SeaCity Museum

Last updated

SeaCity Museum
SeaCity Museum.jpg
SeaCity Museum, viewed from the North. The pavilion is in the foreground.
SeaCity Museum
General information
Location Southampton, United Kingdom
Coordinates 50°54′29″N1°24′28″W / 50.908021°N 1.407664°W / 50.908021; -1.407664
Opened10 April 2012
Cost£15,000,000
Design and construction
Architect(s) Wilkinson Eyre (refurbishment and extension)
E. Berry Webber (original building)
Main contractor Kier Southern
Website
seacitymuseum.co.uk

The SeaCity Museum is a museum in Southampton, England, which opened on 10 April 2012 to mark the centenary of RMS Titanic's departure from the city. It is housed within a part of the Grade II* listed civic centre building which previously housed the magistrates' court and police station. The museum contains two permanent exhibitions, one dedicated to Southampton's connection with RMS Titanic, and the other to the city's role as gateway to the world. A third space for temporary exhibitions is housed in a purpose-built pavilion extension to the civic centre. Further phases of development may yet add to the exhibition space. [1]

Contents

The museum was designed by Wilkinson Eyre with Kier Southern serving as the main contractor. The budget for the museum was £15M, approximately £5M of which came from the Heritage Lottery Fund, with Southampton City Council and Southampton Cultural Development Trust providing the remainder. [1] The council had planned on selling works from their municipal art collection to fund the museum, but backed down after encountering significant opposition from both within and outside the city. [2]

Background

Plans for a heritage centre in Southampton began to emerge in 2002, with the city council's formation of the Heritage Working Group to explore options and to outline the way forward for such a scheme. [3] In 2004, the following locations were shortlisted as potential sites for the then named "Story of Southampton" heritage centre [4] –

All of the shortlisted sites were deemed too costly and unworkable. Following these developments, in 2006 Southampton Police announced their intention to vacate their civic centre headquarters due to a lack of space. [5] With the magistrates' court having left the building in 2001, this would leave an entire block of the civic centre vacant. And so the civic centre became a candidate to host the heritage centre, and by 2007 was considered the front runner. [6] [7]

Plans were unveiled for the civic centre heritage centre in 2008. The original plans included a 3-storey extension to the building, and a water feature running from nearby Watts Park, both of which were scrapped to reduce the cost by £10M to £28M. [8] [9] The project was split into two phases. The focus of phase one was to be Southampton's Titanic connection, and the Sea City name was attached. Phase one had a budget of £15M and a completion date due in 2012. [10]

Funding

Southampton City Council sought Heritage Lottery Funding towards the museum; it was awarded £0.5M in 2009 for the development phase, and a further £4.6M in 2010 for the construction. [10] [11] [12]

To raise the rest of the £15M, in 2009, Southampton City Council proposed selling off works from their municipal art collection. The council selected two works to be sold, an oil painting by Alfred Munnings, After the Race (1937), [lower-alpha 1] and one of two bronzes by Auguste Rodin, either Eve (1880) [lower-alpha 2] or Crouching Woman (1882). [lower-alpha 3] The council believed that these works were not core to the gallery's focus on British modern and contemporary 20th and 21st century art. Due to space constraints at Southampton City Art Gallery, only 200 of the 3,500 works in the collection can ever be displayed there at one time; the council believed that the sale of the two works would allow space to be created in the new museum for the display of 100 further works from the collection. It was hoped that the sale would generate £5M towards the museum. [13]

The proposed sale of the artwork had backing from the local paper, the Daily Echo , which had campaigned for three years for the deaccessioning of pieces from the "overflowing" municipal collection. [13] There were voices of dissent from within the city however, in spite of Alec Samuels, the then Conservative council leader's assertion that, "If we don't sell some paintings we don't get a heritage centre." Councillors from opposition Liberal Democrat and Labour camps described the proposed sale as a "betrayal of public trust" which would damage the reputation of the city's museum. [14] Alan Whitehead, MP for neighbouring Southampton Test described the proposed sale as an "outstandingly bad idea", which would discourage future donations and bequests to the city and destroy the national standing of its gallery. [15] Labour politicians proposed borrowing funds as an alternative to the proposed sale, but the ruling Conservative faction dismissed this plan, arguing that it would lead to either cuts in front-line services, or increases in council tax, to cover interest and repayments. [16]

