|For Casualties of the First World War from Southampton|
|Unveiled||6 November 1920|
|Location|| Coordinates: |
Watts Park/Above Bar Street, Southampton
|Designed by||Sir Edwin Lutyens|
|Official name||Southampton Cenotaph|
|Designated||8 October 1981|
Southampton Cenotaph is a First World War memorial designed by Sir Edwin Lutyens and located in Watts Park in Southampton, southern England. The memorial was the first of dozens by Lutyens to be built in permanent form and it influenced his later designs, including The Cenotaph on Whitehall in London. It is a tapering, multi-tiered pylon which culminates in a series of diminishing layers before terminating in a sarcophagus (or cenotaph, "empty tomb") which features a recumbent figure of a soldier. In front is an altar-like Stone of Remembrance. The cenotaph contains multiple sculptural details including a prominent cross, the town's coat of arms, and two lions. The names of the dead are inscribed on three sides. Although similar in outline, Lutyens' later cenotaphs were much more austere and featured almost no sculpture. The design uses abstract, ecumenical features and lifts the recumbent soldier high above eye level, anonymising him.
World War I memorials commemorate the events and the casualties of World War I. These war memorials include civic memorials, larger national monuments, war cemeteries, private memorials and a range of utilitarian designs such as halls and parks, dedicated to remembering those involved in the conflict. Huge numbers of memorials were built in the 1920s and 1930s, with around 176,000 erected in France alone. This was a new social phenomenon and marked a major cultural shift in how nations commemorated conflicts. Interest in World War I and its memorials faded after World War II, and did not increase again until the 1980s and 1990s, which saw the renovation of many existing memorials and the opening of new sites. Visitor numbers at many memorials increased significantly, while major national and civic memorials continue to be used for annual ceremonies remembering the war.
Sir Edwin Landseer Lutyens, was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth century".
Southampton is the largest city in the ceremonial county of Hampshire, England. It is 70 miles (110 km) south-west of London and 15 miles (24 km) west north-west of Portsmouth. Southampton is a major port and the closest city to the New Forest. It lies at the northernmost point of Southampton Water at the confluence of the Rivers Test and Itchen, with the River Hamble joining to the south of the urban area. The city, which is a unitary authority, had a population of 253,651 at the 2011 census. The city's name is sometimes abbreviated in writing to "So'ton" or "Soton", and a resident of Southampton is called a Sotonian.
The memorial was unveiled at a public ceremony on 6 November 1920. Shortly afterwards, concerns emerged that the list of names on the cenotaph was incomplete. After a newspaper campaign, more than 200 further names were identified and these were eventually added to the cenotaph. The names of most Jewish casualties were omitted, the Jewish community being unhappy that the memorial featured a Christian cross. By the beginning of the 21st century, the engravings on the memorial had deteriorated noticeably. Rather than re-cut them and damage the stonework, they were supplemented by a series of glass panels which bear all the names from the cenotaph, as well as names from the Second World War and later conflicts. The panels were unveiled in 2011.
The memorial is a Grade I listed building, having been upgraded in 2015 when Lutyens' war memorials were declared a national collection.
A listed building, or listed structure, is one that has been placed on one of the four statutory lists maintained by Historic England in England, Historic Environment Scotland in Scotland, Cadw in Wales, and the Northern Ireland Environment Agency in Northern Ireland.
In the aftermath of the First World War and its unprecedented casualties, thousands of war memorials were built across Britain. Amongst the most prominent designers of memorials was Sir Edwin Lutyens, described by Historic England as "the leading English architect of his generation".Lutyens established his reputation before the war by designing country houses for wealthy clients and through his work on the new imperial headquarters at New Delhi. The war affected him deeply and, following it, he devoted much of his time to memorialising its casualties. His biographer Jane Brown records that, in the 1920s, more than half of his commissions were "for memorials and tombs, (his) clients more the dead than the living". He designed Southampton Cenotaph at around the same as his most famous memorial, The Cenotaph on Whitehall in London. The cenotaph, along with Lutyens' work for the Imperial War Graves Commission (IWGC), led to commissions for war memorials across Britain and the empire.
