The Byrds' Greatest Hits | ||||
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Greatest hits album by | ||||
Released | August 7, 1967 | |||
Recorded | January 20, 1965 – December 8, 1966 | |||
Studio | Columbia, Hollywood | |||
Genre | ||||
Length | 32:17 | |||
Label | Columbia | |||
Producer | Terry Melcher, Allen Stanton, Gary Usher | |||
The Byrds chronology | ||||
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Alternative Cover | ||||
The Byrds' Greatest Hits is the first greatest hits album by the American rock band the Byrds and was released in August 1967 on Columbia Records. [1] It is the top-selling album in the Byrds' catalogue and reached number 6 on the Billboard Top LPs chart, but failed to chart in the UK. [2] [3] [4]
The album provides a summary of the Byrds' history during Gene Clark and David Crosby's original tenure with the band and also functions as a survey of the group's hit singles from 1965 to 1967, a period when the band had its greatest amount of success on the singles chart. [5] Most of the band's U.S. A-sides from this period are included on the album, along with three of their more important album tracks: "I'll Feel a Whole Lot Better", "The Bells of Rhymney", and "Chimes of Freedom". [5] The three U.S. singles from this period that are not included on the album are "Set You Free This Time", "Have You Seen Her Face" and "Lady Friend" (although these songs have been included as bonus tracks on various CD reissues of the album). All of the songs included on the original Greatest Hits album can also be found on the band's first four albums, Mr. Tambourine Man , Turn! Turn! Turn! , Fifth Dimension and Younger Than Yesterday .
The eight tracks on The Byrds' Greatest Hits that had been singles peaked at the following positions on the Billboard Hot 100: "5D (Fifth Dimension)" number 44; "All I Really Want to Do" number 40; "Mr. Spaceman" number 36; "My Back Pages" number 30; "So You Want to Be a Rock 'n' Roll Star" number 29; "Eight Miles High" number 14; "Turn! Turn! Turn!" number 1; and "Mr. Tambourine Man" number 1. [6] In addition, four of the singles included on the album had charted in the United Kingdom, peaking at the following positions on the UK Singles Chart: "Turn! Turn! Turn!" number 26; "Eight Miles High" number 24; "All I Really Want to Do" number 4; and "Mr. Tambourine Man" number 1. [4]
Author Johnny Rogan has stated that, in particular, "Eight Miles High", "Turn! Turn! Turn!", and "Mr. Tambourine Man" were widely influential during the 1960s, a time when singles, at least in pop music, were as important in their own right as albums, and generally more so. [7] Rogan further opined that "Turn! Turn! Turn!" summed up the decade's counter-cultural values as much as "Blowin' in the Wind", "(I Can't Get No) Satisfaction" or "All You Need Is Love", while "Mr. Tambourine Man" and "Eight Miles High" helped to introduce the subgenres of folk rock and psychedelic rock respectively into the popular music of the day. [7]
The Byrds' Greatest Hits was released on August 7, 1967 in the United States (catalogue item CL 2716 in mono, CS 9516 in stereo) and October 20, 1967 in the United Kingdom (catalogue item BPG 63107 in mono, SBPG 63107 in stereo). [1] The album was certified Gold by the Recording Industry Association of America within a year of its release, eventually being certified platinum on November 21, 1986. [8] [9]
The album was first issued on CD by Columbia Records in 1985 and was later re-released in a remastered form in 1991 with alternative cover artwork. [10] In the UK and Europe, this 1991 edition of the album was titled Greatest Hits: 18 Classics Remastered and included an additional seven bonus tracks taken from the Byrds' post Younger Than Yesterday career (a period not covered by the original album). The album was remastered again at 20-bit resolution as part of the Columbia/Legacy Byrds series and reissued in an expanded and remixed form on March 30, 1999. [11] The three bonus tracks on the 1999 reissue included two of the remaining singles from the Byrds' 1965–1967 career, plus the number 63 charting B-side, "It Won't Be Wrong". [7] The album was reissued again in the SACD format on January 30, 2001, with the same expanded track listing as on the 20-bit remaster. [12]
On March 16, 2009 Sony Music released a new Byrds compilation titled Greatest Hits as part of their Steel Box Collection series. [13] This compilation album is not the same as the original The Byrds' Greatest Hits album, although it does have four of the same tracks in common.
