The End of Silence

Last updated

The End of Silence
Rollins Band - The End of Silence.jpg
Studio album by
ReleasedFebruary 25, 1992
RecordedOctober 1991
StudioShowplace Studios, Dover, New Jersey
Genre
Length72:30
Label Imago
Producer Andy Wallace
Rollins Band chronology
Turned On
(1990)
The End of Silence
(1992)
Weight
(1994)
Singles from The End of Silence
  1. "Tearing"
    Released: 1992
  2. "Low Self Opinion"
    Released: 1992

The End of Silence is the third studio album by the American rock band Rollins Band, led by former Black Flag singer Henry Rollins. The album spawned two singles, including the MTV hit "Low Self Opinion". It was their first release to reach the US Billboard 200 chart, and is considered their mainstream breakthrough, with the band having previously released a string of underground albums.

Contents

Background

The End of Silence was the band's first release for the independent label Imago Records. The label signed them to an eight album contract, on the back of their performance at the inaugural edition of Lollapalooza in 1991. At the time, the label had a distribution deal with BMG, which has led to some considering this as the major label debut of Rollins Band. [3] It has been claimed that the album title was a reference to the broader exposure the band would get by being on a larger label. [4] In 1992, Rollins commented, "it's weird doing the Imago thing. You walk in there and it's this major label. I've made I don't know how many records and I've been paid maybe three times in my life. [It's] weird to get a royalty check in the mail. 'What's this for?', and they say 'you make records, that's what you get paid for'." [5]

It was recorded over six weeks during October 1991, at Showplace Studios in Dover, New Jersey. [6] Many of the songs on The End of Silence had already been written before the band recorded their previous studio album, 1989's Hard Volume . [7] Regarding the lyrical content, Rollins said in 1992 "I wrote lyrics that really challenged me. I finally had the courage to write about my father on the song 'Just Like You'. I really had problems dealing with it in the past." [5]

The cover features a stylized drawing of the sun identical to the one tattooed on Rollins' back. The album's liner notes credit the artwork to California tattoo artist Rick Spellman.

Musical style

In their 1999 book VH1 Rock Stars Encyclopedia, authors Dafydd Rees and Luke Crampton described it as "mixing elements of blues and jazz into an otherwise uncompromisingly intense punk-metal set." [8] Metal Hammer in 2021 considered it to have the sound the band would later become synonymous with, saying that "blues rock, jazz, swing and prog all propped up a rock hard alt-metal sound." [9] Regarding the mixture of styles on The End of Silence, guitarist Chris Haskett said in 2020, "there was never a strategy or plan for writing the music so it wouldn’t be right to say we intended to combine anything in particular." [7] Guitar World labelled it as being the heaviest album the band had released up until that point, and it has also been noted for having less of a punk-influenced sound than their prior works. [10] Haskett said, "Hard Volume is when the hard rock edge (especially Van Halen) starts creeping in and colors how we write together. End of Silence is when we really fully took on our own ensemble voice. The music on it is more collective and, I think, organic than on the earlier two albums." [7]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [11]
Christgau's Consumer Guide Rating-Christgau-dud.svg [12]
Collector's Guide to Heavy Metal 8/10 [13]
Los Angeles Times Star full.svgStar full.svgStar full.svgStar half.svg [14]
MusicHound Rock Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [15]
Rolling Stone Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [16]
Select Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [17]
Spin Alternative Record Guide 6/10 [18]
Vox 9/10 [19]

