James Henry Miller, better known by his stage name Ewan MacColl, was a folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town".
"Whiskey in the Jar" is an Irish traditional song set in the southern mountains of Ireland, often with specific mention of counties Cork and Kerry. The song, about a rapparee (highwayman) who is betrayed by his wife or lover, is one of the most widely performed traditional Irish songs and has been recorded by numerous artists since the 1950s.
The Dubliners were an Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s, and were signed to the Major Minor label in 1965 after backing from Dominic Behan who was paid by Major-Minor to work with the Dubliners and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act including the song McAlpine's Fusiliers created specifically to showcase Ronnie Drew's gravel voice. They went on to receive extensive airplay on Radio Caroline which was part-owned by Phil Solomon CEO of Major Minor, and eventually appeared on Top of the Pops in 1967 with hits "Seven Drunken Nights" and "The Black Velvet Band". Often performing political songs considered controversial at the time, they drew criticism from some folk purists and Ireland's national broadcaster RTÉ had placed an unofficial ban on their music from 1967 to 1971. During this time the band's popularity began to spread across mainland Europe and they appeared on The Ed Sullivan Show in the United States. The group's success remained steady right through the 1970s and a number of collaborations with The Pogues in 1987 saw them enter the UK Singles Chart on another two occasions.
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona. Under the title "Croodlin Doo" Robert Chambers published a version in his "Scottish Ballads" (1829) page 324
"Seven Drunken Nights" is a humorous Irish folk song most famously performed by The Dubliners. It is a variation of the English/Scottish folk song "Our Goodman". It tells the story of a gullible drunkard returning night after night to see new evidence of his wife's lover, only to be taken in by increasingly implausible explanations.
"The Wild Rover" is a very popular and well-travelled folk song. Many territories have laid claim to having the original version.
Harry Fred Cox, was a Norfolk farmworker and one of the most important singers of traditional English music of the twentieth century, on account of his large repertoire and fine singing style.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
"Hughie Graham" or "Hughie Graeme" is Child ballad number 191, Roud 84, existing in several variants. It was collected by Robert Burns. There is a printed version in the Bodleian Library under the title "The Life and Death of Sir Hugh The Grime". It is dated between 1672 and 1696. The Burns version was printed by James Johnson (engraver) in the Scots Musical Museum 1803. It is in volume 4 song no 303, pages 312 and 313. The Vaughan Williams Memorial Library lists several other versions in printed collections, including "Scottish Ballads" (1829) by Robert Chambers.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"The Irish Rover" is an Irish folk song about a magnificent though improbable sailing ship that reaches an unfortunate end. It has been recorded by numerous artists, some of whom have made changes to the lyrics over time.
"I'll Tell Me Ma" is a traditional children's song. It was collected in various parts of the United Kingdom in the 19th century and again appears in collections from shortly after the turn of the 20th century. In Ireland, especially within Ulster, the chorus usually refers to Belfast city and is known colloquially as "The Belle of Belfast City", although it is also adapted to other Irish cities, such as Dublin. Other versions refer to the "Golden City" or "London City". This song is Roud Folk Song Index number 2649.
The Unfortunate Rake is an album released by Folkways Records in 1960, containing 20 different variations from what is sometimes called the 'Rake' cycle of ballads. The album repeats a claim made by Phillips Barry in 1911 that the song is Irish in origin, a claim made on the basis of a fragment called "My Jewel My Joy" collected in Ireland in 1848. The song is incorrectly said to have been heard in Dublin, when the cited source states it was collected and had been heard in Cork. However, the notes to the album make no mention of what is now thought to be the oldest written version of the song, one called "The Buck's Elegy".
"Spanish Lady" is a traditional Irish folk song, also found in England. The Bodleian Library has several broadsides of an English ballad with this name, one dating from the 17th century. Fragmentary or related versions from the US date from 1883. It is #542 in the Roud Folk Song Index. It should not be confused with "Spanish Ladies" or "Lady of Spain," both of which are entirely different songs.
"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.
"All For Me Grog" is a traditional folk song, also known as Good Brown Ale and Tobacco, that was originally popular with sailors and later adopted by folk music performers and pub singers.. It was collected by George Gardiner in 1906 under the title "The Nobby Hat". James Madison Carpenter collected a version in c 1928 as "All for the Grog". In 1961 A. L. Lloyd and Alf Edwards recorded the song on an E.P. by Topic Records.
Van Diemen's Land or Henry the Poacher, Young Henry's Downfall, Beware Young Men. is an English transportation ballad. It was widely published in broadsides during the 19th century, and was collected from traditional singers in England during the twentieth century. It has been recorded by many singers influenced by the British folk revival.
The Bold Fisherman is an English folk song popular with traditional singers and widely collected in the early and mid 20th century CE. It has been frequently performed and recorded by contemporary folk singers and groups.