Upon release, The Byrds' Greatest Hits was met with positive reviews. Paul Williams enthusiastically waxed lyrical about the album in a review published in Crawdaddy! magazine: "Any greatest hits album is insignificant. By definition it contains nothing unfamiliar; and yet this very fact offers great potential beauty, for a well-made greatest hits LP might then unleash the emotion of familiarity in an artistic context. The Byrds have achieved that goal: always masters of the form, they have now taken the concept of a great hits anthology and created from it an essay into rediscovery." [2] WCFL Beat magazine was also complimentary about the album, noting that, during the mid-1960s British Invasion, the Byrds were the only American band to "help to revolutionize the pop scene and to pave the way for the so-called psychedelic music of today." [2] In the UK, Record Mirror gave the album a top rating of 4 stars, while commenting "This is a chronological collection of their singles and is really something. Their sound has progressed from the Dylanesque to the sound which is one of the best in the pop world." [14] A November 1967 review of the album in Beat Instrumental declared "This is probably the best collection LP to come out of the states this year, and has songs that won't date for years to come." [14]
In recent years, Stephen Thomas Erlewine, in his review for the AllMusic website, has described the album as "pretty close to a definitive single-disc summary of the Byrds' prime." [5] Sarah Zupko also praised the album in her PopMatters review, noting: "The Byrds perfectly captured the mood of their time." [15] In his review of the SACD version of the album for the Music Tap website, Robert Olsen described the album as "a compilation album featuring some of the better known recordings from the first 4 albums." [12] Olsen went on to note that "The first album is over-represented, and there's an unwholesome emphasis on the Dylan cuts. Nevertheless, at the time the album was stunning in its breadth and provided the next generation with a good sample of the sound and direction of the group." [12] Peter Kane found no issue with "the clarity of the originals" when reviewing the 1991 re-release for Q magazine. [10]
The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). [16] In 2003, the album was ranked at number 178 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time , [17] although it was dropped when the list when was updated in 2012.
Adapted from So You Want to Be a Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973), The Byrds: Timeless Flight Revisited, various compact disc liner notes, and other online sources: [18] [19] [20] [21] [22] [23] [24] [25]
Credits refer only to the original 11 track album.
The Byrds
Additional personnel
Date | Label | Format | Country | Catalog | Notes |
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August 7, 1967 | Columbia | LP | US | CL 2716 | Original mono release. |
CS 9516 | Original stereo release. | ||||
October 20, 1967 | CBS | LP | UK | BPG 63107 | Original mono release. |
SBPG 63107 | Original stereo release. | ||||
1976 | Embassy | LP | UK | EMB 31381 | |
1985 | Columbia | CD | US | CK 9516 | Original CD release. |
1985 | CBS | LP | UK | 32068 | |
1985 | CBS | CD | UK | CDCBS 32068 | |
1991 | Columbia | CD | US | 467843 2 | Titled Greatest Hits: Re-Mastered with alternative cover artwork. |
1991 | Sony | LP | UK | COL 467843 1 | Titled Greatest Hits: Re-Mastered with alternative cover artwork. |
1991 | Sony | CD | UK | COL 468316 2 | Titled Greatest Hits: 18 Classics Remastered with alternative cover artwork and seven bonus tracks. |
March 30, 1999 | Columbia/Legacy | CD | US | CK 66230 | Reissue containing three bonus tracks and a stereo remix of the entire album. |
January 30, 2001 | Columbia/Legacy | CD | US | CS 66230 | SACD reissue containing three bonus tracks and a stereo remix of the entire album. |
2003 | Sony | CD | Japan | MHCP-107 | Reissue containing three bonus tracks and a stereo remix of the album in a replica LP sleeve. |
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Ballad of Easy Rider is the eighth album by the American rock band the Byrds and was released in November 1969 on Columbia Records. The album was named after the song "Ballad of Easy Rider", which had been written by the Byrds' guitarist and singer, Roger McGuinn, as the theme song for the 1969 film, Easy Rider. The title was also chosen in an attempt to capitalize on the commercial success of the film, although the majority of the music on the album had no connection with it. Nonetheless, the association with Easy Rider heightened the Byrds' public profile and resulted in Ballad of Easy Rider becoming the band's highest charting album for two years in the U.S.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
"Chestnut Mare" is a song by the American rock band the Byrds, written by Roger McGuinn and Jacques Levy during 1969 for a planned country rock musical named Gene Tryp. The musical was never staged and the song was instead released in September 1970 as part of the Byrds' (Untitled) album. It was later issued as a single, peaking at number 121 on the Billboard singles chart and number 19 on the UK Singles Chart.
Turn! Turn! Turn! is the second studio album by American rock band the Byrds, released on December 6, 1965, by Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", which was adapted by Pete Seeger from text in the Book of Ecclesiastes, had previously been arranged in a chamber-folk style by the Byrd's lead guitarist Jim McGuinn for folk singer Judy Collins' third album, but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.
Fifth Dimension is the third album by the American rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
Dr. Byrds & Mr. Hyde is the seventh studio album by the American rock band the Byrds and was released in March 1969 on Columbia Records. The album was produced by Bob Johnston and saw the band juxtaposing country rock material with psychedelic rock, giving the album a stylistic split-personality that was alluded to in its title. It was the first album to feature the new band line-up of Clarence White (guitar), Gene Parsons (drums), John York (bass), and founding member Roger McGuinn (guitar). Dr. Byrds & Mr. Hyde is unique within the band's discography for being the only album on which McGuinn sings the lead vocal on every track.