The End of Silence has received positive reviews from critics, and as of 1996 had sold 260,000 copies, making it their most commercially successful release prior to 1994's Weight . [20] Stephen Thomas Erlewine of AllMusic gave it four out of five stars in his review. He observed that the singles received substantial airplay on MTV's Headbangers Ball program, writing that the album "further cemented Rollins' profile with yet another audience: metalheads." [11] Erlewine further wrote, "Rollins released other solid records, but The End of Silence remains his best." Hard Report's February 1992 review states that, "[Rollins'] influence bleeds through the alternative and metal ranks, in a variety of forms", adding that the album is "a hard blast of Rollins at his best, in a form that should enjoy a very warm reception from metal radio (perhaps more so than alternative)". [21] In February 1992, Billboard gave it a positive review, writing that, "Henry Rollins makes the leap to the majors without compromising [their] ear-bending sound, which creamed unsuspecting audiences at the Lollapalooza tour last year." [22] Jon Dominguez of Californian paper the Palo Verde Valley Times wrote in October 1992 that "The End of Silence is very intense and it sounds and feels so real", adding that "some of the tracks are over ten and eleven minutes long, but I never lose interest." [23]

Steve Hochman of the Los Angeles Times gave it a three and a half rating out of four in March 1992, and labelled it as the "crowning achievement" of Rollins' career. [14] In December 1992, music writer Chris Morris named it as one of his ten best records of 1992, praising the band for "pushing outside of the hard rock envelope." [24] A more negative review at the time came from the Pittsburgh Post-Gazette's Tony Norman, who in March 1992 called it a "step backwards in rock's self indulgent past". He further said, "since a lot of hipsters don't seem to care that former Black Flag singer Henry Rollins traded in the punk aesthetic for jams that extend six minutes beyond their logical conclusion, I'll state what should be obvious to anyone who wades through all 72 minutes of The End of Silence — it's boring man." [25]

Legacy

Tool bassist Justin Chancellor has mentioned that he was a fan of The End of Silence when it was first released. [26] In a 2006 retrospective on the making of the album, Albert Mudrian of Decibel magazine wrote, "while Kurt Cobain was altering the course of popular music’s history, underground icon Henry Rollins and his band were busy eating cheese sandwiches, avoiding the temptations of nearby stripper joints, and putting a masterpiece of dark, angular grooves and introspective firestorms to tape." [27] In the 2009 book Spray Paint the Walls: The Story of Black Flag, author Stevie Chick considered the album's lyrical themes to be similar to that of Rollins' last few albums with Black Flag, but noted that it had "a more muscular and, ultimately, audience-pleasing [sound]". [28] In 2022, Louder Sound ranked it as the second best Rollins Band album, behind only Weight. [29] That same year, Spin included it on a list titled "30 Overlooked 1992 Albums Turning 30". [30] Metal Hammer included it on a 2021 list of the 20 best metal albums of 1992, and also listed it as being one of the 100 best metal albums released in the 1990s. [9] [1]

Accolades

YearPublicationCountryAccoladeRank
1992Rock de LuxSpain"Albums of the Year"23 [31]
1992 Sounds Germany"Albums of the Year"24 [32]
1992 Select United Kingdom"Albums of the Year"40 [33]
1996VisionsGermany"The Eternal Readers Charts"63 [34]
1996VisionsGermany"The Best Albums 1991–96"* [35]
1999VisionsGermany"The Most Important Albums of the Nineties"15 [36]
2000 Terrorizer United Kingdom"100 Most Important Albums of the Nineties"* [37]
2004 Decibel United States"Hall of Fame"19 [38]
2005 Rock Hard Germany"The 500 Greatest Rock & Metal Albums of All Time"426 [39]
2022 Metal Hammer United Kingdom"Top 20 Best Metal Albums of 1992"* [1]
"*" denotes an unordered list.

Track listing

All songs written by Henry Rollins, Chris Haskett, Andrew Weiss and Sim Cain.