Opponents formed the "Save our Collection" group to campaign against the proposed art sale; they protested outside the civic centre and handed a petition with over 2,500 signatories opposing the proposed sale to the council. [17] Edward Chaney, then Professor of Fine and Decorative Arts at the Southampton Institute (now Solent University), appeared on BBC South and published articles warning of reputational damage to the gallery and the consequent threat to future bequests. [18] [19] Nonetheless, the council voted to proceed with its plans, and in September 2009, they formally approached Baroness Scotland of Asthal, then Attorney General for England and Wales to approve the sale. [17] Criticism also came from the Museums Association which stated that the proposed sale would be in breach of the association's code of ethics as Southampton City Council had not fully explored alternate sources of funding. The Munnings forms part of the Chipperfield bequest to the city, over which the Tate held an advisory responsibility. They joined in the criticism, stating that "the sale of works acquired through the Chipperfield bequest to raise funds towards a capital project is not advisable and, indeed, not in the spirit of the bequest." [20] [21] The Art Fund, which had previously provided funding towards the acquisition of Bridget Riley's Red Movement (2005) [lower-alpha 4] by the city, expressed concern at the proposed sale, wary that it would "set an uncomfortable precedent, stretching the sector's guidelines and effectively sanctioning the disposal of works of art from publicly-owned collections to support other areas of public sector cultural provision". [22]

In November 2009, due to the strong opposition, Southampton City Council placed the proposed art sale on hold to re-evaluate their funding possibilities. [23] By February 2010, the council had cancelled the proposed art sale. The council stated that movements in the property markets had allowed it to consider selling off assets that were previously seen as unviable for sale. The council also looked to other organisations to provide funding, such as partnerships with neighbouring Hampshire County Council through a loan of artworks scheme. And if these efforts were to fail, the council stated that any shortfall would be met through borrowing. [2] [24]

A charity, the Southampton Cultural Development Trust [lower-alpha 5] was formed in 2010 to raise funds towards the project. [25] The museum further received a grant from the Department for Culture, Media and Sport in conjunction with the Wolfson Foundation, and another from the Garfield Weston Foundation. [26] [27]

Construction

The pavilion consists of three interlocking bays SeaCity Museum - Pavilion.jpg
The pavilion consists of three interlocking bays

Southampton City Council appointed the design team in July 2009, naming Wilkinson Eyre as lead. A year later, Kier Southern were named as main contractor. Despite reservations over the appearance of the new pavilion, English Heritage gave their approval for the designs, and final planning permission was granted in September 2010. [28] [29] Work began in October. There were some obstacles to the build, contractors discovered significant corrosion to the original building's steel frame which had to be repaired. Adding the necessary security elements to cover museum exhibits in a listed building also proved challenging. [1] Features from the original building were preserved in the design, the former prison cells were kept intact and used as toilet facilities, and a court room was preserved as an exhibition space. [30]

By August 2011, contractors had reached the top of the pavilion, and a topping out ceremony was held. [31] The pavilion was designed as three interlocking bays to negotiate the irregular site upon which it sits, which rises two metres from South to North. Stone aggregate was used on the pavilion's exterior to maintain consistency with the original civic centre building's portland stone exterior. Wilkinson Eyre described the pavilion as a "bold architectural addition" which signalled "the presence of a new important cultural attraction within the city". Oliver Green, writing for Museums Journal described the shape of the pavilion as echoing the "prows of ocean liners cutting through art deco waves". The completed museum provides 2,000 m2 of exhibition and learning space. The museum opened on time on 10 April 2012, marking the centenary of RMS Titanic's departure from the city. [30] [32] [33]

Work on the SeaCity Museum attracted positive attention from industry bodies. The Institution of Structural Engineers shortlisted Ramboll's structural design work for their 2012 Structural Awards; Architects' Journal shortlisted Wilkinson Eyre and interior fitters 8build for their 2012 Retrofit Awards. [34] [35] [36]

Exhibits

The main Gateway to the World gallery Sea city museum gateway to the world gallery.JPG
The main Gateway to the World gallery

There are three exhibitions at SeaCity, all of which were designed by Urban Salon. Two permanent exhibitions are housed in the former police station and magistrates' court.