Historic England is an executive non-departmental public body of the British Government sponsored by the Department for Culture, Media and Sport (DCMS). It is tasked with protecting the historical environment of England by preserving and listing historic buildings, ancient monuments and advising central and local government.
New Delhi is an urban district of Delhi which serves as the capital of India and seat of all three branches of the Government of India.
The Cenotaph is a war memorial on Whitehall in London, England. Its origin is in a temporary structure erected for a peace parade following the end of the First World War, and after an outpouring of national sentiment it was replaced in 1920 by a permanent structure and designated the United Kingdom's official national war memorial.
Being a major port town, Southampton was heavily involved in the British war effort from the outset. It became the main embarkation point for troops crossing the Channel to France and the main receiving point for wounded personnel being evacuated back to Britain; much of Southampton Common became an assembly point. Over the course of the war, more than eight million soldiers passed through Southampton on their way to the front. Alcantara (1913), an armed merchant cruiser sunk in February 1916, and the HMHS Asturias, an ocean liner converted to a hospital ship, which was sunk in March 1917. The names of the casualties were routinely printed in the local press. After the Armistice of 11 November 1918, Southampton docks were still busy with military movements, starting with repatriation of prisoners of war and casualties, followed by other soldiers and materiel returning from the front lines.As elsewhere, many men from the town quickly volunteered for military service after Britain declared war on Germany, a preponderance of them joining the Hampshire Regiment. Many others from Southampton served on merchant vessels, several of which were sunk during the course of the war, such as the RMS
Southampton Common is a large open space to the north of the city centre of Southampton, England. It is bounded by the districts of Shirley, Bassett, Highfield and Portswood. The area supports a large variety of wildlife, including the largest recorded population of the internationally rare great crested newt. It is designated a Site of Special Scientific Interest. The Common is used for a wide variety of community events, Flower Festival, Race for life Cancer Research UK and formerly 'Power in the Park' hosted by Power FM.
SS Alcantara was an ocean liner that went into service just weeks before the start of World War I, was converted to an armed merchant cruiser in 1915, and was sunk in combat with the German armed merchant cruiser SMS Greif in 1916.
HMHS Asturias was a Royal Mail Steam Packet Company ocean liner that was built in Belfast in 1908 and scrapped in Japan in 1933. She was a Royal Mail Ship until 1914, when on the eve of the First World War the Admiralty requisitioned her as a hospital ship.
Shortly after the signing of the Armistice in November 1918, a public meeting was held in the city of Southampton which voted to construct a memorial to honour the city's war dead. A committee, headed by the Lord Mayor of Southampton, Sidney Kimber, was elected and discussions began as to what form such a memorial should take. The committee decided that their preferred option would be to construct a single, high-quality memorial in a good location within Southampton and began to consider architects and locations, with a proposed budget of £10,000. Alfred Gutteridge, an architect on one of the sub-committees, knew and recommended Lutyens, who travelled to Southampton to meet Kimber, Gutteridge, and other members of the committee in January 1919.
Sir Sidney Guy Kimber was a British politician, born in Highfield, Southampton.
Lutyens argued successfully against the committee's initial proposed location on Asylum Green in favour of Watts Park. His initial design featured a Stone of Remembrance (an altar-like monolith used in most IWGC cemeteries and several of Lutyens' memorials in Britain) with a substantial archway on either side, each archway supporting a recumbent figure of a soldier on a sarcophagus. This was rejected due to the likely cost and instead Lutyens suggested a single empty sarcophagus or cenotaph, supported by a plinth, on top of a pillar (pylon) with pine cones mounted on urns standing on each side. This was agreed to at a public meeting in September 1919 and detailed work on the project began.The London firm of Holloway Brothers were selected as the contractor for the memorial; the project was completed on time in 1920 at a total cost of £9,845.
The Stone of Remembrance was designed by the British architect Sir Edwin Lutyens for the Imperial War Graves Commission (IWGC). It was designed to commemorate the dead of World War I, to be used in IWGC war cemeteries containing 1000 or more graves, or at memorial sites commemorating more than 1000 war dead. Hundreds were erected following World War I, and it has since been used in cemeteries containing the Commonwealth dead of World War II as well. It is intended to commemorate those "of all faiths and none", and has been described as one of Lutyens' "most important and powerful works", with a "brooding, sentinel-like presence wherever used".