  1. "Low Self Opinion" – 5:18
  2. "Grip" – 4:50
  3. "Tearing" – 4:58
  4. "You Didn't Need" – 5:30
  5. "Almost Real" – 8:03
  6. "Obscene" – 8:50
  7. "What Do You Do" – 7:22
  8. "Blues Jam" – 11:46
  9. "Another Life" – 4:39
  10. "Just Like You" – 10:57

Personnel

Rollins Band

Production

Charts

Related Research Articles

<span class="mw-page-title-main">Rollins Band</span> American rock band

Rollins Band was an American rock band formed in Van Nuys, California. The band was active from 1987 to 2006 and was led by former Black Flag vocalist Henry Rollins. They are best known for the songs "Low Self Opinion" and "Liar", which both earned heavy airplay on MTV in the early-mid 1990s.

<i>Undertow</i> (Tool album) 1993 studio album by Tool

Undertow is the debut studio album by the American rock band Tool, released on April 6, 1993, by Zoo Entertainment. Produced by the band and Sylvia Massy, it was recorded from October to December 1992 at Sound City Studios in Van Nuys and Grandmaster Recorders in Hollywood. The album includes some tracks the band decided to not release on their debut EP Opiate. This is their only album to feature original bassist Paul D'Amour.

<i>Sixteen Stone</i> 1994 studio album by Bush

Sixteen Stone is the debut studio album by English rock band Bush, released on 6 December 1994 by Trauma and Interscope Records. It became the band's most popular album, peaking at number four on the US Billboard 200 and boasting numerous successful singles. "Comedown" and "Glycerine" remain two of Bush's biggest hits to date, each reaching number one on the US Billboard Modern Rock Tracks chart. "Comedown", "Machinehead", and "Glycerine" were the three songs from the album to enter the US Billboard Hot 100, reaching number thirty, number forty-three, and number twenty-eight, respectively. The album was certified 6× Platinum in the United States by the RIAA on 16 April 1997. Although notably less successful in the band's native Britain, the album was nonetheless certified Silver by the British Phonographic Industry.

<i>Meantime</i> (album) 1992 studio album by Helmet

Meantime is the second studio album and major label debut by American alternative metal band Helmet. It was released on June 23, 1992, through Interscope Records.

<i>Badmotorfinger</i> 1991 studio album by Soundgarden

Badmotorfinger is the third studio album by American rock band Soundgarden, released on October 8, 1991, through A&M Records. Soundgarden began the recording sessions for the album with new bassist Ben Shepherd in the spring of 1991. The album maintained the band's heavy metal sound, while featuring an increased focus on songwriting compared to the band's previous releases. AllMusic considered the album's music to be "surprisingly cerebral and arty"; alternative tunings and odd time signatures were present on several of the album's songs, and lyrics were intended to be ambiguous and evocative.

<i>Astro-Creep: 2000</i> 1995 studio album by White Zombie

Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head is the fourth and final studio album by American heavy metal band White Zombie, released on April 11, 1995, by Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the Billboard 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It was the band's only studio album to feature John Tempesta on drums.

Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Nine Inch Nails, Rammstein, KMFDM, and Godflesh.

<span class="mw-page-title-main">Metalcore</span> Genre of music

Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.

<i>Strap It On</i> 1990 studio album by Helmet

Strap It On is the debut album by American alternative metal band Helmet. It was first released in October 1990 through Amphetamine Reptile Records, and later reissued through Interscope Records in January 1993.

<i>Devil Without a Cause</i> 1998 studio album by Kid Rock

Devil Without a Cause is the fourth studio album by American musician Kid Rock. Released on August 18, 1998, the album saw Kid Rock continuing to develop his sound, and marked the finalization of his stage persona as a 'redneck pimp'. Additionally, the song "Cowboy" is seen as being instrumental in the development of the fusion genre country rap.

<i>Weight</i> (album) 1994 studio album by Rollins Band

Weight is the fourth studio album by American rock band Rollins Band, released on April 12, 1994. It featured the band's biggest hits, "Liar" and "Disconnect".