The pavilion plays host to temporary exhibitions. The first, to coincide with the Titanic centenary, is Titanic: The Legend which explores the public's enduring fascination with the ship through its portrayal in popular culture. The exhibition hosts screens playing scenes from films such as 1912's In Nacht und Eis and 1997's Titanic . Titanic memorabilia collected include Steiff "mourning bears", beers from the Titanic Brewery, jigsaw puzzles and many other such kitsch that SeaCity scoured the internet to find. [44] [45]

Catherine Roberts, reviewing Southampton's Titanic Story for Culture24 described the comparison between the height of the civic centre and the height of the Titanic as inspired. She praised the graphics for making the story digestible for children and adults. And while she mentioned that the motif of following several crew members through the story never quite pans out, she concluded that it was a well-conceived exhibition and that "there can be no better place than Southampton to remember both those who died and those who survived the Titanic's first and final voyage." [43]

Oliver Green, writing in Museums Journal welcomed the new building, comparing it favourably to Southampton Maritime Museum's former home at The Wool House, which he described as being "completely unsuitable for telling the story of 20th century Southampton". Green praised the use of multimedia as "creative but restrained", and highlighted their careful integration with the museum's collections. He finished his review on a hopeful note, eyeing the still undeveloped spaces available in the civic centre building for further expansion. He concluded that it would be "a real shame if the project were to falter at this stage", and that further phases of expansion "must surely be good for the city and its future success." [32]

Southampton City Council forecast that the museum would receive over 150,000 visitors per year, but these numbers were only achieved in the first year, and annual totals have subsequently fallen consistently. [46] Over its first two years of operations income was £468 thousand (23%) lower than expected. [47] Visitor numbers were 10 thousand lower than expected at 240 thousand. [47] Visitor numbers have continued to fall in subsequent years raising concerns over ongoing funding and long term viability. [46] The 2018 Pevsner Architectural Guide to Hampshire:South described it as "notably short of objects or artworks". [48]

Notes

  1. ↑ After the Race at Art UK
  2. ↑ Eve at Art UK
  3. ↑ Crouching Woman at Art UK
  4. ↑ Red Movement at Art UK
  5. ↑ "Southampton Cultural Development Trust official website". Archived from the original on 23 June 2012.

Related Research Articles

<span class="mw-page-title-main">Southampton City Council</span> Local government body in England

Southampton City Council is the local authority of the city of Southampton in the ceremonial county of Hampshire, England. Southampton has had a council since medieval times, which has been reformed on numerous occasions. Since 1997 the council has been a unitary authority, being a district council which also performs the functions of a county council; it is independent from Hampshire County Council.

SS <i>Shieldhall</i> 1955 steamship

SS Shieldhall is a preserved steamship that operates from Southampton. She is the largest operational historic steamship in Europe and one of the last reciprocating steam engined ships built, using technology that dated back to the last quarter of the 19th century and which was obsolete at the time of her construction. She spent her working life as one of the "Clyde sludge boats", making regular trips from Shieldhall in Glasgow, Scotland, down the River Clyde and Firth of Clyde past the Isle of Arran, to dump treated sewage sludge at sea. These steamships had a tradition, dating back to the First World War, of taking organised parties of passengers on their trips during the summer. SS Shieldhall has been preserved and offers cruises to the paying public.

