The Terror is a 1927 mystery thriller play by the British writer Edgar Wallace. It is based on Wallace's 1926 novel The Black Abbot.
The Outsider is a play by the British writer Dorothy Brandon. It portrays the struggle of an unorthodox medical practitioner to gain acceptance by the medical establishment. It was subsequently revised to show the unconventional triumphing over the conventional, whereas the play had originally had the opposite ending.
Dorothy Brandon was a British playwright active in the interwar years. Her greatest West End success was the 1923 medical drama The Outsider which was revived several times, and adapted into films on three occasions.
Number 17 is a 1925 thriller play by the British writer Joseph Jefferson Farjeon.
After Dark is a thriller play by the British writer Joseph Jefferson Farjeon.
Marius is a 1929 play by the French writer Marcel Pagnol. It takes place in Marseilles, where a young man named Marius working in a café dreams of going to sea, his obsession eventually overcoming his developing romance with Fanny, a local girl.
After All is a 1929 play by the British writer John Van Druten. After a West End run at the Apollo Theatre it transferred to Broadway in 1931.
The River is a 1925 play by the British writer Patrick Hastings. It is set in West Africa, where two diamond hunters are in love with the same woman.
The Sport of Kings is a 1924 comedy play by the British writer Ian Hay. It ran for 319 performance at the Savoy Theatre in the West End between 8 September 1924 and 13 June 1925.
The Last Hour is a 1928 comedy thriller play by the British writer Charles Bennett. At an inn on the coast of Devon, a secret agent battles a foreign prince trying to smuggle a stolen death ray out of the country.
The Dancers is a 1923 play by Gerald du Maurier and Viola Tree, written under the pen name Hubert Parsons.
Other Men's Wives is a 1928 comedy play by the British-American writer Walter C. Hackett set in a French hotel.
Sorry You've Been Troubled is a mystery play by the British-American writer Walter C. Hackett.
Our Betters is a comedy play by the British writer Somerset Maugham. Set in Mayfair and a country house in Suffolk, the plot revolves around the interaction between newly wealthy Americans and upper-class British society.
The Shop at Sly Corner is a 1945 thriller play by the British writer Edward Percy Smith.
The Eleventh Commandment is a 1921 play by Brandon Fleming. It premiered at the Playhouse Theatre, Cardiff before transferring to the Royalty Theatre in London's West End where it ran for 32 performances between 16 January and 11 February 1922. The original West End cast included Henry Stoker, Edmund Breon, Dawson Millward and Viola Tree.
Seagulls Over Sorrento is a play by Hugh Hastings, an Australian who had served in the Royal Navy during the Second World War.
The Happy Husband is a comedy play by the British-based Australian author Harrison Owen. It premiered at the Theatre Royal, Portsmouth before transferring to the Criterion Theatre in London's West End where it ran for 109 performances between 15 June and 17 September 1927. The London cast included Madge Titheradge, Stella Arbenina, A.E. Matthews, Charles Laughton, Lawrence Grossmith, David Hawthorne, Carl Harbord in his West End debut, Marda Vanne and Ann Trevor. It was produced by Basil Dean. It was staged at the Empire Theatre on Broadway the following year, running for 72 performances.
Many Waters is a play by the Irish writer Monckton Hoffe. It was first performed in 1926 under the title The Unnamed Play lasting for one performance at the Stand Theatre in London. Revised and under its new title it enjoyed a much longer West End run at the Ambassadors Theatre, lasting for 313 performances between 18 July 1928 and 20 April 1929. The 1928 cast included Nicholas Hannen, Marda Vanne, Milton Rosmer, Reginald Denham, Aubrey Dexter and Robert Douglas in his West End debut. The title is from the expression "Many waters cannot quench love".
Michael and Mary is a play by the British author A.A. Milne. It was staged at the Charles Hopkins Theatre in New York City, running for 246 performances between December 1929 and July 1930. It had by then transferred to the St James's Theatre in London's West End where it ran for 159 performances between 1 February and 21 June 1930. The original West End cast included Herbert Marshall, Edna Best, Elizabeth Allan, Frank Lawton, D.A. Clarke-Smith, Reginald Bach, Oliver Wakefield, J. Fisher White, Torin Thatcher, Olwen Brookes and Margaret Scudamore.