<i>La Sexorcisto: Devil Music Volume One</i> 1992 studio album by White Zombie

La Sexorcisto: Devil Music Volume One is the third studio album by American heavy metal band White Zombie, released on March 30, 1992, through Geffen Records. The album marked a major artistic and commercial turning point for the band. After the recruitment of guitarist Jay Noel Yuenger, White Zombie was able to successfully embrace the metal sound they had pursued since Make Them Die Slowly (1989), while incorporating groove-based elements into their sound as they evolved away from their roots in punk rock and noise rock. The album was the band's last to feature drummer Ivan de Prume.

<span class="mw-page-title-main">Deathcore</span> Fusion of death metal and metalcore genres

Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals.

<i>Come In and Burn</i> 1997 studio album by Rollins Band

Come In and Burn is the fifth full-length studio album by the Rollins Band. Released in 1997 on DreamWorks Records, it is their major label debut. It is also the last album before vocalist Henry Rollins dissolved the band's "classic" lineup of guitarist Chris Haskett, bassist Melvin Gibbs, drummer Sim Cain and sound technician Theo Van Rock. Rollins later formed a new version of Rollins Band with musicians from Mother Superior, who provided his backing band from 1998 until 2006, when the classic Rollins Band lineup briefly reunited.

<i>Get Some Go Again</i> 2000 studio album by Rollins Band

Get Some Go Again is the sixth studio album by Rollins Band, released in 2000. It is also the first album by lead singer Henry Rollins after dissolving his longtime lineup featuring guitarist Chris Haskett and others. On this album, and its follow-up Nice, Rollins was backed by the band Mother Superior.

<i>Arise</i> (Sepultura album) 1991 studio album by Sepultura

Arise is the fourth studio album by Brazilian heavy metal band Sepultura, released in 1991 by Roadrunner Records. Upon its release, the album received top reviews from heavy metal magazines such as Rock Hard, Kerrang! and Metal Forces. Arise is considered Sepultura's finest hour among longtime fans. While the music on Arise was mostly in the same death/thrash style as their previous album, Beneath the Remains, it was clear that the Sepultura sound was acquiring an experimental edge.

<i>Nice</i> (Rollins Band album) 2001 studio album by Rollins Band

Nice is a studio album by the American rock band Rollins Band, released in 2001. It was the Rollins Band's final studio album.

"Liar" is a song by Rollins Band and the lead single from their fourth album, Weight, released in 1994. It was the album's only charting single and is one of the group's best known songs.

Stoner rock, also known as stoner metal or stoner doom, is a rock music fusion genre that combines elements of doom metal with psychedelic rock and acid rock. The genre emerged during the early 1990s and was pioneered foremost by Kyuss and Sleep.

<span class="mw-page-title-main">Tearing (song)</span> 1992 single by Rollins Band

"Tearing" is a 1992 single by the American rock band Rollins Band, from the album The End of Silence.