<span class="mw-page-title-main">Beecroft Art Gallery</span> Art Gallery in Victoria Avenue, Southend-on-Sea

Beecroft Art Gallery is an art gallery in Southend-on-Sea, Essex, England. The gallery is housed in the former municipal central library that opened in 1974 in the brutalist style as part of Southend Civic Centre. The Beecroft Art Gallery has a busy programme of changing exhibitions of art, photography and fashion. On the ground floor, the gallery presents temporary exhibitions of modern and contemporary artists, focusing on the work of emerging and established local artists. On the first floor, visitors can see works from the permanent collection and exciting fashion exhibitions. In the basement of the building is the charity The Jazz Centre UK.

<span class="mw-page-title-main">Cliffs Pavilion</span> Theatre, concert and exhibition venue in Essex, England

Cliffs Pavilion is a theatre, sports, exhibition and concert venue located on Station Road in Westcliff-on-Sea, Essex, England, a suburb within the city of Southend-on-Sea. It is the largest purpose-built arts venue in Essex, and the largest capacity of any theatre in the East of England. In 2006, the operation of Cliffs Pavilion, along with the Palace Theatre, were handed to HQ Theatres by Southend-on-Sea Borough Council. HQ Theatres merged with Trafalgar Entertainment in 2021. In February 2022, the Cliffs played host to He Built This City concert, a tribute to the murdered MP for Southend West Sir David Amess.

<span class="mw-page-title-main">Southampton Civic Centre</span> Municipal building in Southampton, Hampshire, England

The Civic Centre is a municipal building located in the Cultural Quarter area within the city of Southampton, England. It comprises offices occupied by Southampton City Council, the SeaCity Museum, the Guildhall, the Southampton City Art Gallery, and the city library. It was designed by the English architect Ernest Berry Webber in the Classical style in 1929 and constructed over a ten-year period. It was completed in 1939. Pevsner's Hampshire: South describes it as "the most ambitious civic building erected in the provinces in the interwar years". It was designated as a Grade II* listed building in 1980.

<span class="mw-page-title-main">Ocean Village, Southampton</span>

Ocean Village is a mixed-use marina, residential, business and leisure development on the mouth of the River Itchen in Southampton, on the south coast of England. Originally the site of Southampton's first working docks, the "Outer Dock" which opened in 1842, the area was redeveloped in 1986 and became the leisure marina it is today. After experiencing a period of stalled development with the late-2000s recession, Ocean Village underwent another series of major, multimillion-pound redevelopment projects. Current recreational facilities include a cinema, cafes, wine bars and restaurants.

<span class="mw-page-title-main">Southampton Blitz</span> WWII aerial bombardment of British port city

The Southampton Blitz was the heavy bombing of Southampton by the Nazi German Luftwaffe during World War II. Southampton was a strategic bombing target for the Luftwaffe as it contained both busy docks with associated business premises and factories and the Supermarine factory building Spitfires in Woolston. Being a large port city on the south coast it was within easy reach of German airfields in France.

<span class="mw-page-title-main">Millvina Dean</span> British civil servant and Titanic survivor (1912–2009)

Eliza Gladys Dean, known as Millvina Dean, was a British civil servant, cartographer, and the last living survivor of the sinking of the RMS Titanic on 15 April 1912. At two months old, she was also the youngest passenger aboard.

<span class="mw-page-title-main">Southampton</span> City in Hampshire, England

Southampton is a port city and unitary authority in Hampshire, England. It is located approximately 80 miles (130 km) southwest of London, 20 miles (32 km) west of Portsmouth, and 20 miles (32 km) southeast of Salisbury. Southampton had a population of 253,651 at the 2011 census, making it one of the most populous cities in southern England.

Southampton is a city in Hampshire, England. The area has been settled since the Stone Age. Its history has been affected by its geographical location, on a major estuary on the English Channel coast with an unusual double high-tide, and by its proximity to Winchester and London; the ancient and modern capitals of England. Having been an important regional centre for centuries, Southampton was awarded city status by Queen Elizabeth II in 1964.