A sarcophagus is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word "sarcophagus" comes from the Greek σάρξ sarx meaning "flesh", and φαγεῖν phagein meaning "to eat"; hence sarcophagus means "flesh-eating", from the phrase lithos sarkophagos, "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself.
A cenotaph is an empty tomb or a monument erected in honour of a person or group of people whose remains are elsewhere. It can also be the initial tomb for a person who has since been reinterred elsewhere. Although the vast majority of cenotaphs honour individuals, many noted cenotaphs are instead dedicated to the memories of groups of individuals, such as the lost soldiers of a country or of an empire.
The memorial stands on the east side of Watts Park, alongside Above Bar Street. It consists of a cenotaph—a pylon surmounted by a sarcophagus bearing a recumbent effigy of a fallen soldier—raised on five stone steps, in front of which is a Stone of Remembrance raised on two further steps. The cenotaph is a tapering, five-tiered pillar, connected by a low wall to two flanking columns topped by sculpted pine cones, which symbolise eternal life (being the fruit of an evergreen tree, the tree of life). The thin sheets of white Portland stone on the outside of the monument hide an inner brick core.
The pillar itself culminates in a series of diminishing tiers between the main body and the sarcophagus. It contains multiple sculptural details—a cross bearing a sword is engraved on the front (east) face of the largest (second) tier, on the tier above on the front and rear is carved Southampton's coat of arms, and on the fourth tier a lion stands on each side. Finally, on the fifth tier, below the sarcophagus, are wreaths which each contain emblems, representing the British Army, the Royal Navy, the Royal Air Force, and the Merchant Navy. The pillar is slightly curved (entasis) in imitation of the pillars at the Parthenon in Athens, and a similar effect was later repeated by Lutyens at the Whitehall Cenotaph. Besides the names of the dead, the only inscription on the cenotaph reads OUR GLORIOUS DEAD; The Stone of Remembrance is inscribed THEIR NAME LIVETH FOR EVERMORE, a phrase from the Book of Ecclesiasticus chosen by Rudyard Kipling.The names of the dead are cut into recessed panels on the north, south, and west faces.
Lutyens' design predominantly draws on a cleaner, more streamlined version of the classical symbolism used in earlier monuments. He reacted to the criticism of this sometimes cluttered approach by adopting cleaner architectural forms, but still retaining the ideal of a peaceful, "beautiful death". He used shapes derived from classical architecture and with an ecumenical appeal. Southampton's cenotaph features a slender cross, a late addition at the insistence of the committee, though Lutyens was reluctant to feature overtly religious symbolism on his memorials and he resisted pressure to incorporate a cross into several of his later cenotaphs, including Whitehall. Whereas memorials from previous wars, particularly the Second Boer War, often used allegorical figures, Southampton Cenotaph makes use of an abstract, beautiful design intended to remove the viewer from the real world, and focus them on an idealised sense of self-sacrifice and death. The recumbent figure of a soldier is placed high atop the structure, anonymising him and allowing the onlooker to believe that he could be somebody they personally mourned.By placing the figure at the top of the pylon, Lutyens also draws attention to the detail at the top of the pylon, connecting the beauty of the design to the memory of the fallen soldier.
Southampton's is significant as the first of Lutyens' First World War memorials to be completed in permanent form. It became the first of multiple cenotaphs by Lutyens across England and the British Empire. The heavy use of sculpture contrasts sharply with Lutyens' later cenotaphs (for example Whitehall or Manchester Cenotaph), which—although of a similar shape and size—were far more austere and relied on subtler forms of expression. Additionally, the Whitehall cenotaph, and several of Lutyens' later cenotaphs, terminate in an empty coffin rather than a recumbent figure.
Lutyens reused several elements of his previous work at Southampton. He first designed the pine cones and piers (which flank the cenotaph) for a war shrine in Hyde Park in London. The war shrine was never built, but Lutyens re-used the flanking piers (without the pine cones) for the entrance to Étaples Military Cemetery in France, which he designed for the IWGC.Lutyens re-used several parts of the Southampton design, including the recumbent figure, in his proposal for the Royal Artillery Memorial in London, though that proposal was rejected by the client, who favoured a memorial with greater realism. The design that was eventually built, by sculptor Charles Sargeant Jagger, features a dead soldier directly at eye level, as though just fallen. The soldier is covered by his greatcoat, thus still anonymised, but the stark imagery contrasts sharply with Lutyens' abstract, "beautiful" portrayal of death with the soldier raised high above the ground.
