "You've Been in Love Too Long", although the song only peaked at #70 on the Billboard Hot 100 singles chart and #22 on the Billboard Hot R&B singles chart, it was number one on many American urban radio playlists.The song, written and produced by Holland–Dozier–Holland, has the narrator explain why love makes her do things she later regrets. Cash Box described it as a "plaintive, slow-shufflin’ heart-throbber with a nostalgic years-back sound."
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
The discography of American singer Diana Ross, the former lead singer of the Supremes, consists of 25 studio albums and 116 singles. Throughout her career, Ross has sold over 100 million records worldwide. Billboard ranked her as the 47th Greatest Artist of all time and the 11th Greatest Hot 100 Female Artist of all time. In 1993, Guinness World Records crowned Ross as the "most successful female artist in music history". Her 11th studio album "Diana" remains the best-selling album of her career, selling more than 10 million copies around the world.
Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.
Hi... We're the Miracles is the first album by The Miracles, Motown's first group, released on Motown's Tamla subsidiary label in the summer of 1961. It was the first album released by the Motown Record Corporation. The album features several songs that played an important role in defining The Motown Sound and establishing songwriters Smokey Robinson and Berry Gordy.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Put Yourself in My Place" is a song written by the Motown team of Holland–Dozier–Holland and recorded by at least four Motown recording acts during the sixties: The Elgins in 1965, The Supremes, Chris Clark and The Isley Brothers in 1966.
"The Rhythm of Life" is a song from the 1966 Broadway musical Sweet Charity, written by composer Cy Coleman and lyricist Dorothy Fields.
"Here I Go Again" was a 1969 hit single by The Miracles. It was written by Miracles members Smokey Robinson and Pete Moore, along with Motown staff songwriters Al Cleveland and Terry "Buzzy" Johnson, a member of the legendary R&B group The Flamingos.
"Point It Out" is a 1969 recording by Motown Records R&B group The Miracles on that label's Tamla subsidiary. This mid-tempo song was a national Billboard Top 40 Pop hit, reaching #37 on the Hot 100, and was a Top 10 R&B hit was well, reaching #4. It was taken from their album "A Pocket Full Of Miracles", and was written by Miracles members William "Smokey" Robinson and Marv Tarplin, along with Motown staff songwriter Al Cleveland.
We've Come Too Far to End It Now was a 1972 single by Motown Records R&B group The Miracles on its Tamla Label subsidiary (T54220F) and taken from their 1972 album, Flying High Together, the group's final studio album with original lead singer Smokey Robinson. This song charted at #46 on the Billboard Pop Chart, and reached the Top 10 of its R&B chart, peaking at #9.
"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.