<i>Titanic</i> Belfast Visitor attraction in Northern Ireland

TitanicBelfast is a visitor attraction in Northern Ireland, which opened in 2012. A monument to Belfast's maritime heritage on the site of the former Harland & Wolff shipyard in the city's Titanic Quarter where the RMS Titanic was built. It tells the stories of the Titanic, which hit an iceberg and sank during her maiden voyage in 1912, and her sister ships RMS Olympic and HMHS Britannic. The building contains more than 12,000 square metres (130,000 sq ft) of floor space, most of which is occupied by a series of galleries, private function rooms and community facilities.

<span class="mw-page-title-main">Solent Sky</span> Aviation museum in Southampton, England

Solent Sky is an aviation museum in Southampton, England.

<span class="mw-page-title-main">The Wool House</span> Warehouse in Bugle Street, Southampton

The Wool House is a medieval building in Southampton, Hampshire, England which was built to serve the wool trade. It has since had various uses.

<span class="mw-page-title-main">Holyrood Church</span> Church in Hampshire, England

Holyrood Church was one of the original five churches serving the old walled town of Southampton, England. Built in 1320, the church was destroyed by enemy bombing during the blitz in November 1940. In 1957 the shell of the church was dedicated as a memorial to the sailors of the Merchant Navy. It is a Grade II* listed building.

TSS T/T <i>Calshot</i>

TSS T/T Calshot was a tug tender built in 1929 by John I Thornycroft & Co, and completed in 1930 for the Red Funnel Line. Calshot was one of only three surviving classical tender ships which served the great ocean liners, another example is the SS Nomadic, which tendered the ill-fated RMS Titanic on her maiden voyage at Cherbourg, France. The third being the Manchester Ship Canal's Daniel Adamson. In her career, Calshot has tendered some of the most famous ocean liners ever built, such as the RMS Caronia, the Cunard Queens RMS Queen Elizabeth and RMS Queen Mary, the SS United States, and the White Star Line ship RMS Olympic. During World War II she was requisitioned by the British Admiralty for servicing troop ships and took part in D-Day. She was a registered vessel of the National Historic Fleet of the United Kingdom, holding Certificate No. 1.

In total there are 317 listed buildings in the city of Southampton, of which 14 are Grade I, 20 are Grade II* and the remainder Grade II.

Memorials and monuments to victims of the <i>Titanic</i>

Memorials and monuments to victims of the sinking of the RMS Titanic exist in a number of places around the world associated with Titanic, notably in Belfast, Liverpool and Southampton in the United Kingdom; Halifax, Nova Scotia in Canada; and New York City and Washington, D.C. in the United States. The largest single contingent of victims came from Southampton, the home of most of the crew, which consequently has the greatest number of memorials. Titanic was built in Belfast, Northern Ireland, and had a "guarantee party" of engineers from shipbuilders Harland and Wolff aboard all of whom were lost in the disaster and are commemorated by a prominent memorial in the city. Other contingents of engineers aboard the ship came from the maritime cities of Liverpool in England and Glasgow in Scotland, which erected their own memorials. Several prominent victims, such as Titanic's captain, were commemorated individually. Elsewhere, in the United States and Australia, public memorials were erected to commemorate all the victims.

<span class="mw-page-title-main">God's House Tower</span> Gateway in Winkle Street/Town Quay, Southampton

God's House Tower is a late 13th century gatehouse into the old town of Southampton, England. It stands at the south-east corner of the town walls and permitted access to the town from the Platform and Town Quay. It is now an arts and heritage venue, and has previously served as the town gaol and housed the Museum of Archaeology. The building is Grade I listed and a scheduled ancient monument.

The ocean liner Titanic has been extensively portrayed in films, books, memorials and museums.

Staplewood Campus in Marchwood, Hampshire is the training ground of Southampton Football Club. It was the home ground of Road-Sea Southampton until 1987 before being purchased by Southampton. The training campus houses the men's and women's first team alongside the academy sides.