The Cenotaph was unveiled by Major-General John Seely, the Lord Lieutenant of Hampshire, and dedicated by the Right Reverend Edward Talbot, Bishop of Winchester, at a public ceremony on 6 November 1920. Seely first removed a canvas covering the whole structure and then a Union Flag which covered the effigy of the soldier, after which the Last Post was played and the crowd observed a two-minute silence. The crowd recited the Lord's Prayer then sang the national anthem, God Save the King, after which Kimber handed the memorial over to the town council. Kimber was very pleased with both the project and Lutyens, and he hoped to build a second war memorial in Southampton using the architect—Lutyens even offered to design a War Cross free of charge—though the project never came to fruition. The committee was left with a surplus of just over £100 once it wound up, which it donated towards the Hampshire, Isle of Wight and Winchester War Memorial at Winchester Cathedral.
Issues arose shortly after the unveiling concerning the names inscribed on the memorial. The committee had identified 1,793 names of Southampton men, and a number of women, who had died during the war and these had been inscribed on the Cenotaph. After the unveiling of the monument multiple relatives approached the committee to request that additional names be added, only to be told that this was not possible. The Hampshire branch of the Comrades of the Great War took up the case and wrote to the Southern Daily Echo newspaper, appealing for families to come forward with more names of unlisted casualties. Kimber eventually agreed and 203 additional names were inscribed in November 1921. Another name was added in 1922, bringing the total to 1,997.
More controversy surrounded the exclusion of the Jewish war dead from the memorial. Jews in Southampton had donated to the committee on the understanding that the memorial would commemorate not only Christian casualties but Jewish ones as well: one in ten adult male Jews in Southampton died during the conflict, twice the proportion for Southampton as a whole. The final decision on the design of the Cenotaph, however, featured a prominent Christian cross. This upset the Jewish community, and ultimately Jewish names were predominantly excluded from the memorial; only one Jewish name was finally inscribed on it.
By the start of the 21st century it became evident that the soft stone of the Cenotaph was deteriorating badly as a result of water damage and frost. 2.85 m (9 ft 4 in) by 1.2 m (3 ft 11 in) mounted in blocks of Portland stone, was installed, with four panels on each side of the Cenotaph, at a cost of £130,000, which was met by the city council and through public donations. The panels were engraved with the names of the World War I casualties and, in addition, those from Southampton who had died in later conflicts. The opportunity was taken to add names missing from the original monument so the Memorial Wall included a total of 2,368 names from the First World War as well as 927 from the Second World War and four from later conflicts—two from the Malayan Emergency (1948–1960), and one each from the Korean War (1950–1953) and the Mau Mau Uprising (1952–1960). This addition to the Cenotaph was unveiled on 11 November 2011.Recutting the names on the monument was discounted as a solution due to the long-term damage this repeated work would cause to the Cenotaph's structure. The council, supported by the Royal British Legion, decided to expand the war memorial instead. A memorial wall, designed by Martin Donlin, consisting of eight large glass panels,
Two additional stones were later added to the west of the Stone of Remembrance; one commemorates Southampton civilians who were killed in the Second World War and the other is dedicated to all service personnel from Southampton who died in the line of duty.Another stone was laid by the Cenotaph in 2018, dedicated to Southampton-born Major-General Daniel Marcus William Beak, VC, DSO, MC, who fought in and survived the First World War, and was awarded the Victoria Cross.
A small metal plaque mounted on a concrete plinth was installed by Southampton City Council on 28 October 2006 to commemorate members of the International Brigades, communist paramilitaries who fought for the Spanish republican government against the rebelling nationalists (who were supported by Nazi Germany) in the Spanish Civil War (1936–1939).It stands in a flower bed to the north-east of the cenotaph and lists the names of four casualties, along with a dedication.