(Untitled) is the ninth album by the American rock band the Byrds and was released in September 1970 on Columbia Records. It is a double album, with the first LP featuring live concert recordings from early 1970, and a second disc consisting of new studio recordings. The album represented the first official release of any live recordings by the band, as well as the first appearance on a Byrds' record of new recruit Skip Battin, who had replaced the band's previous bass player, John York, in late 1969.
Farther Along is the eleventh album by the American rock band the Byrds and was released in November 1971 on Columbia Records. For the most part, the album was recorded and produced by the Byrds themselves in London, England, over the course of five work-intensive days in July 1971. It was quickly released as a reaction to the commercial failure of the Byrds' previous album, Byrdmaniax, and as an attempt to stem the criticism that album was receiving in the music press.
The Best of The Byrds: Greatest Hits, Volume II is the third greatest hits album by the American rock band the Byrds, but only the second to be released in the United States, since the earlier The Byrds' Greatest Hits Volume II had only been issued in the UK. The album was released in the U.S. by Columbia Records on November 10, 1972 in lieu of any new Byrds' product during that year. It spent a total of thirteen weeks on the Billboard Top LPs & Tapes chart and peaked at number 114.
"All I Really Want to Do" is a song written by Bob Dylan and featured on his Tom Wilson-produced 1964 album, Another Side of Bob Dylan. It is arguably one of the most popular songs that Dylan wrote in the period immediately after he abandoned topical songwriting. Within a year of its release on Another Side of Bob Dylan, it had also become one of Dylan's most familiar songs to pop and rock audiences, due to hit cover versions by Cher and the Byrds.
"5D (Fifth Dimension)" is a song by the American rock band the Byrds, written by band member Jim McGuinn. It was released as a single in June 1966, and also included as the title track on the Byrds' third album, Fifth Dimension.
"So You Want to Be a Rock 'n' Roll Star" is a song by the American rock band the Byrds. Written by Jim McGuinn and Chris Hillman, it was included on the band's 1967 album, Younger Than Yesterday. The song was inspired by the manufactured nature of the Monkees and was released as a single on January 9, 1967, reaching number 29 on the Billboard Hot 100, but failing to chart in the United Kingdom.
"Ballad of Easy Rider" is a song written by Roger McGuinn, with input from Bob Dylan, for the 1969 film Easy Rider. The song was initially released in August 1969 on the Easy Rider soundtrack album as a Roger McGuinn solo performance. It was later issued in an alternate version as a single by McGuinn's band the Byrds on October 1, 1969. Senior editor for Rolling Stone magazine, David Fricke, has described the song as perfectly capturing the social mood of late 1969 and highlighting "the weary blues and dashed expectations of a decade's worth of social insurrection".
"The Bells of Rhymney" is a song by folk singer Pete Seeger, which consists of Seeger's own music accompanying words written by Welsh poet Idris Davies. Seeger first released a recording of the song on a live album in 1958, but it is the American folk rock band the Byrds' 1965 recording that is the best known version of the song.
"It Won't Be Wrong" is a song by the American folk rock band the Byrds, which appeared as the second track on their 1965 album, Turn! Turn! Turn! It was also coupled with the song "Set You Free This Time" for a single release in 1966, resulting in "It Won't Be Wrong" charting at number 63 on the Billboard Hot 100. The song was written by Byrds band member Jim McGuinn and his friend Harvey Gerst in 1964.
Preflyte is a compilation album by the American folk rock band the Byrds and was released in July 1969 on Together Records. The album is a collection of demos recorded by the Byrds at World Pacific Studios in Los Angeles during late 1964, before the band had signed to Columbia Records and become famous. It includes early demo versions of the songs "Here Without You", "You Won't Have to Cry", "I Knew I'd Want You", and "Mr. Tambourine Man", all of which appeared in re-recorded form on the band's 1965 debut album.
The Byrds' Greatest Hits Volume II is the second greatest hits album by the American rock band the Byrds. It was released in the United Kingdom and Europe on October 29, 1971, by CBS Records as a follow-up to the band's first compilation album, The Byrds' Greatest Hits. The album appeared following the band's successful appearance at the Lincoln Folk Festival in England on July 24, 1971, and according to band biographer Johnny Rogan may have been issued by CBS as a reaction to the band's previous studio album, Byrdmaniax, having failed to chart in the UK.
History of The Byrds is a double album compilation by the American rock band the Byrds and was released on May 18, 1973 by CBS Records. The compilation was released exclusively in Europe and the UK, peaking at number 47 on the UK Albums Chart, but it was also available in the United States as an import.
Never Before is a compilation album by the American rock band the Byrds, consisting of previously unreleased outtakes, alternate versions, and rarities. It was initially released by Re-Flyte Records in December 1987 and was subsequently reissued on CD in 1989, with an additional seven bonus tracks.