References

  1. 1 2 3 Steve Menary (January 2012). "The Icebergs are all in the Past" (Flash). Building Projects. netMAGmedia: 43–47. Retrieved 21 April 2012.
  2. 1 2 Matt Smith (18 February 2010). "Southampton City Council back track on art sell off plans for museum funds". Southern Daily Echo . Retrieved 6 May 2012.
  3. ↑ "First Steps to 'Story of Southampton' Centre" (Press release). Southampton City Council. 8 July 2002. Archived from the original on 4 November 2011. Retrieved 24 April 2012.
  4. ↑ "'Story of Southampton' a Step Closer" (Press release). Southampton City Council. 24 May 2004. Archived from the original on 5 October 2013. Retrieved 24 April 2012.
  5. ↑ "Item No. 19 – Proposed New Heritage Centre" (PDF). Meeting of Economic Development, Leaders and Leisure Scrutiny Panel. Southampton City Council. 25 March 2008. Retrieved 24 April 2012.
  6. ↑ David Newble (21 February 2006). "Heritage centre plan for old magistrates court". Southern Daily Echo . Retrieved 24 April 2012.
  7. ↑ Matt Smith (17 February 2007). "Could a deal at last be on the cards for a city arts complex?". Southern Daily Echo . Retrieved 27 April 2012.
  8. ↑ Peter Law (28 January 2008). "Civic centre plans unveiled". Southern Daily Echo . Retrieved 24 April 2012.
  9. ↑ Peter Law (25 July 2008). "Titanic vision for £30m Museum". Southern Daily Echo . Retrieved 27 April 2012.
  10. 1 2 "Titanic Sea City Museum plans gather steam" (Press release). Southampton City Council. 31 March 2009. Archived from the original on 5 October 2013. Retrieved 27 April 2012.
  11. ↑ Peter Law (5 April 2009). "Sea City Museum could help put Southampton on the map". Southern Daily Echo . Retrieved 27 April 2012.
  12. ↑ "Southampton Sea City Museum sets sail" (Press release). Heritage Lottery Fund. 29 March 2012. Archived from the original on 5 October 2013. Retrieved 14 August 2012.
  13. 1 2 Peter Law (30 July 2009). "Works by Rodin and Munnings could raise £5m". Southern Daily Echo . Retrieved 21 April 2012.
  14. ↑ Matt Smith (18 July 2009). "'Sell Art or no Titanic Museum' says Council Leader". Southern Daily Echo . Retrieved 6 May 2012.
  15. ↑ Alan Whitehead (10 August 2009). "Don't sell Southampton short!". Archived from the original on 3 January 2013. Retrieved 14 August 2012.
  16. ↑ Matt Smith (28 September 2009). "Borrow cash but don't sell our city's art". Southern Daily Echo . Retrieved 14 August 2012.
  17. 1 2 Peter Law (16 September 2009). "Plans to sell off art are voted through". Southern Daily Echo . Retrieved 14 August 2012.
  18. ↑ Edward Chaney (Autumn 2009). "Titanic Error Threatens to Sink City Art Gallery". Friends of Southampton’s Museums, Archives and Galleries Newsletter. No. 65.
  19. ↑ Edward Chaney (November–December 2009). "That Sinking Feeling". The Jackdaw . pp. 12–14.
  20. ↑ Patrick Steel (23 September 2009). "Southampton sale does not meet MA's code of ethics". Museums Association . Archived from the original on 4 October 2013. Retrieved 14 August 2012.
  21. ↑ Martin Wainwright (27 September 2009). "Southampton council warned over plan to sell £5m worth of art works to fund gallery complex". The Guardian . Retrieved 21 April 2012.
  22. ↑ "Bridget Riley signs petition to stop sell-off of Southampton's art collection". Southern Daily Echo . 2 September 2009. Retrieved 14 August 2012.
  23. ↑ "Southampton Council bows to pressure from Museums Association". Southern Daily Echo . 7 November 2009. Retrieved 14 August 2012.
  24. ↑ Felicity Heywood (26 February 2010). "Southampton does U-turn on art sale". Museums Journal . Retrieved 21 April 2012.