Southampton Cenotaph was designated a Grade II* listed building in 1981.Listing provides legal protection from demolition or modification; Grade II* is applied to "particularly important buildings of more than special interest" and applied to about 5.5% of listings. It was upgraded to Grade I (the highest grade, reserved for buildings of "exceptional interest" and applied to only 2.5% of listings) in November 2015, when Historic England formed a national collection of Lutyens' 44 war memorials.
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Manchester Cenotaph is a First World War memorial, with additions for later conflicts, designed by Sir Edwin Lutyens for St Peter's Square in Manchester, England. Manchester was late in commissioning a war memorial compared to most British towns and cities—the city council did not convene a war memorial committee until 1922. The committee quickly raised £10,000 but finding a suitable location for the monument proved controversial. The preferred site in Albert Square required the removal and relocation of several statues, and was opposed by the city's artistic community. The next choice was Piccadilly Gardens, an area ripe for development, but in the interests of expediency, the council chose St Peter's Square, although it already contained a stone cross commemorating the former St Peter's Church. Negotiations to move the cross were unsuccessful and the cenotaph was built with the cross in situ.
Rochdale Cenotaph is a First World War memorial on the Esplanade in Rochdale, Greater Manchester, in the north west of England. Designed by Sir Edwin Lutyens, it is one of seven memorials in England based on his Cenotaph on Whitehall in London and one of his more ambitious designs. The memorial was unveiled in 1922 and consists of a raised platform bearing Lutyens' characteristic Stone of Remembrance next to a 10-metre (33 ft) pylon topped by an effigy of a recumbent soldier. A set of painted stone flags surrounds the pylon.
The Midland Railway War Memorial is a First World War memorial in Derby in the East Midlands of England, designed by Sir Edwin Lutyens and unveiled in 1921. It commemorates employees of the Midland Railway who left to fight in the First World War and who died while serving in the armed forces. The Midland was one of the largest railway companies in Britain in the early 20th century, and the largest employer in Derby, where it had its headquarters. Around a third of the company's workforce left to fight and 2,833 were killed.
The South African War Memorial is a First World War memorial in Richmond Cemetery in the London Borough of Richmond upon Thames. Designed by architect Sir Edwin Lutyens, the memorial is in the form of a cenotaph, similar to that on Whitehall, also by Lutyens. It was commissioned by the South African Hospital and Comforts Fund Committee to commemorate the 39 South African soldiers who died of their wounds at a military hospital in Richmond Park during the First World War. The memorial was unveiled by General Jan Smuts in 1921 and was the focus of pilgrimages from South Africa through the 1920s and 1930s, after which it was largely forgotten until the 1980s when the Commonwealth War Graves Commission took responsibility for its maintenance. It has been a grade II listed building since 2012.
Spalding War Memorial is a First World War memorial in the gardens of Ayscoughfee Hall in Spalding, Lincolnshire, in eastern England. It was designed by the architect Sir Edwin Lutyens. The proposal for a memorial to Spalding's war dead originated in January 1918 with Barbara McLaren, whose husband and the town's Member of Parliament, Francis McLaren, was killed in a flying accident during the war. She engaged Lutyens via a family connection and the architect produced a plan for a grand memorial cloister surrounding a circular pond, in the middle of which would be a cross. The memorial was to be built in the formal gardens of Ayscoughfee Hall, which was owned by the local district council. When McLaren approached the council with her proposal, it generated considerable debate within the community and several alternative schemes were suggested. After a public meeting and a vote in 1919, a reduced-scale version of McLaren's proposal emerged as the preferred option, in conjunction with a clock on the town's corn exchange building.
Northampton War Memorial, officially the Town and County War Memorial, is a First World War memorial on Wood Hill in the centre of Northampton, the county town of Northamptonshire, in central England. Designed by architect Sir Edwin Lutyens, it is a Stone of Remembrance flanked by twin obelisks draped with painted stone flags standing in a small garden in what was once part of the churchyard of All Saints' Church.