References

  1. 1 2 3 "The Top 20 best metal albums of 1992". Louder. April 9, 2021. Retrieved May 22, 2023. Blues rock, jazz, swing and prog all propped up a rock hard alt-metal sound.
  2. 1 2 "Rollins Band - the End of Silence".
  3. Parker, James (1998). Turned on: A Biography of Henry Rollins. Cooper Square Press. Retrieved May 5, 2024.
  4. Colon, Suzan. "Who's Afraid of Henry Rollins?". Miami New Times.
  5. 1 2 https://www.worldradiohistory.com/Archive-All-Music/Hits/90s/1992/Hits-1992-02-17.pdf
  6. https://stars.library.ucf.edu/cgi/viewcontent.cgi?article=2716&context=cfm-sandspur
  7. 1 2 3 https://www.peek-a-boo-magazine.be/en/interviews/chris-haskett-rollins-band-2020/
  8. Rees, Dafydd; Crampton, Luke. VH1 Rock Stars Encyclopedia. DK Pub. Retrieved May 25, 2024.
  9. 1 2 updated, Metal Hammer last (March 26, 2020). "The 100 best metal albums of the 90s". louder.
  10. Greg Prato (April 28, 2022). "The 30 greatest rock guitar albums of 1992". guitarworld.
  11. 1 2 Franck, John. "The End of Silence review". AllMusic . Retrieved January 10, 2010.
  12. Christgau, Robert. "Robert Christgau: CG: Artist 2102". robertchristgau.com. Retrieved February 19, 2024.
  13. Popoff, Martin (2007). The Collector's Guide to Heavy Metal: Volume 3: The Nineties. Burlington, Ontario, Canada: Collector's Guide Publishing. pp. 368–369. ISBN   978-1-894959-62-9.
  14. 1 2 Hochman, Steve (March 8, 1992). "Shades of Rage According to Henry Rollins". Los Angeles Times. Retrieved February 19, 2024.
  15. Holtje, Steve (1999). "Henry Rollins/Rollins Band". MusicHound Rock: The Essential Album Guide. Visible Ink Press. p.  952–953. ISBN   1-57859-061-2 via Internet Archive.
  16. Sinclair, Tom (March 19, 1992). "The End of Silence". Rolling Stone . No. 626. p. 92.
  17. Perry, Andrew (March 1992). "Reviews". Select . EMAP. p. 68.
  18. Hannaham, James (1995). "Henry Rollins". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. pp. 335–336. ISBN   0-679-75574-8.
  19. Cameron, Keith (March 1992). "Albums: Rock & Pop". Vox . No. 18. IPC. p. 58.
  20. Taylor, Chuck (February 6, 1999). "In the hunt for hits". Billboard. Retrieved June 5, 2018.
  21. https://www.worldradiohistory.com/Archive-All-Music/Hard-Report/1992/Hard-1992-02-07.pdf
  22. https://www.worldradiohistory.com/Archive-All-Music/Billboard/90s/1992/Billboard-1992-02-29.pdf
  23. "Palo Verde Valley Times". Palo Verde Valley Times via Google Books.
  24. https://www.worldradiohistory.com/Archive-All-Music/Billboard/90s/1992/Billboard-1992-12-26.pdf
  25. "Pittsburgh Post-Gazette". Pittsburgh Post-Gazette via Google Books.
  26. "Justin Chancellor Striking A Chord". Ernie Ball.
  27. Mudrian, Albert (September 18, 2006). "Rollins Band - "The End of Silence"". Decibel Magazine.
  28. Chick, Stevie (2009). Spray Paint the Walls: The Story of Black Flag. Omnibus Press. ISBN   978-0-85712-064-9 . Retrieved May 14, 2024.
  29. Simon Young (May 18, 2022). "Every Rollins Band album ranked from worst to best". louder.
  30. "30 Overlooked 1992 Albums Turning 30 - SPIN".
  31. "Rock de Lux – Albums of the Year". Rocklist. Retrieved April 16, 2008.
  32. "Musikexpress – Albums of the Year". Musikexpress . Retrieved January 18, 2010.
  33. "Select – Albums of the Year". Select . Retrieved January 18, 2010.
  34. "Visions – The Eternal Readers Charts". Visions. Retrieved January 18, 2010.
  35. "Visions – The Best Albums 1991–96". Visions. Retrieved January 18, 2010.
  36. "Visions – The Most Important Albums of the Nineties". Visions. Retrieved January 18, 2010.
  37. "Terrorizer – 100 Most Important Albums of the Nineties". Terrorizer . Retrieved January 18, 2010.
  38. "Rollins Band – "The End of Silence"". Decibel. September 18, 2006. Retrieved February 11, 2019.
  39. Best of Rock & Metal - Die 500 stärksten Scheiben aller Zeiten (in German). Rock Hard. 2005. p. 40. ISBN   3-89880-517-4.
  40. Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 238.
  41. 1 2 "The End of Silence charts [albums]". allmusic.com. Retrieved January 17, 2010.
  42. "UK charts page for "Tearing" by Rollins Band". Official Charts Company . Retrieved January 17, 2010.