  25. ↑ Peter Law (18 December 2009). "Southampton's Titanic Story plans unveiled". Southern Daily Echo . Retrieved 6 May 2012.
  26. ↑ "Southampton's SeaCity Museum successfully bids for £200,000 funding". Southern Daily Echo . 14 January 2012. Retrieved 15 August 2012.
  27. ↑ "Garfield Weston Foundation awards £200,000 in support of SeaCity Museum". Southampton Cultural Development Trust. June 2012. Archived from the original on 5 October 2013. Retrieved 15 August 2012.
  28. ↑ Peter Law (17 March 2010). "English Heritage back Sea City Museum plans". Southern Daily Echo . Retrieved 15 August 2012.
  29. ↑ Matt Smith (29 September 2010). "Work starts next week on Southampton's Sea City museum". Southern Daily Echo . Retrieved 15 August 2012.
  30. 1 2 3 "The SeaCity Museum, Southampton, set to open on the 100th anniversary of the Titanic's departure from the city" (Press release). Wilkinson Eyre. 10 April 2012. Retrieved 21 April 2012.
  31. ↑ "Sea City museum reaches highest point" (Press release). Kier Group. 11 August 2011. Archived from the original on 20 April 2013. Retrieved 15 August 2012.
  32. 1 2 Oliver Green (July 2012). "Review: SeaCity Museum, Southampton". Museums Journal . 112 (7): 44–47. ISSN   0027-416X.
  33. ↑ Matt Smith (26 April 2012). "10,000 visit Southampton's SeaCity Museum in less than two weeks". Southern Daily Echo . Retrieved 22 August 2012.
  34. ↑ "Structural Awards 2012: Sea City Museum". Structural Awards . Institution of Structural Engineers. Archived from the original on 19 November 2015. Retrieved 15 August 2012.
  35. ↑ Patrick Knox (16 August 2012). "SeaCity Museum up for Structural Award". Southern Daily Echo . Retrieved 16 August 2012.
  36. ↑ Richard White (3 July 2012). "AJ exclusive: finalists for Retrofit Awards". Architects' Journal . Retrieved 14 August 2012.
  37. ↑ "First Exhibit Arrives at SeaCity Museum". Heart South Coast . 27 February 2012. Retrieved 16 August 2012.
  38. ↑ "Southampton ready for Titanic SeaCity Museum". Culture24 . 27 February 2012. Archived from the original on 26 April 2012. Retrieved 15 August 2012.
  39. ↑ "Southampton's Maritime Museum to close doors". Southern Daily Echo . 24 September 2011. Retrieved 21 April 2012.
  40. ↑ Matt Smith (12 June 2011). "God's House Tower lease up for sale". Southern Daily Echo . Retrieved 16 August 2012.
  41. ↑ "God's House Tower: A History of the Museum". Southampton City Council. Archived from the original on 5 August 2012. Retrieved 16 August 2012.
  42. ↑ Clive Couldwell (7 June 2012). "Reliving Titanic". AV. Metropolis International. Archived from the original on 2 June 2013. Retrieved 15 August 2012.
  43. 1 2 Catherine Roberts (18 April 2012). "SeaCity Museum brings Titanic story home to Southampton". Culture24 . Archived from the original on 16 December 2019. Retrieved 14 August 2012.
  44. 1 2 Jon Reeve (27 March 2012). "First look inside Southampton's £15m SeaCity Museum and Titanic exhibition". Southern Daily Echo . Retrieved 21 April 2012.
  45. ↑ Raphael Satter (3 April 2012). "Titanomania: Museum charts obsession with Titanic". Associated Press. Archived from the original on 6 April 2012. Retrieved 21 April 2012.
  46. 1 2 "Southampton's SeaCity Museum: Visitors almost halve". BBC News. BBC. 9 June 2015. Retrieved 9 June 2015.
  47. 1 2 "Southampton's SeaCity Museum fails to meet targets". BBC News. BBC. 9 June 2014. Retrieved 11 June 2014.
  48. ↑ O’Brien, Charles; Bailey, Bruce; Pevsner, Nikolaus; Lloyd, David W. (2018). The Buildings of England Hampshire: South. Yale University Press. p. 616. ISBN   9780300225037.

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.