Norwich War Memorial is a First World War memorial in Norwich in Eastern England. It was designed by Sir Edwin Lutyens, the last of his eight cenotaphs to be erected in England. Prior to Lutyens' involvement, several abandoned proposals had been made for commemorating Norwich's war dead, and by 1926 the newly elected lord mayor was determined to see the construction of a memorial before he left office. He established an appeal to raise funds for local hospitals in memory of the dead as well as a physical monument. He commissioned Lutyens, who designed an empty tomb (cenotaph) atop a low screen wall from which protrudes a Stone of Remembrance. Bronze flambeaux at either end can burn gas to emit a flame. Lutyens also designed a roll of honour, on which the names of the city's dead are listed, which was installed in Norwich Castle in 1931.
Mells War Memorial is a First World War memorial by Sir Edwin Lutyens in the village of Mells in the Mendip Hills of Somerset, south-western England. Unveiled in 1921, the memorial is one of multiple buildings and structures Lutyens designed in Mells. His friendship with two prominent families in the area, the Horners and the Asquiths, led to a series of commissions; among his other works in the village are memorials to two sons—one from each family—killed in the war. Lutyens toured the village with local dignitaries in search of a suitable site for the war memorial, after which he was prompted to remark "all their young men were killed".
The Queen's Own Royal West Kent Regiment Cenotaph is a First World War memorial dedicated to members of the Queen's Own Royal West Kent Regiment and located in Maidstone in Kent, south-eastern England. Unveiled in 1921, the memorial was designed by Sir Edwin Lutyens following his design for the Cenotaph on Whitehall in London and is today a grade II* listed building.
The Royal Berkshire Regiment War Memorial or Royal Berkshire Regiment Cenotaph is a First World War memorial dedicated to members of the Royal Berkshire Regiment and located in Brock Barracks in Reading, Berkshire, in south-east England. Unveiled in 1921, the memorial was designed by Sir Edwin Lutyens, based on his design for the Cenotaph on Whitehall in London, and is today a grade II* listed building.
The Oxfordshire and Buckinghamshire Light Infantry War Memorial is a First World War memorial in the Cowley area of Oxford in southern England. Designed by Sir Edwin Lutyens, it commemorates men of the Oxfordshire and Buckinghamshire Light Infantry killed in the conflict; it was unveiled on Armistice Day, 11 November 1923, and has been a grade II listed building since 1972.
The Welch Regiment War Memorial, also known as the Maindy Monument is a First World War memorial at Maindy Barracks in the Cathays area of Cardiff in Wales. The memorial was designed by Sir Edwin Lutyens and follows his design for the Cenotaph on Whitehall in London. Unveiled in 1924, it commemorates men of the Welch Regiment who fell in the First World War, and is today a grade II listed building.
Hove War Memorial is a First World War memorial on Grand Avenue in Hove, East Sussex, on the south-east coast of England. The memorial was designed by Sir Edwin Lutyens with sculpture by Sir George Frampton and closely resembles Fordham War Memorial in Cambridgeshire, which was also a collaboration between Lutyens and Frampton. It was unveiled in 1921 and is today a grade II listed building.
Lower Swell War Memorial is a First World War memorial in the centre of the village of Lower Swell in Gloucestershire in south-western England. The memorial, designed by Sir Edwin Lutyens, was unveiled in 1921 and is today a grade II listed building.
Miserden War Memorial is a First World War memorial in the village of Miserden, near Stroud, in Gloucestershire, south-western England. The memorial, designed by Sir Edwin Lutyens, is today a grade II listed building.
King's Somborne War Memorial is a First World War memorial in the village of King's Somborne in Hampshire in southern England. The memorial was designed by Sir Edwin Lutyens and unveiled in 1921; it is a grade II listed building.
Muncaster War Memorial is a First World War memorial in the parish of Muncaster on the west coast of Cumbria in the far north-west of England. The memorial is one of fifteen War Crosses designed by Sir Edwin Lutyens; it was unveiled in 1922 and is now a grade II listed building.
Wargrave War Memorial is First World War memorial in the village of Wargrave in Berkshire, south-eastern England. Designed by Sir Edwin Lutyens, the memorial was unveiled in 1922 and is today a grade II listed building.
Sandhurst War Memorial is a First World War memorial in the village of Sandhurst in Kent, south-eastern England, close to the border with East Sussex. The memorial is one of fifteen War Crosses by Sir Edwin Lutyens and arguably the one with the most elaborate setting. It was unveiled in 1923 and is today a grade II listed building.